Part 17

We ran thither in a breath, threw up the casement, and looked forth. Along the whole back wall of the pavilion piles of fuel had been arranged and kindled; and it is probable they had been drenched with mineral oil, for, in spite of the morning's rain, they all burned bravely. The fire had taken a firm hold already on the outhouse, which blazed higher and higher every moment; the back door was in the center of a red-hot bonfire; the eaves we could see, as we looked upward, were already smoldering, for the roof overhung, and was supported by considerable beams of wood. At the same time, hot, pungent, and choking volumes of smoke began to fill the house. There was not a human being to be seen to right or left.

"Ah, well!" said Northmour, "here's the end, thank God!"

And we returned to My Uncle's Room. Mr. Huddlestone was putting on his boots, still violently trembling, but with an air of determination such as I had not hitherto observed. Clara stood close by him, with her cloak in both hands ready to throw about her shoulders, and a strange look in her eyes, as if she were half hopeful, half doubtful of her father.

"Well, boys and girls," said Northmour, "how about a sally? The oven is heating; it is not good to stay here and be baked; and, for my part, I want to come to my hands with them, and be done."

"There's nothing else left," I replied.

And both Clara and Mr. Huddlestone, though with a very different intonation, added, "Nothing."

As we went downstairs the heat was excessive, and the roaring of the fire filled our ears; and we had scarce reached the passage before the stairs window fell in, a branch of flame shot brandishing through the aperture, and the interior of the pavilion became lighted up with that dreadful and fluctuating glare. At the same moment we heard the fall of something heavy and inelastic in the upper story. The whole pavilion, it was plain, had gone alight like a box of matches, and now not only flamed sky high to land and sea, but threatened with every moment to crumble and fall in about our ears.

Northmour and I cocked our revolvers. Mr. Huddlestone, who had already refused a firearm, put us behind him with a manner of command.

"Let Clara open the door," said he. "So, if they fire a volley, she will be protected. And in the meantime stand behind me. I am the scapegoat; my sins have found me out."

I heard him, as I stood breathless by his shoulder, with my pistol ready, pattering off prayers in a tremulous, rapid whisper; and, I confess, horrid as the thought may seem, I despised him for thinking of supplications in a moment so critical and thrilling. In the meantime, Clara, who was dead white but still possessed her faculties, had displaced the barricade from the front door. Another moment, and she had pulled it open. Firelight and moonlight illuminated the links with confused and changeful luster, and far away against the sky we could see a long trail of glowing smoke.

Mr. Huddlestone, filled for the moment with a strength greater than his own, struck Northmour and myself a back-hander in the chest; and while we were thus for the moment incapacitated from action, lifting his arms above his head like one about to dive, he ran straight forward out of the pavilion.

"Here am I!" he cried--"Huddlestone! Kill me, and spare the others!"

His sudden appearance daunted, I suppose, our hidden enemies; for Northmour and I had time to recover, to seize Clara between us, one by each arm, and to rush forth to his assistance, ere anything further had taken place. But scarce had we passed the threshold when there came near a dozen reports and flashes from every direction among the hollows of the links. Mr. Huddlestone staggered, uttered a weird and freezing cry, threw up his arms over his head, and fell backward on the turf.

_"Traditore! Traditore!"_ cried the invisible avengers.

And just then a part of the roof of the pavilion fell in, so rapid was the progress of the fire. A loud, vague, and horrible noise accompanied the collapse, and a vast volume of flame went soaring up to heaven. It must have been visible at that moment from twenty miles out at sea, from the shore at Graden Wester, and far inland from the peak of Graystiel, the most eastern summit of the Caulder Hills. Bernard Huddlestone, although God knows what were his obsequies, had a fine pyre at the moment of his death.

IX

I should have the greatest difficulty to tell you what followed next after this tragic circumstance. It is all to me, as I look back upon it, mixed, strenuous, and ineffectual, like the struggles of a sleeper in a nightmare. Clara, I remember, uttered a broken sigh and would have fallen forward to earth, had not Northmour and I supported her insensible body. I do not think we were attacked: I do not remember even to have seen an assailant; and I believe we deserted Mr. Huddlestone without a glance. I only remember running like a man in a panic, now carrying Clara altogether in my own arms, now sharing her weight with Northmour, now scuffling confusedly for the possession of that dear burden. Why we should have made for my camp in the Hemlock Den, or how we reached it, are points lost forever to my recollection. The first moment at which I became definitely sure, Clara had been suffered to fall against the outside of my little tent, Northmour and I were tumbling together on the ground, and he, with contained ferocity, was striking for my head with the butt of his revolver. He had already twice wounded me on the scalp; and it is to the consequent loss of blood that I am tempted to attribute the sudden clearness of my mind.

I caught him by the wrist.

"Northmour," I remember saying, "you can kill me afterwards. Let us first attend to Clara."

He was at that moment uppermost. Scarcely had the words passed my lips, when he had leaped to his feet and ran toward the tent; and the next moment, he was straining Clara to his heart and covering her unconscious hands and face with his caresses.

"Shame!" I cried. "Shame to you, Northmour!"

And, giddy though I still was, I struck him repeatedly upon the head and shoulders.

He relinquished his grasp, and faced me in the broken moonlight.

"I had you under, and I let you go," said he; "and now you strike me! Coward!"

"You are the coward," I retorted. "Did she wish your kisses while she was still sensible of what you wanted? Not she! And now she may be dying; and you waste this precious time, and abuse her helplessness. Stand aside, and let me help her."

He confronted me for a moment, white and menacing; then suddenly he stepped aside.

"Help her then," said he.

I threw myself on my knees beside her, and loosened, as well as I was able, her dress and corset; but while I was thus engaged, a grasp descended on my shoulder.

"Keep your hands off her," said Northmour, fiercely. "Do you think I have no blood in my veins?"

"Northmour," I cried, "if you will neither help her yourself, nor let me do so, do you know that I shall have to kill you?"

"That is better!" he cried. "Let her die also, where's the harm? Step aside from that girl! and stand up to fight."

"You will observe," said I, half rising, "that I have not kissed her yet."

"I dare you to," he cried.

I do not know what possessed me; it was one of the things I am most ashamed of in my life, though, as my wife used to say, I knew that my kisses would be always welcome were she dead or living; down I fell again upon my knees, parted the hair from her forehead, and, with the dearest respect, laid my lips for a moment on that cold brow. It was such a caress as a father might have given; it was such a one as was not unbecoming from a man soon to die to a woman already dead.

"And now," said I, "I am at your service, Mr. Northmour."

But I saw, to my surprise, that he had turned his back upon me.

"Do you hear?" I asked.

"Yes," said he, "I do. If you wish to fight, I am ready. If not, go on and save Clara. All is one to me."

I did not wait to be twice bidden; but, stooping again over Clara, continued my efforts to revive her. She still lay white and lifeless; I began to fear that her sweet spirit had indeed fled beyond recall, and horror and a sense of utter desolation seized upon my heart. I called her by name with the most endearing inflections; I chafed and beat her hands; now I laid her head low, now supported it against my knee; but all seemed to be in vain, and the lids still lay heavy on her eyes.

"Northmour," I said, "there is my hat. For God's sake bring some water from the spring."

Almost in a moment he was by my side with the water.

"I have brought it in my own," he said. "You do not grudge me the privilege?"

"Northmour," I was beginning to say, as I laved her head and breast; but he interrupted me savagely.

"Oh, you hush up!" he said. "The best thing you can do is to say nothing."

I had certainly no desire to talk, my mind being swallowed up in concern for my dear love and her condition; so I continued in silence to do my best toward her recovery, and, when the hat was empty, returned it to him, with one word--"More." He had, perhaps, gone several times upon this errand, when Clara reopened her eyes.

"Now," said he, "since she is better, you can spare me, can you not? I wish you a good night, Mr. Cassilis."

And with that he was gone among the thicket. I made a fire, for I had now no fear of the Italians, who had even spared all the little possessions left in my encampment; and, broken as she was by the excitement and the hideous catastrophe of the evening, I managed, in one way or another--by persuasion, encouragement, warmth, and such simple remedies as I could lay my hand on--to bring her back to some composure of mind and strength of body.

Day had already come, when a sharp "Hist!" sounded from the thicket. I started from the ground; but the voice of Northmour was heard adding, in the most tranquil tones: "Come here, Cassilis, and alone; I want to show you something."

I consulted Clara with my eyes, and, receiving her tacit permission, left her alone, and clambered out of the den. At some distance off I saw Northmour leaning against an elder; and, as soon as he perceived me, he began walking seaward. I had almost overtaken him as he reached the outskirts of the wood.

"Look," said he, pausing.

A couple of steps more brought me out of the foliage. The light of the morning lay cold and clear over that well-known scene. The pavilion was but a blackened wreck; the roof had fallen in, one of the gables had fallen out; and, far and near, the face of the links was cicatrized with little patches of burned furze. Thick smoke still went straight upward in the windless air of the morning, and a great pile of ardent cinders filled the bare walls of the house, like coals in an open grate. Close by the islet a schooner yacht lay to, and a well-manned boat was pulling vigorously for the shore.

"The 'Red Earl'!" I cried. "The 'Red Earl' twelve hours too late!"

"Feel in your pocket, Frank. Are you armed?" asked Northmour.

I obeyed him, and I think I must have become deadly pale. My revolver had been taken from me.

"You see, I have you in my power," he continued. "I disarmed you last night while you were nursing Clara; but this morning--here--take your pistol. No thanks!" he cried, holding up his hand. "I do not like them; that is the only way you can annoy me now."

He began to walk forward across the links to meet the boat, and I followed a step or two behind. In front of the pavilion I paused to see where Mr. Huddlestone had fallen; but there was no sign of him, nor so much as a trace of blood.

"Graden Floe," said Northmour.

He continued to advance till we had come to the head of the beach.

"No farther, please," said he. "Would you like to take her to Graden House?"

"Thank you," replied I; "I shall try to get her to the minister at Graden Wester."

The prow of the boat here grated on the beach, and a sailor jumped ashore with a line in his hand.

"Wait a minute, lads!" cried Northmour; and then lower and to my private ear, "You had better say nothing of all this to her," he added.

"On the contrary!" I broke out, "she shall know everything that I can tell."

"You do not understand," he returned, with an air of great dignity. "It will be nothing to her; she expects it of me. Good-by!" he added, with a nod.

I offered him my hand.

"Excuse me," said he. "It's small, I know; but I can't push things quite so far as that. I don't wish any sentimental business, to sit by your hearth a white-haired wanderer, and all that. Quite the contrary: I hope to God I shall never again clap eyes on either one of you."

"Well, God bless you, Northmour!" I said heartily.

"Oh, yes," he returned.

He walked down the beach; and the man who was ashore gave him an arm on board, and then shoved off and leaped into the bows himself. Northmour took the tiller; the boat rose to the waves, and the oars between the tholepins sounded crisp and measured in the morning air.

They were not yet half way to the "Red Earl," and I was still watching their progress, when the sun rose out of the sea.

One word more, and my story is done. Years after, Northmour was killed fighting under the colors of Garibaldi for the liberation of the Tyrol.

Wilkie Collins

_The Dream Woman_

_A Mystery in Four Narratives_

THE FIRST NARRATIVE

INTRODUCTORY STATEMENT OF THE FACTS BY PERCY FAIRBANK

I

"Hullo, there! Hostler! Hullo-o-o!"

"My dear! why don't you look for the bell?"

"I have looked--there is no bell."

"And nobody in the yard. How very extraordinary! Call again, dear."

"Hostler! Hullo, there! Hostler-r-r!"

My second call echoes through empty space, and rouses nobody--produces, in short, no visible result. I am at the end of my resources--I don't know what to say or what to do next. Here I stand in the solitary inn yard of a strange town, with two horses to hold, and a lady to take care of. By way of adding to my responsibilities, it so happens that one of the horses is dead lame, and that the lady is my wife.

Who am I?--you will ask.

There is plenty of time to answer the question. Nothing happens; and nobody appears to receive us. Let me introduce myself and my wife.

I am Percy Fairbank--English gentleman--age (let us say) forty--no profession--moderate politics--middle height--fair complexion--easy character--plenty of money.

My wife is a French lady. She was Mademoiselle Clotilde Delorge--when I was first presented to her at her father's house in France. I fell in love with her--I really don't know why. It might have been because I was perfectly idle, and had nothing else to do at the time. Or it might have been because all my friends said she was the very last woman whom I ought to think of marrying. On the surface, I must own, there is nothing in common between Mrs. Fairbank and me. She is tall; she is dark; she is nervous, excitable, romantic; in all her opinions she proceeds to extremes. What could such a woman see in me? what could I see in her? I know no more than you do. In some mysterious manner we exactly suit each other. We have been man and wife for ten years, and our only regret is, that we have no children. I don't know what you may think; I call that--upon the whole--a happy marriage.

So much for ourselves. The next question is--what has brought us into the inn yard? and why am I obliged to turn groom, and hold the horses?

We live for the most part in France--at the country house in which my wife and I first met. Occasionally, by way of variety, we pay visits to my friends in England. We are paying one of those visits now. Our host is an old college friend of mine, possessed of a fine estate in Somersetshire; and we have arrived at his house--called Farleigh Hall--toward the close of the hunting season.

On the day of which I am now writing--destined to be a memorable day in our calendar--the hounds meet at Farleigh Hall. Mrs. Fairbank and I are mounted on two of the best horses in my friend's stables. We are quite unworthy of that distinction; for we know nothing and care nothing about hunting. On the other hand, we delight in riding, and we enjoy the breezy Spring morning and the fair and fertile English landscape surrounding us on every side. While the hunt prospers, we follow the hunt. But when a check occurs--when time passes and patience is sorely tried; when the bewildered dogs run hither and thither, and strong language falls from the lips of exasperated sportsmen--we fail to take any further interest in the proceedings. We turn our horses' heads in the direction of a grassy lane, delightfully shaded by trees. We trot merrily along the lane, and find ourselves on an open common. We gallop across the common, and follow the windings of a second lane. We cross a brook, we pass through a village, we emerge into pastoral solitude among the hills. The horses toss their heads, and neigh to each other, and enjoy it as much as we do. The hunt is forgotten. We are as happy as a couple of children; we are actually singing a French song--when in one moment our merriment comes to an end. My wife's horse sets one of his forefeet on a loose stone, and stumbles. His rider's ready hand saves him from falling. But, at the first attempt he makes to go on, the sad truth shows itself--a tendon is strained; the horse is lame.

What is to be done? We are strangers in a lonely part of the country. Look where we may, we see no signs of a human habitation. There is nothing for it but to take the bridle road up the hill, and try what we can discover on the other side. I transfer the saddles, and mount my wife on my own horse. He is not used to carry a lady; he misses the familiar pressure of a man's legs on either side of him; he fidgets, and starts, and kicks up the dust. I follow on foot, at a respectful distance from his heels, leading the lame horse. Is there a more miserable object on the face of creation than a lame horse? I have seen lame men and lame dogs who were cheerful creatures; but I never yet saw a lame horse who didn't look heartbroken over his own misfortune.

For half an hour my wife capers and curvets sideways along the bridle road. I trudge on behind her; and the heartbroken horse halts behind _me_. Hard by the top of the hill, our melancholy procession passes a Somersetshire peasant at work in a field. I summon the man to approach us; and the man looks at me stolidly, from the middle of the field, without stirring a step. I ask at the top of my voice how far it is to Farleigh Hall. The Somersetshire peasant answers at the top of _his_ voice:

"Vourteen mile. Gi' oi a drap o' zyder."

I translate (for my wife's benefit) from the Somersetshire language into the English language. We are fourteen miles from Farleigh Hall; and our friend in the field desires to be rewarded, for giving us that information, with a drop of cider. There is the peasant, painted by himself! Quite a bit of character, my dear! Quite a bit of character!

Mrs. Fairbank doesn't view the study of agricultural human nature with my relish. Her fidgety horse will not allow her a moment's repose; she is beginning to lose her temper.

"We can't go fourteen miles in this way," she says. "Where is the nearest inn? Ask that brute in the field!"

I take a shilling from my pocket and hold it up in the sun. The shilling exercises magnetic virtues. The shilling draws the peasant slowly toward me from the middle of the field. I inform him that we want to put up the horses and to hire a carriage to take us back to Farleigh Hall. Where can we do that? The peasant answers (with his eye on the shilling):

"At Oonderbridge, to be zure." (At Underbridge, to be sure.)

"Is it far to Underbridge?"

The peasant repeats, "Var to Oonderbridge?"--and laughs at the question. "Hoo-hoo-hoo!" (Underbridge is evidently close by--if we could only find it.) "Will you show us the way, my man?" "Will you gi' oi a drap of zyder?" I courteously bend my head, and point to the shilling. The agricultural intelligence exerts itself. The peasant joins our melancholy procession. My wife is a fine woman, but he never once looks at my wife--and, more extraordinary still, he never even looks at the horses. His eyes are with his mind--and his mind is on the shilling.

We reach the top of the hill--and, behold on the other side, nestling in a valley, the shrine of our pilgrimage, the town of Underbridge! Here our guide claims his shilling, and leaves us to find out the inn for ourselves. I am constitutionally a polite man. I say "Good morning" at parting. The guide looks at me with the shilling between his teeth to make sure that it is a good one. "Marnin!" he says savagely--and turns his back on us, as if we had offended him. A curious product, this, of the growth of civilization. If I didn't see a church spire at Underbridge, I might suppose that we had lost ourselves on a savage island.

II

Arriving at the town, we had no difficulty in finding the inn. The town is composed of one desolate street; and midway in that street stands the inn--an ancient stone building sadly out of repair. The painting on the sign-board is obliterated. The shutters over the long range of front windows are all closed. A cock and his hens are the only living creatures at the door. Plainly, this is one of the old inns of the stage-coach period, ruined by the railway. We pass through the open arched doorway, and find no one to welcome us. We advance into the stable yard behind; I assist my wife to dismount--and there we are in the position already disclosed to view at the opening of this narrative. No bell to ring. No human creature to answer when I call. I stand helpless, with the bridles of the horses in my hand. Mrs. Fairbank saunters gracefully down the length of the yard and does--what all women do, when they find themselves in a strange place. She opens every door as she passes it, and peeps in. On my side, I have just recovered my breath, I am on the point of shouting for the hostler for the third and last time, when I hear Mrs. Fairbank suddenly call to me:

"Percy! come here!"

Her voice is eager and agitated. She has opened a last door at the end of the yard, and has started back from some sight which has suddenly met her view. I hitch the horses' bridles on a rusty nail in the wall near me, and join my wife. She has turned pale, and catches me nervously by the arm.

"Good heavens!" she cries; "look at that!"

I look--and what do I see? I see a dingy little stable, containing two stalls. In one stall a horse is munching his corn. In the other a man is lying asleep on the litter.

A worn, withered, woebegone man in a hostler's dress. His hollow wrinkled cheeks, his scanty grizzled hair, his dry yellow skin, tell their own tale of past sorrow or suffering. There is an ominous frown on his eyebrows--there is a painful nervous contraction on the side of his mouth. I hear him breathing convulsively when I first look in; he shudders and sighs in his sleep. It is not a pleasant sight to see, and I turn round instinctively to the bright sunlight in the yard. My wife turns me back again in the direction of the stable door.

"Wait!" she says. "Wait! he may do it again."

"Do what again?"

"He was talking in his sleep, Percy, when I first looked in. He was dreaming some dreadful dream. Hush! he's beginning again."

I look and listen. The man stirs on his miserable bed. The man speaks in a quick, fierce whisper through his clinched teeth. "Wake up! Wake up, there! Murder!"