Chapter 129

meant that it was not natural Paladore should suspect she did, since it is inconceivable that a princess should refuse her cousin in marriage for the mere caprice of intriguing with him. Had she managed her father, and, from the dread of his anger, temporized about Bireno, Paladore would have had more reason to doubt her. Would it not too be more natural for Bireno to incense the king against Paladore than to endeavour to make the latter jealous of Sophia? At least I think Bireno would have more chance of Poisoning Paladore's mind, if he did not discover to him that he knew of his passion. Forgive me, Sir but I cannot reconcile to probability Paladore's believing that Sophia had rejected Bireno for a husband, though it would please her father, and yet chose to intrigue with him in defiance of so serious and extraordinary a law. Either his credulity or his jealousy reduce Paladore to a lover very unworthy of such a woman as Sophia. For her sake I wish to see him more deserving of her.

You are so great a poet, Sir, that you have no occasion to labour any thing but your plots. You can express any thing you please. If the conduct is natural, you will not want words. Nay, I rather fear your indulging your poetic vein too far, for your language is sometimes sublime enough for odes, which admit the height of enthusiasm, which Horace will not allow to tragic writers. You could set up twenty of our tragic authors with lines that you could afford to reject, though for no reason but their being too fine, as in landscape-painting some parts must be under-coloured to give the higher relief to the rest. Will you not think me too difficult and squeamish, when I find the language of "The Law of Lombardy" too rich?

I beg your pardon, but it is more difficult for you to please me, than any body. I interest myself in your success and your glory. You must be perfect in all parts, in nature, simplicity, and character, as well as in the most charming poetry, or I shall not be content. If I dared, I would beg you to trust me with your plots, before you write a line. When a subject seizes you, your impetuosity cannot breathe till you have executed your plan. You must be curbed, as other poets want to be spurred. When your sketch is made, you must study the characters and the audience. It is not flattering you to say, that the least you have to do is to write your play.

(287) Now first printed.

(288) "The Law of Lombardy;" see ant`e, p. 170, letter 123.-E.