Chapter 15
Next morning early Clo heard Churn announce that he would meet Isaacs' train at the Grand Central; the "old lady" had told him the time. Kit objected. "You might miss him. Best wait at his place," she advised. But Churn would not be persuaded. He had seen Jake again, who prophesied that Chuff would not arrive before the afternoon. They had the whole morning to see Isaacs and bargain with him, but it would be a waste of time to hang about at "Isaacs' place." Churn would catch Isaacs at the train, and bring him round to Kit. She must clear up the room, and have everything ship-shape in an hour. But Kit's anger grew as Churn insisted. "I know why you're mad to get to the Grand Central," she flung at him. "Didn't you s'pose I noticed the name on the candy box. Bah! I ain't a fool. You said you was sick of bein' boxed up with me. That put me wise."
Churn protested innocence, and went off jauntily, but Clo looked for developments. "Kit's mum, to put Churn off the track," she thought. "But she means to follow him. She's bought no handbag. She can't very well take the pearls."
Clo had read a paragraph concerning Mr. and Mrs. Roger Sands. It referred to the "house-warming party" they were giving at their "lately acquired cottage in Newport." Apparently the affair had been mentioned before in the column devoted to "Society" news, but Clo had missed it. The allusion to the "house-warming," and dinner dance set Clo's brain whirling. Angel would be expected by her husband to wear the queen's pearls. If he already guessed the secret, this might be a plan to force his wife's hand. Beverley feared him. Clo had seen that. Angel must have the pearls for to-morrow night. And they must be strung, ready to wear, or they would be useless to her, arriving at the last moment. The girl would have been at her wits' end, but for that quarrel next door. If Kit did go spying on Churn...!
The door slammed after Churn. A second later Kit was knocking, calling her new friend by her new nickname: "Kid-Kid! Let me in, quick!"
Clo let her in. Kit was pinning on a wide-brimmed hat, and had her hands full with a veil, gloves, and parasol. "Tie this veil for me, there's a good kid!" she panted. "I'm mad at my husband. He's off to flirt with a beast of a girl in a candy store. They had a mash before we married. You're goin' to be in all mornin', ain't you?"
"I thought of running out to 'phone a friend of mine," said Clo, cleverly.
"Don't! There's a 'phone in the house, the room under mine--room of a pal away till this afternoon. He left his key with Mrs. Mac, and she lent it to my husband last night so he could borrow some novels for me; our pal has lots. We've not given the key back, so when I come home I'll take you down. I want you to stay in while I'm gone. All you need do is to sit with your door open, and see if any one knocks at mine. And I've got the key. But it's the same as every old key; 'tain't a special one like Ch----like our pal's. If a stranger calls look close, so you can describe the person."
"I undertake watchdogging in all its branches," said Clo. "Ta, ta!"
"I count on you!" were Kit's last words at the top of the steps.
"Bet your life you can!" the "kid" called after her. But as Kit ran downstairs, without stopping to look round, Clo dashed to her own open window. In a moment Kit's parasol went bobbing along the street. The coast was clear. Kit's manner made it certain that she had left the pearls behind.
Violet would not come up for the two breakfast trays for a long time yet. Kit's opinion of the key was the same as that already formed by Clo, and the girl was wild to test it. She snatched her own key from its lock, to try it in Kit's door. It went in, but stopped at the critical turn. There were two more rooms on this floor; a small one opposite Clo's, tenanted by a young man who went to work at seven o'clock; and another still smaller, used as a storeroom--a refuge for trunks, dust-pans, and brooms. The early bird never locked his door, but his key fell short of success.
The storeroom key remained. It did not fail. It turned all the way round in the lock, and Kit's door opened.
Clo's was shut and locked, in case Violet should break her rule and come too soon.
Not only did the girl expect to find the pearls, but Chuff's key, and she hoped to telephone if necessary, before making her "bolt." Wonderful that both these chances should fall together!
Clo knew that the pearls were kept in a drawer; but Kit would not go out and leave them in so obvious a place. Nevertheless, Clo began by looking through the drawers, of which there were six.
Churn's evening clothes hung from a hook on the wall; there was nothing in the pockets; nothing in the shoes which stood underneath except a pair of socks. Other hiding-place there was none, save the bed; and it was there that Clo expected to find the pearls.
Kit had made the bed, and neatly patted the two ill-matched pillows into shape. Clo stripped off the unbleached covers of these pillows and looked for some sign that the ticking had been ripped open. There was a patch on the larger pillow. One end of this patch was unsewn and held in place with a pin. Underneath it something hard could be felt with the hand. Clo undid the pin, and thrusting in her hand pulled out a packet made of a red silk handkerchief tied round with gold string from a confectioner's. Clo squeezed the tight folds of silk. They held the pearls.
It seemed a waste of time to open the handkerchief. She longed to run out of the house with her treasure, without a second's delay. Why search for Chuff's key? As she had found the pearls she did not need to 'phone. The girl was at the door, with her hand on the key, before she realized how mad it would be not to make certain of her find.
Yes, the pearls were really there, the darlings! She re-wrapped the parcel, and again was at the door when another thought struck her. Better make the bed look as it had looked before. She returned, put the pillows back into their covers, stood them up in place, and during the process decided that she would spare a moment to search for Chuff's key. It might come in handy. Kit had let drop that the key was a special key. Clo guessed that at times there were things to hide, and then Chuff would forget to leave that key for his friends! "It might be useful to Mr. O'Reilly's Denham," she thought. "If I can find it quick----"
And flitting about the room she pounced upon a key which answered Kit's description. It was on the mantelpiece--a small, flat key, of a "special" kind, because it was made for a Yale lock.
She shut the door softly behind her, and locked it as she went out. The borrowed key she replaced in the storeroom. Then she unlocked her own door, and tearing off the blue wrapper, put on the tan-coloured linen suit Violet had bought in a sale, for five dollars. There was a tan straw hat, too (Clo dared not appear in the brown toque and coat described by the newspapers), and a cheap handbag purchased for the pearls in case she should get them. It was a tight fit for the red silk bundle, but she squeezed it in, and added the big pearl found in Peterson's room. She would also have tucked in the Yale key, but the bag refused to shut, and she kept the key in her hand. What money she had left, she slipped inside her blouse; everything else she abandoned. Kit would rage in vain when she looked for the red handkerchief parcel.
"I can't have been half an hour," she thought, as she tripped past the breakfast trays and started downstairs. "Kit and Churn may be out a long while yet. I'd hate to come face to face with 'em in the street!"
Less than half way down, she heard Violet's voice, and her nerves jumped. "On my way up for them trays o'yourn," the woman said.
To whom was she speaking? Kit back already? Yes, Kit was answering her: "I'll run up ahead. I'm in a hurry."
The voices sounded near. Clo felt that her blood was turning to water. Should she fly back and lock herself into her room? No, for Kit would discover her loss, and would guess what had happened. A fight for the pearls would be too uncertain, and Kit would call Mrs. Mac and Vi to the rescue, or Churn might come----But could she hope to pass safely if she went on? No, she had promised to guard the door. Kit would accuse and stop her if they met.
In her anguish Clo's fingers closed upon Chuff's key. If only she could hide in Chuff's room before Kit reached his floor! She stumbled down the last few steps, and paused at the room under Kit's. Would the key fit? It went deep into the small keyhole, and turned. Kit must be close to the top of the stairs now.
XXXIV
TRAPPED
Trembling the girl locked herself into Chuff's room and went straight to the telephone. If O'Reilly were at home he would make a dash to the rescue. Her hand was on the receiver when she remembered that she was marooned. She was ignorant of the 'phone number and had never dared inquire the number of the house or street. Now, when it was too late, she wished with all her heart that she had slipped out late at night, while Kit and Churn slept, and thus found her bearings. She had not gone, because the pair always talked till after midnight, and the later the hour the more important their confidences. But surely she could not fall over this small stumbling block! The girl ran to a writing table and opened the blotting-book. It was old, thickly patterned with stains, but it contained not a single sheet of paper. She pulled out a drawer. There was writing paper in it, but unstamped. While she fumbled, hoping for an old envelope addressed to Chuff, the girl could hear the patter of feet overhead. Kit was in her own room walking about. Suddenly the boards ceased to creak. Kit had stopped. Was it at the bedside? Was she pulling the cover off the patched pillow?
Clo had turned to a shelf crowded with books and magazines when a new idea came to her. She snatched up the blotter and held it open, in front of a mirror, over the mantelpiece. "Dear Peterson," she read, "Churn will take you this, and----"
The line beneath mingled with others, and could not be disentangled, but the address of the house had been written above, and could be clearly read.
With a sigh of thanksgiving Clo ran to the telephone, called up Central, and asked for the Dietz Hotel. Her voice could no doubt be heard in the hall outside, and might even reach Kit's ears upstairs. But the door must be broken before she could be torn from the 'phone, and at this hour, when all the men boarders were out there was no strong arm for such work. Meantime, O'Reilly might come. The girl longed for him with a new and desperate longing.
The Dietz answered quickly. Mr. Justin O'Reilly was still staying in the hotel, but he had gone out. Tears started to Clo's eyes. She was trapped now, and must summon Beverley to get the pearls. She had not the Sands' 'phone number, and must ask Central to call the Park Avenue apartment. When she had done this, silence fell. But it was only for a moment. Clo stood, with her ear at the receiver still, when a loud bang on the door made her jump as though she had been shot. The door knob turned.
"You little devil!" shrilled Kit's voice. "You--thief! I know you're there. Wait till I catch you!"
"Hello!" spoke a foreign-sounding voice through the 'phone--the voice of a woman. "Hello! Yes, this is Mrs. Sands' flat. Mr. and Mrs. Sands are not at home."
"When will they be back?" asked Clo.
"I don't know that," answered the cold voice of Anna Schultz. "It may be a long time."
The girl had an instant of despair, but she was not yet beaten. As Kit pounded furiously on the door, Clo called up the jeweller where Ellen Blackburne was employed. Ellen had been in but gone out again; but, oh, she had just returned. She would step to the 'phone.
A moment later Ellen's calm "Hello" seemed to travel to her from a far-distant, peaceful world.
"This is Clo," replied the girl, conscious that voices outside the door ceased their clamour in order that ears might hear her message. "Yes, I said Clo! For God's sake get into a taxi and rush to the number and street I'm going to give you. Listen! Don't stop to ask questions. When you get here, you don't need to come in. I'll drop something out of the window. You can guess what. I'll expect you quick. Good-bye!"
"I heard you!" shrieked Kit. "_I_ can guess, too! You've stolen my pearls, and you think you'll pass 'em on to some other thief. But you won't, you devil! We'll have this door down in five minutes."
Clo went to the window, rolled up the blind, and raised the sash.
"Why won't you let me call the police?" she heard Mrs. Mac asking. "I tell you it's the only thing. I----"
"She won't let you do it because she stole the pearls herself," cried Clo, darting across the room to put her lips to the keyhole. "And that's not all she's afraid of."
"I'll kill you when I get my hands round your throat," Kit screamed her down.
"I won't be the first you've killed. Take care!" Clo retorted, and was then stung with regret for her boldness. There would be no mercy for her now from Kit or Churn when the door gave way. They would know that she'd been the woman at the telephone masquerading as Kit.
But, if only Miss Blackburne came first, before they broke in, she didn't much care. With the pearls safe, she could fight for herself.
"Hurrah, by all that's good, here's my Boy!" crowed Kit outside the door. "Churn! you've come! Mr. Isaacs, too! I was never so glad in my life to see any one as you both! There's a thief in Mr. Cheffinsky's room--the girl that's been living next door to us. She's stole my poor little string o' beads."
Men's voices spoke. Churn and Isaacs were indeed there! The girl put her ear to the keyhole once more, and listened.
"What did I tell you about dat key?" Churn caught her up. "You're ten kinds of a fool, girl. But de tief's dere all right, you say?"
"Yes, she's there all right. She must have took Chuff's key off our mantelpiece. You left it there! The little brute's been 'phonin' some pal to come in a taxi so she can drop my pearls out the window."
"Let me go down and talk things over with the pal when he comes," said another voice that was very smooth, and had a lisp. Clo deduced that it was the voice of Isaacs.
"Yes, do go down!" The girl jeered him through the keyhole. "I'll call from the window what you are, a fence; that's your nickname. You're a receiver of stolen goods."
For a few breathless moments there was no sound. Clo wondered if Ellen had started, and how soon the taxi might arrive. She went again to the window and looked out. There was no taxi in sight, no vehicle of any sort, but children playing, women chatting together. Clo wished that she might shriek at the top of her voice "Help!" "Thieves!" "Murder!" A policeman would surely come, and she and the pearls would be saved. But Beverley would be lost. The story of the pearls would come out somehow. As she gazed like Sister Anne from the tower, two things happened. In the house, a blow from a hammer made the door quiver; in the street a taxi came swinging into sight.
"They'll have the door down!" Clo gasped. "But if only that's Ellen she'll be just in time."
The bag containing the pearls in their red wrapping was in the girl's hand. She stood, prepared to throw it if Ellen appeared. The taxi was slowing down. Yes, it was stopping in front of the house. It must be Ellen--but no! A man stepped out, and glanced quickly in all directions. He did not look up at the window, where Clo had shrunk back as far as she could, not to lose sight of what went on below. He was furtively intent upon a gray limousine car, with several men in it, which had followed the taxi along the street. The motor passed on, however, and its occupants (there were four or five, Clo fancied) were busily talking. They did not look out, or interest themselves in the stopping of the taxi. The man who had come in the latter had the air of hiding behind it, as he paid the chauffeur and carefully counted his change; but the instant the limousine had slid ahead, regardless of him, he ran up the steps. Clo, at the window, could see him no more.
"What if it's Chuff?" she thought, "and he finds them breaking down his door?"
Somehow she had the impression that Cheffinsky was even more wicked than Churn, a man without scruples, a man who would stop at nothing for his own advantage.
"Crack!" went one of the panels, and Clo, flying to the door, snatched the key from the keyhole. She knew the panel could not last many minutes, and a picture rose before her mind of a hand pushing through a hole, to turn the key in the lock. Anyhow, that should not happen!
Back she fled to the window again, and stared anxiously out.
Another taxi appeared. The gray limousine had turned, and was coming back, also. But Clo cared only for the taxi. It was slowing down. A woman thrust her head out and looked up--a neat little head in a black toque. "Miss Blackburne!" The girl cried shrilly. The taxi stopped. But the door stuck. Oh, why didn't the silly chauffeur jump off his seat and help?
Crash! The panel broke with a loud shriek of rending wood. The hammer came through, and was jerked quickly out again. A man's hand seized a jagged piece of the panel and tore it away. An eye peered through the aperture, but Clo was at the window.
"Quick--quick!" she implored, and brandished the bag far over the sill.
The eye disappeared from the panel, and the muzzle of a revolver took its place.
Miss Blackburne had jumped down on to the pavement.
"If you throw out that bag, I fire," a voice warned Clo--a new voice, not Churn's.
The girl glanced round involuntarily, and saw the small black object imbedded in the smashed door panel. Her nerves jerked, but she turned back to the window, with a sensation of ice in her spine.
"String these and get them to _her_, if you have to take them to Newport!" she cried.
There was a queer muffled explosion, not unlike the breaking of wood, yet somehow different. Clo felt a blow on the shoulder, and then a strange, heart-rending pain. She staggered, fell forward on to her knees, hanging over the window sill. But she threw the bag. A red light flamed in her eyes, not like the light of the summer day. Through the redness she thought she saw a little woman in black catch the bag and stand still, looking up. Clo tried to wave her hand, motioning "Go on--hurry!" and her lips formed the words. She was not sure whether the woman went, or whether she had been stopped at the taxi door by some men getting out of that gray limousine; the cloud of red had grown so thick. But there were noises behind her. The men in the hall had burst the door open. She could not look round again. Her head rested upon her arm, lying on the window sill. Then someone was dragging her away. It was all over for her in this world! But Beverley's pearls were saved.
XXXV
THE TIME LIMIT OF HOPE
A big, blond man had hustled Mrs. Mac and Violet downstairs before the shot was fired. It was bewildering to them that Mr. Cheffinsky should come home after his strange absence with his beautiful golden beard and moustache shaved off.
Cheffinsky was like an officer directing a defence. He took command instantly he entered the house, seeming to understand the situation without a question. "If any one rings, let Violet be a long time opening the door," he said. "But it must be opened. Don't act as if there was something to hide. Keep 'em talking, no matter who, or about what as long as you can. There's been a theft from a lady boarder, and a little excitement; you've only to tell the truth--see?"
All this in a second; but it got the two women out of the way. The spy must be muzzled at any cost, for Cheffinsky guessed at a word from Kit that this was the mysterious girl of the telephone.
"Pick her up," he said to Kit, when they had got the locked door open. "If any eyes are on that window, it won't look too queer for one girl to pull another back into the room."
As the other two women had done, Kit obeyed. She was used to obeying Chuff in the past. She dragged Clo to the back of the room, out of sight from the window, and awaited further commands.
"Now," Chuff said, "if we're spotted, this is a suicide--see? She stole your pearls, and when she was caught she killed herself."
"But the shot's in her shoulder--and she ain't dead. She's opening her eyes," Kit objected.
"She's got to be dead," Chuff decreed. "I know how to fix the bullet business. It'll have to be done now, because if trouble comes it will come quick. Look here; this is the thing to do, if there's questions to answer. You caught her stealing. She ran down to this room from yours, threw the stuff out of the window to a pal, and then grabbed my Browning from the mantelpiece. She'd have shot you, but seeing the men, knew the game was up, and did for herself instead. Shut the window, Kit. I'm going to put another ball into her, in the chest, just opposite the spot of blood on her back. Carry her into the closet, to cover the sound. I mustn't touch her myself. There's spots on you already. Account for them by saying you picked her up to see if she was alive."
"But if she's in the closet----"
"She ran there, and shot at you from inside the door, after we'd all broken into the room to get at her. Is that clear to you both? We must stick to the same story. Into the closet with her, Kit."
Clo felt a strange sensation, as if her soul had left the body that hung limp in Kit's strong arms, and was gazing at it with impersonal pity. "The worst will be ended for me in a minute," she thought. Then, suddenly, she remembered Justin O'Reilly. A great desolation of loneliness swept over her. He would be sorry. But he was far away.
* * * * *
When Clo telephoned, Ellen Blackburne did not even know that the Sands were out of New York. The message, however, instantly awoke her sleeping interest. She guessed that Clo had tracked the thief, and that what she called the "weird address" given was the "lair." Miss Blackburne was no coward, and the astonishing request that came over the telephone wires did not frighten her. She prepared to follow instructions at once, taking only one precaution. Before starting, she left word that if she did not 'phone or return within an hour, inquiries were to be made at the house and in the street whose number she wrote down.
The pearl-stringer did, therefore, precisely what she had been asked to do. She abandoned the work laid out for the morning, and dashed off in a taxi on a moment's notice. Clo's little face at the window of a tenth-rate boarding-house told her nothing new. Clo was always pale. When the girl dropped to her knees it looked to Ellen as if that attitude were more convenient for throwing down the bag. No sound of a pistol shot reached Ellen's ears over the noises of the street. She heard only the "teuf-teuf" of her own taxi, and the snort of a big gray car which had at that instant come to a stop close by. Miss Blackburne was used to odd adventures, and prided herself on "keeping cool," but she could not help giving an undignified jump as a man sprang out of the gray limousine and laid a hand on her arm.
"What is in that bag and where are you taking it? I've a right to know," he said sharply. "I'm a friend of Miss Riley."
Ellen grabbed at the door of her taxi. The man was about thirty or thirty-two, she thought, certainly a gentleman and rather handsome. "I'm acting for Miss Riley," she returned as sharply. "My name's Blackburne. Clo's in a hurry for me to do an errand. If you're really her friend, you'd better let me get away while you look after her."
The two eyed each other for an instant. "You are Miss Ellen Blackburne, the pearl-stringer?" the man inquired.
"The same," she answered.