Chapter 9

These thoughts shaped themselves with greater or less definition in Brayton’s mind, and begot action. The process is what we call consideration and decision. It is thus that we are wise and unwise. It is thus that the withered leaf in an autumn breeze shows greater or less intelligence than its fellows, falling upon the land or upon the lake. The secret of human action is an open one—something contracts our muscles. Does it matter if we give to the preparatory molecular changes the name of will?

Brayton rose to his feet and prepared to back softly away from the snake, without disturbing it, if possible, and through the door. People retire so from the presence of the great, for greatness is power, and power is a menace. He knew that he could walk backward without obstruction, and find the door without error. Should the monster follow, the taste which had plastered the walls with paintings had consistently supplied a rack of murderous Oriental weapons from which he could snatch one to suit the occasion. In the meantime the snake’s eyes burned with a more pitiless malevolence than ever.

Brayton lifted his right foot free of the floor to step backward. That moment he felt a strong aversion to doing so.

“I am accounted brave,” he murmured; “is bravery, then, no more than pride? Because there are none to witness the shame shall I retreat?”

He was steadying himself with his right hand upon the back of a chair, his foot suspended.

“Nonsense!” he said aloud; “I am not so great a coward as to fear to seem to myself afraid.”

He lifted the foot a little higher by slightly bending the knee, and thrust it sharply to the floor—an inch in front of the other! He could not think how that occurred. A trial with the left foot had the same result; it was again in advance of the right. The hand upon the chair back was grasping it; the arm was straight, reaching somewhat backward. One might have seen that he was reluctant to lose his hold. The snake’s malignant head was still thrust forth from the inner coil as before, the neck level. It had not moved, but its eyes were now electric sparks, radiating an infinity of luminous needles.

The man had an ashy pallor. Again he took a step forward, and another, partly dragging the chair, which, when finally released, fell upon the floor with a crash. The man groaned; the snake made neither sound nor motion, but its eyes were two dazzling suns. The reptile itself was wholly concealed by them. They gave off enlarging rings of rich and vivid colors, which at their greatest expansion successively vanished like soap bubbles; they seemed to approach his very face, and anon were an immeasurable distance away. He heard, somewhere, the continual throbbing of a great drum, with desultory bursts of far music, inconceivably sweet, like the tones of an aeolian harp. He knew it for the sunrise melody of Memnon’s statue, and thought he stood in the Nileside reeds, hearing, with exalted sense, that immortal anthem through the silence of the centuries.

The music ceased; rather, it became by insensible degrees the distant roll of a retreating thunderstorm. A landscape, glittering with sun and rain, stretched before him, arched with a vivid rainbow, framing in its giant curve a hundred visible cities. In the middle distance a vast serpent, wearing a crown, reared its head out of its voluminous convolutions and looked at him with his dead mother’s eyes. Suddenly this enchanting landscape seemed to rise swiftly upward, like the drop scene at a theater, and vanished in a blank. Something struck him a hard blow upon the face and breast. He had fallen to the floor; the blood ran from his broken nose and his bruised lips. For a moment he was dazed and stunned, and lay with closed eyes, his face against the door. In a few moments he had recovered, and then realized that his fall, by withdrawing his eyes, had broken the spell which held him. He felt that now, by keeping his gaze averted, he would be able to retreat. But the thought of the serpent within a few feet of his head, yet unseen—perhaps in the very act of springing upon him and throwing its coils about his throat—was too horrible. He lifted his head, stared again into those baleful eyes, and was again in bondage.

The snake had not moved, and appeared somewhat to have lost its power upon the imagination; the gorgeous illusions of a few moments before were not repeated. Beneath that flat and brainless brow its black, beady eyes simply glittered, as at first, with an expression unspeakably malignant. It was as if the creature, knowing its triumph assured, had determined to practice no more alluring wiles.

Now ensued a fearful scene. The man, prone upon the floor, within a yard of his enemy, raised the upper part of his body upon his elbows, his head thrown back, his legs extended to their full length. His face was white between its gouts of blood; his eyes were strained open to their uttermost expansion. There was froth upon his lips; it dropped off in flakes. Strong convulsions ran through his body, making almost serpentine undulations. He bent himself at the waist, shifting his legs from side to side. And every movement left him a little nearer to the snake. He thrust his hands forward to brace himself back, yet constantly advanced upon his elbows.

IV

Dr. Druring and his wife sat in the library. The scientist was in rare good humor.

“I have just obtained, by exchange with another collector,” he said, “a splendid specimen of the Ophiophagus.”

“And what may that be?” the lady inquired with a somewhat languid interest.

“Why, bless my soul, what profound ignorance! My dear, a man who ascertains after marriage that his wife does not know Greek, is entitled to a divorce. The Ophiophagus is a snake which eats other snakes.”

“I hope it will eat all yours,” she said, absently shifting the lamp. “But how does it get the other snakes? By charming them, I suppose.”

“That is just like you, dear,” said the doctor, with an affectation of petulance. “You know how irritating to me is any allusion to that vulgar superstition about the snake’s power of fascination.”

The conversation was interrupted by a mighty cry which rang through the silent house like the voice of a demon shouting in a tomb. Again and yet again it sounded, with terrible distinctness. They sprang to their feet, the man confused, the lady pale and speechless with fright. Almost before the echoes of the last cry had died away the doctor was out of the room, springing up the staircase two steps at a time. In the corridor, in front of Brayton’s chamber, he met some servants who had come from the upper floor. Together they rushed at the door without knocking. It was unfastened, and gave way. Brayton lay upon his stomach on the floor, dead. His head and arms were partly concealed under the foot rail of the bed. They pulled the body away, turning it upon the back. The face was daubed with blood and froth, the eyes were wide open, staring—a dreadful sight!

“Died in a fit,” said the scientist, bending his knee and placing his hand upon the heart. While in that position he happened to glance under the bed. “Good God!” he added; “how did this thing get in here?”

He reached under the bed, pulled out the snake, and flung it, still coiled, to the center of the room, whence, with a harsh, shuffling sound, it slid across the polished floor till stopped by the wall, where it lay without motion. It was a stuffed snake; its eyes were two shoe buttons.

From “Tales of Soldiers and Civilians,” by Ambrose Bierce. Copyright, 1891, by E. L. G. Steele.

Edgar Allan Poe

The Oblong Box

Some years ago, I engaged passage from Charleston, S. C, to the city of New York, in the fine packet-ship “Independence,” Captain Hardy. We were to sail on the fifteenth of the month (June), weather permitting; and on the fourteenth, I went on board to arrange some matters in my stateroom.

I found that we were to have a great many passengers, including a more than usual number of ladies. On the list were several of my acquaintances, and among other names, I was rejoiced to see that of Mr. Cornelius Wyatt, a young artist, for whom I entertained feelings of warm friendship. He had been with me a fellow-student at C—— University, where we were very much together. He had the ordinary temperament of genius, and was a compound of misanthropy, sensibility, and enthusiasm. To these qualities he united the warmest and truest heart which ever beat in a human bosom.

I observed that his name was carded upon THREE state-rooms; and, upon again referring to the list of passengers, I found that he had engaged passage for himself, wife, and two sisters—his own. The state-rooms were sufficiently roomy, and each had two berths, one above the other. These berths, to be sure, were so exceedingly narrow as to be insufficient for more than one person; still, I could not comprehend why there were THREE staterooms for these four persons. I was, just at that epoch, in one of those moody frames of mind which make a man abnormally inquisitive about trifles: and I confess, with shame, that I busied myself in a variety of ill- bred and preposterous conjectures about this matter of the supernumerary stateroom. It was no business of mine, to be sure, but with none the less pertinacity did I occupy myself in attempts to resolve the enigma. At last I reached a conclusion which wrought in me great wonder why I had not arrived at it before. “It is a servant of course,” I said; “what a fool I am, not sooner to have thought of so obvious a solution!” And then I again repaired to the list—but here I saw distinctly that NO servant was to come with the party, although, in fact, it had been the original design to bring one—for the words “and servant” had been first written and then over-scored. “Oh, extra baggage, to be sure,” I now said to myself—“something he wishes not to be put in the hold— something to be kept under his own eye—ah, I have it—a painting or so—and this is what he has been bargaining about with Nicolino, the Italian Jew.” This idea satisfied me, and I dismissed my curiosity for the nonce.

Wyatt’s two sisters I knew very well, and most amiable and clever girls they were. His wife he had newly married, and I had never yet seen her. He had often talked about her in my presence, however, and in his usual style of enthusiasm. He described her as of surpassing beauty, wit, and accomplishment. I was, therefore, quite anxious to make her acquaintance.

On the day in which I visited the ship (the fourteenth), Wyatt and party were also to visit it—so the captain informed me—and I waited on board an hour longer than I had designed, in hope of being presented to the bride, but then an apology came. “Mrs. W. was a little indisposed, and would decline coming on board until to-morrow, at the hour of sailing.”

The morrow having arrived, I was going from my hotel to the wharf, when Captain Hardy met me and said that, “owing to circumstances” (a stupid but convenient phrase), “he rather thought the ‘Independence’ would not sail for a day or two, and that when all was ready, he would send up and let me know.” This I thought strange, for there was a stiff southerly breeze; but as “the circumstances” were not forthcoming, although I pumped for them with much perseverance, I had nothing to do but to return home and digest my impatience at leisure.

I did not receive the expected message from the captain for nearly a week. It came at length, however, and I immediately went on board. The ship was crowded with passengers, and every thing was in the bustle attendant upon making sail. Wyatt’s party arrived in about ten minutes after myself. There were the two sisters, the bride, and the artist—the latter in one of his customary fits of moody misanthropy. I was too well used to these, however, to pay them any special attention. He did not even introduce me to his wife;—this courtesy devolving, per force, upon his sister Marian— a very sweet and intelligent girl, who, in a few hurried words, made us acquainted.

Mrs. Wyatt had been closely veiled; and when she raised her veil, in acknowledging my bow, I confess that I was very profoundly astonished. I should have been much more so, however, had not long experience advised me not to trust, with too implicit a reliance, the enthusiastic descriptions of my friend, the artist, when indulging in comments upon the loveliness of woman. When beauty was the theme, I well knew with what facility he soared into the regions of the purely ideal.

The truth is, I could not help regarding Mrs. Wyatt as a decidedly plain-looking woman. If not positively ugly, she was not, I think, very far from it. She was dressed, however, in exquisite taste— and then I had no doubt that she had captivated my friend’s heart by the more enduring graces of the intellect and soul. She said very few words, and passed at once into her state-room with Mr. W.

My old inquisitiveness now returned. There was NO servant—THAT was a settled point. I looked, therefore, for the extra baggage. After some delay, a cart arrived at the wharf, with an oblong pine box, which was every thing that seemed to be expected. Immediately upon its arrival we made sail, and in a short time were safely over the bar and standing out to sea.

The box in question was, as I say, oblong. It was about six feet in length by two and a half in breadth; I observed it attentively, and like to be precise. Now this shape was PECULIAR; and no sooner had I seen it, than I took credit to myself for the accuracy of my guessing. I had reached the conclusion, it will be remembered, that the extra baggage of my friend, the artist, would prove to be pictures, or at least a picture; for I knew he had been for several weeks in conference with Nicolino:—and now here was a box, which, from its shape, COULD possibly contain nothing in the world but a copy of Leonardo’s “Last Supper;” and a copy of this very “Last Supper,” done by Rubini the younger, at Florence, I had known, for some time, to be in the possession of Nicolino. This point, therefore, I considered as sufficiently settled. I chuckled excessively when I thought of my acumen. It was the first time I had ever known Wyatt to keep from me any of his artistical secrets; but here he evidently intended to steal a march upon me, and smuggle a fine picture to New York, under my very nose; expecting me to know nothing of the matter. I resolved to quiz him WELL, now and hereafter.

One thing, however, annoyed me not a little. The box did NOT go into the extra stateroom. It was deposited in Wyatt’s own; and there, too, it remained, occupying very nearly the whole of the floor—no doubt to the exceeding discomfort of the artist and his wife;—this the more especially as the tar or paint with which it was lettered in sprawling capitals, emitted a strong, disagreeable, and, to my fancy, a peculiarly disgusting odor. On the lid were painted the words—“Mrs. Adelaide Curtis, Albany, New York. Charge of Cornelius Wyatt, Esq. This side up. To be handled with care.”

Now, I was aware that Mrs. Adelaide Curtis, of Albany, was the artist’s wife’s mother,—but then I looked upon the whole address as a mystification, intended especially for myself. I made up my mind, of course, that the box and contents would never get farther north than the studio of my misanthropic friend, in Chambers Street, New York.

For the first three or four days we had fine weather, although the wind was dead ahead; having chopped round to the northward, immediately upon our losing sight of the coast. The passengers were, consequently, in high spirits and disposed to be social. I MUST except, however, Wyatt and his sisters, who behaved stiffly, and, I could not help thinking, uncourteously to the rest of the party. Wyatt’s conduct I did not so much regard. He was gloomy, even beyond his usual habit—in fact he was MOROSE—but in him I was prepared for eccentricity. For the sisters, however, I could make no excuse. They secluded themselves in their staterooms during the greater part of the passage, and absolutely refused, although I repeatedly urged them, to hold communication with any person on board.

Mrs. Wyatt herself was far more agreeable. That is to say, she was CHATTY; and to be chatty is no slight recommendation at sea. She became EXCESSIVELY intimate with most of the ladies; and, to my profound astonishment, evinced no equivocal disposition to coquet with the men. She amused us all very much. I say “amused”—and scarcely know how to explain myself. The truth is, I soon found that Mrs. W. was far oftener laughed AT than WITH. The gentlemen said little about her; but the ladies, in a little while, pronounced her “a good-hearted thing, rather indifferent looking, totally uneducated, and decidedly vulgar.” The great wonder was, how Wyatt had been entrapped into such a match. Wealth was the general solution—but this I knew to be no solution at all; for Wyatt had told me that she neither brought him a dollar nor had any expectations from any source whatever. “He had married,” he said, “for love, and for love only; and his bride was far more than worthy of his love.” When I thought of these expressions, on the part of my friend, I confess that I felt indescribably puzzled. Could it be possible that he was taking leave of his senses? What else could I think? HE, so refined, so intellectual, so fastidious, with so exquisite a perception of the faulty, and so keen an appreciation of the beautiful! To be sure, the lady seemed especially fond of HIM—particularly so in his absence—when she made herself ridiculous by frequent quotations of what had been said by her “beloved husband, Mr. Wyatt.” The word “husband” seemed forever—to use one of her own delicate expressions—forever “on the tip of her tongue.” In the meantime, it was observed by all on board, that he avoided HER in the most pointed manner, and, for the most part, shut himself up alone in his state-room, where, in fact, he might have been said to live altogether, leaving his wife at full liberty to amuse herself as she thought best, in the public society of the main cabin.

My conclusion, from what I saw and heard, was, that, the artist, by some unaccountable freak of fate, or perhaps in some fit of enthusiastic and fanciful passion, had been induced to unite himself with a person altogether beneath him, and that the natural result, entire and speedy disgust, had ensued. I pitied him from the bottom of my heart—but could not, for that reason, quite forgive his incommunicativeness in the matter of the “Last Supper.” For this I resolved to have my revenge.

One day he came upon deck, and, taking his arm as had been my wont, I sauntered with him backward and forward. His gloom, however (which I considered quite natural under the circumstances), seemed entirely unabated. He said little, and that moodily, and with evident effort. I ventured a jest or two, and he made a sickening attempt at a smile. Poor fellow!—as I thought of HIS WIFE, I wondered that he could have heart to put on even the semblance of mirth. At last I ventured a home thrust. I determined to commence a series of covert insinuations, or innuendoes, about the oblong box—just to let him perceive, gradually, that I was NOT altogether the butt, or victim, of his little bit of pleasant mystification. My first observation was by way of opening a masked battery. I said something about the “peculiar shape of THAT box—,” and, as I spoke the words, I smiled knowingly, winked, and touched him gently with my forefinger in the ribs.

The manner in which Wyatt received this harmless pleasantry convinced me, at once, that he was mad. At first he stared at me as if he found it impossible to comprehend the witticism of my remark; but as its point seemed slowly to make its way into his brain, his eyes, in the same proportion, seemed protruding from their sockets. Then he grew very red—then hideously pale—then, as if highly amused with what I had insinuated, he began a loud and boisterous laugh, which, to my astonishment, he kept up, with gradually increasing vigor, for ten minutes or more. In conclusion, he fell flat and heavily upon the deck. When I ran to uplift him, to all appearance he was DEAD.

I called assistance, and, with much difficulty, we brought him to himself. Upon reviving he spoke incoherently for some time. At length we bled him and put him to bed. The next morning he was quite recovered, so far as regarded his mere bodily health. Of his mind I say nothing, of course. I avoided him during the rest of the passage, by advice of the captain, who seemed to coincide with me altogether in my views of his insanity, but cautioned me to say nothing on this head to any person on board.

Several circumstances occurred immediately after this fit of Wyatt which contributed to heighten the curiosity with which I was already possessed. Among other things, this: I had been nervous— drank too much strong green tea, and slept ill at night—in fact, for two nights I could not be properly said to sleep at all. Now, my state-room opened into the main cabin, or dining-room, as did those of all the single men on board. Wyatt’s three rooms were in the after-cabin, which was separated from the main one by a slight sliding door, never locked even at night. As we were almost constantly on a wind, and the breeze was not a little stiff, the ship heeled to leeward very considerably; and whenever her starboard side was to leeward, the sliding door between the cabins slid open, and so remained, nobody taking the trouble to get up and shut it. But my berth was in such a position, that when my own state-room door was open, as well as the sliding door in question (and my own door was ALWAYS open on account of the heat,) I could see into the after-cabin quite distinctly, and just at that portion of it, too, where were situated the state-rooms of Mr. Wyatt. Well, during two nights (NOT consecutive) while I lay awake, I clearly saw Mrs. W., about eleven o’clock upon each night, steal cautiously from the state-room of Mr. W., and enter the extra room, where she remained until daybreak, when she was called by her husband and went back. That they were virtually separated was clear. They had separate apartments—no doubt in contemplation of a more permanent divorce; and here, after all I thought was the mystery of the extra stateroom.

There was another circumstance, too, which interested me much. During the two wakeful nights in question, and immediately after the disappearance of Mrs. Wyatt into the extra stateroom, I was attracted by certain singular cautious, subdued noises in that of her husband. After listening to them for some time, with thoughtful attention, I at length succeeded perfectly in translating their import. They were sounds occasioned by the artist in prying open the oblong box, by means of a chisel and mallet—the latter being apparently muffled, or deadened, by some soft woollen or cotton substance in which its head was enveloped.