Part 1

AMERICAN GEOGRAPHICAL SOCIETY LIBRARY SERIES NO. 4

THE LEARDO MAP OF THE WORLD 1452 OR 1453

_In the Collections of the American Geographical Society_

BY JOHN KIRTLAND WRIGHT, Ph.D. Librarian, American Geographical Society

WITH A NOTE ON THE REPRODUCTION OF THE MAP BY A. B. HOEN

AMERICAN GEOGRAPHICAL SOCIETY BROADWAY AT 156TH STREET NEW YORK 1928

COPYRIGHT, 1928 BY THE AMERICAN GEOGRAPHICAL SOCIETY OF NEW YORK

RUMFORD PRESS CONCORD, N. H.

CONTENTS

PAGE The Leardo Map of the World, 1452 or 1453 1 The Calendar and the Inscription Beneath It 2 The Map Disk 4 Sources of Leardo’s Geography 6 The Known World According to Leardo 10 Asia 10 Africa 15 The Mediterranean 16 Europe 17 Notes 21 Appendix: Detailed Comments on the Map 31 Explanation 31 I. Northern Asia 32 II. Far Eastern Asia 35 III. India 37 IV. Central Asia 40 V. Persia 41 VI. Mesopotamia and Syria 42 VII. Arabia 44 VIII. Asia Minor 45 IX. Armenia, Caucasia, and Southeastern Russia 46 X. Indian Ocean, Persian Gulf, and Red Sea 47 XI. Southern Africa 47 XII. Middle and Lower Nile Region 49 XIII. Upper Nile Region and West Africa 50 XIV. North Africa 52 XV. Black and Mediterranean Seas 54 XVI. Southwestern Europe 55 XVII. Atlantic Ocean and Islands 56 XVIII. Central Europe 56 XIX. Italy 57 XX. Southeastern Europe 57 XXI. Baltic Sea 58 XXII. Scandinavia 58 XXIII. Eastern Europe 59 XXIV. Far North 60 List of References 63 The Reproduction of the Leardo Map, by A. B. Hoen 71

ILLUSTRATIONS

FIG. PAGE 1. The Leardo map of the world, 1452 or 1453 _frontispiece_ 2. Passage from mid-eighteenth century manuscript of the Doge Marco Foscarini referring to Leardo map of 1447 23 3. Passage from mid-eighteenth century manuscript of Giovanni Agostini referring to Leardo map of 1447 23 4. General key map _at end of book_ 5. Detailed key map; northeastern section _at end of book_ 6. Detailed key map; east-central section _at end of book_ 7. Detailed key map; southeastern section _at end of book_ 8. Detailed key map; northwestern section _at end of book_ 9. Detailed key map; west-central section _at end of book_ 10. Detailed key map; southwestern section _at end of book_

THE LEARDO MAP OF THE WORLD 1452 OR 1453

The notes will be found on pp. 21-28.

In 1906 Archer M. Huntington, Esq., presented to the American Geographical Society one of three known maps of the world signed and dated by the Venetian, Giovanni Leardo. Of these, the oldest, as well as the crudest and simplest, is preserved in the Communal Library at Verona and carries the date 1442.[1] The second (1448), somewhat more elaborate in design, belongs to the Civic Museum at Vicenza.[2] The Society’s map,[3] the largest of the three, bears the signature in the lower right-hand corner: _Johanes Leardus de Venetteis me fezit abano domini 145_[?]. The last digit in this inscription is partly mutilated; the date, however, is probably either 1452 or 1453.[4]

The Society’s map is of primary interest as revealing a conception of the earth’s surface typical of the century preceding the discovery of America. In its blending of colors and pleasing general composition it forms a work of art of no slight decorative value. Furthermore, the encircling calendar and many details on the map proper are distinctly unusual.[5] The Society has therefore undertaken the publication of a full-sized colored facsimile, in explanation of which the present book was prepared. Drawn on a piece of parchment measuring 28½ by 23⅜ inches (72.4 × 59.4 cm.), the original is in a fair state of preservation except for two pieces torn from the left-hand side, for discolorations, and for the fading of some of the inscriptions. Fortunately, no part of the map itself has been seriously injured.

The Calendar and the Inscription Beneath It

The calendars encircling Leardo’s three maps constitute exceptional additions. Of these calendars, the one on the Society’s map is the most interesting. The inscription in the panel below the circles, in part an explanation of the calendar, is somewhat awkwardly phrased in the Venetian dialect of the fifteenth century, but, although it lacks the beginning of each line, the meaning is fairly clear, especially when certain of the missing lines are reconstructed from the corresponding inscription on the map in Vicenza.[6]

In the first two lines the cartographer makes an excursion into the realm of theology. According to Dr. Arthur C. McGiffert, to whom the present writer submitted the passage, this part of the inscription is “evidently not the work of a theologian, for it makes God the creator ‘of all things created and _un_created’ (the credal phrase is ‘things visible and invisible’), and in the next clause runs the Trinity (‘three persons and one common substance’) and the person of Christ together as if they were the same thing. There are reminiscences of the Nicene creed, but the whole is theologically a hodge-podge.”

This passage is followed by a statement that the map shows how the land and islands stand in relation to the seas and how the many provinces and mountains and principal rivers are distributed on the land. Then, on the asserted authority of Macrobius, “a very excellent astrologer and geometrician,” figures are given for the dimensions of the earth and of various heavenly bodies. These are quite fanciful, bearing little relation to the corresponding figures actually cited by Macrobius.[7]

The astronomical details are followed in the third paragraph by the explanation of the calendar. The latter consists of eight concentric circles, of which the innermost gives the dates of Easter for ninety-five years, from April 1, 1453, to April 10, 1547; when Easter falls in April, _A_ is written in the small compartment, when in March, _M_; leap years are designated by _B_ (“bissextile years”).

The second circle shows the names of the months, beginning with March, which was officially reckoned the first month of the year in the Republic of Venice until as late as 1797[8]; it also tells the day, hour, and minute when the sun enters each of the twelve signs of the zodiac.

The third, fourth, fifth, and sixth circles enable one to calculate the phases of the moon. In the third circle the first nineteen letters of the alphabet represent in order the years of the Metonic lunisolar cycle. These years were usually designated by the golden numbers, but before the Gregorian reform letters were frequently employed in place of the numbers. Leardo explains that _C_ stands for 1453, _D_ for 1454, and so on until _T_ is reached, after which we begin over again at _A_.[9] A letter is placed opposite the figures (in the fourth, fifth, and sixth circles) showing respectively the day of the month, the hour of the day, and the “point of the hour” at which the “conjunction of the moon” (i. e. new moon) will take place in the years to which the letter refers. For example, there will be a new moon on April 8, 1453, at 16 hours, 200 points.[10] Leardo adds that there are 1080 points in an hour.[11]

The seventh circle gives the dominical, or “Sunday,” letters; these are indicated opposite the days of the month (fourth circle) on which Sunday falls in the years designated by the seven first letters of the alphabet. If we know the dominical letter for any particular year, we may thus determine the days of the week.[12] Leardo, however, does not specify the years to which the dominical letters in his calendar refer.

The eighth and ninth circles give the lengths of the days in hours and minutes.[13] From this we see that the vernal equinox fell on March 11, inasmuch as the calendar was constructed before the Gregorian reform. Finally, in the tenth circle saints’ days and other religious festivals are shown.[14]

The four figures in the spaces between the calendar and the outer edge of the parchment represent the four evangelists: the lion for St. Mark, the bull for St. Luke, the angel for St. Matthew, and the eagle (of which only the head shows) for St. John.[15]

The Map Disk

It should be noted first that east is at the top of the map and Jerusalem at the center; hence the long axis of the Mediterranean runs vertically up the southern half of the disk.

With the exception of the Red Sea, appropriately colored, the seas are uniformly blue. The lands are left the natural color of the bleached parchment except for a fiery red region in the far south bearing the legend: “Desert uninhabited because of heat,” and a dreary brown waste in the far north marked: “Desert uninhabited because of cold.” Islands are tinted either red or yellow, with green patches in the interior of Great Britain and Ireland. The only other natural features depicted are mountains, rivers, and lakes, although certain deserts are mentioned in legends. Mountain ranges are represented by rows of mounds, alternately red, green, and blue, and each rising symmetrically in two or three steps. Rivers are blue and, as frequently on medieval maps, sometimes connect one sea with another, or at least have common sources. A yellow lake, labeled “Sandy Sea,” lies in the midst of the Sahara.

Vignettes of castles, walled towns, and churches stand for cities, kingdoms, and regions. In most cases the names have been written upon the vignettes themselves; since the latter are also colored pink or green, the letters are frequently obscured and quite illegible. Many towns and districts are shown by red dots beside which the names are written in ink, once black but now faded with age. These names were inserted after the vignettes were drawn, for in many instances they are tilted or compressed to fit the available space. The draftsman did not venture to write any name to the left of the dot to which it belongs; as he could not write on the blue of the seas, he was obliged to invert the map in the case of places on south-facing coasts. Names of islands and seas, which had to be written on water surfaces, are inclosed in small yellow panels. The names of the continents, the two inscriptions relating to the polar and equatorial deserts, and the words “Terrestrial Paradise” are in red capitals; but all other names are in minuscule, usually without an initial capital. Besides place names there are a few longer legends.

Winds blowing from the four cardinal and four intermediate points of the compass are shown by eight faces around the edge of the disk. Those to the north, northwest, and northeast are blue, suggesting cold blasts from these quarters; the other faces are ruddy.

Although decorative, the Leardo map lacks many of the pictorial elements—animals, birds, preposterous monsters—that enliven the blank spaces on other medieval maps. With the exception of the eight wind faces and the symbolic figures of the evangelists no living creatures, whether animals or men, are graphically represented.

Sources of Leardo’s Geography

Briefly stated, the sources of Leardo’s geography are to be sought in the information accumulated by the Greeks and Romans, as added to and altered during the early Middle Ages by the Church Fathers on the basis of the interpretation of the Bible and as later augmented by the work of medieval travelers, merchants, and sailors.

At a very early period the Greeks developed the idea (borrowed, perhaps, from the Babylonians[16]) that the earth is a flat disk surrounded by the Ocean Stream. This conception seems to have given rise to a cartographic tradition followed by certain ancient and medieval map-makers who had long outgrown the belief that the earth is actually flat. Thus Leardo draws a circular land mass, or _oikoumene_, surrounded by a narrow hem of water. We cannot, however, question his belief in the sphericity of the earth, for otherwise he could hardly have held the views expressed in the panel below the calendar. Furthermore, his two legends relating to the fiery and frozen deserts echo a theory that was propounded in classical times and based on the hypothesis of a spherical earth. This theory, worked out in detail by Crates of Mallos, is briefly as follows.[17] Around the equatorial circumference of the globe is a fiery zone so intensely hot that no man can cross it. This zone cuts off all communication with the southern hemisphere. The north and south polar caps are uninhabitable because of the cold. An ocean encircling the globe from north to south intercepts communication with the half of the northern hemisphere opposite the _oikoumene_. Many maps were made in the Middle Ages to illustrate this conception. Leardo presumably had it in mind and did not intend to represent either a flat disk or a complete hemisphere but merely a circular portion of the earth’s surface lying north of the equator.

In its orientation, with east and the Terrestrial Paradise at the top and with Jerusalem at the center, the map follows the Christian tradition of the earlier Middle Ages. Other features reflecting the influence of the Scriptures are Noah’s Ark resting on top of Mt. Ararat, Mt. Sinai, the exaggerated length of the River Jordan, and an inscription in the far northeast referring to Gog and Magog.

Later medieval contacts between Europe and remote lands are revealed in names derived from Marco Polo and possibly from other Western travelers who had visited the Orient, as well as in the Arabic names in Asia and Africa.

Medieval navigators’ charts also influenced Leardo. Towards the close of the thirteenth century sailors in the Mediterranean—particularly Italians and Catalans—began making marine maps (known as portolan charts) that far surpassed all earlier maps in the accurate delineation of coast lines. The majority of these show the Mediterranean and Atlantic coasts of Europe and of north Africa but little of the interior of the continents and nothing of the farther parts of Asia. Some, however, were used as the basis for maps of the world. On the latter the shore lines were derived from the navigators’ charts, and the remaining regions were compiled from other sources. The Leardo map belongs in this category.

Among the existing maps dating from the fourteenth and early fifteenth centuries our Leardo map is very closely related to the group of maps drawn by the famous Catalan cartographers of Majorca in the Balearic Islands. In its general outlines it is so strikingly like a Catalan map of about 1450 now preserved in the Este Library at Modena[18] that we must assume a common cartographic ancestor at no great distance back. There are, however, certain legends on the Este map that Leardo does not give, particularly the long inscriptions and a multitude of place names on the Mediterranean and Atlantic coasts. Leardo’s map, on the other hand, has features not shown on the Este map. These are of two sorts: (1) place names in Asia and Africa, the counterparts of which may be found on other Catalan[19] and Italian[20] maps of the period; and (2) river, mountain, and province names taken directly from Ptolemy. There are also not a few names whose origins or counterparts on other maps I have been unable to trace.

Ptolemy’s _Geography_ had been neglected during the earlier Middle Ages, but the enthusiastic interest in Greek literature which characterized the early Renaissance had led to its translation into Latin shortly before Leardo’s time.[21] A strict interpretation of Ptolemy’s data would have necessitated a complete redrafting of the outlines of the continents, as was done on the Ptolemaic atlases of the mid- and late fifteenth century. Leardo made no such attempt. The extent of his concession to the Ptolemaic geography was to sprinkle a few of Ptolemy’s names over a medieval base and to add the Rivers Indus and Oechardes in eastern Asia.[22]

The Known World According to Leardo

The numbers in parentheses correspond to the reference numbers in the Appendix (pp. 32-60) and on the key maps at the end of the book.

In the Appendix (pp. 31-67) I have tried to identify as many as possible of the names and other features shown on the Leardo map with existing places, or at least with corresponding features on other maps of the period. Here I propose to conduct the reader on a rapid sight-seeing tour around the map, pointing out some of the most interesting details only.

Asia

In the extreme north (left-hand side) there is a large structure which looks like an Italian church with its campanile (13). The legend beneath, suggested ultimately by a passage from Marco Polo, runs about thus: “[This is] the sepulcher of the [Grand Khan] and they do this when he comes to be carried for interment: he comes accompanied by many armed men who kill those whom they find on the roads, and they say that the souls of these are blessed because they accompany the soul of the Grand Khan to another life.” Marco Polo adds that at the time of the funeral of Mangou Khan 20,000 persons were thus slain! The actual place of burial of the Mongol Khans was in Cathay, far away from northern Russia where Leardo, following the model of Catalan maps, draws it. European cartographers of the fourteenth and fifteenth centuries seem to have known and cared little about the relative positions of places in Asia; as Italian merchants by this time had established contacts with the Mongols in southern Russia, what was more natural than to place the Mongol overlord’s tomb in the hinterland of the Black Sea? Here there was more available space than in the Far East, and here on Leardo’s map the Grand Khan’s tomb could be made symmetrically to balance Prester John’s palace across the map in Africa (299).

South of the sepulcher we see the River Volga (6, 7) flowing into the northwestern corner of the Caspian (250). A branch from the east (8), perhaps the Kama, joins the Volga where the latter bends at a right angle to the south. East of the lower Volga is a “desert of thirty days” (10), Polo’s mysterious demon-haunted desert of Lop, where the traveler hears ringing bells and other uncanny sounds (possibly “singing sands”). Like the Grand Khan’s tomb, this desert is also wofully misplaced, since the actual desert of Lop lies in eastern Chinese Turkestan. The responsibility is not Leardo’s, however, for the Lop desert is in the same place on the Catalan Atlas of 1375 and on the Este map.

Farther east, beyond a row of six castles representing towns on the borderlands of China (35-40), we come to a gulf of the encircling ocean and to a great system of mountains. The gulf (11), which contains three islands, appears in almost the same position and form on the Este map, where there is a legend explaining that on the islands griffons and falcons are found and that the natives are not allowed to kill them without the permission of the Grand Khan of the Tatars. This is also from Marco Polo, who writes that the islands where the gerfalcons are bred lie so far north that the North Star is left behind you in the south! The mountains southeast of the gulf make an enclosure shaped something like a θ (42-47). Inside the northern half of this θ a legend tells us that “this is the province of Gog and Magog, where many tribes of the Jews were shut in” (70), referring to the medieval tradition that Alexander the Great enclosed Gog and Magog—the terrible hordes of Antichrist—within the Caspian Mountains. On many maps the mountains of Gog and Magog in the Far East are named thus. Leardo, however, places “M^o Gaspio” (Caspiae Montes) (4) north of the Caspian Sea somewhat nearer the position at which Ptolemy had placed them. To the mountains of Gog and Magog he assigns names derived from Ptolemy’s northeastern Asia. Running westward from the southern basin formed by these mountains Leardo has added a river (49), the Oechardes of Ptolemy. Near the point where this river emerges from the mountain rim we see a red spot labeled “Iron gate” (72) and, immediately to the west, two short red marks, “Statues of Alexander” (73). The iron gate was built by Alexander in the wall enclosing Gog and Magog, and the statues represent trumpeters set up by Alexander to keep guard over these unclean hordes. On the Catalan maps the trumpeters themselves are shown with their trumpets.

Immediately west of the statues appears “Mount Tanacomedo” (48), an amusing instance of Leardo’s carelessness; he has here evidently copied “Montana Comedorum” from a Ptolemaic map, combining the last part of the first word with the first part of the last! At the extreme eastern edge of the world disk we see the Terrestrial Paradise (63) surrounded by an enormous wall to keep out curious intruders. The River Indus flows southwestward to a great delta near the entrance of the Persian Gulf (84). Many of the place names in India correspond with those of the Catalan maps and in turn were derived from Marco Polo. The scene of St. Thomas’ mission and of the early introduction of Christianity into India is indicated by the inscription: “Here preached St. Thomas” (113).