Chapter 7

It must have been now approaching eleven o'clock, and two old greybeards with tousled heads placed themselves abreast at the door of the west porch. There they struck up a carol in a somewhat lofty key. It was a most doleful ditty. Certainly I have never since heard the like of it. I remember that it told the story of the Crucifixion in startling language, full of realism that must have been horribly ghastly, if it had not been so comic. At the end of each verse the singers made one stride towards the communion. There were some thirty verses, and every mortal verse did these zealous carollers give us. They came to an end at length, and then another old fellow rose in his pew and sang a ditty in Manx. It told of the loss of the herring-fleet in Douglas Bay in the last century. After that there was yet another and another carol--some that might be called sacred, others that would not be badly wronged with the name of profane. As I recall them now, they were full of a burning earnestness, and pictured the dangers of the sinner and the punishment of the damned. They said nothing about the joys of heaven, or the pleasures of life. Wherever these old songs came from they must have dated from some period of religious revival. The Manxman may have appropriated them, but if he did so he was in a deadly earnest mood. It must have been like stealing a hat-band.

My comrade had been silent all this time, but in response to various winks, nods, and nudges, he rose to his feet. Now, in prospect of Oiel Verree I had written the old man a brand new carol. It was a mighty achievement in the sentimental vein. I can remember only one of its couplets:

Hold your souls in still communion, Blend them in a holy union.

I am not very sure what this may mean, and Billy must have been in the same uncertainty. Shall I ever forget what happened? Billy standing in the pew with my paper in his hand the wrong way up. Myself by his side holding a candle to him. Then he began to sing. It was an awful tune--I think he called it sevens--but he made common-sense of my doggerel by one alarming emendation. When he came to the couplet I have given you, what do you think he sang?

"Hold your souls in still communion, Blend them in--a hollow onion!"

Billy must have been a humorist. He is long dead, poor old Billy. God rest him!

DECAY OF THE MANX LANGUAGE

If in this unscientific way I have conveyed my idea of Manx carvals, Manx ballads, or Manx proverbs, you will not be surprised to hear me say that I do not think that any of these, can live long apart from the Manx language. We may have stolen most of them; they may have been wrecked on our coast, and we may have smuggled them; but as long as they wear our native homespun clothes they are ours, and as soon as they put it off they cease to belong to us. A Manx proverb is no longer a Manx proverb when it is in English. The same is true of a Manx ballad translated, and of a Manx carval turned into an English carol. What belongs to us, our way of saying things, in a word, our style, is gone. The spirit is departed, and that which remains is only an English ghost flitting about in Manx grave-clothes.

Now this is a sad fact, for it implies that little as we have got of Manx literature, whether written or oral, we shall soon have none at all. Our Manx language is fast dying out. If we had any great work in the Manx tongue, that work alone would serve to give our language a literary life at least. But we have no such great work, no fine Manx poem, no good novel in Manx, not even a Manx sermon of high mark. Thus far our Manx language has kept alive our pigmies of Manx literature; but both are going down together. The Manx is not much spoken now. In the remoter villages, like Cregnesh, Ballaugh, Kirk Michael, and Kirk Andreas, it may still be heard. Moreover, the Manxman may hear Manx a hundred times for every time an Englishman hears it. But the younger generation of Manx folk do not speak Manx, and very often do not understand it. This is a rapid change on the condition of things in my own boyhood. Manx is to me, for all practical uses, an unknown tongue. I cannot speak it, I cannot follow it when spoken, I have only a sort of nodding acquaintance with it out of door, and yet among my earliest recollections is that of a household where nothing but Manx was ever spoken except to me. A very old woman, almost bent double over a spinning wheel, and calling me Hommy-Veg, and _baugh-millish_, and so forth. This will suggest that the Manx people are themselves responsible for the death of the Manx language. That is partly true. The Manx tongue was felt to be an impediment to intercourse with the English people. Then the great English immigration set in, and the Isle of Man became a holiday resort. That was the doomster of the Manx language. In another five-and-twenty years the Manx language will be as dead as a Manx herring.

One cannot but regret this certain fate. I dare not say that the language itself is so good that it ought to live. Those who know it better say that "it's a fine old tongue, rich and musical, full of meaning and expression." {*} I know that it is at least forcible, and loud and deep in sound. I will engage two Manxmen quarrelling in Manx to make more noise in a given time than any other two human brethren in Christendom, not excepting two Irishmen. Also I think the Manx must be capable of notes of sweet feeling, and I observe that a certain higher lilt in a Manx woman's voice, suggesting the effort to speak about the sound of the sea, and the whistle of the wind in the gorse, is lost in the voices of the younger women who speak English only. But apart from tangible loss, I regret the death of the Manx tongue on grounds of sentiment. In this old tongue our fathers played as children, bought and sold as men, prayed, preached, gossiped, quarrelled, and made love. It was their language at Tynwald; they sang their grim carvals in it, and their wailing, woful ballads.

* The Rev. T. E. Brown.

When it is dead more than half of all that makes us Manxmen will be gone. Our individuality will be lost, the greater barrier that separates us from other peoples will be broken down. Perhaps this may have its advantages, but surely it is not altogether a base desire not to be submerged into all the races of the earth. The tower of Babel is built, the tongues of the builders are confounded, and we are not all anxious to go back and join the happy family that lived in one ark.

But aside from all lighter thoughts there is something very moving and pathetic in the death of an old language. Permit me to tell you, not as a philologist, a character to which I have no claim, but as an imaginative writer, how the death of an ancient tongue affects me. It is unlike any other form of death, for an unwritten language is even as a breath of air which when it is spent leaves no trace behind. A nation may die, yet its history remains, and that is the tangible part of its past. A city may fall to decay and lie a thousand years under the sands of the desert, yet its relics revivify its life. But a language that is dead, a tongue that has no life in its literature, is a breath of wind that is gone. A little while and it went from lip to lip, from lip to ear; it came we know not whence; it has passed we know not where. It was an embodied spirit of all man's joys and sorrows, and like a spirit it has vanished away.

Then if this old language has been that of our own people its death is a loss to our affections. Indeed, language gets so close to our heart that we can hardly separate it from our emotions. If you do not speak the Italian language, ask yourself whether Dante comes as close to you as Shakespeare, all questions of genius and temperament apart. And if Dante seems a thousand miles away, and Shakespeare enters into your closest chamber, is it not first of all because the language of Shakespeare is your own language, alive with the life that is in your own tongue, vital with your own ways of thought and even tricks and whims of speech? Let English die, and Shakespeare goes out of your closet, and passes away from you, and is then your brother-Englishman only in name. So close is the bond of language, so sweet and so mysterious.

But there is yet a more sacred bond with the language of our fathers when it can have no posthumous life in books. This is the bond of love. Think what it is that you miss first and longest when death robs you of a friend. Is it not the living voice? The living face you can bring back in memory, and in your dark hours it will shine on you still; the good deed can never die; the noble thought lives for ever. Death is not conqueror over such as these, but the human voice, the strange and beautiful part of us that is half spirit in life, is lost in death. For a while it startles us as an echo in an empty chamber, and then it is gone, and not all the world's wealth could bring one note of it back. And such as the vanishing away of the voice of the friend we loved is the death of the old tongue which our fathers spoke. _It is the death of the dead_.

MANX SUPERSTITIONS

When the Manx tongue is dead there will remain, however, just one badge of our race--our superstition. I am proud to tell you that we are the most superstitious people now left among the civilised nations of the world. This is a distinction in these days when that poetry of life, as Goethe names it, is all but gone from the face of the earth. Manxmen have not yet taken the poetry out of the moon and the stars, and the mist of the mountains and the wail of the sea. Of course we are ashamed of the survival of our old beliefs and try to hide them, but let nobody say that as a people we believe no longer in charms, and the evil eye, and good spirits and bad. I know we do. It would be easy to give you a hundred illustrations. I remember an ill-tempered old body living on the Curragh, who was supposed to possess the evil eye. If a cow died at calving, she had witched it. If a baby cried suddenly in its sleep, the old witch must have been going by on the road. If the potatoes were blighted, she had looked over the hedge at them. There was a charm doctor in Kirk Andreas, named Teare-Ballawhane. He was before my time, but I recall many stories of him. When a cow was sick of the witching of the woman of the Curragh, the farmer fled over to Kirk Andreas for the charm of the charm-doctor. From the moment Teare-Ballawhane began to boil his herbs the cow recovered. If the cow died after all, there was some fault in the farmer. I remember a child, a girl, who twenty years ago had a birth-mark on her face--a broad red stain like a hand on her cheek. Not long since, I saw her as a young woman, and the stain was either gone entirely or hidden by her florid complexion. When I asked what had been done for her, I heard that a good woman had charmed her. "Aw, yes," said the girl's mother, "a few good words do no harm anyway." Not long ago I met an old fellow in Onchan village who believed in the Nightman, an evil spirit who haunts the mountains at night predicting tempests and the doom of ships, the _dooinney-oie_ of the Manx, akin to the _banshee_ of the Irish. "Aw, man," said he, "it was up Snaefell way, and I was coming from Kirk Michael over, and it was black dark, and I heard the Nightman after me, shoutin' and wailin' morthal, _how-la-a, how-a-a_. But I didn't do nothin', no, and he came up to me lek a besom, and went past me same as a flood, _who-o-o!_ And I lerr him! Aw, yes, man, yes!"

I remember many a story of fairies, some recited half in humour, others in grim earnest. One old body told me that on the night of her wedding-day, coming home from the Curragh, whither she had stolen away in pursuit of a belated calf, she was chased in the moonlight by a troop of fairies. They held on to her gown, and climbed on her back, and perched on her shoulders, and clung to her hair. There were "hundreds and tons" of them; they were about as tall as a wooden broth-ladle, and all wore cocked-hats and velvet jackets.

A good fairy long inhabited the Isle of Man. He was called in Manx the Phynnodderee. It would appear that he had two brothers of like features with himself, one in Scotland called the Brownie, the other in Scandinavia called the Swart-alfar.

I have often heard how on a bad night the Manx folk would go off to bed early so that the Phynnodderee might come in out of the cold. Before going upstairs they built up the fire, and set the kitchen table with crocks of milk and pecks of oaten cake for the entertainment of their guest. Then while they slept the Phynnodderee feasted, yet he always left the table exactly as he found it, eating the cake and drinking the milk, but filling up the peck and the crock afresh. Nobody ever intruded upon him, so nobody ever saw him, save the Manx Peeping Tom. I remember hearing an old Manxman say that his curiosity overcame his reverence, and he "leff the wife," stepped out of bed, crept to the head of the stairs, and peeped over the banisters into the kitchen. There he saw the Phynnodderee sitting in his own arm-chair, with a great company of brother and sister fairies about him, baking bread on the griddle, and chattering together like linnets in spring. But he could not understand a word they were saying.

I have told you that the Manxman is not built by nature for a gallant. He has one bad fairy, and she is the embodied spirit of a beautiful woman. Manx folk-lore, like Manx carvals, Manx ballads, and Manx proverbs, takes it for a bad sign of a woman's character that she has personal beauty. If she is beautiful, ten to one she is a witch. That is how it happens that there are so many witches in the Isle of Man.

The story goes that a beautiful wicked witch entrapped the men of the island. They would follow her anywhere. So she led them into the sea, and they were all drowned. Then the women of the island went forth to punish her, and, to escape from them, she took the form of a wren and flew away. That is how it comes about that the poor little wren is hunted and killed on St. Stephen's Day. The Manx lads do it, though surely it ought to be the Manx maidens. At midnight they sally forth in great companies, armed with sticks and carrying torches. They beat the hedges until they light on a wren's nest, and, having started the wren and slaughtered it, they suspend the tiny mite to the middle of a long pole, which is borne by two lads from shoulder to shoulder. They then sing a rollicking native ditty, of which one version runs:--

We'll hunt the wren, says Robbin the Bobbin; We'll hunt the wren, says Richard the Robbin; We'll hunt the wren, says Jack of the Lan'; We'll hunt the wren, says every one.

But Robbin the Bobbin and Richard the Robbin are not the only creatures who have disappeared into the sea. The fairies themselves have also gone there. They inhabit Man no more. A Wesleyan preacher declared some years ago that he witnessed the departure of all the Manx fairies from the Bay of Douglas. They went away in empty rum puncheons, and scudded before the wind as far as the eye could reach, in the direction of Jamaica. So we have done with them, both good and bad.

However, among the witches whom we have left to us in remote corners of the island is the very harmless one called the Queen of the Mheillia. Her rural Majesty is a sort of first cousin of the Queen of the May. The Mheillia is the harvest-home. It is a picturesque ceremonial, observed differently in different parts. Women and girls follow the reapers to gather and bind the corn after it has fallen to the swish of the sickles. A handful of the standing corn of the last of the farmer's fields is tied about with ribbon. Nobody but the farmer knows where that handful is, and the girl who comes upon it by chance is made the Queen of the Mheillia. She takes it to the highest eminence near, and waves it, and her fellow-reapers and gleaners shout huzzas. Their voices are heard through the valley, where other farmers and other reapers and gleaners stop in their work and say, "So-and-so's Mheillia!" "Ballamona's Mheillia's took!" That night the farmer gives a feast in his barn to celebrate the getting in of his harvest, and the close of the work of the women at the harvesting. Sheep's heads for a change on Manx herrings, English ale for a change on Manx jough; then dancing led by the mistress, to the tune of a fiddle, played faster and wilder as the night advances, reel and jig, jig and reel. This pretty rural festival is still observed, though it has lost much of its quaintness. I think I can just remember to have heard the shouts of the Mheillia from the breasts of the mountains.

You will have gathered that in no part of the world could you find a more reckless and ill-conditioned breeding-ground of suppositions, legends, traditions, and superstitions than in the Isle of Man. The custom of hunting the wren is widely spread throughout Ireland; and if I were to tell you of Manx wedding customs, Manx burial customs, Manx birth customs, May day, Lammas, Good Friday, New Year, and Christmas customs, you would recognise in the Manxman the same irresponsible tendency to appropriate whatever flotsam drifts to his shore. What I have told you has come mainly of my own observation, but for a complete picture of Manx manners and customs, beliefs and superstitions, I will refer you to William Kennish's "Mona's Isle, and other Poems," a rare book, with next to no poetic quality, and containing much that is worthless, but having a good body of real native stuff in it, such as cannot be found elsewhere. A still better anthology is likely to be soon forthcoming from the pen of Mr. A. W. Moore (the excellent editor of "Manx Names") and the press of Mr. Nutt.

It is easy to laugh at these old superstitions, so childish do they seem, so foolish, so ignorant. But shall we therefore set ourselves so much above our fathers because they were slaves to them, and we believe them not? Bethink you. Are we so much wiser, after all? How much farther have we got? We know the mists of Mannanan. They are only the vapours from the south, creeping along the ridge of our mountains, going north. Is that enough to know? We know the cold eye of the evil man, whose mere presence hurts us, and the warm eye of the born physician, whose mere presence heals us. Does that tell us everything? We hear the moans which the sea sends up to the mountains, when storms are coming, and ships are to be wrecked, and we do not call them the voices of the Nightman, but only the voices of the wind. We have changed the name; but we have taken none of the mystery and marvel out of the thing itself. It is the Wind for us; it was the Nightman for our fathers. That is nearly all. The wind bloweth where it listeth. We are as far off as ever. Our superstitions remain, only we call them Science, and try not to be afraid of them. But we are as little children after all, and the best of us are those that, being wisest, see plainest that, before the wonders and terrors of the great world we live in, we are children, walking hand-in-hand in fear.

MANX STORIES

You will say that there ought to be many good stories of a people like the Manx; and here again I have to confess to you that the absence of all literary conscience, all perception of keeping and relation, all sense of harmony and congruity in the Manxman has so demoralised our anecdotal _ana_ that I hesitate to offer you certain of the best of our Manx yarns from fear that they may be venerable English, Irish, and Scotch familiars. I will content myself with a few that bear undoubted Manx lineaments. As an instance of Manx hospitality, simple and rude, but real and hearty, I think you would go the world over to match this. The late Rev. Hugh Stowell Brown, a Manxman, brother of the most famous of living Manxmen, and himself our North-country Spurgeon, with his wife, his sister, and his mother, were belated one evening up Baldwin Glen, and stopped at a farm-house to inquire their way. But the farmer would not hear of their going a step further. "Aw, nonsense!" he said. "What's the use of talkin', man? You'll be stoppin' with us to-night. Aw 'deed ye will, though. The women can get along together aisy, and _you're a clane lookin' sort o' chap; you'll be sleepin' with me!_"

In the old days of, say, two steamboats a week to England the old Manx captains of the Steamboat Company were notorious soakers. There is a story of one of them who had the Archdeacon of the island aboard in a storm. It was night. The reverend Archdeacon was in an agony of pain and terror. He inquired anxiously of the weather. The captain, very drunk, answered, "If it doesn't mend we'll all be in heaven before morning, Archdeacon!" "Oh, God forbid, captain," cried the Archdeacon.

I have said what true work for religion Nonconformity must have done in those evil days when the clergy of the Athols were more busy with backgammon than with theology. But the religion of the old type of Manx Methodist was often an amusing mixture of puritanism and its opposite, a sort of grim, white-faced sanctity, that was never altogether free of the suspicion of a big boisterous laugh behind it. The Methodist local preachers have been the real guardians and repositories of one side of the Manx genius, a curious, hybrid thing, deadly earnest, often howlingly ludicrous, simple, generally sincere, here and there audaciously hypocritical. Among local preachers I remember some of the sweetest, purest, truest men that ever walked this world of God; but I also remember a > man who was brought home from market on Saturday night, dead drunk, across the bottom of his cart drawn by his faithful horse, and I saw him in the pulpit next morning, and heard his sermon on the evils of backsliding. There is a story of the jealousy of two local preachers. The one went to hear the other preach. The preacher laid out his subject under a great many heads, firstly, secondly, thirdly, up to tenthly. His rival down below in the pew spat and _haw'd_ and _tchut'd_ a good deal, and at last, quite impatient of getting no solid religious food, cried aloud, "Give us mate, man, give us mate!" Whereupon the preacher leaned over the pulpit cushion, and said, "Hould on, man, till I've done with the carving."

But to tell of Happy Dan, and his wondrous sermon on the Prodigal Son at the Clover Stones, Lonan, and his discourse on the swine possessed of devils who went "triddle-traddle, triddle-traddle down the brews and were clane drownded;" and of the marvellous account of how King David remonstrated in broadest Manx _patois_ with the "pozzle-tree," for being blown down; and then of the grim earnestness of a good man who could never preach on a certain text without getting wet through to the waistcoat with perspiration--to open the flood-gates of this kind of Manx story would be to liberate a reservoir that would hardly know an end, so I must spare you.

MANX "CHARACTERS"