Category: Essays, Letters & Speeches

The Literary Remains of Samuel Taylor Coleridge, Volume 2

'Ros'. You must be purged too, your sins are rank; You are attaint with fault and perjury: Therefore, if you my favour mean to get, A twelvemonth shall you spend, and never rest, But seek the weary beds of people sick.

Chapters

1. Chapter 1

'Ros'. You must be purged too, your sins are rank; You are attaint with fault and perjury: Therefore, if you my favour mean to get, A twelvemonth shall you spend, and never rest...

2. Chapter 2

There is no authority for any alteration;--but I never can help feeling how great an improvement it would be, if the two former of Hermia's exclamations were omitted;--the third...

3. Chapter 3

The paucity of spondees in single words in English and, indeed, in the modern languages in general, makes, perhaps, the greatest distinction, metrically considered, between them...

4. Chapter 4

Very Anacreon in perfectness, proportion, grace, and spontaneity! So far it is Greek;--but then add, O! what wealth, what wild ranging, and yet what compression and condensation...

5. Chapter 5

There is a beauty here. The word 'boy' naturally provokes and awakens in Orlando the sense of his manly powers; and with the retort of 'elder brother,' he grasps him with firm h...

6. Chapter 6

I question whether there exists a parallel instance of a phrase, that like this of 'horns' is universal in all languages, and yet for which no one has discovered even a plausibl...

7. Chapter 7

Warburton's alteration of _is_ into _in_ is needless. 'Fancy' may very well be interpreted 'exclusive affection,' or 'passionate preference.' Thus, bird-fanciers, gentlemen of t...

8. Chapter 8

And yet Viola was to have been presented to Orsino as a eunuch!--Act i. sc. 2. Viola's speech. Either she forgot this, or else she had altered her plan.

9. Chapter 9

Theobald's etymology of 'cheveril' is, of course quite right;--but he is mistaken in supposing that there were no such things as gloves of chicken-skin. They were at one time a...

10. Chapter 10

Surely Warburton could never have wooed by kisses and won, or he would not have flounder-flatted so just and humorous, nor less pleasing than humorous, an image into so profound...

11. Chapter 11

It would be, I own, an audacious and unjustifiable change of the text; but yet, as a mere conjecture, I venture to suggest 'bastards,' for ''bated.' As it stands, in spite of Wa...

12. Chapter 12

Shall we say here, that Shakspeare has unnecessarily made his loveliest character utter a lie?--Or shall we dare think that, where to deceive was necessary, he thought a pretend...

13. Chapter 13

I cannot understand this. Perhaps there is a corruption both of words and speakers. Shallow no sooner corrects one mistake of Sir Hugh's, namely, 'louse' for 'luce,' a pike, but...

14. Chapter 14

I cannot but think this rather an heroic resolve, than an infamous wish. It appears to me to be the grandest symptom of an immortal spirit, when even that bedimmed and overwhelm...

15. Chapter 15

There can be little doubt of Mr. Tyrwhitt's emendations of 'courtiers' and 'king,' as to the sense;--only it is not impossible that Shakspeare's dramatic language may allow of t...

16. Chapter 16

How is it that the commentators take no notice of the un-Shakspearian defect in the metre of the second line, and what in Shakspeare is the same, in the harmony with the sense a...

17. Chapter 17

18. Chapter 18

That Shakspeare never 'turned his genius to stage writing,' as Theobald most 'Theobaldice' phrases it, before he became an actor, is an assertion of about as much authority, as...

19. Chapter 19

Mr. Pope (after Dryden) informs us, that the story of Troilus and Cressida was originally the work of one Lollius, a Lombard: but Dryden goes yet further; he declares it to have...

20. Chapter 20

Should it be 'accosting?' 'Accost her, knight, accost!' in the Twelfth Night. Yet there sounds a something so Shakspearian in the phrase--'give a coasting welcome,' ('coasting'...

21. Chapter 21

Mine emulation Hath not that honor in't, it had; for where I thought to crush him in an equal force, True sword to sword; I'll potch at him some way, Or wrath, or craft may get...

22. Chapter 22

23. Chapter 23

I have always thought this in itself so beautiful speech, the least explicable from the mood and full intention of the speaker, of any in the whole works of Shakspeare. I cheris...

24. Chapter 24

The speeches of Flavius and Marullus are in blank verse. Wherever regular metre can be rendered truly imitative of character, passion, or personal rank, Shakspeare seldom, if ev...

25. Chapter 25

It must be by his death; and, for my part, I know no personal cause to spurn at him, But for the general. He would be crown'd:-- How that might change his nature, there's the qu...

26. Chapter 26

Pardon me, Julius--here wast thou bay'd, brave hart; Here didst thou fall, and here thy hunters stand Sign'd in thy spoil, and crimson'd in thy death. _O world! thou wast the fo...

27. Chapter 27

This seemingly strange assertion of Brutus is unhappily verified in the present day. What is an immense army, in which the lust of plunder has quenched all the duties of the cit...

28. Chapter 28

Warburton's conjecture of 'stool' is ingenious, and would be a probable reading, if the scene opening had discovered Antony with Cleopatra on his lap. But, represented as he is...

29. Chapter 29

I have the greatest difficulty in believing that Shakspeare wrote the first 'mermaids.' He never, I think, would have so weakened by useless anticipation the fine image immediat...

30. Chapter 30

Warburton's comment--'If the man be honest, for that reason he will be so in this, and not endeavour at the injustice of gaining my daughter without my consent'--is, like almost...

31. Chapter 31

Either, methinks, 'plays' should be 'play'd,' or 'and' should be changed to 'while.' I can certainly understand it as a parenthesis, an interadditive of scorn; but it does not s...

32. Chapter 32

How fairly this lord strives to appear foul!--takes virtuous copies to be wicked; _like those that under hot, ardent, zeal would set whole realms on fire. Of such a nature is hi...

33. Chapter 33

I cannot see the necessity of this alteration. The editors and commentators are, all of them, ready enough to cry out against Shakspeare's laxities and licenses of style, forget...

34. Chapter 34

'Cap'. He shall be endur'd. What, goodman boy!--I say, he shall:--Go to;-- Am I the master here, or you?--Go to. You'll not endure him!--God shall mend my soul-- You'll make a m...

35. Chapter 35

Take notice in this enchanting scene of the contrast of Romeo's love with his former fancy; and weigh the skill shown in justifying him from his inconstancy by making us feel th...

36. Chapter 36

'Mer.' No, 'tis not so deep as a well, nor so wide as a church door; but 'tis enough: 'twill serve: ask for me to-morrow, and you shall find me a grave man, &c.

37. Chapter 37

O, look! methinks I see my cousin's ghost Seeking out Romeo, that did spit his body Upon a rapier's point:--Stay, Tybalt, stay!-- Romeo, I come! this do I drink to thee.

38. Chapter 38

I prefer the old text; the word 'devil' implies 'fiery.' You need only read the line, laying a full and strong emphasis on 'devil,' to perceive the uselessness and tastelessness...

39. Chapter 39

I remember in the Sophoclean drama no more striking example of the [Greek (transliterated): To prepon kai semnon] than this speech; and the rhymes in the last six lines well exp...

40. Chapter 40

'Ib.' sc. 4. See here the skill and judgment of our poet in giving reality and individual life, by the introduction of accidents in his historic plays, and thereby making them d...

41. Chapter 41

A most obscure passage: but I think Theobalds' interpretation right, namely, that 'thirsty entrance' means the dry penetrability, or bibulous drought, of the soil. The obscurity...

42. Chapter 42

Perhaps it is a misprint, or a provincial pronunciation, for 'leach,' that is, blood-suckers. Had it been gnats, instead of fleas, there might have been some sense, though small...

43. Chapter 43

This 'nay' so to be dwelt on in speaking, as to be equivalent to a dissyllable--[Symbol: written as a U-shape, below the line], is characteristic of the solemn Glendower: but th...

44. Chapter 44

I am sometimes disposed to think that this respectable young lady's name is a very old corruption for Tear-street--street-walker, 'terere stratum (viam.)' Does not the Prince's...

45. Chapter 45

I know no argument by which to persuade any one to be of my opinion, or rather of my feeling; but yet I cannot help feeling that 'Happy low-lie-down!' is either a proverbial exp...

46. Chapter 46

Does 'grace' mean the king's own peculiar domains and legal revenue, and 'highness' his feudal rights in the military service of his nobles?--I have sometimes thought it possibl...

47. Chapter 47

Ludicrous as these introductory scraps of French appear, so instantly followed by good, nervous mother-English, yet they are judicious, and produce the impression which Shakspea...

48. Chapter 48

Hung be the heavens with black, yield day to night! Comets, importing change of times and states, Brandish your crystal tresses in the sky; And with them scourge the bad revolti...

49. Chapter 49

There is something of disgust at the ruthless hypocrisy of her sisters, and some little faulty admixture of pride and sullenness in Cordelia's 'Nothing;' and her tone is well co...

50. Chapter 50

external nature in a storm, all moral nature convulsed,--the real madness of Lear, the feigned madness of Edgar, the babbling of the Fool, the desperate fidelity of Kent--surely...

51. Chapter 51

Ha! Goneril!--with a white beard!--They flattered me like a dog; and told me, I had white hairs in my beard, ere the black ones were there. To say _Ay_ and _No_ to every thing I...

52. Chapter 52

How delightfully natural is the transition to the retrospective narrative! And observe, upon the Ghost's reappearance, how much Horatio's courage is increased by having translat...

53. Chapter 53

In all things dependent on, or rather made up of, fine address, the manner is no more or otherwise rememberable than the light motions, steps, and gestures of youth and health....

54. Chapter 54

This speech is of absolutely universal interest,--and yet to which of all Shakspeare's characters could it have been appropriately given but to Hamlet? For Jaques it would have...

55. Chapter 55

Act. iv. sc. 5. Ophelia's singing. O, note the conjunction here of these two thoughts that had never subsisted in disjunction, the love for Hamlet, and her filial love, with the...

56. Chapter 56

'Ib.' sc. 1 and 2. Shakspeare seems to mean all Hamlet's character to be brought together before his final disappearance from the scene;--his meditative excess in the grave-digg...

57. Chapter 57

'Ib.' sc. 2. Now that the deed is done or doing--now that the first reality commences, Lady Macbeth shrinks. The most simple sound strikes terror, the most natural consequences...

58. Chapter 58

this place with Schiller's mistaken scene between Butler, Devereux, and Macdonald in Wallenstein. (Part II. act iv. sc. 2.) The comic was wholly out of season. Shakspeare never...

59. Chapter 59

'Ib.' sc. 2. This scene, dreadful as it is, is still a relief, because a variety, because domestic, and therefore soothing, as associated with the only real pleasures of life. T...

60. Chapter 60

Observe the easy style of chitchat between Camillo and Archidamus as contrasted with the elevated diction on the introduction of the kings and Hermione in the second scene: and...

61. Chapter 61

62. Chapter 62

Fine as this is, and delicately characteristic of one who had lived and been reared in the best society, and had been precipitated from it by dice and drabbing; yet still it str...

63. Chapter 63

Shakspearian, in the introduction of Roderigo, as the dupe on whom Iago shall first exercise his art, and in so doing display his own character. Roderigo, without any fixed prin...

64. Chapter 64

65. Chapter 65

'Æmil.' Why, the wrong is but a wrong i' the world; and having the world for your labour,'tis a wrong in your own world, and you might quickly make it right.

66. Chapter 66

Thus it is for no-poets to comment on the greatest of poets! To make Othello say that he, who had killed his wife, was like Herod who killed Mariamne!--O, how many beauties, in...

67. Chapter 67

68. Chapter 68

It would form an interesting essay, or rather series of essays, in a periodical work, were all the attempts to ridicule new phrases brought together, the proportion observed of...

69. Chapter 69

'Arr'. And dead, it comes to Drusus. Should he fail, To the brave issue of Germanicus; And they are three: too many (ha?) for him To have a plot upon?

70. Chapter 70

Adultery! it is the lightest ill I will commit. A race of wicked acts Shall flow out of my anger, and o'erspread The world's wide face, which no posterity Shall e'er approve, no...

71. Chapter 71

irrational. To believe, and yet to scoff at, a present miracle is little less than impossible. Sejanus should have been made to suspect priestcraft and a secret conspiracy again...

72. Chapter 72

It should be 'quit', no doubt; but not meaning 'discharged from working,' &c.--but quit, that is, acquitted. The pewterer was at his holiday diversion as well as the other appre...

73. Chapter 73

What does 'trunk' mean here and in the 1st scene of the 1st act? Is it a large ear-trumpet?--or rather a tube, such as passes from parlour to kitchen, instead of a bell?

74. Chapter 74

Another reading is 'Testament.' Probably, the meaning is,--that intending to give false evidence, he carried a Greek Xenophon to pass it off for a Greek Testament, and so avoid...

75. Chapter 75

A fondness for judging one work by comparison with others, perhaps altogether of a different class, argues a vulgar taste. Yet it is chiefly on this principle that the Catiline...

76. Chapter 76

This is either an unintelligible, or, in every sense, a most unnatural, passage,--improbable, if not impossible, at the moment of signing and swearing such a conspiracy, to the...

77. Chapter 77

78. Chapter 78

What a strange notion Ben must have formed of a determined, remorseless, all-daring, fool-hardiness, to have represented it in such a mouthing Tamburlane, and bombastic tongue-b...

79. Chapter 79

Does not this confirm, what the passage itself cannot but suggest, the propriety of substituting 'booty' for 'beauty' in Falstaff's speech, Henry IV. Pt. I. act i. sc. 2. 'Let n...

80. Chapter 80

81. Chapter 81

82. Chapter 82

Compare this exquisite piece of sense, satire, and sound philosophy in 1616 with Sir M. Hale's speech from the bench in a trial of a witch many years afterwards. [1]

83. Chapter 83

84. Chapter 84

Now, however, I doubt the legitimacy of my transposition of the 'of' from the beginning of this latter line to the end of the one preceding;--for though it facilitates the metre...

85. Chapter 85

86. Chapter 86

Instead of reading with Whalley 'ply' for 'play,' I would suggest 'horse' for 'house.' The meaning would then be obvious and pertinent. The punlet, or pun-maggot, or pun intenti...

87. Chapter 87

confessed, was in the right in considering the Fly, Tipto, Bat Burst, &c. of this play mere dotages. Such a scene as this was enough to damn a new play; and Nick Stuff is worse...

88. Chapter 88

This is an instance of that modifying of quantity by emphasis, without which our elder poets cannot be scanned. 'Power,' here, instead of being one long syllable--pow'r--must be...

89. Chapter 89

What strange self-trumpeters and tongue-bullies all the brave soldiers of Beaumont and Fletcher are! Yet I am inclined to think it was the fashion of the age from the Soldier's...

90. Chapter 90

It is worth noticing that of the three greatest tragedians, Massinger was a democrat, Beaumont and Fletcher the most servile _jure divino_ royalist, and Shakspeare a philosopher...

91. Chapter 91

It would be amusing to learn from some existing friend of Mr. Seward what he meant, or rather dreamed, in this note. It is certainly a difficult passage, of which there are two...

92. Chapter 92

Did I for this consume my _quarters_ in meditations, vows, and woo'd her in heroical epistles? Did I expound the Owl, and undertake, with labor and expense, the recollection of...

93. Chapter 93

Licentious as the comic metre of B. and F. is,--a far more lawless, and yet far less happy, imitation of the rhythm of animated talk in real life than Massinger's--still it is m...

94. Chapter 94

Jealous of Virgil's honor, he is afraid lest, by referring to the Georgics alone, he might be understood as undervaluing the preceding work. 'Not that I do not admire the Bucoli...

95. Chapter 95

I can make sense of this passage as little as Mr. Seward;--the passage from Philaster is nothing to the purpose. Instead of 'a story,' I have sometimes thought of proposing 'Ast...

96. Chapter 96

Nonsense! 'Whiteness of name,' is in apposition to 'the serious part of life,' and means a deservedly pure reputation. The following line--'You _must_ be mine!' means--'Though I...

97. Chapter 97

98. Chapter 98

The present text, and that proposed by Seward, are equally vile. I have endeavoured to make the lines sense, though the whole is, I suspect, incurable except by bold conjectural...

99. Chapter 99

The editors, and their contemporaries in general, were ignorant of any but the regular iambic verse. A study of the Aristophanic and Plautine metres would have enabled them to r...

100. Chapter 100

This worse than superfluous 'like' is very like an interpolation of some matter of fact critic--all 'pus, prose atque venenum'. The 'your' in the next line, instead of 'their,'...

101. Chapter 101

102. Chapter 102

It is well worthy of notice, and yet has not been, I believe, noticed hitherto, what a marked difference there exists in the dramatic writers of the Elizabetho-Jacobæan age--(Me...

103. Chapter 103

Mr. Seward discards the words 'for lying', because 'most of the things spoke of Estifania are true, with only a little exaggeration, and because they destroy all appearance of m...

104. Chapter 104

The poet intended no allusion to the word 'Erota' itself; but says that her very name, 'the proud Erota,' became a character and adage; as we say, a Quixote or a Brutus: so to s...

105. Chapter 105

106. Chapter 106

tolerable temper towards Fletcher. So very slavish--so reptile--are the feelings and sentiments represented as duties. And yet remember he was a bishop's son, and the duty to Go...

107. Chapter 107

The whole of this speech seems corrupt; and if accurately printed,--that is, if the same in all the prior editions, irremediable but by bold conjecture. ''Till' my tackle,' shou...

108. Chapter 108

sort of talisman, or strange something, that might be lost without the least fault on the part of the owner. In short, their chaste ladies value their chastity as a material thi...

109. Chapter 109

This character of Aubrey, and the whole spirit of this and several other plays of the same authors, are interesting as traits of the morals which it was fashionable to teach in...

110. Chapter 110

Pity, that the editor did not explain wherein the sense, 'seemingly enforced by the next line,' consists. May the true word be 'a sable,' that is, a black fox, hunted for its pr...

111. Chapter 111

This Mr. Seward is a blockhead of the provoking species. In his itch for correction, he forgot the words--'lies my safe way!' The Bear is the extreme pole, and thither he would...

112. Chapter 112

hit off; but this scene with Roderigo is truly excellent. Altogether, indeed, this play holds the first place in B. and F.'s romantic entertainments, 'Lustspiele', which collect...

113. Chapter 113

In respect of style and versification, this play and the following of Bonduca may be taken as the best, and yet as characteristic, specimens of Beaumont and Fletcher's dramas. I...

114. Chapter 114

Pshaw! 'Sit' is either a misprint for 'set,' or the old and still provincial word for 'set,' as the participle passive of 'seat' or 'set.' I have heard an old Somersetshire gard...

115. Chapter 115

Nay, some will swear they love their mistress so, They would hazard lives and fortunes to preserve One of her hairs brighter than Berenice's, Or young Apollo's; and yet, after t...

116. Chapter 116

It would be very easy to restore all this passage to metre, by supplying a sentence of four syllables, which the reasoning almost demands, and by correcting the grammar. Read th...

117. Chapter 117

In this (as, indeed, in all other respects; but most in this) it is that Shakspeare is so incomparably superior to Fletcher and his friend,--in judgment! What can be conceived m...

118. Chapter 118

I conjecture 'imports,' that is, duties or offices of importance. The flow of the versification in this speech seems to demand the trochaic ending--/u/; while the text blends ji...

119. Chapter 119

Notwithstanding the sentiment of the Roman satirist, which denies the divinity of fortune; and the opinion of Seneca to the same purpose; Cicero, who was, I believe, a wiser man...

120. Chapter 120

Even in the most questionable part of Tom Jones, I cannot but think, after frequent reflection, that an additional paragraph, more fully and forcibly unfolding Tom Jones's sense...

121. Chapter 121

That refined degree of Platonic affection which is absolutely detached from the flesh, and is indeed entirely and purely spiritual, is a gift confined to the female part of the...

122. Chapter 122

Yet there want not learned writers (whom I need not name) of the opinion that even the instrumental penmen of the Scripture might commit [Greek: hamartaemata mnaemonika]: though...

123. Chapter 123

The historical origin of this scandal, which in nine cases out of ten is the honour of the medical profession, may, perhaps, be found in the fact, that Ænesidemus and Sextus Emp...

124. Chapter 124

Let me be nothing, if within the compass of myself, I do not finde the battaile of Lepanto, passion against reason, 'reason against faith', faith against the devil, and my consc...

125. Chapter 125

Cardanus--is of singular use unto a prudent reader; but unto him that only desireth 'hoties', or to replenish his head with varieties,--he may become no small occasion of error.

126. Chapter 126

astringent power, comparatively uncounteracted by the dilative, the diminution of which is the proportional increase of the contractive. Hence the astringent, or power of negati...

127. Chapter 127

The rivers from Eden were, perhaps, meant to symbolize, or rather expressed only, the great primary races of mankind. Sir T.B. was the very man to have seen this; but the supers...