Part 2

The horse can be made to turn on his hind legs, by the movement only of his fore-hand. The lady _to turn the horse to the right_, must apply her leg as far back as possible, to keep the horse's haunches steady; at the same time, she should with the bit, bend the horse's head a little to the right, to induce him to step with his fore-feet to the right. If necessary, the whip may be used, by gentle touches upon the left shoulder.

_To turn on the haunches to the left._--The lady must press her whip on the horse's right flank, and her leg, against his side as far forward as possible, at the same time, she should communicate an impulse to the horse, to step to the left, to turn the horse quite round when in movement; the lady should first bring her horse to a momentary stop, and then proceed to turn him.

_To stop._--The lady must close her leg smartly to the horse's side, to make him bring his haunches under him; at the same instant she must increase the bearing upon the reins, gradually yet firmly, by turning the back of her bridle hand downwards, and drawing it back, and upwards; the body should also be thrown backwards, to give weight to the pull: as soon as the horse has obeyed the check and remains still, the lady should ease the bearing upon the reins. If the lady does not give an impulse to the horse, by the pressure of her leg to his side, to bring his haunches under him, but merely pulls the bridle, the horse might be stopped by strength of arm, but it would be entirely on his fore-hand; and she would be thrown up and down in her saddle, in a very helpless way.

The stop should not be made too suddenly.

_Reining back._--The great use of reining back, is to render the horse obedient, and tractable. The lady should first make her horse collect himself, when well balanced, she should communicate an impulse to the horse, by the pressure of her leg and whip to his sides, to induce him to raise one of his hind feet, at the moment of his doing so, she should double the feeling upon both reins, by drawing her hand back, and turning her little finger up towards her chest; the horse, to recover his balance, will step back. The movement of the hand must be repeated, at each step of the horse; should the horse bring his haunches too much under him, the bearing upon the reins must be eased, and the pressure of the leg and whip, increased, to give him a forward impulse.

The horse must not be allowed to hurry, or run back out of hand, nor to diverge from the straight line; he should be guided, by an increased pressure of either rein, as may be necessary, and by an additional pressure with the leg, or whip, to keep his hind-quarters in the desired direction.

_Reining in._--The object desired is, to make the horse assume a more correct balance. The lady should shorten her reins a little, by drawing them through her left hand, thus keeping the bit-hand low and steady, with an extra bearing upon the reins; she should with her right hand, play with the snaffle rein, and at the same time, communicate to the horse a forward impulse; the horse feeling the bit to be an insurmountable obstacle, will, in place of throwing his weight forward, bring his haunches under him. Should the urging indication be applied too abruptly, the horse may throw so much weight forward, as to pull the reins out of the rider's hands; if used judiciously, and controlled by the hand, the horse will collect himself, arch his neck, champ the bit, and be ready for any movement.

This practice gives the horse confidence, for most young horses are afraid of the bit; and if frightened by too sudden a jerk upon the reins will never after, go kindly up to hand. The lady having learnt the indications necessary, to induce the horse to move either, his fore-hand round his haunches, or his croup round his fore-hand; may next proceed to apply them, so as to induce the horse to move diagonally, or sideways.

_Shoulder in._--In this movement the horse's body is bent more or less. The pupil should separate her reins, and take one in each hand, holding them rather short; if the horse is to move to the left, her right hand must be drawn back to her hip, to bend the horse's head to the right, her left hand should be advanced to guide the horse, she must apply her whip by light touches to the horse's right side, in line with the girths, to induce him to step diagonally.

_Passaging._--Signifies moving side ways.--If the retaining and urging indications be given with equal force, but the right rein be felt the stronger, the horse will incline to the right; to induce him to move his hind quarters also in that direction, the urging indication upon the left flank must be increased, by the rider applying her leg to the horse's side, as far back as she can, if necessary, she may pass her whip behind her waist, and touch the horse with it, on his left flank.

In passaging to the left, the whip should be used by gentle touches, on the horse's right shoulder, or flank as may be necessary.

The rider should lean to the side, the horse is moving to.

ANIMATIONS.

_Animations_ are intended to produce greater speed, or to render the horse more lively, and on the alert, without increasing his pace; some horses scarcely ever require animations, while others are so dull, and deficient in mettle, as to call them frequently into use. The slightest movement of the body, the hand, or the leg, is enough to rouse the well bred, and thoroughly trained animal; but it is necessary with sluggish horses, that the animations, to be so spirited and united, as almost to become corrections: in fact, what is mere animation to the one horse, would be a positive correction to another.

Animations should be used in all cases, when the horse, contrary to the rider's inclination, either decreases his speed, droops his head, bears heavily and languidly upon the bit, or begins to be lazy and slovenly in the performance of his pace. A good rider foresees the necessity for an animation, before the horse actually abates his speed, or loses the _ensemble_ of his action, and the grace and spirit of his deportment.

It is much easier to maintain, than to restore a horse's animation; therefore, the whip, the hand, the leg, or the voice, should do its office a few moments before, rather than at a time, when doing so has become indispensable. A slight motion of the fingers of the bridle hand, serves as an excellent animation; it reminds the horse of his duty, awakens the sensibility of his mouth, and preserves a proper correspondence between that, and the hand. When it is necessary to recur to animation frequently, they ought to be varied; even the whip, if it be often used, unless with different degrees of force, will lose its effect.

SOOTHINGS.

We should endeavor, as Xenophon observes, "to make ourself to our horse, the organ of pleasure, and that he should associate with our presence, the idea of the absence of pain." Horses are by degrees made obedient, through the hope of recompense, as well as the fear of punishment; to use these two incentives with judgment, is a very difficult matter, requiring much thought, much practice and good temper; mere force, and want of skill, and coolness, tend to confirm vice and restiveness. The voice, the leg and the whole body, may be employed to soothe and encourage. High mettled or fretful horses, it is often necessary to soothe, and timid ones to encourage. A spirited animal is frequently impatient when first mounted, or if a horse or carriage pass him at a quick rate; in either case, the rider should endeavor to soothe her horse, by speaking to him in a calm gentle tone; she should keep her whip as motionless as possible, taking even more care than usual, that its lash do not touch his flank, her seat should be easy, her leg still, and her bridle hand steady. The perfection of soothing consists in the rider sitting so still, and easy, as not to add in the least, to the horse's animation, at the same time being on her guard, so as to be able to meet any contingency that may occur.

CORRECTIONS.

The best horse sometimes requires correction, but the sooner a lady gets rid of a horse that she is compelled to _flog_, the better; the effect is most unpleasant, though the éclát may be great, and such a sight would destroy every previously formed idea of her grace and gentleness: moderate corrections are however some times necessary, and the lady should make no scruple of having recourse to them when absolutely necessary, but not otherwise. The best way to correct a horse is to dishearten him, and make him do what he would fain avoid, not so much by force and obstinate resolution, in contesting with him openly, and directly, when he is perfectly prepared to resist; as by a cool opposition, and indirect means. There are different methods of attaining the same end, and those which are the least obvious to the animal should be adopted; a lady cannot rival him in physical strength, but she may conquer him by ingenuity, or subdue him by a calm determined assumption of superior power: severe flogging seldom produces good effect, and all quarrels between a horse and his rider should be avoided; on the other hand, too much indulgence may induce him to think that she is afraid of him; should he do so, she will find that he will exercise every means to convince her, that he considers himself her master, instead of acknowledging by implicit obedience, that she is his.

When it is necessary to use the whip as a correction, it should be applied, by giving the horse two or three smart cuts in a line with the girths, or on the shoulder. The lady should not fret her horse, by continually tapping him with the whip.

VICES.

The word vice, is used to signify those actions which arise from a perverse, or mischievous disposition--those, in which the horse opposes his own will, to that of his rider, or those in which he purposely attempts to injure other horses, or the persons about him. A lady certainly should not ride any horse, that is addicted to shying, stumbling, rearing, or any other kind of vice; but she ought nevertheless, to be prepared against their occurrence; for, however careful, and judicious those persons, by whom her horse is selected, may be, and however long a trial she may have had of his temper, and merits, she cannot be sure, even with the best tempered horse, that she may not have to exercise her skill, to save herself from danger; she should therefore, be prepared against frailty, or accident.

When a horse resists, or suddenly becomes uneasy in his gait, instead of punishing the animal; the bridle, saddle, girths, &c., should be examined, to ascertain the cause, and remedy it. For want of this necessary precaution, the poor animal is often used ill, without reason, and being forced into despair, is in a manner obliged to act accordingly, be his temper and inclination ever so good.

_Weakness_ frequently drives horses into being vicious, when any thing beyond their strength is required of them: great care should therefore be taken, to ascertain from what cause the opposition arises.

_Resistance_ in horses, is often a mark of strength and vigour, and proceeds from high spirits, but punishment would turn it into vice; a timorous rider, or a passionate person, would alike spoil the horse; the former, by suffering him to have his own will, establishes bad habits, and creates new ones; for horses find out many ways, and means of opposing what is demanded to them; many will imperceptibly gain a little every day on their riders; the lady must however always treat the horse kindly, at the same time show him that she does not fear him. The other, from want of reason, and temper, enrages the horse, and causes him to become vicious. Horses of a bad disposition or temper, are exceedingly subtle, and watch their opportunity; they first, as it were, feel for their rider's firmness of seat, and her resolution, and are sure to defend themselves upon that point, on which they expect she will attack them; now, the object of the lady in this contest must be, to frustrate the horse's intentions, and protect herself from injury in the struggle.

Some horses have a vicious habit of _turning round suddenly_; instead of endeavouring to prevent him, in which the lady would in all probability be foiled, were she to try to do so by force; the better plan is, to turn the horse smartly round to the side to which he is turning, until his head has made a complete circle, and he finds to his astonishment, that he is precisely in the place from which he started. Should he, on the lady attempting to urge him forward, repeat the trick; she should pull him round on the same side three or four times, and assist the hand in doing so, by a smart aid of the whip, or the leg; while this is doing, she must take care to preserve her balance, by an inclination of the body, towards the centre of the circle which is described by the horse's head in his revolution. The same plan may be pursued, when the horse endeavors _to turn a corner contrary to the wish of his rider_; and if he be successfully baffled three or four times, it is most probable that he will not renew his attempts.

When a horse _refuses to advance_, and probably whipping would increase his obstinacy, or make him rear, or bolt away in an opposite direction, it is advisable, on the same principle, to make him walk backwards, until he evinces a willingness to advance: should the rider not mind her horse giving a kick or two, a couple of smart cuts over the croup, will generally prove successful.

Should a horse _back into difficulties_; he must be turned with his head towards the danger, and then backed off, until there be sufficient room to handle him.

Restive horses, and even docile animals when put out of temper, sometimes _rear up against a wall or a carriage_; an inexperienced rider, in such a situation, would strive to pull his head _from_ the wall, which would bring her knee in contact with it, consequently, all further chastisement thereupon ceases; for were the rider to make her horse plunge, her legs would be crushed against the wall, the horse discovering the rider's weakness, and that punishment had ceased; would turn it to her disadvantage, and on future occasions fly to the wall for shelter. Instead of _from_ the wall. The horse's head should be pulled _towards_ it, so as to place his eye, in place of his rider's knee, against it. She should use her leg, and whip, to force the croup out, when the horse can be easily backed off, and he will never go near a wall again.

Some horses will _stand stock still_, if ladies have the patience to sit on their backs, and keep them in the same spot for a time, it is the most proper punishment for such an offence, and will surely cure that mode of defence.

When a horse begins to _kick_, the rider must bear forcibly upon his mouth, and keep his head up, at the same time, she should press her leg to the horse's side, keeping her body well back, to save herself from being thrown forwards. She should use as little coercion as possible, and be careful to preserve her own temper, and her seat; should the horse, in spite of her exertions, get his head down; she must endeavour to give him a smart blow with her whip on his head, which will induce him to throw it up, and thereby stop his kicking; should an opportunity occur, she should also try to give the horse, two or three smart turns; this may also be done with effect, as a preventative, should she detect any incipient attempts in the animal to kick.

_Rearing_ is a bad vice, and in weak horses especially, a dangerous one. When the horse rears, the rider must cease to bear upon the mouth, she should lean her body well forward, towards his neck, and with her right hand take hold of the mane, to save herself from falling off, or pulling the horse backwards upon her; as the horse comes to the ground with his fore-feet, not before, she should give him a few smart cuts with the whip on his croup, to force him forward, and endeavor to pull him round two or three times, and thus divert him from his object; the latter course may also be adopted to prevent rearing, if the rider can foresee the horse's intention.

If a lady have the misfortune to be mounted on a _runaway_ horse, she may avoid evil consequences, if she can but contrive to retain her self-possession. She must endeavor also to retain her seat at all hazards, sitting well back and perfectly quiet, for the least symptom of alarm on her part, will increase the terror, or determination of the horse. She should not attempt to throw herself off the horse, except in cases when the horse may be taking her into imminent danger; she should separate her reins, holding the curb in her left hand, and the snaffle in her right, and pull at each alternately; which renders the mouth more sensitive, than a dead heavy pull upon any one bit, and the horse consequently more obedient to the hand. Should an open space present itself, turning a horse in a circle, will frequently bring him up in a few seconds.

_Plunging_, is very common amongst restive horses. If the horse continue to do so in one place, or backing; he must be urged forward; but if the horse does it flying forward, he should be kept back, and ridden slowly for some time.

_Starting_, often proceeds from a defect in sight, which therefore should be carefully looked to. When a horse starts or shies, no notice should be taken of the movement, further, than to meet him, with the proper bearings and pressures, to compel him to move in the true direction; should he however, be alarmed at an object, and instead of going up to, or passing it, turn round; he should be soothed, and brought up gently to it, caressed at every step, he advances. To attempt to force the horse up to the object he dreads, would not only be ridiculous and dangerous, but the punishment would add to the alarm, and the horse would take an early opportunity to shy afresh, at the first strange object that presented itself, and very probably he would add another start, in anticipation of the chastisement that might be in store for him. Thus, what was originally a failing from defect of vision, or ebullition of spirit from over feeding, or want of proper exercise, becomes a vice rooted, and confirmed, and of a dangerous character. When passing an object that the horse may be alarmed at, his head should be turned away from it, rather than towards it, a good rider thus prevents her horse from shying, while the young and bad rider, by the reverse treatment, of pulling a horse's head towards the object, and whipping him up to it, makes her horse shy. The horse should never be allowed to evade passing the object, but he should be got past in the manner, that occasions the least alarm to, or contention with him.

When the horse starts, the rider should instantly direct her eyes to the horse's ears, when her body will naturally take the same direction that the horse shies to, but if her eyes be directed to what the horse shies from, she may loose her balance, and fall.

PACES OF THE HORSE.

The _walk_ is the least raised, the slowest, and the most gentle of all the paces; but it should be an animated quick step, and to be pleasant to the rider, it must be true; that is, it should be conducted by a harmonious elevation and setting down of the feet, each foot being dropped flat on the ground, and not, as is too often the case, the toe being placed first, and then the heel. One lady by a good seat and hand, will cause her horse to carry his head, with his neck arched, and to elevate and extend his limbs, the one in unison with the other; another, by her bad hand, and seat, will bring the horse she rides, to step short, and irregular, and so mix his trot, with his walk, as to do little more than shuffle over the ground.

Previous to urging the horse into a walk, the lady should ascertain that he is well in hand, and on his proper balance; then, by turning her hand, with the little finger towards her breast, she must increase the bearing upon the horse's mouth, to draw his attention, and at the same instant, she must communicate to him, by closing the leg, and using the whip gently upon the right side, a sufficient impulse to carry him forward, easing, as he advances, the bearing upon the mouth, by the hand resuming its proper position, but she must not slacken the reins.

In the walk, the reins should be held so that the rider have a delicate, but distinct feeling of the horse's mouth, to cause the horse to carry his head in a proper position, and to keep time in the beats of his action, but not held so tightly, as to impede the measurement of his steps, or to make him, on being slightly animated, break from a walk into a trot.

The rider's body should be erect but pliable, neither obeying too much the action of the horse, nor yet resisting it.

If the horse do not exert himself sufficiently, or hang on the bit, he should be animated, by a play on the snaffle bridle; should he break into a trot, he must be checked, but the bearing upon the reins, must neither be so firm nor continued, as to make him stop.

_The trot_, is a more animated pace. To make the horse advance from the walk into a trot, the horse must, with the leg and whip, be urged into greater animation, at the same time retained, by an increased bearing upon the reins. The lady must be careful, to retain the lightness in hand, without counteracting the impulse necessary to the movement, when the animal will proceed with that safety, which is natural to a horse balanced and light in hand.

When the horse trots, the lady must preserve her balance, steadiness and pliancy, as in the walk; the rise in the trot, is to be acquired by practice; when the horse in his action raises the rider from her seat, she should advance her body, and rest a considerable portion of her weight, upon her right knee; by means of which and the bearing of her left foot upon the stirrup, she may return to her former position, without being jerked; but she must carefully time her movements to the horse's action, and the closer she maintains her seat, consistently with her own comfort the better.

The _Canter_, and _Gallop_, are paces of still higher animation; the canter is a repetition of bounds, during which the forehand raises first, and higher than the hind quarters; it is the most elegant and agreeable of all the paces, when properly performed by horse and rider; its perfection consists in its union and animation, rather than its speed.

A horse may canter false, disunited with the fore, or disunited with the hind legs, for instance, if a horse is cantering in a circle to the right, leads with his near fore leg, followed by the near hind leg, he is cantering false. If leading with the near fore leg, the off hind, remains further back than the near one, he is said to be disunited; if leading with the proper fore leg, the off hind remains further back than the left, the pace must be rectified. The lady should learn to ascertain by the motion of the horse, if his canter be false or true, and she should acquire the means, of making him rectify his action.

A horse must not be allowed to canter with either leg leading at his own will, but must be made to do so, at the will of the rider. When cantering with the off fore-leg leading, the pace is more agreeable to the lady, consequently a lady's horse should be taught to start off into a canter, with his right leg leading. There are many opinions, as to what are the proper indications to be given to the horse, to induce him to lead with either particular leg, but considering that a horse when cantering in a circle to the right, must lead with the off-fore, and that the indications in that case are, a double bearing upon the right rein, and an increased pressure with the leg, or whip on the left side of the horse, these appear to be the most rational.