Part 10

It was a tower in the distance, but it seemed to grow neither nearer nor larger; the wind blew without pity, and miserably Aguador tramped on. I no longer felt very hungry, but dreadfully bored. In that waste of greenery the only living things beside myself were a troop of swallows that had accompanied me for miles. They flew close to the ground, in front of me, circling round; and the wind was so high that they could scarcely advance against it.

I remembered the skinner's question, why I rode through the country when I could go by train. I thought of the _Cheshire Cheese_ in Fleet Street, where persons more fortunate than I had that day eaten hearty luncheons. I imagined to myself a well-grilled steak with boiled potatoes, and a pint of old ale, Stilton! The smoke rose to my nostrils.

But at last, the Saints be praised! I found a real bridle-path, signs of civilisation, ploughed fields; and I came in sight of Marchena perched on a hill-top, surrounded by its walls. When I arrived the sun was setting finely behind the town.

XXXI

[Sidenote: Two Villages]

Marchena was all white, and on the cold windy evening I spent there, deserted of inhabitants. Quite rarely a man sidled past wrapped to the eyes in his cloak, or a woman with a black shawl over her head. I saw in the town nothing characteristic but the wicker-work frame in front of each window, so that people within could not possibly be seen; it was evidently a Moorish survival. At night men came into the eating-room of the inn, ate their dinner silently, and muffling themselves, quickly went out; the cold seemed to have killed all life in them. I slept in a little windowless cellar, on a straw bed which was somewhat verminous.

But next morning, as I looked back, the view of Marchena was charming. It stood on the crest of a green hill, surrounded by old battlements, and the sun shone down upon it. The wind had fallen, and in the early hour the air was pleasant and balmy. There was no road whatever, not even a bridle-track this time, and I made straight for Seville. I proposed to rest my horse and lunch at Mairena. On one side was a great plain of young corn stretching to the horizon, and on the other, with the same mantle of green, little hills, round which I slowly wound. The sun gave all manner of varied tints to the verdure--sometimes it was all emerald and gold, and at others it was like dark green velvet.

But the clouds in the direction of Seville were very black, and coming nearer I saw that it rained upon the hills. The water fell on the earth like a transparent sheet of grey. Soon I felt an occasional drop, and I put on my _poncho_.

The rain began in earnest, no northern drizzle, but a streaming downpour that soaked me to the skin. The path became marsh-like, and Aguador splashed along at a walk; it was impossible to go faster. The rain pelted down, blinding me. Then, oddly enough, for the occasion hardly warranted such high-flown thoughts, I felt suddenly the utter helplessness of man: I had never before realised with such completeness his insignificance beside the might of Nature; alone, with not a soul in sight, I felt strangely powerless. The plain flaunted itself insolently in face of my distress, and the hills raised their heads with a scornful pride; they met the rain as equals, but me it crushed; I felt as though it would beat me down into the mire. I fell into a passion with the elements, and was seized with a desire to strike out. But the white sheet of water was senseless and impalpable, and I relieved myself by raging inwardly at the fools who complain of civilisation and of railway-trains; they have never walked for hours foot-deep in mud, terrified lest their horse should slip, with the rain falling as though it would never cease.

The path led me to a river; there was a ford, but the water was very high, and rushed and foamed like a torrent. Ignorant of the depth and mistrustful, I trotted up-stream a little, seeking shallower parts; but none could be seen, and it was no use to look for a bridge. I was bound to cross, and I had to risk it; my only consolation was that even if Aguador could not stand, I was already so wet that I could hardly get wetter. The good horse required some persuasion before he would enter; the water rushed and bubbled and rapidly became deeper; he stopped and tried to turn back, but I urged him on. My feet went under water, and soon it was up to my knees; then, absurdly, it struck me as rather funny, and I began to laugh; I could not help thinking how foolish I should look and feel on arriving at the other side, if I had to swim for it. But immediately it grew shallower; all my adventures tailed off thus unheroically just when they began to grow exciting, and in a minute I was on comparatively dry land.

I went on, still with no view of Mairena; but I was coming nearer. I met a group of women walking with their petticoats over their heads. I passed a labourer sheltered behind a hedge, while his oxen stood in a field, looking miserably at the rain. Still it fell, still it fell!

And when I reached Mairena it was the most cheerless place I had come across on my journey, merely a poverty-stricken hamlet that did not even boast a bad inn. I was directed from place to place before I could find a stable; I was soaked to the skin, and there seemed no shelter. At last I discovered a wretched wine-shop; but the woman who kept it said there was no fire and no food. Then I grew very cross. I explained with heat that I had money; it is true I was bedraggled and disreputable, but when I showed some coins, to prove that I could pay for what I bought, she asked unwillingly what I required. I ordered a _brasero_, and dried my clothes as best I could by the burning cinders. I ate a scanty meal of eggs, and comforted myself with the thin wine of the leaf, sufficiently alcoholic to be exhilarating, and finally, with _aguardiente_ regained my equilibrium.

But the elements were against me. The rain had ceased while I lunched, but no sooner had I left Mairena than it began again, and Seville was sixteen miles away. It poured steadily. I tramped up the hills, covered with nut-trees; I wound down into valleys; the way seemed interminable. I tramped on. At last from the brow of a hill I saw in the distance the Giralda and the clustering houses of Seville, but all grey in the wet; above it heavy clouds were lowering. On and on!

The day was declining, and Seville now was almost hidden in the mist, but I reached a road. I came to the first tavern of the environs; after a while to the first houses, then the road gave way to slippery cobbles, and I was in Seville. The Saints be praised!

XXXII

[Sidenote: Granada]

To go from Seville to Granada is like coming out of the sunshine into deep shadow. I arrived, my mind full of Moorish pictures, expecting to find a vivid, tumultuous life; and I was ready with a prodigal hand to dash on the colours of my admiration. But Granada is a sad town, grey and empty; its people meander, melancholy, through the streets, unoccupied. It is a tradeless place living on the monuments which attract strangers, and like many a city famous for stirring history, seems utterly exhausted. Granada gave me an impression that it wished merely to be left alone to drag out its remaining days in peace, away from the advance of civilisation and the fervid hurrying of progress: it seemed like a great adventuress retired from the world after a life of vicissitude, anxious only to be forgotten, and after so much storm and stress to be nothing more than pious. There must be many descendants of the Moors, but the present population is wan and lifeless. They are taciturn, sombre folk, with nothing in them of the chattering and vivacious creatures of Arab history. Indeed, as I wandered through the streets, it was not the Moors that engaged my mind, but rather Ferdinand of Arragon and Isabella of Castille. Their grim strength over-powered the more graceful shadows of Moordom; and it was only by an effort that I recalled Gazul and Musa, most gallant and amorous of Paynim knights, tilting in the square, displaying incredible valour in the slaughter of savage bulls. I thought of the Catholic Kings, in full armour, riding with clank of steel through the captured streets. And the snowy summits of the Sierra Nevada, dazzling sometimes under the sun and the blue sky, but more often veiled with mist and capped by heavy clouds, grim and terrifying, lent a sort of tragic interest to the scene; so that I felt those grey masses, with their cloak of white, (they seemed near enough to overwhelm one,) made it impossible for the town built at their very feet, to give itself over altogether to flippancy.

And for a while I found little of interest in Granada but the Alhambra. The gipsy quarter, with neither beauty, colour, nor even a touch of barbarism, is a squalid, brutal place, consisting of little dens built in the rock of the mountain which stands opposite the Alhambra. Worse than hovels, they are the lairs of wild beasts, foetid and oppressive, inhabited by debased creatures, with the low forehead, the copper skin, and the shifty cruel look of the Spanish gipsy. They surround the visitor in their rags and tatters, clamouring for alms, and for exorbitant sums proposing to dance. Even in the slums of great cities I have not seen a life more bestial. I tried to imagine what sort of existence these people led. In the old days the rock-dwellings among the cactus served the gipsies for winter quarters only, and when the spring came they set off, scouring the country for something to earn or steal; but that is long ago. For two generations they have remained in these hovels--year in, year out--employed in shoeing horses, shearing, and the like menial occupations which the Spaniard thinks beneath his dignity. The women tell fortunes, or dance for the foreigner, or worse. It is a mere struggle for daily bread. I wondered whether in the spring-time the young men loved the maidens, or if they only coupled like the beasts. I saw one pair who seemed quite newly wed; for their scanty furniture was new and they were young. The man, short and squat, sat scowling, cross-legged on a chair, a cigarette between his lips. The woman was taller and not ill-made, a slattern; her hair fell dishevelled on her back and over her forehead; her dress was open, displaying the bosom; her apron was filthy. But when she smiled, asking for money, her teeth were white and regular, and her eyes flashed darkly. She was attractive in a heavy sensual fashion, attractive and at the same time horribly repellant: she was the sort of woman who might fetter a man to herself by some degrading, insuperable passion, the true Carmen of the famous story whom a man might at once love and hate; so that though she dragged him to hell in shame and in despair, he would never find the strength to free himself. But where among that bastard race was the splendid desire for freedom of their fathers, the love of the fresh air of heaven and the untrammeled life of the fields?

At first glance also the cathedral seemed devoid of charm. I suppose travellers seek emotions in the things they see, and often the more beautiful objects do not give the most vivid sensations. Painters complain that men of letters have written chiefly of second-rate pictures, but the literary sentiment is different from the artistic; and a masterpiece of Perugino may excite it less than a mediocre work of Guido Reni.

The cathedral of Granada is said by the excellent Fergusson to be the most noteworthy example in Europe of early Renaissance architecture; its proportions are evidently admirable, and it is designed and carried out according to all the canons of the art. 'Looking at its plan only,' he says, 'this is certainly one of the finest churches in Europe. It would be difficult to point out any other, in which the central aisle leads up to the dome, so well proportioned to its dimensions, and to the dignity of the high altar which stands under it.' But though I vaguely recognised these perfections, though the spacing appeared fine and simple, and the columns had a certain majesty, I was left more than a little cold. The whitewash with which the interior is coated gives an unsympathetic impression, and the abundant light destroys that mystery which the poorest, gaudiest Spanish church almost invariably possesses. In the _Capilla de los Reyes_ are the elaborate monuments of the Catholic Kings, of their daughter Joan the Mad, and of Philip her husband; below, in the crypt, are four simple coffins, in which after so much grandeur, so much joy and sorrow, they rest. Indeed, for the two poor women who loved without requite, it was a life of pain almost unrelieved: it is a pitiful story, for all its magnificence, of Joan with her fiery passion for the handsome, faithless, worthless husband, and her mad jealousy; and of Isabella, with patient strength bearing every cross, always devoted to the man who tired of her quickly, and repaid her deep affection with naught but coldness and distrust.

Queen Isabella's sword and sceptre are shown in the sacristry, and in contrast with the implement of war a beautiful cope, worked with her royal hands. And her crown also may be seen, one of the few I have come across which might really become the wearer, of silver, a masterpiece of delicate craftsmanship.

But presently, returning to the cathedral and sitting in front of the high altar, I became at last conscious of its airy, restful grace. The chancel is very lofty. The base is a huge arcade which gives an effect of great lightness; and above are two rows of pictures, and still higher two rows of painted windows. The coloured glass throws the softest lights upon the altar and on the marble floor, rendering even quieter the low tints of the pictures. These are a series of illustrations of the life of the Blessed Virgin, painted by Alonzo Cano, a native of Valladolid, who killed his wife and came to Granada, whereupon those in power made him a prebendary. In the obscurity I could not see the paintings, but divined soft and pleasant things after the style of Murillo, and doubtless that was better than actually to see them. The pulpits are gorgeously carved in wood, and from the walls fly great angels with fine turbulence of golden drapery. And in the contrast of the soft white stone with the gold, which not even the most critical taste could complain was too richly spread, there is a delicate, fascinating lightness: the chancel has almost an Italian gaiety, which comes upon one oddly in the gloomy town. Here the decoration, the gilded virgins, the elaborate carving, do not oppress as elsewhere; the effect is too debonair and too refreshing. It is one colour more, one more distinction, in the complexity of the religious sentiment.

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But if what I have said of Granada seems cold, it is because I did not easily catch the spirit of the place. For when you merely observe and admire some view, and if industrious make a note of your impression, and then go home to luncheon, you are but a vulgar tripper, scum of the earth, deserving the ridicule with which the natives treat you. The romantic spirit is your only justification; when by the comeliness of your life or the beauty of your emotion you have attained that, (Shelley when he visited Paestum had it, but Theophile Gautier, flaunting his red waistcoat _tras los montes_, was perhaps no better than a Cook's tourist,) then you are no longer unworthy of the loveliness which it is your privilege to see. When the old red brick and the green trees say to you hidden things, and the _vega_ and the mountains are stretched before you with a new significance, when at last the white houses with their brown tiles, and the labouring donkey, and the peasant at his plough, appeal to you so as to make, as it were, an exquisite pattern on your soul, then you may begin to find excuses for yourself. But you may see places long and often before they are thus magically revealed to you, and for myself I caught the real emotion of Granada but once, when from the Generalife I looked over the valley, the Generalife in which are mingled perhaps more admirably than anywhere else in Andalusia all the charm of Arabic architecture, of running water, and of cypress trees, of purple flags and dark red roses. It is a spot, indeed, fit for the plaintive creatures of poets to sing their loves, for Paolo and Francesca, for Juliet and Romeo; and I am glad that there I enjoyed such an exquisite moment.

XXXIII

[Sidenote: The Alhambra]

From the church of _San Nicolas_, on the other side of the valley, the Alhambra, like all Moorish buildings externally very plain, with its red walls and low, tiled roofs, looks like some old charter-house. Encircled by the fresh green of the spring-time, it lies along the summit of the hill with an infinite, most simple grace, dun and brown and deep red; and from the sultry wall on which I sat the elm-trees and the poplars seemed very cool. Thirstily, after the long drought, the Darro, the Arab stream which ran scarlet with the blood of Moorish strife, wound its way over its stony bed among the hills; and beyond, in strange contrast with all the fertility, was the grey and silent grandeur of the Sierra Nevada. Few places can be more charming than the green wood in which stands the stronghold of the Moorish kings; the wind sighs among the topmost branches and all about is the sweet sound of running water; in spring the ground is carpeted with violets, and the heavy foliage gives an enchanting coldness. A massive gateway, flanked by watch-towers, forms the approach; but the actual entrance, offering no hint of the incredible magnificence within, is an insignificant door.

But then, then you are immediately transported to a magic palace, existing in some uncertain age of fancy, which does not seem the work of human hands, but rather of Jin, an enchanted dwelling of seven lovely damsels. It is barely conceivable that historical persons inhabited such a place. At the same time it explains the wonderful civilisation of the Moors in Spain, with their fantastic battles, their songs and strange histories; and it brings the _Arabian Nights_ into the bounds of sober reality: after he has seen the Alhambra none can doubt the literal truth of the stories of Sinbad the Sailor and of Hasan of Bassorah.

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From the terrace that overlooks the city you enter the Court of Myrtles--a long pool of water with goldfish swimming to and fro, enclosed by myrtle hedges. At the ends are arcades, borne by marble columns with capitals of surpassing beauty. It is very quiet and very restful; the placid water gives an indescribable sensation of delight, and at the end mirrors the slender columns and the decorated arches so that in reflection you see the entrance to a second palace, which is filled with mysterious, beautiful things. But in the Alhambra the imagination finds itself at last out of its depth, it cannot conjure up chambers more beautiful than the reality presents. It serves only to recall the old inhabitants to the deserted halls.

The Moors continually used inscriptions with great effect, and there is one in this court which surpasses all others in its oriental imagery, in praise of Mohammed V.: _Thou givest safety from the breeze to the blades of grass, and inspirest terror in the very stars of heaven. When the shining stars quiver, it is through dread of thee, and when the grass of the field bends down it is to give thee thanks._

But it is the Hall of the Ambassadors which shows most fully the unparalleled splendour of Moorish decoration. It is a square room, very lofty, with alcoves on three sides, at the bottom of which are windows; and the walls are covered, from the dado of tiles to the roof, with the richest and most varied ornamentation. The Moorish workmen did not spare themselves nor economise their exuberant invention. One pattern follows another with infinite diversity. Even the alcoves, and there are nine, are covered each with different designs, so that the mind is bewildered by their graceful ingenuity. All kinds of geometrical figures are used, enlacing with graceful intricacy, intersecting, combining and dissolving; conventional foliage and fruit, Arabic inscriptions. An industrious person has counted more than one hundred and fifty patterns in the Hall of the Ambassadors, impressed with iron moulds on the moist plaster of the walls. The roof is a low dome of larch wood, intricately carved and inlaid with ivory and with mother-of-pearl; it has been likened to the faceted surface of an elaborately cut gem. The effect is so gorgeous that you are oppressed; you long for some perfectly plain space whereon to rest the eye; but every inch is covered.

Now the walls have preserved only delicate tints of red and blue, pale Wedgwood blues and faded terracottas, that make with the ivory of the plaster most exquisite harmonies; but to accord with the tiles, their brilliancy still undiminished, the colours must have been very bright. The complicated patterns and the gay hues reproduce the oriental carpets of the nomad's tent; for from the tent, it is said, (I know not with what justification,) all oriental architecture is derived. The fragile columns upon which rest masses of masonry are, therefore, direct imitations of tent-poles, and the stalactite borders of the arches represent the fringe of the woven hangings. The Moorish architect paid no attention to the rules of architecture, and it has been well said that if they existed for him at all it was only that he might elaborately disregard them. His columns generally support nothing; his arcades, so delicately worked that they seem like carved ivory, are of the lightest wood and plaster.

And it is curious that there should be such durability in those dainty materials: they express well the fatalism of the luxurious Moor, to whom the past and future were as nothing, and the transient hour all in all; yet they have outlasted him and his conqueror. The Spaniard, inglorious and decayed, is now but the showman to this magnificence; time has seen his greatness come and go, as came and went the greatness of the Moor, but still, for all its fragility, the Alhambra stands hardly less beautiful. Travellers have always been astonished at the small size of the Alhambra, especially of the Court of Lions; for here, though the proportion is admirable the scale is tiny; and many have supposed that the Moors were of less imposing physique than modern Europeans. The Court is surrounded by exquisite little columns, singly, in twos, in threes, supporting horseshoe arches; and in the centre is that beautiful fountain, borne by twelve lions with bristly manes, standing very stiffly, whereon is the inscription: _O thou who beholdest these lions crouching, fear not. Life is wanting to enable them to show their fury._

Indeed, their surroundings have such a delicate and playful grace that it is hard to believe the Moors had any of our strenuous, latter-day passions. Life must have been to them a masque rather than a tragi-comedy; and whether they belong to sober history or no, those contests of which the curious may read in the lively pages of Gines Perez de Hita accord excellently with the fanciful environment. In the Alhambra nothing seems more reasonable than those never-ending duels in which, for a lady's favour, gallant knights gave one another such blows that the air rang with them, such wounds that the ground was red with blood; but at sunset they separated and bound up their wounds and returned to the palace. And the king, at the relation of the adventure, was filled with amazement and with great content.

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