The Life of Charles Dickens, Vol. I-III, Complete
Chapter 84
LITERARY LABOUR AT LAUSANNE.
1846.
A Picture completed--Self-judgments--Christmas Fancies--Second Number of _Dombey_--A Personal Revelation--First Thought of Public Readings--Two Tales in Hand--Christmas Book given up--Goes to Geneva--Disquietudes of Authorship--Shadows from _Dombey_--A New Social Experience--Eccentricities--Feminine Smoking Party--Visit of the Talfourds--Christmas Book resumed--Lodging his Friends.
SOMETHING of the other side of the medal has now to be presented. His letters enable us to see him amid his troubles and difficulties of writing, as faithfully as in his leisure and enjoyments; and when, to the picture thus given of Dickens's home life in Switzerland, some account has been added of the vicissitudes of literary labour undergone in the interval, as complete a representation of the man will be afforded as could be taken from any period of his career. Of the larger life whereof it is part, the Lausanne life is indeed a perfect microcosm, wanting only the London streets. This was his chief present want, as will shortly be perceived: but as yet the reader does not feel it, and he sees otherwise in all respects at his best the great observer and humourist; interested in everything that commended itself to a thoroughly earnest and eagerly enquiring nature; popular beyond measure with all having intercourse with him; the centre, and very soul, of social enjoyment; letting nothing escape a vision that was not more keen than kindly; and even when apparently most idle, never idle in the sense of his art, but adding day by day to experiences that widened its range, and gave freer and healthier play to an imagination always busily at work, alert and active in a singular degree, and that seemed to be quite untiring. At his heart there was a genuine love of nature at all times; and strange as it may seem to connect this with such forms of humorous delineation as are most identified with his genius, it is yet the literal truth that the impressions of this noble Swiss scenery were with him during the work of many subsequent years: a present and actual, though it might be seldom a directly conscious, influence. When he said afterwards, that, while writing the book on which he is now engaged, he had not seen less clearly each step of the wooden midshipman's staircase, each pew of the church in which Florence was married, or each bed in the dormitory of Doctor Blimber's establishment, because he was himself at the time by the lake of Geneva, he might as truly have said that he saw them all the more clearly even because of that circumstance. He worked his humour to its greatest results by the freedom and force of his imagination; and while the smallest or commonest objects around him were food for the one, the other might have pined or perished without additional higher aliment. Dickens had little love for Wordsworth, but he was himself an example of the truth the great poet never tired of enforcing, that Nature has subtle helps for all who are admitted to become free of her wonders and mysteries.
Another noticeable thing in him is impressed upon these letters, as upon many also heretofore quoted, for indeed all of them are marvellously exact in the reproduction of his nature. He did not think lightly of his work; and the work that occupied him at the time was for the time paramount with him. But the sense he entertained, whether right or wrong, of the importance of what he had to do, of the degree to which it concerned others that the power he held should be exercised successfully, and of the estimate he was justified in forming as the fair measure of its worth or greatness, does not carry with it of necessity presumption or self-conceit. Few men have had less of either. It was part of the intense individuality by which he effected so much, to set the high value which in general he did upon what he was striving to accomplish; he could not otherwise have mastered one half the work he designed; and we are able to form an opinion, more just now for ourselves than it might have seemed to us then from others, of the weight and truth of such self-judgment. The fussy pretension of small men in great places, and the resolute self-assertion of great men in small places, are things essentially different. _Respice finem_. The exact relative importance of all our pursuits is to be arrived at by nicer adjustments of the Now and the Hereafter than are possible to contemporary judgments; and there have been some indications since his death confirmatory of the belief, that the estimate which he thought himself entitled to form of the labours to which his life was devoted, will be strengthened, not lessened, by time.
Dickens proposed to himself, it will be remembered, to write at Lausanne not only the first four numbers of his larger book, but the Christmas book suggested to him by his fancy of a battle field; and reserving what is to be said of _Dombey_ to a later chapter, this and its successor will deal only with what he finished as well as began in Switzerland, and will show at what cost even so much was achieved amid his other and larger engagements.
He had restless fancies and misgivings before he settled to his first notion. "I have been thinking this last day or two," he wrote on the 25th of July, "that good Christmas characters might be grown out of the idea of a man imprisoned for ten or fifteen years; his imprisonment being the gap between the people and circumstances of the first part and the altered people and circumstances of the second, and his own changed mind. Though I shall probably proceed with the Battle idea, I should like to know what you think of this one?" It was afterwards used in a modified shape for the _Tale of Two Cities_. "I shall begin the little story straightway," he wrote a few weeks later; "but I have been dimly conceiving a very ghostly and wild idea, which I suppose I must now reserve for the _next_ Christmas book. _Nous verrons._ It will mature in the streets of Paris by night, as well as in London." This took ultimately the form of the _Haunted Man_, which was not written until the winter of 1848. At last I knew that his first slip was done, and that even his eager busy fancy would not turn him back again.
But other unsatisfied wants and cravings had meanwhile broken out in him, of which I heard near the close of the second number of _Dombey_. The first he had finished at the end of July; and the second, which he began on the 8th of August, he was still at work upon in the first week of September, when this remarkable announcement came to me. It was his first detailed confession of what he felt so continuously, and if that were possible even more strongly, as the years went on, that there is no single passage in any of his letters which throws such a flood of illuminative light into the portions of his life which always awaken the greatest interest. Very much that is to follow must be read by it. "You can hardly imagine," he wrote on the 30th of August, "what infinite pains I take, or what extraordinary difficulty I find in getting on FAST. Invention, thank God, seems the easiest thing in the world; and I seem to have such a preposterous sense of the ridiculous, after this long rest" (it was now over two years since the close of _Chuzzlewit_), "as to be constantly requiring to restrain myself from launching into extravagances in the height of my enjoyment. But the difficulty of going at what I call a rapid pace, is prodigious; it is almost an impossibility. I suppose this is partly the effect of two years' ease, and partly of the absence of streets and numbers of figures. I can't express how much I want these. It seems as if they supplied something to my brain, which it cannot bear, when busy, to lose. For a week or a fortnight I can write prodigiously in a retired place (as at Broadstairs), and a day in London sets me up again and starts me. But the toil and labour of writing, day after day, without that magic lantern, is IMMENSE!! I don't say this at all in low spirits, for we are perfectly comfortable here, and I like the place very much indeed, and the people are even more friendly and fond of me than they were in Genoa. I only mention it as a curious fact, which I have never had an opportunity of finding out before. _My_ figures seem disposed to stagnate without crowds about them. I wrote very little in Genoa (only the _Chimes_), and fancied myself conscious of some such influence there--but Lord! I had two miles of streets at least, lighted at night, to walk about in; and a great theatre to repair to, every night." At the close of the letter he told me that he had pretty well matured the general idea of the Christmas book, and was burning to get to work on it. He thought it would be all the better, for a change, to have no fairies or spirits in it, but to make it a simple domestic tale.[127]
In less than a week from this date his second number was finished, his first slip of the little book done, and his confidence greater. They had had wonderful weather,[128] so clear that he could see from the Neuchâtel road the whole of Mont Blanc, six miles distant, as plainly as if he were standing close under it in the courtyard of the little inn at Chamounix; and, though again it was raining when he wrote, his "nailed shoes" were by him and his "great waterproof cloak" in preparation for a "fourteen-mile walk" before dinner. Then, after three days more, came something of a sequel to the confession before made, which will be read with equal interest. "The absence of any accessible streets continues to worry me, now that I have so much to do, in a most singular manner. It is quite a little mental phenomenon. I should not walk in them in the day time, if they were here, I dare say: but at night I want them beyond description. I don't seem able to get rid of my spectres unless I can lose them in crowds. However, as you say, there are streets in Paris, and good suggestive streets too: and trips to London will be nothing then. WHEN I have finished the Christmas book, I shall fly to Geneva for a day or two, before taking up with _Dombey_ again. I like this place better and better; and never saw, I think, more agreeable people than our little circle is made up of. It is so little, that one is not 'bothered' in the least; and their interest in the inimitable seems to strengthen daily. I read them the first number last night 'was a' week, with unrelateable success; and old Mrs. Marcet, who is devilish 'cute, guessed directly (but I didn't tell her she was right) that little Paul would die. They were all so apprehensive that it was a great pleasure to read it; and I shall leave here, if all goes well, in a brilliant shower of sparks struck out of them by the promised reading of the Christmas book." Little did either of us then imagine to what these readings were to lead, but even thus early they were taking in his mind the shape of a sort of jest that the smallest opportunity of favour might have turned into earnest. In his very next letter he wrote to me: "I was thinking the other day that in these days of lecturings and readings, a great deal of money might possibly be made (if it were not infra dig) by one's having Readings of one's own books. It would be an _odd_ thing. I think it would take immensely. What do you say? Will you step to Dean-street, and see how Miss Kelly's engagement-book (it must be an immense volume!) stands? Or shall I take the St. James's?" My answer is to be inferred from his rejoinder: but even at this time, while heightening and carrying forward his jest, I suspected him of graver desires than he cared to avow; and the time was to come, after a dozen years, when with earnestness equal to his own I continued to oppose, for reasons to be stated in their place, that which he had set his heart upon too strongly to abandon, and which I still can only wish he had preferred to surrender with all that seemed to be its enormous gains! "I don't think you have exercised your usual judgment in taking Covent-garden for me. I doubt it is too large for my purpose. However, I shall stand by whatever you propose to the proprietors."
Soon came the changes of trouble and vexation I had too surely seen. "You remember," he wrote, "your objection about the two stories. I made over light of it. I ought to have considered that I have never before really tried the opening of two together--having always had one pretty far ahead when I have been driving a pair of them. I know it all now. The apparent impossibility of getting each into its place, coupled with that craving for streets, so thoroughly put me off the track, that, up to Wednesday or Thursday last, I really contemplated, at times, the total abandonment of the Christmas book this year, and the limitation of my labours to _Dombey and Son_! I cancelled the beginning of a first scene--which I have never done before--and, with a notion in my head, ran wildly about and about it, and could not get the idea into any natural socket. At length, thank Heaven, I nailed it all at once; and after going on comfortably up to yesterday, and working yesterday from half-past nine to six, I was last night in such a state of enthusiasm about it that I think I was an inch or two taller. I am a little cooler to-day, with a headache to boot; but I really begin to hope you will think it a pretty story, with some delicate notions in it agreeably presented, and with a good human Christmas groundwork. I fancy I see a great domestic effect in the last part."
That was written on the 20th of September; but six days later changed the picture and surprised me not a little. I might grudge the space thus given to one of the least important of his books but that the illustration goes farther than the little tale it refers to, and is a picture of him in his moods of writing, with their weakness as well as strength upon him, of a perfect truth and applicability to every period of his life. Movement and change while he was working were not mere restlessness, as we have seen; it was no impatience of labour, or desire of pleasure, that led at such times to his eager craving for the fresh crowds and faces in which he might lose or find the creatures of his fancy; and recollecting this, much hereafter will be understood that might else be very far from clear, in regard to the sensitive conditions under which otherwise he carried on these exertions of his brain. "I am going to write you" (26th of September) "a most startling piece of intelligence. I fear there may be NO CHRISTMAS BOOK! I would give the world to be on the spot to tell you this. Indeed I once thought of starting for London to-night. I have written nearly a third of it. It promises to be pretty; quite a new idea in the story, I hope; but to manage it without the supernatural agency now impossible of introduction, and yet to move it naturally within the required space, or with any shorter limit than a _Vicar of Wakefield_, I find to be a difficulty so perplexing--the past _Dombey_ work taken into account--that I am fearful of wearing myself out if I go on, and not being able to come back to the greater undertaking with the necessary freshness and spirit. If I had nothing but the Christmas book to do, I WOULD do it; but I get horrified and distressed beyond conception at the prospect of being jaded when I come back to the other, and making it a mere race against time. I have written the first part; I know the end and upshot of the second; and the whole of the third (there are only three in all). I know the purport of each character, and the plain idea that each is to work out; and I have the principal effects sketched on paper. It cannot end _quite_ happily, but will end cheerfully and pleasantly. But my soul sinks before the commencement of the second part--the longest--and the introduction of the under-idea. (The main one already developed, with interest.) I don't know how it is. I suppose it is the having been almost constantly at work in this quiet place; and the dread for the _Dombey_; and the not being able to get rid of it, in noise and bustle. The beginning two books together is also, no doubt, a fruitful source of the difficulty; for I am now sure I could not have invented the _Carol_ at the commencement of the _Chuzzlewit_, or gone to a new book from the _Chimes_. But this is certain. I am sick, giddy, and capriciously despondent. I have bad nights; am full of disquietude and anxiety; and am constantly haunted by the idea that I am wasting the marrow of the larger book, and ought to be at rest. One letter that I wrote you before this, I have torn up. In that the Christmas book was wholly given up for this year: but I now resolve to make one effort more. I will go to Geneva to-morrow, and try on Monday and Tuesday whether I can get on at all bravely, in the changed scene. If I cannot, I am convinced that I had best hold my hand at once; and not fritter my spirits and hope away, with that long book before me. You may suppose that the matter is very grave when I can so nearly abandon anything in which I am deeply interested, and fourteen or fifteen close MS. pages of which, that have made me laugh and cry, are lying in my desk. Writing this letter at all, I have a great misgiving that the letter I shall write you on Tuesday night will not make it better. Take it, for Heaven's sake, as an extremely serious thing, and not a fancy of the moment. Last Saturday after a very long day's work, and last Wednesday after finishing the first part, I was full of eagerness and pleasure. At all other times since I began, I have been brooding and brooding over the idea that it was a wild thing to dream of, ever: and that I ought to be at rest for the _Dombey_."
The letter came, written on Wednesday not Tuesday night, and it left the question still unsettled. "When I came here" (Geneva, 30th of September) "I had a bloodshot eye; and my head was so bad, with a pain across the brow, that I thought I must have got cupped. I have become a great deal better, however, and feel quite myself again to-day. . . . I still have not made up my mind as to what I CAN do with the Christmas book. I would give any money that it were possible to consult with you. I have begun the second part this morning, and have done a very fair morning's work at it, but I do not feel it _in hand_ within the necessary space and divisions: and I have a great uneasiness in the prospect of falling behind hand with the other labour, which is so transcendantly important. I feel quite sure that unless I (being in reasonably good state and spirits) like the Christmas book myself, I had better not go on with it; but had best keep my strength for _Dombey_, and keep my number in advance. On the other hand I am dreadfully averse to abandoning it, and am so torn between the two things that I know not what to do. It is impossible to express the wish I have that I could take counsel with you. Having begun the second part I will go on here, to-morrow and Friday (Saturday, the Talfourds come to us at Lausanne, leaving on Monday morning), unless I see new reason to give it up in the meanwhile. Let it stand thus--that my next Monday's letter shall finally decide the question. But if you have not already told Bradbury and Evans of my last