Chapter 3

Ned Somers had followed Harson's advice in not making his visits to Rhoneland's too frequent. But whatever may have passed between him and Kate, and even if they did occasionally meet in the street and stop to speak, and sometimes to hold conversations which were neither short nor uninteresting to themselves, that is a matter between themselves with which we have nothing to do. Certain it is, however, that as Ned cooled off in his intimacy with Rhoneland, he appeared to rise in the old man's estimation; and he grew more cordial when they _did_ meet. It may have been that the suspicions implanted by Rust were gradually giving way before the frank, honest nature of the young man; or it may have been that gratitude for the assistance which Somers had lent, (and which Harson was very particular to give its full weight) in disentangling him from the toils of Rust; or it may have been the secret influence of Harson, who ventured, whenever it could be done, to speak a good word for Ned; or it may have been the drooping face of his child, which he was wont more than ever to study anxiously, that gradually softened his feelings; but there is no doubt that, to Kate's surprise, he one day told her to get him pen, ink and paper, and to draw the table in front of him, as he was going to write a letter. And it must be confessed, that Kate's color heightened, and her heart beat fast when he had finished the letter, directed it to Mr. Edward Somers, and then asked if she knew the address of Somers, which of course she did; although she hesitated and stammered as if it were a profound secret, and the answer the most difficult thing in the world.

But her surprise was scarcely greater than that of Ned himself, when a boy came to him with a letter which ran thus:

'MY DEAR EDWARD: Come to me as soon as you can; I wish to see you on a matter of much importance to both of us.

Yours truly, JACOB RHONELAND.'

Ned felt something bouncing about in a very queer manner directly under his ribs, as he read this note; but the sensation was not so painful as to prevent his obeying it with a speed that was perfectly marvellous; for to Rhoneland it seemed that the letter could scarcely have reached its destination before Ned was back with it in his hand.

'You got my note,' said he gravely, as Somers entered, his face flushed with the rapidity with which he had come.

'I have.'

'Don't go, Kate,' said he to his daughter, who with an inkling of what was to follow, was stealing away. 'What I have to say relates to both of you.'

'Some time since,' said he, rising, and standing in front of Ned, 'I wronged you, by making charges against you which I am now convinced were false. My mind was poisoned by one who has gone to his long account, and whose evil deeds may sleep with him. For this,' said he, extending his hand, 'I ask your pardon; much more frankly and freely than I did on the day when we met at Mr. Harson's.'

Ned took the proffered hand; at the same time pouring out a confusion of words, the sum and substance of which was intended to be, that he had taken no offence; that he knew Jacob was misled by others; that he was not only perfectly willing, but very happy, to make up the matter, and say no more about it; which no doubt was very true, for within six feet of him stood Kate, with her soft eyes fixed on his face, and her little mouth dimpled with smiles, as she observed how swimmingly matters were going on. And could he be crusty and dogged? or could he cherish a grudge against _her_ father? The thing was impossible. The extended hand was grasped, and grasped warmly.

'Another thing I have to speak of,' said Rhoneland, relaxing somewhat at the cordial tone of Ned's feelings. 'It is but a short time since I learnt the full extent of my obligations to you, for the part you took in unmasking the character of Rust, and in obtaining from him a disavowal of charges against me, which, false as they were, were hard indeed to bear, and were breaking me down. I have not finished,' said he, raising his hand to prevent the interruption which Somers was endeavoring to make; 'let me complete what I have to say, and you may speak as much as you like, afterward. I will not thank you, for thanks are but words, and too often mean nothing. Is there any thing that I can _do_, to lessen my indebtedness to you?--or is there any way in which I can pay it off altogether?'

He stopped, and looked earnestly in Ned's face. The red blood dashed up to Somers' very forehead, and he could scarcely breathe for the thumping of his heart, as the idea crossed him that now was the time to ask for Kate; nor was his agitation at all diminished by casting a glance at her, and seeing her cheeks crimson and her eyes downcast, as if she anticipated what was going on in his mind. It must be confessed, however, that had Rhoneland had no other clue to his wishes than that afforded by his words, he would have been very much in the dark; for although Ned attempted to speak out boldly, his lips trembled very much, and his voice was not as obedient as he could wish; and all that was distinctly audible was the girl's name.

'Why lad, what ails thee?' asked Rhoneland, unbending, as he observed the embarrassment of his guest. 'You used to be as bold as a lion. Come here Kate,' said he to his daughter; 'this young fellow has lost his voice; can _you_ tell me what he wants?'

It was now Kate's turn to grow confused, and the color to deepen on her cheek; nor did she utter a word.

'Young man,' continued Rhoneland, in a grave tone, 'I did not send for you to trifle with your feelings. You love my daughter, and would ask for _her_, and you fear to do so lest the request should be refused. She is yours. Treat her kindly, and keep even a shadow of sorrow from falling upon her brow. If you do not, an old man's curse will rest upon you; and even though I be dead, and mouldering in my grave, where my voice cannot reach you, that silent curse will follow you.' He turned abruptly away, and left the room.

Ned Somers took Kate's hand in his; passed his arm about her waist, and drew her to him in so singular a manner, that their lips could not but meet; and not only once, but at least some half-a-dozen times.

'So you're mine at last, Kate!' said he, looking into her very eyes, whenever they were raised enough for him to do so. 'Did I not tell you to cheer up; and that all would be well? Did I not say so; and wasn't I right? And now, Kate,' said he, in a less confident tone, 'your father, though a most worthy old gentleman, is somewhat whimsical, and might change his mind; so when shall _it_ be?'

Kate's reply was so very low, that it reached no ears except those of Ned; but whatever it was, it is certain that on that day month they had been married a week, and were deep in preparations for a merry-making to be held on that very evening at Rhoneland's old house, which had been so furbished up and renovated, under the auspices of the young couple, that every thing in it seemed to shine again. A party at Jacob Rhoneland's! It was a thing unheard of, and produced quite a sensation in the drowsy part of the town where he lived. Never had a household been in such a fluster as his was. What deep consultations were held to prevent the old man--who seemed to have grown quite cheerful and light-hearted, and chirruped about the house like some gay old old cricket--from meddling in every thing, and to throw dust in his eyes, so as to make him suppose that he was having every thing in his own way, when in fact he was having nothing. And then what a time it took, and what entreaties, to prevail on him to let the great wooden chest, studded with brass nails, which he never took his eye from, be removed to an upper-chamber, to make room for their guests. But Harry Harson, who was in the thick of all the doings, in and out a dozen times in an hour; rubbing his hands and enjoying the bustle, giving advice, suggesting this thing and that, and setting every thing wrong; managed to get the great chest out of the way, for he dragged it up stairs under Rhoneland's very nose, and in the teeth of his remonstrances; and depositing it in a little out-of-the-way room, very difficult of access, by reason of the angles and turns in the entry, and the size of the chest, told Rhoneland that if he wanted it below he might take it there himself; but that it was better where it was, and much more safe and out of the way; in which opinion Rhoneland finally coincided.

Betimes Kate came down stairs to receive her guests, looking so charmingly, and her eyes flashing with such malicious brightness, that on meeting her in the entry Ned stopped to kiss her, and tell her that she was looking 'gloriously;' a performance and observation by the way, which he had already repeated half-a-dozen times in the course of the last hour. By twos and threes the guests began to arrive, and went up stairs. There was a great clatter above, where they were taking off their things. It took a wonderful time to remove the hats and shawls; for although for a long time up they went, none came down. There must have been thirty assembled above stairs. At last Harry Harson, who was in the room with Ned and Kate, dressed in his best black suit, and looking as young and merry as any of them, vowed that he would not stand it, and sallied up stairs and sent them down in a drove. How bright and cheerful they all were! how the congratulations poured in upon Ned and Kate; and hopes for his future happiness, and that he might have a large fortune, and a large family to help him take care of it.

A loud scraping and jingling announced that the music was there, and put a stop to such flummery as conversation. The young folks were going into the business of the evening. The little stunted black fiddler with rings in his ears, was mounted on one chair; the big, fat fiddler, who fiddled with his eyes shut, was seated on another; and the goggle-eyed negro, with a self-satisfied face, who simpered on every body, and flourished the tambourine, was placed like an umbrella in the corner, to be out of the way.

The fat fiddler called out for the gentlemen to choose their partners for a quadrille. Then came the long premonitory screeching of the fiddle-bow across the cat-gut; then the slight, tremulous jingle of the tambourine, as if the goggle-eyed negro were dying to begin; then the bustling and hustling, and squeezing of the couples, until they had obtained their places in the dance. Then the scientific look of the fat fiddler, as he opened his eyes and surveyed the whole, to see that all was right; then the slight clearing of his throat, as he threw his head on one side, bellowed out 'right and left,' and forthwith plunged into the matter, might and main. Away he went, but fast and furious at his heels followed the little stunted fiddler; and loud above the din of both, rose the rattle of the tambourine. 'Right hand across! forward two; balancez; ladies chain; forward four; dos-à-dos; chassez to the right; cross over; all round;' here, there, every where, and all over--he was up to it all. In vain the dancers fairly flew; the fat fiddler was equal to all emergencies; he never lagged; he was sometimes too fast, but never--no, not for a single instant--was he behind.

'Whew!' said he, as he gave the final flourish of his bow, and laying it aside, wiped his forehead on his coat-sleeve, and called for a tumbler of cold water. And thereupon the stunted fiddler and the tambourine made the same request; the latter suggesting that his glass might be tempered with a 'small spirt of gin,' without hurting his feelings.

In that dance, the lightest step and merriest voice was that of Harson, who led out the bride, and footed it there with the best of them; and who through the whole evening was bustling around the room, with a kind word for every one, and as much at home as if the house, and the company, and even the bride, belonged to him. And in fact, one or two of the guests--but they were unsophisticated people from the country--were for some time under the delusion that Harry was the bridegroom, instead of the quiet young fellow who was seen walking about the rooms, talking to the disagreeable old women, and getting partners for the ugly young ones, without their knowing it; but all in such an unobtrusive manner that he seemed quite a nobody when compared with Harson.

But there must be an end even to the merriest meetings; and when they had kept it up until the night had got among the small hours, they began to drop off. And here, amid the adieus of departing guests, we will take our leave of the young couple; for it is far pleasanter to bid farewell to those whose friendship we have cherished when hope is strong and bright, than when care or disappointment has flung its shadow over their hearts.

CHAPTER THE LAST.

A few weeks had elapsed, and a small group were gathered one evening at Harson's fireside. It was composed of three persons beside Harson. The first was a man of about fifty; he might have been younger; and the heavy wrinkles which were scored across his forehead may have been the fruit of trouble and care, for they were almost too deep for his years; his mouth was firmly compressed, like that of one in the habit of mastering strong feelings; and the whole character of his face would have been stern, but for his dark, gray eye, which at times brightened up almost to childish playfulness. This was Mr. Colton, the father of Harson's protegé, Annie. The child herself was seated on Harson's knee, sound asleep, with her head resting on his breast. The only other person in the group was the wife of Mr. Colton. She was quite young, and had once possessed great beauty--the beauty of youth and happiness; but that was gone, and in its place was the patient look of one who had suffered much, and in silence. She spoke seldom, and in a low tone, so soft and musical that one regretted when the voice ceased.

'Your letter,' said Mr. Colton, in continuation of a previous conversation, 'put an end to all my plans respecting my poor niece. I had hoped to assist her; for knowing her father's hostility to her, I feared that she might be in want. Her death was a very melancholy one.'

He looked in the fire in deep thought, and for a short time a silence ensued which no one seemed inclined to break.

'I never saw her,' said his wife, after some moments; 'I think _you_ did.'

'Yes, once--at the trial,' replied he, uttering the last words with an effort, as if the subject were painful. 'She was very beautiful.'

'Did she resemble her father?' inquired Mrs. Colton.

'Perhaps I can settle that question more easily than any one,' said Harson, rising up, 'by letting you judge for yourself.'

He went to a small curtain which hung against the wall, and drawing it aside, disclosed a portrait of Rust's daughter--the same which Rust had brooded over with such mingled emotions on the night previous to the murder. The same childlike, innocent smile, played round the small, dimpled mouth; the same calm, thoughtful expression of intellect mingled with gentleness, shone out of the eyes. All was as it was when father and child last looked upon it--the criminal and her accuser. Every line was unaltered; but where were they? DUST! They had acted their part on earth; their love, their hate, their fears, their remorse, were past. The tide of time was hurrying on, bringing life and death, and hopes and fears to others, but sweeping from the earth all trace of their footsteps. To them forever, aye even until the last trump, time and thought, and care and feeling, had no existence!

Mrs. Colton's eyes filled with tears as she gazed upon the picture. 'She deserved a happier fate,' said she, in a subdued tone, as if she feared to disturb the spell which seemed to hang about it.

'It was ordained for the best,' replied Harson, in a grave tone, as he regarded the portrait with a kind of solemn interest. Then, after a moment, he added: 'That _was_ her, before want and suffering had laid their iron finger upon her. When I saw her, she was dead. She was very beautiful even then; but in the short time that had elapsed since her father's imprisonment, the work of years had been performed; she seemed much older and thinner, and more care-worn.'

'How did you get this?' inquired Mr. Colton, pointing to the picture.

'A friend of mine, the person who aided the girl in her last moments, accidentally learned that it was for sale, and begged me to buy it. He was too poor to do it, and I was willing to gratify him; and so the picture became mine.'

Mr. Colton looked at him for a few moments, as if on the point of making some remark, and then walked to the other end of the room and took a seat without a word. He was aroused by the child climbing on his knee, and putting her arms about his neck.

'God protect you, my child!' said he, laying his hand affectionately on her head; 'may you never know the misery which has fallen upon that poor girl!'

The words were intended to be inaudible, but they reached the ear of his wife, who going up to him, and laying her hand on his arm, said in a low voice: 'Come, come, George, do not give way to these feelings. You must not be gloomy.'

He looked at her sadly, and then placing his finger on his heart, said: 'Is not what has been going on here, for years, enough to wither to the root every feeling of cheerfulness, so that it should never again put forth a blossom?'

'Hush! hush!' interrupted his wife, in a whisper; 'if you _have_ suffered, you have gained at last what you have always prayed for; while _he_, the one who caused it all, has paid the penalty of his misdeeds. Remember what his fate was.' She pointed to the picture: 'Remember too, the fate of his only child. George, George! his punishment has been terrible, even in _this_ world!'

'You are right, Mary--GOD forgive me! I'll think of it no more. _He_ and I were nursed in the same arms, and watched by the same fond mother. From the bottom of my heart I forgive him. It would be sacrilege to her memory, for me to harbor an unkind feeling toward even a stranger, if she had loved him.'

He was silent for a moment, and then addressing Harson, enquired:

'Who is this Mr. Kornicker?'

'A poor fellow, with little to help him through the world but careless habits and a good heart.'

'What character does he bear?' inquired the other.

'Such as might be expected from his position,' replied Harson; 'full of flaws, but with a vein of gold running through it. Nature has given him fine feelings, and fortune, unluckily, has placed him in a situation where such feelings are impediments rather than otherwise. But he is a noble fellow for all that.'

'Where can he be found?' asked his guest.

Harson probably anticipated the object of this inquiry, for he said with a laugh:

'He has been taken care of; he has been placed where the means of livelihood and competence are in his grasp, if he will but work for them. And what is better yet, he seems disposed to do so, although not much can be expected of him at first. I do not think,' added he, 'that it contributes to the happiness of a young man, with a long life before him, to be altogether idle. I will do all that I can to help him; but he must work. It will be more easy for him as he gets used to the traces.'

The stranger acquiesced in this remark, and then added: 'I will take his address, nevertheless, for I must see him when I return to the city, which will be very shortly; but you seem to have anticipated me in every thing. Even the lawyer, Mr. Holmes, declined to be paid for his services. He said that _this_ was not strictly a business matter, and that what he had done was out of friendship for you, and that I had better pocket the fee and drop the subject; at the same time, he said he was going to dinner, and asked me to join him, which I did, and a very pleasant time we had of it.'

A good-natured laugh was indulged at the peculiarities of the old lawyer, and many stories told of him, and of others who have figured in this history. Nor was it until the little clock over the mantel-piece seemed to give a very vehement wag of its pendulum as it struck twelve, and Spite, who had been asleep in the corner, bounced up, alarmed at the lateness of the night, and barked vociferously, that they dreamed of going to bed.

The strangers were Harson's guests that night; and the old man, having escorted them to their room, and wished them good night, was himself soon in bed and asleep.

Bright and early the next morning, they were astir; for they were to leave the city, and Harson was up and ready to see them off. It was a fine morning; the trees were just beginning to put forth their spring leaves, and the grass in the public squares was looking quite fresh and green, as they drove down to the wharf, where the steamer lay, whizzing and puffing, and groaning as if in mortal pain, and tugging at its cable like some shackled sea-monster struggling to escape to its home in the deep. Early as it was, crowds were hurrying to and fro; carts driving up and unloading; porters staggering along with trunks and bales on their shoulders; carriages dashing up at a gallop, filled with people afraid of being too late, and going off more leisurely after the passengers were deposited on the wharf. People were bustling hither and thither, elbowing their way to one place, merely to find out where to elbow it to the next; friends were bidding each other adieu; and in particular, a stout lady from the country, in yellow ribbons, from the upper part of the boat was sending a confidential message to her family and friends by a gentleman who stood in the crowd some sixty yards off.

Through this throng the coach containing our friends drove, and just in good time, for as they stepped on board, the last bell rang.

'All aboard!' shouted the captain; 'take in the plank.'

Harson shook hands with his friends. 'God bless thee, my child!' said he, pressing Annie in his arms. The next moment he stepped on shore; and the boat glided from the dock, and shot out upon the green water.

'Ah, Annie!' said the old man, as he stopped waving his hand, and turned away from the river, 'I had hoped that you would have been mine own as long as I lived; but it's all right as it is. Your brother,' added he, 'I did not miss much, when his parents took him, but _you_ had become a part of my home. Well, well!'

No doubt there was a great deal of hidden consolation in these last words; for Harson's face soon recovered its usual cheerful character, and he steadily trudged toward his home.

A few words respecting the other characters, and our task is ended.

Grosket was induced by Mr. Colton to remove to the country, where an intercourse with different and better men than those with whom he had hitherto associated tended in a great measure to soften his character, and temper his fierce passions--the offspring of persecution and suffering.

Mrs. Blossom, at first alarmed by the fear of the law, grew penitent and rigorous in the discharge of her moral obligations to society; but the Law being a notorious sleepy-head, and never appearing to have its eyes open, she gradually fell into her old habits, reöpened her 'seminary for lambs;' and from the great quantity of her disciples which frequent the thoroughfares of the city at present, I should judge is getting along prosperously. Mr. Snork was extremely desirous of becoming a partner in the concern, and made several overtures to that effect, which might have been accepted by the lady, had he not objected to being deprived of his eye-sight, and seated at a corner to receive pennies from passers-by. It was in vain that the lady represented to him that this would be the making of their respective fortunes; that blind beggars, particularly if they were remarkably disgusting, as was the case with him, had been known to retire with handsome fortunes, and that some of them even bought snug little farms in the country, and kept a horse and 'shay.' Mr. Snork however, was obstinate; his proposals were accordingly rejected, and he returned disconsolately to his abode, which was now lonely, his wife having paid a visit to the penitentiary, for the benefit of the country air.

The widow, Mrs. Chowles, still lives in her quiet, blinking little house, as cheerful and contented as ever; as happy as ever to hear Harry's heavy step, and to see his honest face in his old corner in her parlor; and although he is no longer accompanied by Spite, who has grown old and rheumatic, so that he is unable to stir from the chimney-corner, where he passes his time in crabbed solitude, except when he turns up his dim eyes to his old master, as he hears his voice, and feels his caressing hand on his head: all else is as it was in that little household; and that it may long continue, is our warmest wish.

CONCLUSION.

Mr. Stites' manuscript was written at different times, and in different hands. The little man was evidently troubled with a defective memory, (although I would not tell him so for the world,) and has permitted many strange mistakes and anachronisms to creep into his tale, which inclines me to think that the whole matter is not so authentic as he pretends, but has been gleaned in various parcels from the regions of romance. But as he is not a little tetchy on the score of his veracity, I can only suggest that the tale be regarded by his good natured readers rather as a fiction than sober truth.

From beginning to end, strong disapprobation has been expressed by Mr. Snagg, who says that 'that d--d dog is enough to kill any story, and that for his part, he doesn't think much of Stites; never did, and never will; and that a single hair of Slaughter's tail was worth Stites' marrow, fat and kidneys, all done up together.'

It is useless to argue with him; and I find the most judicious mode of disposing of the matter is to let the question remain unanswered; by which means he soon comes round, begins to discover a few merits in the manuscript, and finally concludes with a warm panegyric upon Mr. STITES himself, always however with a reservation as to the dog, whom he swears 'he never shall be able to stomach.'

In all respects, my quiet old home remains as it was. The same mystery hangs about it as formerly. The interest which for a time was excited respecting it, when I gave an account of the murder which had left it shunned and tenantless, has died away; and with the exception of Mr. Snagg, Mr. Stites, and my dog, I have few visiters. Perhaps it is best that it should be so; for I have the spectres of no hard feelings nor bitter thoughts, nor painful recollections to haunt me, requiring excitement and bustle to drive them off; and old age demands time for solemn thought and serious meditation, to enable it to wean itself from the past, and look cheerfully forward to the future.

But no more of myself. My task is ended; and I now bid you farewell!

JOHN QUOD.

THE PAST.

I.

Despair not, though thy course is drear, The past has pleasures for us all; Bright scenes and things to hearts most dear, And those how fondly we recall.

II.

Such as some lovely girl we knew; Such as some touching song we heard; Such as some evening spent, when flew The hours as swift as passing bird.

III.

Such as some well-tried friend we had; Such as some acts of kindness done, Yet rising up to make us glad, And so will rise when years are gone.

IV.

Despair not! still be innocent; Admire the beautiful, the good, And when the cry of woe is sent, Turn to relieve, in pitying mood.

V.

So shall the present, when 'tis past, Rich with harmonious scenes appear, No gloomy shadows o'er it cast, No spectres there, to make thee fear.

E. G.

THE HEARTH OF HOME.

BY MARY E. HEWITT.

The storm around my dwelling sweeps, And while the dry boughs fierce it reaps, My heart within a vigil keeps, The warm and cheering hearth beside; And as I mark the kindling glow Brightly o'er all its radiance throw, Back to the years my memories flow, When Rome sat on her hills in pride; When every stream and grove and tree And fountain had its deity.

The hearth was then, 'mong low and great, Unto the Lares consecrate: The youth arrived to man's estate There offered up his golden heart; Thither, when overwhelmed with dread, The stranger still for refuge fled, Was kindly cheered, and warmed, and fed, Till he might fearless thence depart: And there the slave, a slave no more, Hung reverent up the chain he wore.

Full many a change the hearth hath known; The Druid fire, the curfew's tone, The log that bright at yule-tide shone, The merry sports of Hallow-e'en; Yet still where'er a home is found, Gather the warm affections round, And there the notes of mirth resound, The voice of wisdom heard between: And welcomed there with words of grace, The stranger finds a resting place.

Oh! wheresoe'er our feet may roam, Still sacred is the hearth of home; Whether beneath the princely dome, Or peasant's lowly roof it be, For home the wanderer ever yearns; Backward to where its hearth-fire burns, Like to the wife of old, he turns Ever the eyes of memory. Back where his heart he offered first-- Back where his fond young hopes he nursed.

My humble hearth though all disdain, Here may I cast aside the chain The world hath coldly on me lain; Here to my LARES offer up The warm prayer of a grateful heart; THOU that my household guardian art, That dost to me thine aid impart, And with thy mercy fill'st my cup; Strengthen the hope within my soul, Till I in faith may reach the goal.

PROFESSOR SHAW.

A SKETCH.

PLUTARCH SHAW, the naturalist, was lately in the stocks, which has been a matter of much talk among the virtuosi, and a good deal of malicious laughter on all hands. He cut a devil of a figure, rest assured, propped up in a straight jacket, his eye fiery with vengeance; the innocent victim of 'circumstances,' and that very common error of putting the saddle on the wrong horse. A very little explanation will serve to place this matter in the right light, and show by what a fantastic adventure an honest man, who was alway given to roam over much territory, was suddenly placed upon the limits, and one of the most profound explorers of the curious became himself for the time being a curiosity.

Mr. Shaw is so much of an enthusiast, that it is very unpleasant to stand near him when he is talking about his bugs, or exhibiting his specimens, on account of being spattered all over with the spray of his eloquence. A bat shot down in the dusk of the evening is enough to set him half crazy, and make the saliva fly all over; it rolls and surges against the bulwarks of his jagged teeth in a rabid foam, showers out with his descriptions, and makes him only tolerable at arm's length. The beetles and butterflies which he has transfixed are innumerable; and he is perpetually syringing down the humming-birds, as stationary on vibrating wings, these beautiful creatures of the air plunge their beaks deep into the cups of flowers. With him pin-money is an item. If he marks any thing curious in the natural world, he 'sticks a pin there,' and keeps it for future reference; any thing from a lady-bug ready to unfold suddenly the gauze upon its hard back, where you would think no wings existed, and fly away, to an offensive black beetle that snuffs the candle, or cracks its head against the wall, thence upward in the scale to the bird which Liberty loves as her sublimest emblem, the proudest of the proud, the bird of our own mountains, and the eagle of our own skies.

'I would not heedlessly set foot upon a worm,'

writes Cowper: not so however with the great Shaw, whose collection of worms is most disgusting; exceeded only by his reptiles preserved in spirits, with all their sickening exhibition of claws. He has got some dragons that fall little short of the Devil himself in general hideousness and outrageous tails; some noots brought from Nootka Sound; some green monsters from Green Bay; some devilish things from Van Diemon's land; and finally, Plutarch is himself hideous, and ought to be put in a collection, which by the by, he lately _was_. It was a great era in his life time when he shot a wild-cat; that however has nothing to do with the present story, and must be told shortly. He threw a stone at him, it seems, to frighten him out of the bushes, where by dint of sneaking he discovered something with a white and black fur, moving about in a short compass. Breathless with excitement, standing on tip-toe, dodging his head among the brambles, all ready, and meaning to have a shot at him 'pretty soon,' he was whispering to himself, telling himself in a mysterious voice to 'hold fast,' not to budge, but wait for the next movement; when this _pole-cat_--there is a distinction, it is well known in the species, nor in the present instance was it a 'distinction without a difference'--opened the batteries with the precision of an artillery officer. 'O my eyes!' was the exclamation of Professor Shaw, 'my eyes! my eyes! my eyes!' It was a great era in his life time also when he shot a plover; _that_ however has little to do with the present story, and must be told shortly. It was on the Big Plains, where not a tree nor shrub may be seen for miles around; where ambuscades are unknown, and it is very hard to steal a march upon the timid birds which are frightened at a very shadow; only they do not fear the flocks and herds which pasture upon the plains, but tamely pick up the worms beneath their feet. Professor Shaw hit upon an expedient to surprise them, which no other person would have thought of, than one of his extreme ingenuity: a big box, opened at both ends, into which he crawled with fowling-piece in hand. First, however, he procured an ox-hide at the stall of a neighboring farm, with all its apparatus of horns, and placed it over the box, to give it the appearance at a distance, of a _bonâ fide_ ox. Sure enough, this scheme worked well. On came the plovers, hopping about with much unconcern. Shaw chuckled. He flattered himself that he should be the death of some of them, if his own life were only spared a few moments. While he hammered the flint of his fowling-piece with an old jack-knife, he heard a distant rumbling sound, which soon waxed terrible, and caused him to thrust out his head. Thunder and Mars! what should he do? If he ran, it was all up with him, and he was a dead man if he staid where he was. A wild bull of the prairies was cutting up shines at no great distance, tearing up the sod with hoofs and horns, and threatening to demolish that refuge of lies. Shaw poked out his head, and drew it in again, clutching his fowling-piece convulsively, and trembling in an agony of fear. Involuntarily he began to say his prayers. 'Our Father who art in heaven,' said he, with great fervor. The bull was now up, bellowing in a tumultuous passion, galloping round and round in circles which were diminishing with every turn, getting his horns ready to toss the whole fiction of an ox, box, hide, horns, Plutarch Shaw and all, into the air. 'Help! help!' shrieked the philosopher; 'I'll come out; I must, I must, I _must!_' And he _did_ come out, by far the most sneaking object for miles around on the Big Plains. Some men who were hunting plover from a wagon, (which is the right way,) saw his fantastic position with mingled laughter and alarm. They drove to his assistance, but the horses shyed off at the terrific conduct of the bull, whose onslaught was now made upon the box, which he attacked hoof and horn. Mr. Shaw had barely strength to reach the shelter of the wagon, into which he was taken, much chap-fallen, and resuscitated with brandy-and-water, which were luckily at hand.

He was an 'odd fish,' unanimously so styled, by those who knew him, nor did his appearance belie him, as he started forth on a geological excursion in the month of May last, making poems and tuning pianos by the way. He strung up the old harpsicords to the satisfaction of the country girls, who thought he 'played on music' with great skill, but his eyes were the very wildest. Was Professor Shaw crazy? By no means. As a proof of it, he had written several poems as voluminous as the Fredoniad; which were unavailing for the present, but which he _did_ hope that his 'country would not willingly let die;' added to this, some marches in double quick time, some intricate and inwoven harmonies in the transcendental style, stanzas set to music, thrown forth when the excitement was upon him, and fugitives from justice. Yet all these were nothing, to judge by dark and mysterious hints which were given out, of some GREAT WORK at which he was now laboring, which the world, (he said it with a presentiment of triumph) would be _compelled_ to own. But, as I remarked, his appearance did not belie him. Whoever might doubt his metaphysics, his legs were unquestionably the very longest, by the assistance of which he had lately won a foot-race on the Union course for a hundred dollars, to enable him to pursue his studies for the ministry. 'Accoutred as he was,' on one fine day in the month of May, he had wandered to a distant part of the country with a walking-stick, furnished at the extremity with a small hammer. Absorbed in revery, and constructing verses by the way, he arrived at last in a romantic valley, where he was soon busily employed in cracking rocks, and collecting specimens for his cabinet.

The solitude and pleasant walks were eminently suited to the mind of Professor Shaw. The babbling of the rills which came down the hill sides and washed the pebbles at his feet, were soothing to the sense, and the birds sang sweetly on the trees, which were covered with the blossoms of the spring. Only a single dwelling was seen on one of those swelling hills which rose above each other, gently and far away, till their last undulating lines were limited by the horizon's blue verge. The eye wandered with pleasure over the diversified prospect, which included the boundaries of three sovereign states, with various rivers, valleys and fertile fields. On such a spot, where Nature reigned and developed herself in quiet beauty, whether in the voluptuous budding of the spring, or in the year's gorgeous decline, Charity had taken the hint and erected an asylum for the insane. Happy invocation of Nature, most kind and gentle saviour of the sick, who meeting her in her quiet haunts may touch her beautiful garments and be whole! In the exhilarating sunshine, in the fields garnished so exquisitely by our good God, in the religious woods, the circling hills, and the unbounded sky, there is a force of healing, when Art has consigned the victim to despair, and the soothing hand aggravates the deep-rooted sorrow. Nature gently re-conducts the lost mind through its labyrinth of error, speaking sweet consolation in the passing breeze, and a volume of beauty in each unclasping flower.

Professor Shaw was doubling up his grotesque figure over the stones, gathering garnets. With the intent look of a gold digger, or an alchymist prying into his crucible, he was seeking for treasures, cracking up rocks into the size of sugar-lumps, and Macadamizing all the place for yards round. His shadow stalked with him with colossal strides, according to the declension of the sun, and the hammer in his shadowy arm fell on the projection of the shadowy rocks. But not farther off than where his grotesque head and slanting extremity were measured on the next wall, two clowns had gee'd their oxen under a tree, and left their basket of potatoes in the furrow, (w--hoy--gee, there--I tell yer to gee!) for the sake of giving their undivided attention to the Professor. Geology they had never heard of, beyond its application to stone fence; so they considered the conduct of a man very queer indeed, who was muttering to himself, and filling his pocket full of stones. After a little silence, they nodded to each other with a knowing look, and said with one consent, 'He's as crazy as a coot.' They approached Mr. Shaw, dubiously. 'See his eyes!' said they; 'aint they wild? Mister?' said the elder clown.

Shaw made no reply.

'Mister, look a-here; aint you--aint you----?'

'Fel-spar,' said Shaw, cabalistically.

'Oh dear me! that's enough! My dear feller, we've got a duty to perform. I guess we know where you come from. Mister, aint you----?'

'Are you addressing me?' said Professor Shaw, mildly, looking up. 'Are you addressing your remarks to me, my friend?

'Wonderful cunnin', but it wont do. 'T wont sarve you; I'm a-feard we shall have to----'

'Well, Sir, my name is Shaw.'

'What's that you got onto your cane? What you doin' in Queens cëounty? Do tell, aint you----got loose from somewhar? Honor bright!'

The professor, lost in amazement, answered only by a broad stare. He then bethought him that two lunatics had escaped from yonder mansion. The idea satisfied his mind, and surprise gave way at once to a smile, full of benevolence and pity. 'My poor friends,' said he, 'do go back; you have surely wandered from home; do go up the hill--do go up the hill.' Then stamping his foot with an air of authority, he exclaimed, stretching out the hammer of his cane, 'Go back to the asylum, in-stan-taneously!'

'I guess the one in the loft will be long enough,' whispered the rustic; 'but fetch the longest of the two _ropes_, and make haste. Oh, he's stark!'

'Ah! how sad!' soliloquized Professor Shaw, as both of his new friends retreated, and one hurried out of sight, 'how sad a spectacle! the deluded, wandering mind, told by such unerring symptoms; the wild eye, strange words, and fantastic pleasantness; reason hurled from her own throne, and that steady light exchanged for the fitful flickering over decay! They mistake me for one of their melancholy fraternity, poor lunatics! whereas my lamp of life, and reason, it appears to me, never shone brighter. I shall yet work out something of which my country will be proud, and which shall inscribe on an enduring pedestal the name of SHAW.' The professor (with his hammer) split a rock. 'If those men come back, what had I better do with them? I will contemplate the remarkable phenomenon of the mind in ruins. Humanity suggests to me that I ought to coax them back with sophistry as far as the garden-gate, and then holler for help.' Shaw was the best hearted of men; he would not hurt a human being in the world, cruel as he was to bugs, and to centipedes an 'outer barbarian.' In the course of ten minutes he was at the base of a large rock, scooping out garnets, and thinking casually of that 'great work which his country would not willingly let die,' when a rope was let over his head and shoulders from above, and the professor was noosed. The countrymen jumped down, and began to drag him from the other end, squeezing his bowels, and winding him round and round, till coming to close quarters, they knocked his hat off, wrested his hammer out of his hand, and seizing him by the collar, almost throttled him with the knuckles of their immense fists.

SHAW. (Kicking violently.) Murder! murder! murder!

RUSTICS. It won't do no good; we got yer; you may as well come fust as last. You're crazy as a coot, and wuss now than when we fus see you. Your eyes shows it.

SHAW. I'll go with you, my friends, but don't kill me; oh! I beseech you don't kill me!

RUSTICS. No, we wont hurt you; only come along to the house. Come along.

SHAW. Take your knuckles out of my throat, please. _Aside._ Their hallucination is extreme; the symptoms of their disease have taken a form the most vindictive. Yes, my friends, conduct me safe. We shall soon reach the house; then all will be explained.

At this very hour an amusing scene was enacting among the lunatics in the large hall of the asylum. One who professed magnetism was trying his skill upon a subject, to the great entertainment of his fellows. He was making the passes after a singular fashion, upon a docile fellow who sat bolt upright in a chair with a face of the most stolid gravity. Standing at a distance, he would rush up with long strides, make a wavy flourish with his hands over the face of the subject, and retreat as rapidly. Then with eager, swelling eyes, aiming with the fore-finger of each hand, he would run up and point at some phrenological bump upon the cranium. But the patient sat immovable, and was neither to be soothed into slumber, nor coaxed into giving any indication that the organs were excited; as is the case with the well-drilled _protegés_ of your itinerant lecturers.

Nearly all the inmates were witnesses of this scene, except a few who were restricted, and one fair girl who walked in the garden sobbing; and never did tears fall out of more beautiful eyes, or shed over such a sweet face the interest of sorrow. They gushed profusely on the rosebud in her hand; fit emblem of herself; for she had not yet broke into the bloom of womanhood. Where tears flow, despair has been already softened to sorrow, and smiles may yet shine out of the darkness, as the bow of promise bridges only a firmament of cloud. This poor creature, frightened at a disturbance at the gate, fled like a fawn to her own apartment. The professor was lugged in by the head and ears, with unnecessary roughness. Appearances were much against him, as he always had a crazy look. His strange dress and equipments, his unshaven beard, his long hair straggling over his forehead, his long nose and long legs, his much-abused and bunged-up hat, which yawned wide open at the crown and showed the lining, wore the external tokens of a mind ill at ease. Added to this, a sickly smile shed a yellow glare over his features, of which the effect was neither natural nor pleasant; and as the lunatics pressed around, and the clowns still clutched him by the throat, even that passed away, and left an expression of bewilderment and undisguised dismay. At that moment the physician arrived, and glancing at the new subject just brought to the establishment, and concluding that his present wildness would need some coercion at first, requested him to be brought into the nearest apartment. The four formed a singular group. 'Sit down,' said the doctor, nodding calmly to the professor, as he prepared to study the case. 'Ha! ha!' exclaimed Professor Shaw, dropping into a chair, and striving hard to be amused at his predicament, 'ha! ha! ha! My dear Sir, ha! ha! yes, I think I may say ha! ha! ha!'--and he laughed so obstreperously as to set the whole company in a roar. 'This excursion for scientific purposes; near coming to an unpleasant termination; some of your poor fellows, doctor,' casting a knowing look at the clowns, 'are strongly possessed they brought me here against my will.'

The doctor smiled.

'Let me explain all,' said Mr. Shaw, recovering breath, and speaking with preternatural calmness. 'Oblige me first by having those men removed. Their presence disturbs me. I pity them from my lowest soul; but they have--it is ridiculous--ha! ha! ha! yes, it _is_ ridiculous--but they have hurt me very much and disturbed my equanimity. You should confine them more strictly, Sir, and not let them go at large to murder strangers by the way-side.'

The doctor smiled.

'In search of relaxation, during the intervals of a great work which I have in hand, having been made an honorary member of the Tinnecum Association, I came here for the prosecution of scientific purposes, and for the collection of botanical and mineralogical specimens, which I have at present in my breeches pocket.'

RUSTICS. He! he! he! that's enough--see his eyes!

SHAW. (_Smiling._) Doctor, how long have these subjects been in your institution? Their insanity has not taken a very mild form. Will you oblige me by removing them from the room? Indeed it hurts me to see the immortal mind astray.

The doctor smiled.

SHAW. (_Enthusiastically._) As I entered these doors, a most lovely being shot across my path. It was but an instant; a quick light, a momentary flash, and all was gone! But it was enough! I saw her! I never shall forget her. Who is she? That sweet girl has impressed her image on my soul!

DOCTOR. My friend, be calm.

SHAW. Oh, my dear Sir! understand me. I _am_ calm, I _am_ calm.

DOCTOR. Perhaps you will be so kind as to inform me where your _friends_ reside, and when you left them upon this journey.

'My friends!' exclaimed the professor, with a bitter sneer; 'who are my friends? Where have I found any whose friendship was other than a name? My books, my cabinet, my studies, the great work on which I am now laboring--these are my friends; it is only through these that I shall be raised to fame. _Sic itur ad astra._'

DOCTOR. I am satisfied that we had better secure----

SHAW. Do you want any assistance, Sir? I will willingly help you to get these poor fellows to their rooms.

RUSTICS. He's the cunningest we ever seen.

DOCTOR. Yes, he would deceive any one. Wait a minute my men.

SHAW. If you don't need me I'll bid you good day; I can't stay any longer.

DOCTOR. Oh no, we can't let you go, in common humanity, till we have communicated with your friends.

Professor Shaw, in the utmost alarm, attempted to plunge out of the room. He was laid violent hands on by all three; his indignation boiled over; he struggled most desperately, knocked down the doctor, and attempted to jump out of the window, but in the end was overcome, a straight-jacket put on him, the stones were taken out of his pocket, he was conducted to a separate apartment, and as the shades of night fell around him, he almost doubted himself whether he was in his sound mind. His wits seemed to be indeed scattered. In vain he tried to collect them, and to realize his present position, which was the most false and unfortunate one in which he had ever been placed. He charged the Devil with conspiracy. He had already sneered at the suggestion of having friends; how should he be the victim and laughter of his enemies! He imagined them holding their gaunt sides and shaking with a spectre-like malignity. Then he thought of the fair girl whom he had seen in the garden shedding tears on roses, and strove to weave a chaplet of verse which should be more unfading than flowers. What a strange destiny was his! The victim of untoward accidents, persecuted by some evil spirit, and leading an aimless, desultory life, which he yet feared would lead on to lunacy. What should he do in the present instance? Be patient? Yes, he would be calm, forgiving, philosophical as ever. Footsteps are approaching; the door of his cell opens; perhaps it is already the token of his release. Yes, one of his own townsmen enters. Alas! he owed the professor a grudge, and assured the doctor that he was cracked, and begged him to hold on to him by all means; he would go and inform his friends. 'Ha! ha! ha!' exclaimed Shaw, as the door closed; 'there it is again; in luck as usual; ha! ha! ha!--ha! ha! ha!'

As it grew dark, and he lay on his pallet, a crowd of thoughts and imaginations pursued him through a long sleep, and when he opened his eyes to the morning light, he gazed around the strange place with astonishment, and tried in vain to persuade himself that his present position was not a dream.

In three days he was released from limbo; retracing his steps, with all the bugs and specimens which he had collected. And, for those who feel an interest in Professor Shaw, it may be agreeable to know, that in his wanderings, having discovered in a green lane, on the margin of a duck-pond, a district school in want of a pedagogue, he forthwith assumed the birch, and may be now seen at almost any hour of the day, in the midst of his noisy populace, commanding silence, or dusting them on their least honorable parts. 'Tough, are you? I'll see if I can find a tender spot. Come, no bawling, or I'll flog you till you stop. Thomas Jones, take your book, and stick your nose in the c-o-rner. First division may go out. First class in geography----'

F. W. S.

STANZAS

TO THE SPIRITS OF MY THREE DEPARTED SISTERS.

WRITTEN AT MID-WINTER.

Sweet sisters! ye have passed away, In solemn silence one by one, And left a brother here to stray, In doubt and darkness--and alone! For like three lamps of holy flame, Ye shone upon my weary way, Till a chill breath from heaven came, And quenched for aye the kindly ray.

Where are ye now?--where are ye now? Those loving hearts and spirits, where! O'er three new graves in grief I bow, But ye are gone--ye are not there! The winds that sigh while wandering by, Curl the bright snow in many a wreath, And sing in mournful melody, O'er the cold dust that sleeps beneath.

The birds that sang when ye were here, Are singing in another clime; Have left the hedge and forest sere, And gone where all is summer-time. The frail bright flowers that bloom'd around, When ye were blooming bright as they, Lie crushed and withered on the ground, Their fragrance heavenward passed away.

And ye are gone where genial skies And radiant suns eternal shine, Where peaceful songs forever rise, From saintly tongues and lips divine. And like the flowers whose sweet perfume Has left the soil and risen above, Has risen from your silent tomb The holy fragrance of your love.

But often when the silver beams Of the pale stars are on my bed, Ye come among my sweetest dreams, And bend in silence o'er my head; And throngs of bright imaginings Float round and o'er me till the dawn; I hear the fluttering of wings! I start--I wake! but ye are gone.

Oh! I am sad; yet still the thought That when this tired though willing hand Its earthly destiny hath wrought, Ye wait me in that distant land, And that ye long to have me there, More that I pine your absence here, Shall heal the touch of every care And quench the sting of every fear.

No marble stands with towering shaft To catch the stranger's curious eye; No tablet graved with flattering craft, Tells where your silent ashes lie; But there is one secluded spot In the deep shadows of my soul, Where stranger foot intrudeth not, Nor winter's wanton tempests roll.

And there in Friendship's burial-ground The willow of remembrance bends, And ye my sisters there have found A home among my choicest friends; And modelled with etherial grace, The form of HOPE with heavenward eyes, Stands calmly on your burial-place, And points her finger to the skies.

I. G. HOLLAND.

AUTOBIOGRAPHY OF THE PRAIRIE HERMIT.

EDITED BY PETER VON GEIST.

It happened on the twenty-seventh day of July, in the year of our Lord one thousand eight hundred and forty-two, that I, PETER VON GEIST, found myself, in the natural course of events, journeying on horse-back along the northern bank of the Ohio river, in the state of Illinois. The space between me and the house where I designed to stop, and the time between then and sun-down, were somewhat disproportionate; so I pricked gallantly forward; as gallantly at least as could be expected from a tired horse, and a knight whose recreant thoughts were intensely fixed on dollars and cents, supper, and other trifling affairs. By dint however of much patience in the steed, and much impatience in the rider, we got over the ground, and approached a house that had been in sight for some distance.

It was placed on the summit of a steep, conical hill; there was no smoke from its chimney, or voices to be heard, or persons to be seen, or other signs of life, in its precincts. The grass grew high and green all around the hillock, and there was no road, not even a foot-path, visible on its side. Nevertheless, I dismounted, left my horse to improve the opportunity of snatching a light repast on the abundant herbage, and forced my way up to the top of the knoll.

The building was constructed in the rude fashion of the country; but the chinking had fallen out from between the logs; the chimney had partly tumbled down; tall weeds sprung up between the stones of the door-steps; the door itself was fastened with a huge padlock; the windows were nearly all beaten in, and every thing about it gave evidence that it had not been inhabited for several years. The summit of the hill was smooth and level. A few stumps grew around the edge; and the ground seemed to have been, at some former time, a garden.

The situation was exceedingly fine, and the view on all sides very beautiful. The eminence commanded on one hand three or four miles of the river, and on the other an unlimited tract of prairie. At the particular moment when I first visited it, the level sun-light came glancing over the face of flood and field, tinging every thing that it touched with its own mellow hue, and casting gigantic and ill-defined shadows of the hill, the house, and myself, on the plain beyond. At the distance of a mile and a half below, stood a couple of one-story houses, the logs of which they were built newly hewed, evidently of recent construction. The inhabitants of this old building, then, must have stood where I am standing, and gazed over the vast extent of country that is spread out before me, without meeting a single habitation of man, or any thing having life, except perhaps a wolf or a buffalo. And it could not have been desire of wealth that induced a family of refinement and taste, such as the little decorations and ornaments show that this was, to select this solitude for their home; for not more than an acre of land, at the foot of the hill, had ever been invaded by the plough.

There were several circumstances like these, that were unusual and unaccountable; but not being in a mood just then to be much perplexed about it, I descended the knoll, remounted, and hurried on towards the more hospitable dwellings below.

Of course, the traveller was received with a welcome, and his bodily wants speedily and abundantly cared for. After this most important duty had been satisfactorily performed, and quietude of spirit consequent thereon was restored to my breast, it chanced that the host and his blue-eyed, golden-haired, neatly-dressed, smiling-faced, half-matron, and half-girlish young wife, who had lately set up business on their own account, and I, seated ourselves without the door, to feel the cool air of the evening. It chanced too that the door faced the east; and the old house towered up darkly in the distance before us. In answer to my inquiries, they were able to give but little information concerning it, and that chiefly derived from others.

It appeared that there was on the other side of the river, and a little lower down, a small settlement. It had stood there from time immemorial; at least, the memory of the tidy little wife did not run to the contrary, and she had received her birth and education there, and ought to know. She remembered, one of the first things that she could remember, a middle-aged gentleman, in a black hat and coat, who used to row over the river from the other shore in a small skiff, and walk into her father's store to make his purchases, with a grave, but not cold or forbidding face, and used to pat her on the head, with such a fatherly smile, and say a few words in such a kind tone, as to fill her little breast quite full with delight. She remembered more distinctly, a few years later, how this same gentleman used to come into the settlement as often as once-a-week, and how glad every one appeared to meet him and shake hands with him. The villagers seemed to repose unlimited confidence in him. The moment he landed, half-a-dozen were ready to ask his advice, or to show him papers, to see if all were correctly done. He was the umpire in all differences and quarrels, and seldom failed to send away the disputants at peace with each other. If there was a wedding, he of course must be present. On May-day, when the boys and girls went out into the woods to romp, and afterward to sit down to a rustic pic-nic, he was sure to walk into their midst, just at the right moment, bearing in his hand a wreath of flowers, so beautiful, and so tastefully made, that all the girls cried when at length it fell to pieces; and he would place it on the head of the Queen of May with such a gentle, sweet little speech, that she would blush up to the tips of her ears, and all her subjects would clap their hands and laugh out with pleasure.

At Christmas parties his place was never empty; and while he was there, mirth never flagged. Perhaps their sports were not so boisterous as they would have been if he had not been a spectator; but they were quite as pleasant at the time, and a great deal pleasanter when looked back upon from the next day. He used to sit in one corner, by the huge, roaring fire, and look on, apparently as much interested as they themselves were. Nothing went amiss; and there was never wanting some slight, good-natured remark or act, to rectify mistakes and set them all going again.

But much as he was loved by the villagers, he was no less respected. They did not even know his name. Many would have been glad to, and wearied themselves by indirect methods to find it out. But as no one had courage to ask him, and as it never happened to fall from him incidentally, they remained in the dark about it. He was known and addressed however, by the appellation of 'the Lawyer,' as their conversation with him was chiefly asking his advice on points of law too knotty for them, which he freely gave. He affected no mystery or reserve; yet there was something in his bearing, affable and unaristocratic as it was, that caused those very men--who, if the governor of the state had come among them, would have slapped him on the back, and offered him a glass of liquor--to rise in his presence and approach him with respect.

My bright-eyed informant, with her musical voice, recollected, a good while ago, when she was about ten years old, and he had become gray and wrinkled--though he never needed a staff, nor was his eye dim--that he rowed over one spring afternoon, and requested the men to leave their work for a few minutes, and hear something that he had to say to them. Accordingly, they collected 'considerable of a little crowd' around her father's store. The lawyer stood in the door, while she made her way through the throng and sat down on the door-step, at his feet. She did not remember all that he said; only that he talked to them for about half an hour, in a calm, conversational tone, on the importance of building school-houses and educating their children. They seemed to be much pleased with what he said; and after another half hour's free discussion, the whole village turned out, and went to work felling trees and hewing timber; and in the course of a few days a substantial school-house was erected. From that time forth, she and all her brothers and sisters, and all her play-mates, at stated hours and seasons, were rigidly imprisoned therein, and diligently instructed in the rudiments of science.

About this time, she and a brother who was about two years older embarked on a voyage of discovery. They pulled up the river, at least he did, for she only held the rudder, two miles, till they come in sight of the residence of the Great Unknown. There stood the old house, as she had often gazed at it with wondering eyes from the opposite bank, just as grim, and dark, and gloomy. It had been their intention to make an open descent upon it, and boldly beat up the premises. But now, the building was so silent, and deserted, and frowning, their hearts failed them, and they crept cautiously along up the southern shore till they were concealed by a bend in the river; then striking across, they floated down, by accident as it were, close under the northern bank. When they arrived under the hill, on the top of which the object of their curiosity was placed, they looked anxiously up at it; but every thing was as silent as the grave. Seeing it thus unguarded, they took courage, ran the skiff ashore, and prepared to land. But when on the point of stepping on the beach, the door of the house opened, the man himself walked out therefrom and advanced to the brow of the eminence. There he stood; black all over, except his face, which at that instant appeared to wear a peculiarly terrible and ferocious aspect. The children were frightened, and hastily shoved off their little cockle-boat. But the man came down to the edge of the water, and called them by name to return. _She_ thought how far off home was, and no one near to afford assistance in case of need; and when she thought, she would have been glad to have retreated as fast as possible; but her brother was commander of the expedition, and without more words he pushed back to land.

They went ashore, neither of them altogether devoid of fear and trembling, and sat down on the grassy bank, by the side of their venerable friend. He soon talked away their timidity; and seemed so mild and affectionate, that in a few minutes they were chatting and laughing as merrily as ever children could. He showed them his garden, his trees, and flowers, and fruits. He gave them a little basket, which they filled with strawberries, some of which he squeezed between his fingers and rubbed on her cheeks, to see he said, if they could be made any redder. In fine, he amused them so much with his stories, and was so pleasant and kind, that they fell more than ever in love with him; and after promising a dozen times to come and see him every week while it was summer, they returned gaily home.

But the old man died at last. The children went up one sunshiny morning to pay him a visit, and found the house all still, and the door locked. They knocked and knocked, but no one answered. They peeped in at the window and saw him stretched at length on the bed, fully dressed, with a handkerchief over his face, and his gray hair lying dishevelled on the pillow. They called to him; but still there was no answer. Then they became alarmed, and hurried home. Some men came up, broke open the door, and found him dead. Without sickness, or premonition of any kind, he had calmly passed away.

They dug his grave by the side of the cottage, and laid him in it, with his feet to the east and his head to the west; and left him to rest there, unknown and unnamed in death, as he had been in life. The whole village, men, and women, and children, mourned for him many days. But when the days of lamentation were ended, and they saw his face no more, though their grief abated, his memory did not, and has not yet passed from their hearts.

I observed the voice of my hostess to falter more than once, while telling this simple and dream-like story of her childhood. I could see by the night-lights too that her bright eyes sometimes became brighter and sometimes dimmer; both of which circumstances made it only the more pleasant for me to sit and listen to her words.

'There were no letters,' she said, found in his possession from which they could learn his name. There were no writings of any kind, except a bundle of old papers, which she had looked into, but they seemed to be only disconnected thoughts and memoranda of events and feelings, and threw no light on his history. At my request she produced a lamp and spread out the papers on the table. I turned over the worn and time-stained manuscripts; but the leaves were loose, unnumbered, and put together at random, and it was some time before I could find a place to begin at.

At length, however, I managed to bring a few sheets in juxtaposition, such, that with a little stretch of the imagination I could discern a slight connection between them. And thus, by dim lamp-light, alone, with the silence of night around, and the old house lifting up its dark and shadowy form in the distance, I read some of the old man's papers.

Those which I read I took the liberty of putting into my portmanteau, arguing that though they might be of no use to me, they certainly would be of none to their present possessors. Some of these papers having appeared in the KNICKERBOCKER, and met with 'acceptance bounteous,' I am induced to transcribe for the edification of the reader, a portion of the autobiography of the writer. It is contained in the last chapter, or sheet, and is written in a different and more aged hand than the rest; and gives the 'moving why' of the old man, in isolating himself from his kind, in one of the great green deserts of the West, 'for which the speech of England hath no name.'

A DREAM OF YOUTH.

Sixty years old! Many sorrows, many storms encountered, both within and without, and much journeying along the road of life, have left their traces on my features and on my head; but I am thankful that they have not touched my heart. I live alone, but not solitary; for I hold daily communion with the absent and beloved; communion also, sad but sweet, with the departed. The forms of those once hated too, are ready to rise up at my bidding; but they are never summoned. For I wish all within me to be gentleness and repose; and it ill becomes me on this my last failing foothold on the verge of the grave, to allow thoughts of hatred to stir up the turbid waters of bitterness which have been slumbering so many years in my heart.

So I stand up here calmly at the end of my journey, and look back on the path which I have trodden. And what a path! Far back it runs, growing fainter and narrower, till I lose sight of it, an indistinct line, in the distance. I shall not say how many steep hills it crosses, where it might better have kept in the plains; how many deviations it makes from a straight course, apparently for the sole purpose of wandering through difficult places; or how often it runs along over burning sandy deserts, parallel with, and but a few steps from, the verge of a cool and pleasant meadow. I shall say nothing of this; for of the million of paths that intersect this vast plain of Life, there is probably not one which, when the traveller looks back upon it, does not like mine seem marked out by the veriest caprice of chance. Each one gropes its way along, like the crooked track of a blind man; and when it would appear the easier and almost the only way to keep on up the gentle eminence, whereon might have been found renown and happiness, by that same constant fatality, it suddenly turns short off to one side, plunges down into the rocky ravine, and pants on, for many a weary mile. That man shapes not his own ends, is a truth which I felt long since, and which each day's experience brings home to me with the freshness of a new discovery. It is a truth which rises up and mocks us, when we sit down to calculate or plan for the future; and it almost staggers our confidence in the connection between human means and the desired result.

But what a path! Proceeding out of the darkness of morning, it struggles through a brief day, sometimes in sunshine, and sometimes in shade, and ends in the darkness of night. I glance along it, and the care-worn faces of the companions of my manhood rise up, on either side, and farther back, the speaking countenances of the friends of my youth. It is but a narrow space, the land of Youth, and soon passed; but pleasant, and full of images of beauty. The sun is not so bright and hot upon it as on some other parts of the path; but we do not expect happiness in the garish light of mid-day and reality. The mellowness of a summer evening sunset lays on it, and thereby it becomes a faëry land, a land of bliss and dreams. How throng up, as I gaze, the forms of those early and best-loved friends! How distinct and life-like, even at this distance, are their characters and features! They are all there; not one name has been erased, and not one picture dimmed, on the tablet of memory. The same warm smile of kindling pleasure greets me; the same hands are thrown out, as if to touch my own; and those bright eyes grow brighter as they are turned toward me.

It is with such companions that I spend the last days of my earthly pilgrimage; and thus, as I said before, though alone I am not solitary. Is not such companionship sweet? When they visit me, I throw off old age, as a garment. Smiling thoughts come gently over me, and life and happiness, as of wont, course like the mad blood of fever through my veins. I feel over again those old feelings, repass through those same scenes, and my heart beats faster or grows pale in the same places and in the same manner as it once did. The old fields and houses and roads come up too, clothed at my command, in the snows of winter, or in the beauty of summer. Old scenes, but still fresh and young; and I am sometimes tempted to believe that the intervening years have been the illusion of a dream, and that I am awakening in their midst.

All this, some will say, is the weakness of age. It seems to me to be rather its strength. The future in life is nothing; and what is the bare present to any one? The past, then, alone is left me. And if by living in it I can keep my affections alive, instead of letting their fires, according to the course of nature, or rather of custom, die down into cold ashes, I do not call myself weak if I do as much as possible forget the present.

I had, when I was young, many dreams; such as I dare say all have. They seem such to me now, only not at all shadowy. On the contrary, they become more and more like reality as my distance from them increases, while their hues are as well marked and distinct as ever. Many and bright; but the brightest of all, the dream of my youth, is that which flashes across my recollection, when there comes into my heart the thought of my cousin Jane!

My cousin JANE! Her form comes up before me, light and elastic and joyous, as though summoned for the first time, and as though it had not been my daily visitor for many a long year. Time writes no wrinkle on thy snowy brow, my first love! That glad smile knows no weariness, and I know no weariness in gazing on it. Those deep eyes, full of feeling; those soft words that thrill; I see and hear and feel them now, as I saw and heard and felt them first. Wilt thou never be tired of looking up to me, with that sweet, timid, confiding, tearful glance? Will the rising flush of thy cheek and thy subdued smile, be always fresh as now, and as in that hour when first we met? Thou hast been my companion, my unmurmuring, ever-present, unchanging companion, through many a dark time and stormy scene; and thou and the heart in which thou livest will die together.

We met, my cousin Jane and I, when she was just putting on womanhood; had begun to find out the depths of her own heart, to doubt whether those depths ever could be filled, and to feel that unless they were, life would be but a blank. Not that there were not many willing enough to love her and be loved; the beauty of her form and character drew around her a crowd of admirers. But among them all, her nice perception saw that there was not one, of whom the exterior did not form by far the largest part of the man. Her admirers were good, honorable men; she respected and esteemed them; but still, gentle and timid and humble as she was, without knowing why, she felt that there was an impassable gulf between her and them. Their thoughts were not like her thoughts. Her social disposition led her much into their way, and though she tried to avoid it, she was told more than once, that the happiness or misery of her devoted lover depended on her smiles. It was a painful situation for one of her retiring and benevolent disposition, to be sure; and it is doubtful to which of the two, the lover or the mistress, every such rejection caused the keenest pang.

But this was not the end of it. Malice soon prefixed to her name the epithet scornful; and among her school-girl friends there were some who always passed by on the other side. Poor girl! She wept bitter tears over these sneers and slights, for she had not studied the world enough to learn and despise its despicable things. Even then, dear girl! too, she tried to love all the world, that is, all her native village. And she succeeded, at least far enough to forgive them all, and thus to feel her own mind at peace and resigned. But there was a tinge of sadness left on her Grecian face after all; for to the young, when the out-stretched hand of kindly feeling is coldly put aside, the grief is as great as though the repulse were deserved.

And I--I hardly know what I was, when I first saw my cousin. I was without father or mother; the world seemed wide and rather cheerless; and there was a settled impression on my mind, that it was my business to glide along through life, calmly and noiselessly; attach my affections to no external object; exist without being the cause of joy, and die without being the cause of tears, to any human being. I came and took up my abode in the pleasant village where my uncle resided, and set down to gain some knowledge of that noble science, civil law. I took up the study, not because I had any intention of engaging in the active duties of the profession, but for the name's sake, and because I loved it for itself. My uncle, he was a kind, good man, showed himself a father to me, took me into his family, tried to encourage and rouse me; and for his kindness, though it failed of its end, he had at the time, and has always had, my sincere though unexpressed thanks.

I had hardly become acquainted with my relatives, uncle, aunt, and their three children, when I entered my office, shut the door, and immersed myself in books and my own thoughts. That those thoughts were not of the most joyous nature, I need hardly say. Still, looking back to that period, from where I stand now, I cannot say they were misanthropic. If I did not love all my species, it was because I saw nothing lovely in any body; but I did not hate them. I felt that I was an insignificant, an unnoticeable drop in the great world; that it was my misfortune to be so constituted as to be incapable of uniting closely and mingling with other drops; and that, without offending my neighbors, it would be my duty and pleasure to keep myself distinct from the rest, and hidden in some obscure corner. In one word, the prevailing feeling was, that nobody cared for me, and I cared for nobody.

And yet, strange as it may appear, I was far from being unhappy. Sometimes, it is true, my in-turned thoughts became weary, and pined for human fellowship; and I grew sick at heart, as I contemplated the future, a vast, dry, waste, desolate desert of parched sand, over which I must toil and thirst, without one single being to speak a word of kindness, or give me a drop of water. But these were fits, fits of wildness, I called them, and seldom lasted long. And when they came over me, one attempt to link my sympathies with others was always sufficient to throw me back into a state of mind harder and colder than before. For it was so fated, that all my overtures, and they were not many, were met with open repulse or wary suspicion. It is true, suspicion is a necessary ingredient in human character; but I did not think of this then, and so it had the same effect as though I had found, indeed I thought I _had_ found, that coldness and insensibility were the prominent characteristics of the race.

And yet, as I said before, I was not unhappy. If there was no happiness, there was at least no unhappiness, in sitting down for hours, and brooding over my own idiosyncrasies. It made me proud, to see and despise the weakness of others; and it gave me stern joy, to walk about and feel that there was a kind of armed neutrality between them and me. By degrees there arose, also, a gloomy pleasure in dwelling on, and picturing in deeper colors, the failings and baseness of my neighbors. Humble and weak as I knew myself to be, I exulted in my strength, because there were some still more weak and humble. Far back as my recollection ran, there had never been any thing in the world that seemed to me worthy of very much exertion or toil to obtain; but now I first learned to despise others for possessing feeble energies, as well as for directing them to the attainment of little objects. I am afraid, if left to myself, I should have hardened into a genuine hater; but I was not left to myself.

I have mentioned my uncle's kindness; his whole family were not less kind. My cousin Jane, especially, saw that I was silent, and fancied that I was unhappy, and tried, by a thousand little devices and arts, to lull me into forgetfulness of myself, and entice me into a more sociable frame of mind. I will not say that I was insensible to her enticements; I rather liked her, she was so gentle and mild and considerate. There was an air of truth and simplicity about her; she would sit herself down so cheerfully to amuse me, and there was such a sparkle in her blue eyes when, as she said, I condescended to interest myself in her little affairs, that I began, at length, to love to be with her. But proud as I was, when I viewed mankind at a distance, I no sooner came in contact with any one, who was not immeasurably beneath me, than I felt myself sinking immeasurably beneath him; and so, like a fool as I was, I fancied that all my cousin's kindness was the result of her sense of duty to her relation; or, what was worse, of pity for his moroseness. This faint suspicion became, in a little while, a strong certainty; and I confined myself more closely to my books, and looked into my cousin's guileless, enthusiastic face, with coldness.

I had known her now a year, and yet I hardly knew her at all; for I had seen her scarcely ever, except when it was impossible to avoid it, and those occasions were not frequent or long enough to enable me to learn perfectly her mind and character. From every such meeting, I went away resolved to see her no more in future; which resolution was sure to be overruled by second and more bitter thoughts. How I lived during that year, I scarcely know; or how it was that I grew uneasy away from her, and frequently surprised myself courting her society. But as time rolled on, so it was. There was a fascination about her, the magic of which was, that it charmed to sleep my vigilant suspicion. I did not perceive any change in myself, when night after night I was with her, talking to her about poetry, beauty, love, and the thousand themes that interest the unrestrained youthful heart; or that I was different from what I used to be, when I listened to her, with a gush of pleasure, as she spoke at once with lips and eyes, and in speaking, disclosed the unimagined riches of her mind and heart. So gradual was the change, that I was wholly unaware of it.

But of one thing I was aware; the face of nature and of man underwent a strange and sudden change in appearance. I looked into the face of my neighbor, and lo, he was my brother! The fire of benevolence and sympathy warmed every vein, and a new life animated every nerve within me. I felt no longer that I was alone, but that indissoluble cords bound me to the whole human family, to every being in whose nostrils was the breath of life; and that for his good, as well as for my own, it was my business to labor. New motives of action, (or rather motives of action, for there were none before,) were set before me; and I felt light of heart and wing; eager to bound forward and lend the strength of my arm to the cause of the race. The face of nature too was altered. Every part that came within the range of my vision, her seasons, her vestments in winter and summer, her sunshine and clouds, each one was a melody, and all together made harmony. Still, I was scarcely sensible that I was different from what I was a year ago; for at each period I felt that I was in my natural and proper state of mind. So slight are the influences necessary to turn the young heart into the permanent channel of selfishness, hatred and unhappiness, or into that of love and peace!

It was not long before I found out that I loved my cousin Jane. How I first discovered it I do not remember; but I do remember a firm and abiding resolution, even then, that I would not love her. I sat down by her side, I listened to her music, with that distinct impression. I would not for the world have had any body suspect my feelings, because I was ashamed of the weakness. I had persuaded myself, and could not convince myself to the contrary, that there was no hope of her returning my passion. And yet, with the words on my lips, 'This is folly--I will not!' I yielded myself to the delicious current, forgot all the world and myself, and in the intoxication of the hour, saw visions and dreamed dreams.

But there came a shock; one which awoke me from a trance like that of the Opium-eater. It was when I saw that my cousin's smiles and attentions were not all devoted to me. There was another, a young man of promise and expectations, a year or two my senior, and far beyond me in the graces and polish of society, who had lately become intimate in my uncle's family. Engaged in the same pursuits, and being much with him, I had rather liked him; in fact I liked him very much. He had seen, admired, and in less than six months, _loved_ my Cousin Jane: this I knew, for jealousy is keen-eyed. You will not wonder then that I hated him; not on his own account--alter his feelings toward her, and I should have felt toward him as before; but on account of his love--hated him with a deadly hatred.

It would be useless to tell how often I have sat down and watched them, when my cousin's sensitive countenance would brighten at his bright thoughts, or burst forth into a merry laugh at his brilliant wit and ready repartee; or how often the iron has entered into my soul when I have seen her hang on his arm, and listen in breathless attention to his lightest word, and testify in a thousand ways her pleasure at his coming, and in his presence. And _he_, he looked on me with the most immovable indifference. He did not seem to consider me worthy of his attention; even as a rival. He went straight forward, calmly and quietly, as though I had not existed; and if he ever glanced at my pretensions, it was perhaps with a smile of confident success. I knew he loved her; I fancied that she loved him, and I hated them both for it.

I went into my office one day--if it were not part of the dream I would not tell it--in a state of partial insanity. I knew, saw, heard, felt nothing but one unalterable purpose of revenge. There happened to be a small pistol lying in the back room; I took it up, and carefully loaded it; loaded it without the tremor of a single muscle, for my heart was lead. I put it into my pocket, and walked the streets up and down, an hour or two, or it may have been four hours. I did not take count of the time. The heavens reeled above me, and the earth reeled beneath. At last he came. A thrill, the first that day, a thrill of triumph ran through my whole frame. When we met I stopped and took hold of the pistol in my pocket, but had not power to draw my hand out again; the strings of volition seemed broken. He stopped also; looked at me in some surprise; made a remark that I 'did not appear to be well,' and passed on. I looked after him, sick at heart with revenge deferred, and cursed my own pusillanimity.

Well, well, we will let that pass. I had yielded my soul to the Author of Hatred for a time; but we will let it pass, and strive to forget it; I have been trying to ever since; I hope I shall succeed better in future. It is pleasant if we can think that the results of our evil passions do not extend beyond ourselves; and to me, it is pleasant to think that I did not break my gentle cousin's heart, by letting her know that she had nearly driven me mad.

It was a month after this. How the intervening time had been spent, in what thoughts, and hopes, and fears, it would not be profitable to tell, or to recollect. I was sitting one evening by my cousin's side; it was growing late, and we were alone. I had been heated, as though with wine, and had probably talked incoherently. The conversation turned on that never-failing theme, love. She delighted to hear me speak on that subject; she said I spoke eloquently. If eloquence consists in earnestness, no doubt I did. It began in sportiveness, but before long became deeply serious and interesting.

'And you do not believe, my grave cousin,' said she, in her own half-jesting, wholly earnest way, 'that a woman can love as deeply and long as the man who loves her?'

'Bah!' said I, bitterly, 'women sometimes, like men, are revengeful, proud, or ambitious, but it is on a smaller scale. Every thing about them, every feeling and impulse is on a small scale. Very good objects they make for men to love; because, when one _will_ be such a fool, it doesn't much matter where he places his affection.'

The poor girl looked grieved, but responded with a semblance of gaiety nevertheless: 'Ah, you think so now, but you will be just such a fool yourself, one of these days; and then you will find out that it is necessary for a woman to have a soul; and more than that--that she has one.'

'Much obliged for your flattering opinion,' said I. 'But see here, my bonny Jane, did it never enter into your innocent little heart to think how _you_ would love?'

'Oh yes,' she answered quickly; 'but that is all guess-work. I don't know, because I haven't yet found a man to my taste.'

Of course I knew that I could not be to her taste; but a plain man does not like to be told that he is ugly, though he may be perfectly conscious of the fact. And so this avowal, which was made with the most unthinking honesty and simplicity, while it added weight to my despair, by a very usual consequence, made me desperate.

'You are certain,' I asked, after a pause, 'that you do not know what love is by experience?'

'Perfectly,' she answered, half laughing.

'And that you mean to know, some time?'

'To be sure,' said she, 'when the right man and the right time come.'

'I do not know,' said I, beginning slowly and calmly; but before the sentence was half completed, my voice and thoughts had escaped from under my control; 'I do not know who the right man for you may be, but I--_I_ love you--love you--love you!'

She looked at me for a few seconds, with a countenance filled with astonishment, not unmingled with alarm. She would have thought it a jest; but my manner probably convinced her that I was far from jesting. She tried to smile, but it was a painful effort, and she found it much easier to conceal her face in her hands and weep.

My recollection of the subsequent events of that evening is extremely dim. There was a confused crowd of flying thoughts; many tears and much friendship on one side, and much love on the other. She had received me as I knew she would, and though by the confession there was a great weight removed from my breast, the anguish was not less intense. One thing, however, among the hurried occurrences of that hour, I did not lose sight of, and that was pride. She did not suspect at the time how much of my heart, not to say existence, was bound up in her, or how greatly both were affected by her answer.

The closing scene of the interview is the one which I most love to remember. We were standing at the door, her hand in mine, a mournful smile on her lips, and a tear in her eye. That bright, gentle face was pale with sorrow, and pity, and pain, and above all with fear. I gazed on it a moment, but in that moment the picture was graven indelibly on my memory. The 'good night' was spoken; and that is the last time I ever saw my cousin Jane.

The next morning I sat down at an inn by the way-side, several miles distant from home, and sent back a few lines of farewell:

'My only beloved! You must pardon me for this note. The adieu of last evening was only for the night; I wish to say good bye this morning, for a longer time. Your answer to my suit was not unexpected; in fact, I knew it would be as it was; and it was only a fatality, a blind impulse, that drove me to make that disclosure. I fear that it has given you pain, and I beg you to forgive my thoughtlessness. And in turn, you may rest assured that I forgive you for all the anguish and sickness of spirit that I have suffered on your account. There is nothing to be forgiven; I know that you would not cause unhappiness to any one, and it has been my own folly and madness. But I promise not to lay it up in my heart against you. I promise that in future years, wherever my lot may be cast, you shall be in my memory, only my pure, sweet, innocent cousin. And so, blessings be on your head! I go forth a vagabond and a wanderer on the face of the earth. It is probable that you will never hear from me again; and I pray you to forget our last interview, that your thoughts may be only peace. I would live in your remembrance as I was when we first met. And do not think, because long years of silence and wide lands and many mountains divide us, that your cousin has forgotten you. Your image lives in his heart and can never die!'

STANZAS WRITTEN IN INDISPOSITION.

BY THE LATE WILLIS GAYLORD CLARK.

I.

The Spring is fair, when early flowers Unfold them to the golden sun; When, singing to the gladsome hours, Blue streams through vernal meadows run; When from the woods and from the sky The birds their joyous anthems pour; And Ocean, filled with melody, Sends his glad billows to the shore.

II.

The Spring is sweet: its balmy breath Is rapture to the wearied breast, When vines with roses fondly wreathe, Fann'd by soft breezes from the West; When, opening by the cottage eave, The earliest buds invite the bee; And brooks their icy bondage leave, To dance in music toward the sea.

III.

The Spring is gay: but to my heart The glorious hues she used to wear, As sunset clouds in gloom depart, Have vanish'd in the empty air: They move not now my spirit's wing, As in the stainless days of yore: The happy dreams they used to bring Have pass'd--and they will come no more.

IV.

Not that those dreams have lost their sway-- Not that my heart hath lost its chords; Still with affection tuned, they play, And leap at friendship's kindly words; But 'tis that to my languid eye A _newness_ from life's scene hath flown, Which once upon the open sky, And o'er the teeming earth, was thrown.

V.

Yes! there IS _something_, which no more In Nature's gorgeous round I find; Something that charm'd in days of yore, And filled with Sabbath peace my mind; Which added lustre to the flower, And verdure to the field and tree, And wings to every sunny hour, While roseate health remained with me!

VI.

But Time's stern wave hath roll'd along, And now on Manhood's waste I stand, And mourn young Fancy's faded throng Of radiant hopes and visions bland; Yet, kindling o'er my onward way, The light of love divine I see, And hear a voice which seems to say: 'Pilgrim! in Heaven there's rest for thee!'

_May, 1832._

DISGUISED DERIVATIVE WORDS IN ENGLISH.

BY A NEW CONTRIBUTOR.

Derivative words in English, as in other languages, are usually formed on regular principles. Some few of them, however, especially those derived from foreign languages, and coming into extensive use, are so corrupted or disguised, as greatly to obscure the derivation.

The following are examples:

1. CHURCH and KIRK: (Anglo-Sax. _circ_ and _cyric_, Germ. _kirche_, old Germ. _chirihha_, Gr. [Greek: kyriakon], as if _the Lord's house_, derived from [Greek: kyrios], _the Lord_, and this from [Greek: kyros], _power_, _authority_;) a Christian temple.

2. CLOWN: (Lat. _colônus_, from the root _col_, to cultivate;) a rustic. Compare Germ. _Köln_ from Lat. _Colonia Agrippina_; also Lat. _patrônus_ from _pater_.

3. DROPSY: (Fr. _hydropisie_, Portug. and Span. _hidropesia_, Ital. _idropisia_, Lat. _hydrops_ and _hydropisis_, Gr. [Greek: hydrôps], derived from [Greek: hydôr], water;) a corruption of _hydropsy_, an unnatural collection of water in the body.

4. PARCHMENT: (Fr. _parchemin_, Portug. _pergaminho_, Span. _pergamino_, Ital. _pergamena_; also Germ. and Dutch _pergament_; Lat. _pergamena_, scil. _charta_, Gr. [Greek: Pergamênê], scil. [Greek: Chartê], from _Pergamus_, a city of Asia Minor;) skin prepared for writing.

5. PERIWIG and PERUKE: (Fr. _perruque_, Span. _peluca_, Ital. _parruca_; also Germ. _perrucke_, Dutch _parruik_, Swed. _peruk_, Dan. _perryk_, Tr. _percabhaic_, Gael. _pior-bhuic_; from Lat. _pilus_;) an artificial cap of hair.

6. PRIEST: (Anglo-Sax. _priost_, _preost_, Germ. and Dutch _priester_, Iceland _prestr_, Dan. and Swed. _præst_; also old Fr. _prestre_, Fr. _prêtre_, Portug. _presbytero_, Span. _presbitero_, Ital. _prete_, Latin _presbyter_, Gr. [Greek: presbyteros], comparative of [Greek: presbys], old;) one who officiates in sacred offices.

7. RICKETS: (Fr. _rachitis_, Portug. _rachitis_, Span. _raquitis_, Lat. _rachitis_, Gr. [Greek: rhachitis], from [Greek: rhachis], the back or spine;) a disease of children.

8. SCIATICA: (Fr. _sciatique_, Portug. _sciatica_, _ciatica_, Span. _ciatica_, Ital. _sciatica_, Lat. _ischias_, gen. _adis_, Gr. [Greek: ischias], gen. [Greek: ados], from [Greek: ischion], the hip;) the hip-gout.

9. SUCH: (Anglo-Sax. _swilc_, Meso-Goth. _swaleiks_, old Germ. _solîh_, Germ. _solcher_; composed of _swa_ or _so_, the ancient modal case of the demonstrative pronoun, and the ancient form of Eng. _like_;) a demonstrative adjective of quality, denoting _of that kind_ or _sort_.

10. WHICH: (Anglo-Sax. _hulic_, _hwylc_, _hwilc_, _hwelc_, Meso-Goth. _hweleiks_, or _hwileiks_, old Germ. _huelih_, Germ. _welcher_; composed of _hwe_ or _hwin_, the ancient modal case of the interrogative pronoun, and the ancient form of Eng. _like_;) properly an interrogative adjective of quality, denoting _of what kind_ or _sort_? but in use an interrogative partitive adjective.

11. WIG: a mutilation of the word _periwig_; see _periwig_ above.

NEW-ENGLAND'S SABBATH BELLS.

I.

How sweet upon the morning air, the chime of Sabbath-bells, As full and clear upon the ear the solemn music swells! From many a church in sunny vale, and on the green hill side, The jewels of New-England's crown, her glory and her pride.

II.

The busy hum of busy men, this morn forgets to wake, In quiet deep the hushed winds sleep, as fearful they shall break The holy silence which o'erspreads all nature like a spell, With which in music sweet accords the Sabbath-morning bell.

III.

Those Sabbath-bells--they call us not to piles of mossy stone, Temples of yore, with age now hoar, and ivy overgrown, Through whose stained windows softly creeps a dim religious light, Seeming as it were sanctified unto the Christian's sight.

IV.

Nor do they tell of royal courts, in which to worship GOD, Where nobles gay in bright array bend to their monarch's nod; No costly paintings please the eye, nor trappings rich and rare, To draw the humble Christian's heart from sacred praise and prayer.

V.

But to the simple, hallowed fane, we turn our willing feet, Where, rank unknown, the free alone in humble worship meet; While 'Holiness unto the LORD' upon the walls we read, No other ornament than this, no other record need.

_New-Haven, May 10, 1844._ A.

A PASSAGE

FROM A LEGEND OF THE SUBJUGATION OF SPAIN.

BY THE AUTHOR OF THE SKETCH-BOOK.

While the veteran Taric was making his wide circuit through the land, an expedition under Magued the renegado proceeded against the city of Cordova. The inhabitants of that ancient place had beheld the great army of Don Roderick spreading like an inundation over the plain of the Guadalquiver, and had felt confident that it must sweep the infidel invaders from the land. What then was their dismay, when scattered fugitives, wild with horror and affright, brought them tidings of the entire overthrow of that mighty host, and the disappearance of the king? In the midst of their consternation, the Gothic noble, Pelistes, arrived at their gates, haggard with fatigue of body and anguish of mind, and leading a remnant of his devoted cavaliers, who had survived the dreadful battle of the Guadalete. The people of Cordova knew the valiant and steadfast spirit of Pelistes, and rallied round him as a last hope. 'Roderick is fallen,' cried they, 'and we have neither king nor captain: be unto us as a sovereign; take command of our city, and protect us in this hour of peril!'

The heart of Pelistes was free from ambition, and was too much broken by grief to be flattered by the offer of command; but he felt above everything for the woes of his country, and was ready to assume any desperate service in her cause. 'Your city,' said he, 'is surrounded by walls and towers, and may yet check the progress of the foe. Promise to stand by me to the last, and I will undertake your defence.' The inhabitants all promised implicit obedience and devoted zeal: for what will not the inhabitants of a wealthy city promise and profess in a moment of alarm? The instant, however, that they heard of the approach of the Moslem troops, the wealthier citizens packed up their effects and fled to the mountains, or to the distant city of Toledo. Even the monks collected the riches of their convents and churches, and fled. Pelistes, though he saw himself thus deserted by those who had the greatest interest in the safety of the city, yet determined not to abandon its defence. He had still his faithful though scanty band of cavaliers, and a number of fugitives of the army; in all amounting to about four hundred men. He stationed guards, therefore, at the gates and in the towers, and made every preparation for a desperate resistance.

In the mean time, the army of Moslems and apostate Christians advanced, under the command of the Greek renegado, Magued, and guided by the traitor Julian. While they were yet at some distance from the city, their scouts brought to them a shepherd, whom they had surprised on the banks of the Guadalquiver. The trembling hind was an inhabitant of Cordova, and revealed to them the state of the place, and the weakness of its garrison.

'And the walls and gates,' said Magued, 'are they strong and well guarded?'

'The walls are high, and of wondrous strength,' replied the shepherd; 'and soldiers hold watch at the gates by day and night. But there is one place where the city may be secretly entered. In a part of the wall, not far from the bridge, the battlements are broken, and there is a breach at some height from the ground. Hard by stands a fig tree, by the aid of which the wall may easily be scaled.'

Having received this information, Magued halted with his army, and sent forward several renegado Christians, partizans of Count Julian, who entered Cordova as if flying before the enemy. On a dark and tempestuous night, the Moslems approached to the end of the bridge which crosses the Guadalquiver, and remained in ambush. Magued took a small party of chosen men, and, guided by the shepherd, forded the stream, and groped silently along the wall to the place where stood the fig tree. The traitors, who had fraudulently entered the city, were ready on the wall to render assistance. Magued ordered his followers to make use of the long folds of their turbans instead of cords, and succeeded without difficulty in clambering into the breach.

Drawing their scimitars, they now hastened to the gate which opened toward the bridge; the guards, suspecting no assault from within, were taken by surprise, and easily overpowered; the gate was thrown open, and the army that had remained in ambush rushed over the bridge, and entered without opposition.

The alarm had by this time spread throughout the city; but already a torrent of armed men was pouring through the streets. Pelistes sallied forth with his cavaliers and such of the soldiery as he could collect, and endeavored to repel the foe; but every effort was in vain. The Christians were slowly driven from street to street, and square to square, disputing every inch of ground; until, finding another body of the enemy approaching to attack them in the rear, they took refuge in a convent, and succeeded in throwing to and barring the ponderous doors. The Moors attempted to force the gates, but were assailed with such showers of missiles from the windows and battlements that they were obliged to retire. Pelistes examined the convent, and found it admirably calculated for defence. It was of great extent, with spacious courts and cloisters. The gates were massive, and secured with bolts and bars; the walls were of great thickness; the windows high and grated; there was a great tank or cistern of water, and the friars, who had fled from the city, had left behind a good supply of provisions. Here, then, Pelistes proposed to make a stand, and to endeavor to hold out until succor should arrive from some other city. His proposition was received with shouts by his loyal cavaliers; not one of whom but was ready to lay down his life in the service of his commander.

For three long and anxious months did the good knight Pelistes and his cavaliers defend their sacred asylum against the repeated assaults of the infidels. The standard of the true faith was constantly displayed from the loftiest tower, and a fire blazed there throughout the night, as signals of distress to the surrounding country. The watchman from his turret kept a wary look out over the land, hoping in every cloud of dust to descry the glittering helms of Christian warriors. The country, however, was forlorn and abandoned, or if perchance a human being was perceived, it was some Arab horseman, careering the plain of the Guadalquiver as fearlessly as if it were his native desert.

By degrees the provisions of the convent were consumed, and the cavaliers had to slay their horses, one by one, for food. They suffered the wasting miseries of famine without a murmur, and always met their commander with a smile. Pelistes, however, read their sufferings in their wan and emaciated countenances, and felt more for them than for himself. He was grieved at heart that such loyalty and valor should only lead to slavery or death, and resolved to make one desperate attempt for their deliverance. Assembling them one day in the court of the convent, he disclosed to them his purpose.

'Comrades and brothers in arms,' said he, 'it is needless to conceal danger from brave men. Our case is desperate: our countrymen either know not or heed not our situation, or have not the means to help us. There is but one chance of escape; it is full of peril, and, as your leader, I claim the right to brave it. To-morrow at break of day I will sally forth and make for the city gates at the moment of their being opened; no one will suspect a solitary horseman; I shall be taken for one of those recreant Christians who have basely mingled with the enemy. If I succeed in getting out of the city, I will hasten to Toledo for assistance. In all events I shall be back in less than twenty days. Keep a vigilant look out toward the nearest mountain. If you behold five lights blazing upon its summit, be assured I am at hand with succor, and prepare yourselves to sally forth upon the city as I attack the gates. Should I fail in obtaining aid, I will return to die with you.'

When he had finished, his warriors would fain have severally undertaken the enterprise, and they remonstrated against his exposing himself to such peril; but he was not to be shaken from his purpose. On the following morning, ere the break of day, his horse was led forth, caparisoned, into the court of the convent, and Pelistes appeared in complete armor. Assembling his cavaliers in tie chapel, he prayed with them for some time before the altar of the holy Virgin. Then rising, and standing in the midst of them, 'God knows, my companions,' said he, 'whether we have any longer a country; if not, better were we in our graves. Loyal and true have ye been to me, and loyal have ye been to my son, even to the hour of his death; and grieved am I that I have no other means of proving my love for you, than by adventuring my worthless life for your deliverance. All I ask of you before I go, is a solemn promise to defend yourselves to the last like brave men and Christian cavaliers, and never to renounce your faith, or throw yourselves on the mercy of the renegado Magued, or the traitor Julian.' They all pledged their words, and took a solemn oath to the same effect before the altar.

Pelistes then embraced them one by one, and gave them his benediction, and as he did so his heart yearned over them, for he felt towards them, not merely as a companion in arms and as a commander, but as a father; and he took leave of them as if he had been going to his death. The warriors, on their part, crowded round him in silence, kissing his hands and the hem of his surcoat, and many of the sternest shed tears.

The gray of the dawning had just streaked the east, when Pelistes took lance in hand, hung his shield about his neck, and, mounting his steed, issued quietly forth from a postern of the convent. He paced slowly through the vacant streets, and the tramp of his steed echoed afar in that silent hour; but no one suspected a warrior, moving thus singly and tranquilly in an armed city, to be an enemy. He arrived at the gate just at the hour of opening; a foraging party was entering with cattle and with beasts of burthen, and he passed unheeded through the throng. As soon as he was out of sight of the soldiers who guarded the gate, he quickened his pace, and at length, galloping at full speed, succeeded in gaining the mountains. Here he paused, and alighted at a solitary farm-house to breathe his panting steed; but had scarce put foot to ground when he heard the distant sound of pursuit, and beheld a horseman spurring up the mountain.

Throwing himself again upon his steed, he abandoned the road and galloped across the rugged heights. The deep dry channel of a torrent checked his career, and his horse, stumbling upon the margin, rolled with his rider to the bottom. Pelistes was sorely bruised by the fall, and his whole visage was bathed in blood. His horse, too, was maimed and unable to stand, so that there was no hope of escape. The enemy drew near, and proved to be no other than Magued, the renegado general, who had perceived him as he issued forth from the city, and had followed singly in pursuit. 'Well met, señor alcayde!' exclaimed he, 'and overtaken in good time. Surrender yourself my prisoner.'

Pelistes made no other reply than by drawing his sword, bracing his shield, and preparing for defence. Magued, though an apostate, and a fierce warrior, possessed some sparks of knightly magnanimity. Seeing his adversary dismounted, he disdained to take him at a disadvantage, but alighting, tied his horse to a tree.

The conflict that ensued was desperate and doubtful, for seldom had two warriors met so well matched or of equal prowess. Their shields were hacked to pieces, the ground was strewed with fragments of their armor, and stained with their blood. They paused repeatedly to take breath; regarding each other with wonder and admiration. Pelistes, however, had been previously injured by his fall, and fought to great disadvantage. The renegado perceived it, and sought not to slay him, but to take him alive. Shifting his ground continually, he wearied his antagonist, who was growing weaker and weaker from the loss of blood. At length Pelistes seemed to summon up all his remaining strength to make a signal blow; it was skilfully parried and he fell prostrate upon the ground. The renegado ran up, and, putting his foot upon his sword, and the point of his scimitar to his throat, called upon him to ask his life; but Pelistes lay without sense, and as one dead. Magued then unlaced the helmet of his vanquished enemy and seated himself on a rock beside him, to recover breath. In this situation the warriors were found by certain Moorish cavaliers, who marvelled much at the traces of that stern and bloody combat.

Finding there was yet life in the Christian knight, they laid him upon one of their horses, and, aiding Magued to remount his steed, proceeded slowly to the city. As the convoy passed by the convent, the cavaliers looked forth and beheld their commander borne along bleeding and a captive. Furious at the sight, they sallied forth to the rescue, but were repulsed by a superior force, and driven back to the great portal of the church. The enemy entered pell mell with them, fighting from aisle to aisle, from altar to altar, and in the courts and cloisters of the convent. The greater part of the cavaliers died bravely, sword in hand; the rest were disabled with wounds and made prisoners. The convent, which was lately their castle, was now made their prison, and in after-times, in commemoration of this event, was consecrated by the name of St. George of the Captives.

The loyalty and the prowess of the good knight Pelistes had gained him the reverence even of his enemies. He was for a long time disabled by his wounds, during which he was kindly treated by the Arab chieftains, who strove by every courteous means to cheer his sadness and make him forget that he was a captive. When he was recovered from his wounds they gave him a magnificent banquet to testify their admiration of his virtues.

Pelistes appeared at the banquet clad in sable armor, and with a countenance pale and dejected; for the ills of his country evermore preyed upon his heart. Among the assembled guests was Count Julian, who held a high command in the Moslem army, and was arrayed in garments of mingled Christian and Morisco fashion. Pelistes had been a close and bosom friend of Julian in former times, and had served with him in the wars in Africa; but when the count advanced to accost him with his wonted amity, he turned away in silence, and deigned not to notice him; neither during the whole of the repast did he address to him ever a word, but treated him as one unknown.

When the banquet was nearly at a close, the discourse turned upon the events of the war; and the Moslem chieftains, in great courtesy, dwelt upon the merits of many of the Christian cavaliers who had fallen in battle, and all extolled the valor of those who had recently perished in the defence of the convent. Pelistes remained silent for a time, and checked the grief which swelled within his bosom as he thought of his devoted cavaliers. At length, lifting up his voice, 'Happy are the dead,' said he, 'for they rest in peace, and are gone to receive the reward of their piety and valor! I could mourn over the loss of my companions in arms, but they have fallen with honor, and are spared the wretchedness I feel in witnessing the thraldom of my country. I have seen my only son, the pride and hope of my age, cut down at my side; I have beheld kindred friends and followers falling one by one around me, and have become so seasoned to those losses that I have ceased to weep. Yet there is one man over whose loss I will never cease to grieve. He was the loved companion of my youth, and the steadfast associate of my graver years. He was one of the most loyal of Christian knights. As a friend he was loving and sincere; as a warrior his achievements were above all praise. What has become of him, alas! I know not. If fallen in battle, and I knew where his bones were laid, whether bleaching on the plains of Xeres, or buried in the waters of the Gaudalete, I would seek them out and enshrine them as the relics of a sainted patriot. Or if, like many of his companions in arms, he should be driven to wander in foreign lands, I would join him in his hapless exile, and we would mourn together over the desolation of our country!'

Even the hearts of the Arab warriors were touched by the lament of the good Pelistes, and they said: 'Who was this peerless friend, in whose praise thou art so fervent?'

'His name,' replied Pelistes, 'was Count Julian.'

The Moslem warriors stared with surprise. 'Noble cavalier,' exclaimed they, 'has grief disordered thy senses? Behold thy friend, living and standing before thee, and yet thou dost not know him! This, this is Count Julian!'

Upon this, Pelistes turned his eyes upon the count, and regarded him for a time, with a lofty and stern demeanor; and the countenance of Julian darkened, and was troubled, and his eye sank beneath the regard of that loyal and honorable cavalier. And Pelistes said, 'In the name of God, I charge thee, man unknown! to answer. Dost thou presume to call thyself Count Julian?'

The count reddened with anger at these words. 'Pelistes,' said he, 'what means this mockery? Thou knowest me well; thou knowest me for Count Julian?'

'I know thee for a base imposter!' cried Pelistes. 'Count Julian was a noble Gothic knight; but thou appearest in mongrel Moorish garb. Count Julian was a Christian, faithful and devout; but I behold in thee a renegado and an infidel. Count Julian was ever loyal to his king, and foremost in his country's cause: were he living, he would be the first to put shield on neck and lance in rest, to clear the land of her invaders: but thou art a hoary traitor! thy hands are stained with the royal blood of the Goths, and thou hast betrayed thy country and thy God. Therefore, I again repeat, man unknown! if thou sayest thou art Count Julian, thou liest! My friend, alas! is dead; and thou art some fiend from hell, which has taken possession of his body to dishonor his memory and render him an abhorrence among men!' So saying, Pelistes turned his back upon the traitor, and went forth from the banquet; leaving Count Julian overwhelmed with confusion, and an object of scorn to all the Moslem cavaliers.

ON SEEING A LADY WEEP OVER A NOSEGAY.

Though plucked from off the parent stems, The flow'rs forget to die, When Beauty all their leaves begems With tears from her sweet eye.

There is a heart which throb'd to-day To see thee weep alone. And longed to wipe those drops away, Or make that grief its own.

PLUTARCH SHAW: 1844.

LITERARY NOTICES.

LITERARY REMAINS OF THE LATE WILLIS GAYLORD CLARKE. Parts Three and Four. New-York: BURGESS, STRINGER AND COMPANY.

The reception given to our notice of this serial work in our last number, has emboldened us to refer to the issues which have since appeared, containing a copious variety of matter which will be new to great numbers of our readers. One of the best evidences of the _naturalness_ and ease of our author's writings, is to be found in the ready appreciation of them by all classes of readers. Whether the vein be a serious one, or the theme turn upon the humorous or the burlesque, it is not too much, we think, to say that the writer takes always with him the heart or the fancy of the reader. Without however pausing to characterize productions which bid fair to become very widely and favorably known, we shall venture, under favor of the reader, to present a few more extracts, 'which it is hoped may please.' The following illustration of a night-scene at the Kaatskill Mountain-House, on the evening of the Fourth of July, we can aver to be a faithful Daguerreotype sketch, for we saw it with the writer:

'Take my arm, and step forth with me from the piazza of the Mountain-House. It is night. A few stars are peering from a dim azure field of western sky; the high-soaring breeze, the breath of heaven, makes a stilly music in the neighboring pines; the meek crest of Dian rolls along the blue depths of ether, tinting with silver lines the half dun, half fleecy clouds; they who are in the parlors make 'considerable' noise; there is an individual at the end of the portico discussing his quadruple julep, and another devotedly sucking the end of a cane, as if it were full of mother's milk; he hummeth also an air from _Il Pirata_, and wonders, in the simplicity of his heart, 'why the devil that there steam-boat from Albany doesn't begin to show its lights down on the Hudson.' His companion of the glass, however, is intent on the renewal thereof. Calling to him the chief 'help' of the place, he says: 'Is that other antifogmatic ready?'

'No, Sir.'

'Well, now, person, what's the reason? What was my last observation? Says I to you, says I, 'Make me a fourth of them beverages;' and moreover, I added, 'Just you keep doing so; be _constantly_ making them, till the order is countermanded.' Give us another; go! vanish!--'disappear and appear!''

'The obsequious servant went; and returning with the desired draught, observed, probably for the thousandth time: 'There! that's what I call the true currency; them's the _ginooyne_ mint-drops; HA--_ha_--ha!'--these separate divisions of his laughter coming out of his mouth at intervals of about half a minute each.

* * * * *

'There is a bench near the verge of the Platform, where, when you sit at evening, the hollow-sounding air comes up from the vast vale below, like the restless murmurs of the ocean. Anchor yourself here for a while, reader, with me. It being the evening of the national anniversary, a few patriotic individuals are extremely busy in piling up a huge pyramid of dried pine branches, barrels covered with tar, and kegs of spirits, to a height of some fifteen or twenty feet--perhaps higher. A bonfire is premeditated. You shall see anon, how the flames will rise. The preparations are completed; the fire is applied. Hear how it crackles and hisses! Slowly but spitefully it mounts from limb to limb, and from one combustible to another, until the whole welkin is a-blaze, and shaking as with thunder! It is a beautiful sight. The gush of unwonted radiance rolls in effulgent surges adown the vale. How the owl hoots with surprise at the interrupting light! Bird of wisdom, it is the Fourth! and you may well add your voice to swell the choral honors of the time. How the tall old pines, withered by the biting scathe of Eld, rise to the view, afar and near; white shafts, bottomed in darkness, and standing like the serried spears of an innumerable army! The groups around the beacon are gathered together, but are forced to enlarge the circle of their acquaintance, by the growing intensity of the increasing blaze. Some of them, being ladies, their white robes waving in the mountain breeze, and the light shining full upon them, present, you observe, a beautiful appearance. The pale pillars of the portico flash fitfully into view, now seen and gone, like columns of mist. The swarthy African who kindled the fire regards it with perspiring face and grinning ivories; and lo! the man who hath mastered the quintupled glass of metamorphosed _eau-de-vie_, standing by the towering pile of flame, and, reaching his hand on high, he smiteth therewith his sinister pap, with a most hollow sound; the knell, as it were of his departing reason. In short, he is making an oration!

'Listen to those voiceful currents of air, traversing the vast profound below the Platform! What a mighty circumference do they sweep! Over how many towns, and dwellings, and streams, and incommunicable woods! Murmurs of the dark, sources and awakeners of sublime imagination, swell from afar. You have thoughts of eternity and power here, which shall haunt you evermore. But we must be early stirrers in the morning. Let us to bed.

* * * * *

'You can lie on your pillow at the Kaatskill House, and see the god of day look upon you from behind the pinnacles of the White Mountains in New Hampshire, hundreds of miles away. Noble prospect! As the great orb heaves up in ineffable grandeur, he seems rising from beneath you, and you fancy that you have attained an elevation where may be seen _the motion of the world_. No intervening land to limit the view, you seem suspended in mid-air, without one obstacle to check the eye. The scene is indescribable. The chequered and interminable vale, sprinkled with groves, and lakes, and towns, and streams; the mountains afar off, swelling tumultuously heavenward, like waves of the ocean, some incarnadined with radiance, others purpled in shade; all these, to use the language of an auctioneer's advertisement, 'are too tedious to mention, but may be seen on the premises.' I know of but one picture which will give the reader an idea of this etherial spot. It was the view which the angel Michael was polite enough, one summer morning, to point out to Adam, from the highest hill of Paradise.'

Many and many a young father will recognize, in the following, his own emotions, as he looks in moments of thoughtfulness upon the little 'olive-branches' around him, in whom he lives over again his own earliest years:

'To those who are disposed to glean philosophy from the mayhap less noticeable objects of this busy world, there are few sights more lovely than childhood. The little cherub who now sits at my knee, and tries, with tiny effort, to clutch the quill with which I am playing for you, good reader; whose capricious taste, varying from ink-stand to paper, and from that to books, and every other portable thing--all 'moveables that I could tell you of'--he has in his little person those elements which constitute both the freshness of our sublunary mortality, and that glorious immortality which the mortal shall yet put on. Gazing upon his fair young brow, his peach-like cheek, and the depths of those violet eyes, I feel myself rejuvenated. That which bothered Nicodemus, is no marvel to me. I feel that I have a new existence; nor can I dispel the illusion. It is harder, indeed, to believe that he will ever be what I am, than that I am otherwise than he is now. I can not imagine that he will ever become a pilous adult, with harvests for the razor on that downy chin. Will those golden locks become the brown auburn? Will that forehead rise as a varied and shade-changing record of pleasure or care? Will the classic little lips, now colored as by the radiance of a ruby, ever be fitfully bitten in the glow of literary composition!--and will those sun-bright locks, which hang about his temples like the soft lining of a summer cloud, become meshes where hurried fingers shall thread themselves in play? By the mass, I can not tell. But this I know. That which hath been, shall be: the lot of manhood, if he live, will be upon him; the charm, the obstacle, the triumphant fever; the glory, the success, the far-reaching thoughts,

'That make them eagle wings To pierce the unborn years.'

The 'Ollapodiana' papers are concluded in the third number, and a portion of the issue is devoted to the commencement of the 'Miscellaneous Prose Papers' of the writer, which are both numerous and various, 'A Chapter on Cats' records an amusing story, replete with incident, which turns upon the deplorable consequences, in one sad instance at least, of cat-killing. An illustrative although not satisfactory passage is subjoined:

'I am subject, in summer, to restlessness. Thick-coming fancies mar my rest, and my ear is peculiarly sensitive to the least inappropriate sound. One sultry evening in July, I returned home later than usual, from an arbitration, wherein I lost a cause on which I had counted certainly to win. I suspect I bored the arbitrators with too long a plea, and too voluminous quotations of precedents; for when I finished, two were asleep, and most of the others yawning. They decided against my client, and I came home mad with chagrin, and crept into bed, longing for speedy oblivion in the arms of Sleep.

'But that calm sister of Death would not be won to my embrace. I lay tossing for a long time in 'restless ecstacy,' until vexed and overwearied nature at last sunk to repose. I could not have slumbered over ten minutes, before I was awakened by the most outrageous caterwauling that ever stung the human ear. I arose in a fury, and looked out of the window. All was still. The cause for outcry appeared to have ceased. Now and then there was a low gutteral wail, between a suppressed grunt and a squeal; but it was so faint that nothing could have lived 'twixt that and silence. After a listening probation of a few minutes, I slunk back into my sheets.

'I had scarcely dozed a quarter of an hour, when the obnoxious vociferations arose again. They were fierce, ill-natured, and shrill. I arose again, vexed beyond endurance. All was quiet in a moment. I am not given to profanity; I deem it foolish and wicked; but on this occasion, after stretching my body like a sheeted ghost, half out of the window, and gazing into the shadows of the garden to discover the object of my annoyance, I exclaimed in a loud and spiteful voice, which expressed my concentrated hate:

----'_D--n that cat!_'

''Young gentleman,' said a passing guardian of the night, from the street, 'you had better pop your head in and stop your noise. If you don't, you will rue it; now mind-I-tell-ye.'

''Look here, old Charley,' said I, in return, 'don't be impertinent. It is your business to preserve the peace, and to obviate every evil that looks disgracious in the city's eye. You guard the slumbers of her citizens; and if you expect a dollar from me at Christmas, for the poetry in your next annual address, you will perform what I now request, and what it is your solemn and bounded duty to do. Spring your rattle; comprehend that vagrom cat, and take her to the watch-house, I will appear as plaintiff against the quadruped, before the mayor, in the morning. Her character is bad--her habits are scandalous.'

''Oh, pshaw!' said the watchman, and went clattering up the street, singing 'N'hav p-a-st dwelve o'glock, and a glowdee morn.'

'I reverted to my pillow, and fell into a train of conjectures touching the grimalkin. Possibly it might be the darling old friend of Miss Dillon. Then I thought of others--then I slept.

'I cannot declare to a second how long my fitful slumber lasted, before I was startled from my bed by a yell, which proceeded apparently from a cat in my room. I had just been dreaming of a great mouser, with ears like a jackass, and claws, armed with long 'pickers and stingers,' sitting on my bosom, and sucking away my breath. I sprang at once into the middle of the room. I searched every where--nothing was in the apartment. Then there rushed toward the zenith one universal cat-shriek, which went echoing off on the night-wind like the reverberation of a sharp thunder-peal.

'My blood was now _up_ for vengeance. One hungry and fiery wish to destroy that diabolical caterwauler, took possession of my soul. At that instant the clock struck one. It was the death knell of the feline vocalist. I looked out of the window, and in the light of a stray lot of moonshine, streaming through the tall chimneys to the south-east, I saw Miss Dillon's romantic favorite, alternately cooing and fighting with a large mouser of the neighborhood, that I had seen for several afternoons previous, walking leisurely along the garden wall, as if absorbed in deep meditation, and forming some libertine resolve. In fine, they each seemed saturate with the spirit of the Gnome king, Umbriel, in the drama, when he

----'stalked abroad Urging the wolf to tear the buffalo.'

'The death of one of these noisy belligerents being determined on, I looked round my room for the tools of retribution. Not a moveable thing, however, could I discover, save a new pitcher, which had been sent home that very day, and to which my name and address were appended on a bit of card. I clutched it with desperate fury, and pouring into my bowl the water contained in it, I poised it in my hand for the deadly heave. I had been a member of a quoit club in the country, and the principles of a clever throw were familiar to me. I resolved to make the vessel describe what is called in philosophy a _parabolic curve_, so that while it knocked out the brains of one combatant, it should effectually admonish the survivor of the iniquity of his doings. I approached the window--balanced the pitcher--and then drave it home. Its reception was acknowledged by a loud, choking squall--a faint yell of agony, and then a respectful silence. Satisfied that my pitcher had been broken at the fountain of life, and that the silent tabby would not soon tune her pipes again, I retired to bed, and slept with the serenity and comfort of one who is conscious of having performed a virtuous action.

'In the morning, the cat was found 'keeled up' on a bed of pinks, with her head broken in, and her ancient and venerable whiskers dabbled in blood. The shattered pitcher lay by her side. The vessel had done its worst--so had my victim.'

The story proper, upon the consecutive incidents of which we shall not touch, closes with the annexed whimsical anecdote:

'An anonymous wag not long ago, placed an advertisement in each of our city journals, signed by an eminent house on the Delaware wharf, and stating that FIVE HUNDRED CATS were wanted immediately by the firm. The said firm in the meantime knew nothing of the matter.

'On visiting their counting-house the next morning, the partners found the streets literally blocked up with enterprising cat-sellers. Huge negroes were there, each with ten or fifteen sage, grave tabbies tied together with a string. Old market-women had brought thither whole families of the feline genus, from the superannuated _Tom_, to the blind kitten. The air resounded with the squallings of the quadrupedal multitude. New venders, with their noisy property, were seen thronging to the place from every avenue.

''What'll you _guv_ me for this 'ere lot?' said a tall shad-woman, pressing up toward the counting-room. 'The newspapers says you allows liberal prices. I axes a dollar a piece for the old 'uns, and five levys for the kittens.'

''You have been fooled,' said the chief partner, who appeared with a look of dismay at the door, and was obliged to speak as loud amid the din as a sea-captain in a storm. 'I want no cats. I have no use for them. I could not eat them. I couldn't sell them. I never advertised for them.'

'A decided mendicant, a member of the great family of loafers, with a red, _bulgy_ nose, and bloated cheeks, who had three cats tied to a string in his hand, now mounted a cotton bale, and producing a newspaper, spelt the advertisement through as audibly as he could under the circumstances, demanding of the assembly as he closed, 'if that there advertysement wasn't a true bill?' An unanimous 'Sarting!' echoed through the crowd. Encouraged by the electric response, the loafer proceeded to make a short speech. He touched upon the rights of trade, the liberty of the press, the importance of fair dealing, and the benefits of printing; and concluded by advising his hearers to go the death for their rights, and 'not to stand no humbug.' Such was the effect of his eloquence, that the firm against which he wielded his oratorical thunder found it necessary to compromise matters by treating the entire concourse to a hogshead of wine. 'The company separated at an early hour,' consoled for the loss of their bargains and the emptiness of their pockets by the lightsomeness of their heads and hearts.'

Let us hope that our readers will find, in the entire work from which we quote, ample reasons for the favor which it is receiving at the hands of the public.

MENTAL HYGIENE: OR AN EXAMINATION OF THE INTELLECT AND PASSIONS. Designed to illustrate their Influence on Health and the Duration of Life. By WILLIAM SWEETSER, M. D. In one volume. pp. 270. New-York: J. AND H. G. LANGLEY.

This is a work destined, as we can easily foresee, to produce great good. Its leading design, as its title implies, and as is stated indeed by the author in his preface, is to elucidate the influence of intellect and passion upon the health and endurance of the human organization; an influence which has been but imperfectly understood and appreciated in its character and importance, by mankind at large. The volume under notice is divided into two parts. Under the first are considered the intellectual operations in respect to their influence on the general functions of the body; under the second is embraced a view of the moral feelings or passions, in the relation which they also sustain to our physical nature. Of these a concise definition is offered, with such classification as is necessary to the leading design of the work. Their effects upon the different functions of the animal economy are next noticed; and a description is given of a few of the most important passions belonging to each of the three great classes; namely, pleasurable, painful and mixed, into which they are separated; their physical phenomena and individual influence on the well-being of the human mechanism being closely examined. A forcible exposition is also given of the evil consequences resulting from an ill-regulated imagination (acting through the instrumentality of the passions, morbidly excited by its licentious operation,) to the firmness of the nervous system, and the integrity of the general health. The volume is not addressed to any particular class of readers, and being free from technical expressions, is rendered plain and comprehensive to all. We commend this volume of Mr. SWEETSER cordially to our readers, firmly impressed with the belief that the principles which it advances may be rendered subservient both to the physical and moral welfare of our countrymen.

LIFE IN THE NEW WORLD, BY SEATSFIELD: translated from the German by GUSTAVUS C. HEBBE, LL. D., and JAMES MACKAY, M.A. New-York: J. WINCHESTER, 'New World' Press.

The fourth number of this very remarkable work has been published; and we have had a fair opportunity of testing the merits of the mysterious author. The circumstances must now be generally known, under which these works appear before the public. It appears that MUNDT, a German scholar, who is publishing a continuation of SCHLEGEL'S History of Literature, has in his delineations of character given almost unbounded praise to an American named SEATSFIELD. Among the various works attributed to him are 'Life in the New World,' 'Sea, Sketches,' 'South and North,' 'Virey,' the 'Legitimate,' and others, which are to be issued in rapid succession from the press of WINCHESTER, 'the indefatigable,' as he may well be called; for the rapidity with which he sends out to the world the literary novelties of the day is a theme of public marvel. The German, in which these volumes are written, is said by competent judges, to be very pure and powerful: and indeed we may rest assured that if the case were otherwise, a critic of such high reputation as MUNDT would never have spoken of SEATSFIELD in such enthusiastic terms. The publisher, we understand, obtained several of the works from the library of Columbia College, through the politeness of Professor TELLKAMPT.

The opinion, which some have expressed, that SEATSFIELD'S books are made up of stolen selections from different American writers, is unfounded. We cannot recognize in his style or thought familiar passages; and beside, there does not appear to be any rational inducement for this species of plagiarism. It is evident that the writings are indeed what they appear to be, the genuine productions of an able man. The descriptions of natural scenery are very graphic. 'The first trip on the Red River,' and the description of the trappers, is one of the most animated sketches we have ever read. Our mountains, rivers, cataracts, ocean-lakes, and forests, are described with the most remarkable spirit and truth.' The translation, we are informed by the best judges, is extremely faithful.

POETRY AND HISTORY OF WYOMING. By WILLIAM L. STONE, Esq. Second edition, enlarged. New-York: MARK H. NEWMAN.

This indefatigable laborer in the mine of Indian history continues to throw off from time to time works upon that subject, which bear the marks of great industry, patient research, and extensive information, and which have deservedly given him a high literary reputation as an historical writer. What has yet appeared we believe is only the beginning of a series of works relating to Indian annals, which are to be completed as soon as the author's health, and the duties of an arduous profession, will allow. From a late honor conferred upon him by one of the remnants of the Six Nations, in electing him one of their chiefs, by the name of SA-GO-SEN-O-TA, it seems plain that they highly approve of his efforts to preserve their history; and it may be considered as endorsing the accuracy of his investigations. In this light, the honor conferred, though coming from those whom civilization is crushing beneath its superior intelligence and power, is valuable and important. The present book takes the poetical share of its title from the fact that the author has prefixed CAMPBELL'S celebrated poem, preceded by a sketch of his life, furnished by WASHINGTON IRVING. 'Gertrude of Wyoming,' though beautiful, and seeming to be a narrative of real incidents in a poetical dress, is nevertheless a fiction, albeit founded upon an actual tragedy, whose horrors can hardly be exaggerated by any pen. It has been the design of our author to record the real history of the section of country which was stained by this tragedy, and which for this reason, has a melancholy interest thrown over its natural charms.

The history of Wyoming does not commence, as many suppose, with the war of the American revolution. Long before, the conflict of human passions in the breast of savage and civilized man had discolored its soil with blood. During this antecedent period, its aboriginal annals are replete with incidents, which were greatly multiplied after the civil wars which disturbed the repose of that secluded valley had begun to be waged between the rival claimants to the territory from Connecticut and Pennsylvania, and which for twelve or thirteen years prior to the revolutionary war present a series of the most stirring events. The author, therefore, in order to render the history complete, has taken it up before the first known visit of the white men; of whom, among the earliest, were the Moravian missionaries. To the honor of these men, be it recorded, that in this instance, as in others, they plunged into the depths of the forest, and labored among the savages with a christian zeal and enterprize which have never been surpassed. The scenes of the revolution, embracing not only the great massacre in July, 1778, with its frightful horrors, but also a number of other bloody forays of the Indians upon the white men, are moreover faithfully described. But after all, perhaps the most interesting portion of the volume is formed of the narrative of the services and sufferings of individuals and families. These latter records are full of those wild and romantic incidents which are peculiar to border warfare; where the steady courage and determined bravery of the European appears in deadly conflict with the wiliness, cunning, and sleepless vengeance of the savage. To say that all this is narrated by the author in the spirit of accurate history, would be far below the meed of praise that is due. He has executed this part of the book in a style of animated and lively description, and with that flowing and finished diction, which can only be attained when the mind of a writer is perfectly familiar with the events, and when, by the force of imagination, he becomes himself as it were an actor instead of a spectator of the scenes which he narrates.

Additional interest is given to this spot, from the fact, which probably is not generally known, except to the professed historian, that the distinguished patriot TIMOTHY PICKERING took up his abode in the valley of Wyoming, attracted no doubt by its unrivalled beauties, to which he was first introduced during a military campaign, but which he afterward contemplated, on the return of peace, with an eye capable of being charmed by the picturesque in nature. The concluding chapter of the book is devoted mainly to a spirited account of the abduction of that gentleman, and his confinement in the wilderness by a gang of ruffians, who, after trying in vain to bend his soldier-like mind to a compliance with their violent designs, gave him an ungracious release, and allowed him to return to his family. Among the papers in the appendix, now first introduced to the public, will be found a deed of purchase, made from the Indians ninety years ago, by the Connecticut Land Company, containing the names of some six hundred of the most wealthy and distinguished people of that State. It is important as a means of showing the valuation of land at that period, and a proof that it was acquired by honest purchase. This edition has been enlarged to the amount of more than one hundred pages of letter-press; an addition found necessary by the discovery of increased materials by the author since the publication of the first edition.

In concluding this brief notice of a work written with decided talent, and designed to fill an important niche in the early history of this country, we are bound to thank the author, and to express the hope that he will be able to finish the historical design which he has sketched, pertaining to that interesting race, of whom it may be truly said, that 'the hour of their destiny has already struck.' This volume shows us, that in our own country may be found topics for literary effort, worthy of employing the gifted pens of America, without going abroad in quest of subjects, in the discussion of which we shall long be surpassed by foreigners, on account of their superior facilities and larger sources of information. As a book entirely American, we commend it to the reading public, confident that it will be received with favor wherever it is read, and be considered a valuable addition to the historical department of every gentleman's library.

A NEW SPIRIT OF THE AGE. By R. H. HORNE. In one volume. New-York: HARPER AND BROTHERS.

The Mr. HORNE who stands sponsor for this 'child of many fathers' must not be confounded with Mr. HARTWELL HORNE, who in a literary point of view is quite another person. The author of the volume before us, however, with the aid of sundry fellow _littérateurs_ 'of the secondary formation,' as CARLYLE phrases it, has collected together quite a variety of materials, the whole being intended to form a sort of sequel to HAZLITT'S 'Spirit of the Age,' a brilliant work, to which the present bears slight resemblance. We quite agree with a contemporary, that it manifests little or no independence of judgment or originality of thought. 'It is the result of the labor of many hands, and those not the most skilful or experienced. It consequently wants that homogenousness of style which one would expect in a professed imitation of so excellent a model. The highest degree of merit that can be accorded to it is that of a collection of magazine articles of second rate merit. It is likely to prove popular with the generality of readers who do not trouble themselves to dip beneath the surface of things; but we must caution those who would form a just estimate of the characters and merits of the distinguished writers whose works are analyzed in it, that its premises are not always correct nor its deductions sound.'

EDITOR'S TABLE.

A DAY WITH THE GREAT SEATSFIELD.--The Boston Daily Advertiser recently divulged, with a most curious air of bewilderment, the name of a new, and as it seems hitherto unheard-of, ornament to American literature--the illustrious SEATSFIELD. Illustrious, however, only upon the other side of the water; for it appears that we Yankee cotton-raisers have somewhat else to do than to busy our brains about any letters except letters of credit, or any fame that is not reverberated from abroad. No one, of course, at all conversant with modern German literature, not even the slightest skimmer of their late periodical publications, or the most occasional peruser of the _Allgemeine Zeitung_ or _Dresden Bluthundstaglich_, can have failed to notice with patriotic pride the gradual but gigantic progress of this new VOLTAIRE to the highest pinnacle of popular renown. But, sooth to say, our western world is so overrun with pretenders; there are so many young gentlemen annually spawned by Yale and Cambridge, who affect to read German without being able to construe the advertisement of a Leipsic bookseller; so numerous are the blue-spectacled nymphs who quote JEAN PAUL betwixt their blanc-mange and oysters, without comprehending even the outermost rind of its in-meaning; so utterly ignorant are our so-called literati of any subject beyond the scope of a newspaper, that the name of SEATSFIELD sounded as strangely in American ears as if he had lately arrived from Herschel or Georgium Sidus in a balloon. It is true that some two or three of our eminent scholars, a few travellers, men of taste, who had wandered by the Rhine, were acquainted with his reputation, and in some degree with his productions. EMERSON doubtless must have been aware of his renown; Professor FELTON of course had read him as often as he has HOMER; JONES, WILKINS, and F. SMITH had studied him with delight. The 'Dial,' a journal of much repute, had even spoken openly, we are told, of his success in Europe. Mr. W. E. CHANNING, the poet, had evidently but perhaps unconsciously imitated his peculiar viscidity of style, and (if we may use such an expression.) extreme flakiness of thought. But in spite of these few exceptions to the general indifference, let it stand recorded, that when the name of SEATSFIELD returned to his own shore, it was an alien and unmeaning word. His own country, so deeply indebted to his powerful pen, absolutely knew him not. The literati stared, and the Boston Advertiser was struck aghast with wonder. What a comment upon the state of letters in America! 'Literary Emporium,' forsooth! 'Western Athens!' Medici of Manhattan! how grossly we Yankees do misapply titles! It was the very 'Literary Emporium' itself that was most astounded at the newly-discovered mine. SEATSFIELD'S name had overspread civilized Europe; his productions had been dramatized at Munich and Bucharest; they had been translated into Russian and Turkish; the Maltese mariner had learned to solace himself with his 'Twilight Helmsman's Hymn,' and the merchants of Syra and Beyrout adorned their mansions with his bust; yet Boston, New-York, and Philadelphia had never heard his name! In the lack of more minute information with regard to this remarkable man, perhaps the following page or two from a traveller's journal may prove acceptable to the public. The absolutely total obscurity of the subject in America, may also, it is hoped, serve as an apology for the openness of detail and apparent breach of etiquette in regard to private intercourse.

* * * * *

'It has been my fortune to spend a day in company with the man who of all men has done the most to illustrate our manners and character; yet who, strange to say, is less known than 'Professor' INGRAHAM. As it was then my fortune to speak _with_ him; I now consider it my duty to speak _of_ him, and to do what little I am able, to extend his name among his compatriots.

'In the spring of the year previous to this, or to be exact, in April, 1843, I found myself at Berlin. My friend, Mr. CARLYLE, of London, had given me a letter to THEODORE MUNDT, and I had learned soon after my arrival that this distinguished man was in town. I had consequently looked over my letters, after dinner, and had selected the one addressed to MUNDT, and laid it under a little plaster bust of SCHILLER that stood just over the stove, in the room where I dined. In the evening I walked into the _Ermschlagg Buchzimmer_.[2] Several students were making annotations from huge volumes, and many grave, pale gentlemen were turning over the reviews and periodicals of the day. Among these I recognized an Englishman whom I had fallen in with at Cologne but parted with at Heidelberg. He had been in Berlin three days before me, and I was truly glad to meet with an acquaintance even of so recent a date, to whom I could apply for information or advice as to the best way of seeing the lions. While I was whispering to him, a grim-visaged old Teuton looked up at us with a stern frown, and my friend observed, 'We must retire into the _Sprechensaale_, or conversation-room.' As soon as we had entered this adjoining apartment, to the evident satisfaction of the aforesaid grim Teuton, I observed a tall, thin man, of angular and wiry aspect, see-sawing his body in front of the stove, toward which he had turned his back, as he stood in apparently deep cogitation. 'You don't know who that is,' quoth my friend; 'there is _one_ of the lions, to begin with. I found out his name this morning: that is THEODORE MUNDT.' Struck as I was with the stranger's aspect, which appeared to me altogether American, I stared at him till he suddenly raised his dark eyes, and fixed them on mine. To disembarrass myself from my seeming rudeness as politely as possible, I bowed to his gaze, and said inquiringly: 'I have the honor to address Mr. MUNDT?'

[2] A new public library and reading-room in Berlin.

''You have the _luck_,' he said, 'but the honor is _his_.'

''Honors are even, then,' said I, as brusquely as I dared; and of all animals a traveller is the most impudent. 'I have in my pocket,' I continued, 'a letter for you from my friend CARLYLE.' At the name of CARLYLE he raised his hands in surprise, then rubbed them with delight, and began to eulogise his friend.

'All this while I was fumbling in my pocket for my letter, when suddenly it flashed over me that I had put it under the bust in the tavern. I grew confused for a moment, and then as Mynheer MUNDT held out his hand for the letter, I burst into a laugh, and confessed that I had left my letter at home. MUNDT looked very serious, and quoted from Othello, 'That is a fault;' and then from Macbeth, 'To-morrow, and to-morrow, and to-morrow.' I thought there was a little affectation in this; perhaps it was merely complimentary; but the immediate result of our imperfect acquaintance was, that I made bold to introduce my friend to MUNDT, who invited us both to his rooms to supper. On our way thither, as we passed the _Brunswik Gasthaus_, where I lodged, I stepped in to procure my letter, and MUNDT appeared rejoiced to hear directly from his 'very _fine_ friend' CARLYLE, as he queerly styled him.

'I should feel that I was venturing on forbidden ground were I to reveal more of what passed between us that evening. There was some drawing of corks and some puffing of Hamburg-made Cheroots, which MUNDT declared to be genuine Oriental; there was a ham of Westphalia, and a bit of La Gruyere. But with all this we have nothing to do. I fear that I have already made my preface too long. Enough be it then to say, that MUNDT first revealed to me on this occasion (I am ashamed to own it) the name and talents of our countryman SEATSFIELD. How enthusiastic he was I will not describe; but his enthusiasm could only be equalled by his surprise that I was not familiar with his writings.

'On the next day MUNDT gave me a letter to SEATSFIELD, directed to him at Bâsle, in Switzerland, near which he owns a beautiful villa. I did not find him at Bâsle, however, and I proceeded to Milan without delivering my letter. On my return from Italy, I happened to learn that SEATSFIELD was at Graffenburg in Silesia; and although it was forty leagues from my purposed route I encountered the delay, out of mere curiosity of seeing so distinguished a man. This time I was not disappointed. One day only I spent at Graffenburg, but that day was sufficient to fill me with a truly German (I wish I could say American) admiration of my countryman. Graffenburg, it should be remarked, is the famous scene of Doctor PRIESSNITZ'S wonderful hydropathic cures. Being there only for a single day, I did not think it best to submit in all points to the cold water treatment; neither did SEATSFIELD, for I noticed that he mixed two table-spoonfuls of gin with every gill of cold water. SEATSFIELD is a man of about middle-age, with a penetrating eye, and rather a good form, though not unusually muscular. His face bears a remarkable resemblance to the pictures of NUMA POMPILIUS; the benign smile of each is the same. His chin is round and full, although partially concealed by a slight beard; his nose, which is of a truly German outline, is marked by the 'dilated nostril of genius;' and his whole aspect is that of a thorough man of the world. I will continue my reminiscence by extracting verbatim a page or so from my imperfect, though as far as it goes, authentic diary. I am convinced however that his remarks will lose much from the want of his pointed manner of enunciation. His English was faultless, and he spoke as well as if he had never been out of America. Very few Americans indeed, and no British-Islanders, talk so correct and chaste a dialect.

EXTRACT FROM MY JOURNAL.

_Graffenburg, July 4_, 1844.

'I was very fortunate, they tell me, to find SEATSFIELD in so companionable a mood. He appeared in high spirits, and was exceedingly conversible. The glorious return of our national anniversary had a visible effect upon him. I presented my letter to him last evening, but he was weary, and retired early. When I first met him in the Upper Bath-room Walk, this morning, he congratulated me upon the brightness and brilliancy of the day. 'You have much to be thankful for, Sir,' he observed; 'the day is perfectly American. Just such a sun as this is now dawning upon Broadway and the Battery. The sound of India-crackers and the pleasant smell of lobsters is already perceptible to the senses of the awakening Manhattanese.'

'Boston, too, my native city,' I observed, 'is also alive to the holiday influences. Boston Common I dare say is already white with tents, and the fragrant commerce of the booths is just commencing on the Mall.'

SEATSFIELD: 'Yes, Sir; but Boston and Philadelphia both fail in developing the true character-stamp-work (_character-stampfen-werk_) of the day. To see the Fourth of July in its glory, one should visit New-York. To my senses, which are uncommonly acute, there is a peculiar smell about the Fourth of July in New-York, which differs in toto from that of any other holiday.'

'In Boston we also have the perfume of lobsters and egg-pop blended with that of orange-peel and pine-apple----'

SEATSFIELD: 'That, Sir, is but a feeble rationale of the New-York savor. I have often, in a jocose mood, amused myself with analyzing this odor. I have resolved it into the following elements: lobsters, gunpowder, trampled-grass, wheel-grease, and cigars. It is mainly to these ingredients, grafted upon the other ordinary city smells, that I attribute the Fourth of July smell.'

'There is one that you have failed to detect; namely, a faint whiff of barn-yards, owing I presume to the strong prevalence of farmers and other rustics from the surrounding country.' SEATSFIELD smiled at this, and acknowledged, in a laughing way, an occasional intimation of manure. 'Graffenburg,' I observed, 'is remarkably free from all strong odors; it is a very clean village.'

SEATSFIELD: 'That, Sir, is owing to the water: depend upon it, wherever water prevails neatness will ensue. Temperance and cleanliness go hand in hand. The ancients were a filthy race, and they were great wine-bibbers. What a condition of personal and mental nastiness is divulged by HORACE in his 'Iter ad Brundusium;' yet HORACE was a choice specimen of a Roman gentleman.'

'Have you had any poets among you here? or is the hydropathic system too repugnant to their art?'

SEATSFIELD: 'Our countryman, LONGFELLOW, was here not long since. I sat at table with him frequently; but never introduced myself to him.'

'Do you think highly of his powers?'

SEATSFIELD: 'As a prolific generator of novel life-images, no; but as a vivid delineator of the inner-thought principle, as an artistical displayer of the higher subjective mood, he is of the very first class. I honor LONGFELLOW.'

'He is perhaps our smoothest versifier, next to HALLECK.'

SEATSFIELD: 'Nay, he is the only one among us who can combine extreme polish and the utmost facility of flow with deep-seated reflection.' SEATSFIELD then quoted, with a sublime energy, from the celebrated 'Psalm of Life:'

''Not enjoyment and not sorrow Is our destined end or way, But to act, that each to-morrow Find us farther than to-day.

'In the world's broad field of battle, In the bivouac of life, Be not like dumb driven cattle, Be a hero in the strife.

'Trust no Future, howe'er pleasant, Let the dead Past, bury its dead; Act, act in the glorious Present, Heart within and GOD o'er head.''

'You give the poet a great advantage,' I said, 'in quoting his very finest production, and picking out the choicest stanzas. Beside, his theme here is one of so general a nature, and so familiar to philosophy, that it would be hard for any one to moralize upon it in verse without accidentally hitting upon some sublimity. The commonest intellect has lofty and awful thoughts whenever it gives way to serious meditation upon our mortality.'

SEATSFIELD: 'That is partly true; but LONGFELLOW is not only great upon that ground. His realm is very extensive. No man has the power (had he only the will) of depicting the simplicity of every-day life and objects with more grace or comprehensiveness. There are some touches in his 'Village Blacksmith' inexpressibly beautiful, and worthy of BURNS' 'Cotter's Saturday Night:'

'His hair is crisp and black and long, His face is like the tan; His brow is wet with honest sweat, He earns whate'er he can,' etc.

And then again:

'He goes on Sunday to the Church, And sits among the boys; He hears the parson pray and preach, He hears his daughter's voice Singing in the gallery, And it makes his heart rejoice.'

SEATSFIELD repeated these verses with much emotion; and I observed that a tear stood upon his lids. I therefore turned the conversation upon hydropathy, and introduced a quotation from PINDAR: [Greek: ariston men hydôr], _etc._

SEATSFIELD: 'PINDAR, Sir, has expressed a great truth; but I think that PIERPONT has expressed it better. In his exquisite 'Ode on the Opening of the Marlborough Temperance-House' how beautifully he says, after speaking in regard to the virtues of cold water:

'Oh! had EVE'S hair Been dressed in gin, Would she have been Reflected fair?'

'And then, after describing the beauty of Eden, with its rills and pellucid brooks bubbling through the fresh meads, he goes on:

'Are not pure springs And chrystal wells The very things For our Hotels?'

'That, Sir, is excellent, and the somewhat homely imagery only enhances in my mind the truth of the sentiment. PIERPONT, Sir, is a very great man.'

'As great as LONGFELLOW?'

SEATSFIELD: 'No, Sir, perhaps not; there is a considerable difference of calibre between them. I should say now that LONGFELLOW was a first-rate artist with a second-rate imagination, and that PIERPONT was only a second-rate artist with a first-rate fancy. There is no mistake in PIERPONT.'

I smiled at SEATSFIELD'S affectation of Americanisms, as if out of compliment to myself, or in honor of the day; and I rejoined: 'There may be no mistake in PIERPONT, but there is one or two in LONGFELLOW.'

SEATSFIELD: 'Grammatical or prosodiacal?'

'Neither; but in the beginning of his 'Psalm of Life,' he says:

'Tell me not in mournful numbers Life is but an empty dream; For the soul is dead that slumbers, And things are not what they seem.'

'Here he evidently meant things _are_ what they seem; for in the next stanza he goes on to say:

'Life is real, life is earnest, And the grave is not its goal; 'Dust thou art, to dust returnest,' Was not written of the soul.'

Consequently, if life _is_ real and earnest, and the soul is incapable of mortality, things _must be_ what they seem, and the soul _cannot_ be dead that slumbers. And if the soul _is_ dead that slumbers, and things are _not_ really what they seem to be, life _is_ indeed an empty dream.' SEATSFIELD looked puzzled at this.

SEATSFIELD: 'You are somewhat hypercritical. Great thoughts must not be trimmed to the exact dialect of business-men. LONGFELLOW reveals important truths; he utters what is pent within him from the impulse of utterance: he tells us that 'Art is long and Time is fleeting;' now some arts are not long, and time often drags heavily. It will not do to be too precise in poetry.'

'But is that sentiment original? Does not one of the ancients say, '_Ars longa, vita brevis_?' and does not that come pretty near to LONGFELLOW'S idea?'

SEATSFIELD: 'Yes, Sir, but that is a little criticism which picks out words. LONGFELLOW, or yourself, or any other man, would have arrived at the same conclusion, even had the ancient author never written it.'

* * * * *

'We were here interrupted by a call to luncheon; and I take advantage of the break in my journal, to bring this article to a close. More of the SEATSFIELDIANA I reserve for another number, provided the public are not already glutted.'

MAGAZINE WRITING.--We know not how we can better evince our appreciation of the kind and flattering comments of a Southern correspondent, who will at once recognize our allusion, than by citing the somewhat kindred remarks of an old and favorite contributor, now passed away from earth. It was a pleasing matter, he said, to sit down with the proper afflatus stirring within him, to write an article for a Magazine. 'If the work has a general prevalence; if its fame is rife on good men's tongues, the inspiration is the stronger. One says to himself, how many friends of mine will overlook these very lucubrations, perceive my initials, and recognize my name? How many pleasing associations will thus be awakened, and peradventure commendatory remarks expressed, concerning my powers? What a _quid pro quo_ for wakeful nights, emendations of phrases, the choosing of words, and toilsome revision! The other day,' he continues, 'while reading the proof-sheet of my article in the last KNICKERBOCKER, I fell into a train of reflection upon the large amount of care and labor which must be entailed upon the publisher and editor of an original Magazine. Some one has observed, that when we listen to an exquisite opera, or any elaborate and intricate piece of music, we think not how vast were the pains and attention bestowed upon every note and cadence; what efforts for perfection in a solo, what panting for a warble, what travail for a trill! Taken separately, and at rehearsals, in disjointed fragments of sound, how different are they from that volume of sweet concords which is produced when they are all breathed forth in order, to the accompaniment of flutes and recorders, in one full gush of melody! This is just like a Magazine. How many minds does it engage! Cherished thoughts and cherished feelings, polished or sublimated, there find utterance, and demand that honor and deference to which they are entitled. In his beautiful Introduction to the Harleian Miscellany, JOHNSON sets forth the necessity and benefit of similar writings, with reasons as conclusive as the language in which they are expressed is chaste and strong. In a country like ours, where the vast population move by common impulse; think promptly, are enlightened with ease, and turn to the best account that knowledge which is received with the greatest facility; are inspired with sacred and patriotic feelings from the bar, the senate, the pulpit, and the press; it is important and just that the readiest methods and means of instructive moral amusement should be the most esteemed and the best supported. I confess I never look into a Magazine, that I do not liken it to a large and pure reservoir of refreshing waters; derived from many streams, and prankt around its borders with the flowers and garniture of poesy; possessing qualities agreeable to every taste--the grave, the solid, the scientific, the light, the gay. It is a map of the higher moods of life. It conveys a sustenance with the relish of pleasure. All who favor it with their productions have different tastes and faculties of mind. Each one endeavors to do the best with his theme. He ornaments it in diction, or tasks his fancy, or explores the secrets of science, or illustrates the events and scenes of his country: he excites broad-mouthed laughter, by salutary jest and pun; he expatiates in pathetic sentences, or murmurs in the mellow cadence of song; or arouses interest by the embellishments wherewith history is refined, and which shed a light over the dim annals of the past, making them to smile,

----'even as the radiant glow, Kindling rich woods, whereon the etherial bow Sleeps lovingly awhile.'

'Now what I thought beside, while looking over my proof, was this: that a 'circulating medium,' through which so many minds communicated their thoughts, produced and clothed with befitting language in solitary labor; smoothed, strengthened, or harmonized by revision, and rendered impressive by those helps and researches of which every _readable_ writer must avail himself; such a medium, I say, merits the esteem and respect of all. It deserves not to be taken up for judgment, at a momentary glance, by the undiscerning eye of careless inquiry. It should be read impartially, and spoken of, in all worthy points, with praise; in faulty ones, with tenderness. Our literature, I take it, is not yet a sufficiently flowery pursuit, to enable any of its votaries to sow its walks with brambles. By its influence, _the country_ is to be mentally illustrated; the clanking shackles of transatlantic humbug are to be thrown off; and the establishment of wholesome feelings, and reliance upon our own intellectual resources, firmly effected. I love to see the general press engaged now and then in cheering onward the laborers in the more unfrequented and toilsome avenues of our literary vineyard. It sends a GOD-speed to the bosoms of those whose travails are more for their country than themselves; and who are content, in anonymous pride, to believe, that it heralds that bright day of mental refinement which will ere long, among the freest and noblest confederacy of nations on earth, irradiate the utmost borders of that holy circumference,

'Our Native Land!'

A THRUST WITH A TWO-EDGED WEAPON.--We rather incline to the opinion that the 'complainant below' is infringing the law which forbids the use of concealed weapons; that are not the less to be guarded against, certainly, when as in the present case they cut both ways. But our readers shall judge: DEAR EDITOR: The country, strange as it may appear, has peculiar and permanent inhabitants; neither dressing in skins, nor wearing their own feathers, but habited after the glimpses of fashion which reach them through their trees. As we have never yet met with a man who was so fortunate as to have no relations, we take it for granted that all city-zens, yourself among the rest, have country-cousins. Think of the countless multitudes that turn their longing eyes in the direction of a metropolis like this, yearning for a visit, and sending off by frequent _Opportunities_, never by mail, those remarkable epistolary compounds of hopes and wants which no other race of beings can compose in perfection: 'Hope JOHN is well, and BETSEY will come and see us next summer; and want'--LAWSON and STEWART! what do they _not_ want? Every thing; from twenty yards of silk down to a penny's-worth of tape. The letters run somewhat in this guise, though less poetically:

'Cousin John, please to send down to-morrow, At eight, by the Scarborough mail, 'Claudine, or the Victim of Sorrow,' Don Juan, two mops and a pail; Six ounces of Bohea from TWINING'S, A peg-top, a Parmesan cheese, Some rose-colored sarcenet, for linings, A stew-pan, and STEVENSON'S Glees; A song ending 'Hey-noni-noni,' A chair with a cover of chintz, A mummy dug up by BELZONI, A skein of white worsted from FLINT'S.'

Half the things that are sent for, they might buy at their own doors. Again and again we have known them put in commission and procure from an oppressed relative the identical productions of a manufactory within a mile of them. A singular virtue seems to abide in all that comes from the sunny side of Broadway.

'You perhaps may not know what an OPPORTUNITY is. In love affairs you have undoubtedly experienced that it is every thing; but in rural affairs it is more. It is the common-carrier of a village. So soon as an inhabitant has expressed his intention of going to town, he becomes an Opportunity, and like a Chinese, liable to pains and penalties for leaving his native place. From every quarter pour in letters, bundles, and packages, which are to be carried with care and delivered with despatch. No thanks for his trouble, if they should reach their destination, and a general liability for the uncertain value of their contents if they should chance to be lost. So that an Opportunity's advent in town ought to be announced in this way: 'Arrived, HIRAM DOOLITTLE, from Connecticut, with m'dze to LEGION AND COMPANY.' The Opportunity not only transports, but acts as General Agent. Commissions are given him for a return freight. Hats, coats, dresses, are much wanted, which he is expected to select with taste, and to purchase cheap. Even the labyrinth of houses does not protect him from the Argus eyes of his consignees. They seek him out and insist upon his turning himself into a United States' mail and a HARNDEN'S express. It is not a week since we heard a consignee's friend's friend request an Opportunity to carry home a loaf of sugar to his country correspondent.

'Perhaps, Friend KNICK., we are wounding your feelings all this time, tender by reason of many cousins and commissions; but we can assure you that we have an infinite respect for all relationship, and are rather blessed than bored by the requisitions of our own rural branches. We trust, however, that your rustic kith and kin do not come upon your house in the spring, in shoals like the shad. Unhappy editor, if it be so; for until the day predicted by ALPHONSE KARR, when connexions shall be cooked and _côtelettes d'oncle à la Béchamel_ and _têtes de cousin en tortue_ shall smoke lovingly upon the table, there is nothing for you but to submit to your Fates, or to give up your house-keeping. But with country cozens, those provincials who are not bone of your bone, and who nevertheless at every visit to town call upon you with an eager look and covetous smile, as if to say, 'Ask us to dinner, we once invited you to tea,' there is but one method to pursue; the cut--the firm, unwavering, direct cut. Do not pretend not to see them, or to look fixedly in another direction, but give them the vacant, absent stare, as if you saw around them, and through them, and the image before you excited neither attention nor recollection. There are no terms to be kept with them. Their Shibboleth is not yours.

'In the 'Absentee,' a London fashionable lady, Mrs. DAZEVILLE, goes to Ireland, and is hospitably received by Lady CLONBRONY, stays a month at her country-house, and is as intimate with Lady CLONBRONY and her niece Miss NUGENT, as possible; and yet when Lady CLONBRONY comes to London, never takes the least notice of her. At length, meeting at the house of a common friend, Mrs. DAZEVILLE cannot avoid recognizing her, but does it in the least civil manner possible: 'Ah, Lady CLONBRONY! Did not know you were in England! How long shall you stay in town? Hope before you leave England you will give us a day.' Lady CLONBRONY is so astonished at this ingratitude, that she remains silent; but Miss NUGENT answers quite coolly, and with a smile: 'A day? certainly, to you who gave us a month.' Miss EDGEWORTH evidently considers this a capital story; and we have no doubt that many stupid people who have read it consider it an excellent hit; but we can assure them that they know nothing of the woods and fields. It is a great favor to make people in the country a visit. It relieves them from the tiresome monotony of their rose-bushes and chickens; and by the active exertions in planning breakfasts and dinners, and making the one ride through the valley last for three afternoons, infuses if possible a certain degree of mental activity into their lives, which must be far from disagreeable to them. A cit too is in a certain degree a lion. The oldest town-jokes are as new in the country as last year's ribbons; and the neighbors gather together to view with delight a face that they have not seen every Sunday for the last fifty-two weeks, and are only too happy to engage the Novelty at a 'Tea.' But when they come to town, what can you do with them? Who the devil wants to see them? Your friends care little enough for you, still less for your agricultural acquaintances. You cannot bring yourself to go to PEALE'S Museum, or to see the talking-machine; and tickets at the opera are dear, unless you stand up. As we said before, you must cut them, or

'If you are a little man, Not big enough for that,'

you must try to have them arrested as soon as they arrive, as disturbers of domestic peace, and confined in the Tombs during the whole of their intended stay. If the Legislature sat in New-York instead of in a _country city_, they would pass some law similar to the South Carolina free-black law, confining all rural visitors, or at least making those liable to an indictment for false pretences, who claim acquaintance with the 'people of the whirlpool.'

'If it were only for once, one might ask all his _rats des champs_ to meet one another at a Tea. This might be amusing, if the jest did not grow painful by repetition. There is no reciprocity in your dealings with such invitees. You will probably never again reach their Siberian settlement, whereas they come to town three times a year! It is not fair. It is a base cheat. How can they be so ungenerous and illiberal as to accuse you of neglect and ingratitude for not cultivating them when in the city? They might as well abuse you for not having a green-house! This doctrine of ours is so clearly reasonable, that all people of any breeding admit its truth, and act accordingly. You may stay a week at a country-seat, and need make no acknowledgments of any kind to the owner thereof in his town-house; whereas a dinner in the city is a debt of honor, which must be paid. This is a well settled law. Not that your obligation is by any means cancelled. It is not dead, but dormant. Next summer you will feel deep gratitude for the kindness you received during the last; but no such indebtedness is payable in urbanity. GEORGE SELWYN met in St. James-street, London, a man whom he had known very well in Bath, and passed steadily by him without a look of recognition. His acquaintance followed him, and said: 'Sir, you knew me very well in Bath.' 'Well, Sir,' replied SELWYN, 'in Bath I may possibly know you again.' Farewell.

ANOTHER 'PELLET' FROM JULIAN.--Not a word is necessary by way of introduction to the ensuing passages from an epistle lately received from our esteemed friend and correspondent JULIAN. Happy husband of a happy wife and happier mother! Happy father! may his joy never be less: 'We are in the country! When you write this way, say 'To the care of ---- ----, Esq.', for we are designedly three miles from post-offices and newsboys. I have given warning that if any of the latter come within my grounds with his French things, I will souse him in the river, and hold him there till he shall be thoroughly chilled into a dislike of these parts. You will readily imagine why we are here. The excitements and distractions of city life for the last few months were too much for us, and there are some things that can only be enjoyed apart from the world. Here, we subside gradually and gracefully from that high and tense delirium from which I at least made my aërials, always coming back, however, to young JULIAN; who, by the way, is another occasion for country life, as I have great faith in first impressions, and I wish his to be bright and beautiful. Heaven preserve him from all darker colors; from the doubts, the glooms, the moral mistiness of your city atmosphere! Let no fog come between him and the bright sky, till he has well discovered that there is a heaven beyond, where there is neither cloud nor shadow, and up to which not one grain of all this dust and filth of the earth's whirling shall ever reach. It is quite enough that we are in sight and hearing of your great Babels; the jarring of their daily strife and the smoke of their torments. A lively and dashing river rolls between us, going off at a hand-gallop among rocky islands, over which we see their spires pointing up like electric-rods to avert the wrath that might otherwise descend upon them; and mingling with the dash of waters, we hear now and then their petty alarms, their steamers and fire-bells, and the dozen other occasions upon which they see fit to make a great noise in the world; but the travelled sound has a courtliness that is rather pleasant than otherwise; and as a key-note to our mocking-birds, it is quite worthy of the sweet south that brings it up. Whenever there is any sudden ebullition that cannot be pared down to the common air, we are made aware of it by a cannonading that is doubtless very considerable down there, but for any thing so ambitiously meant, it sounds here very miserable; a wretched attempt at notoriety, of which the most noticeable is the smoke of their powder. And so with all their sky-flourishing and rocketing, which we look at as at a falling star; pretty, no doubt, but not in our way. Every morning a railroad train starts out, and approaching within a mile, disappears among the hills with a slight buzzing and squibbing, like the fly on the window; and then after it has gone, as we suppose, there is another squib, very smart and snappish, and we hear nothing more of it till the train comes down, frets a little again as it passes by, and goes on to discharge its contents in the great city. To all these things we say, 'Pass on!' the world is various, and must be amused; but for us, we respectfully withdraw. We have had enough of the intense; we now welcome the trifling, appropriating however as much of the serious as we care to admit in our still life. When the Sabbath comes round, there are seven bells that reach us, each with its separate voice; and these, with falling waters, and the morning incense going up from the hill-sides, are as much of 'mass' as we care to have in our worship. But we have a ready ear for all sweet sounds, and need no glasses to appreciate the beautiful. Sunrise and sunset; the grouping of clouds; the blue haze that now and then lies on the landscape, all one with my cigar-smoke; and the storms and lightnings of the young summer, so spitefully beautiful; all these, with whatever of glory there may be in the still watches of the night, find their place in our picture-gallery; but we leave them as GOD made them, and add no tint to their coloring.

'You are aware that the sun rises as per almanac. This is common; and so common, so much an every-day affair, that he gets very little credit therefor; and yet, that he will rise with great exactness, aside from all human calculation, and go on traversing the sky with a wonderful regularity that nothing can stop, is a very pleasant fact touching the prospect of to-morrow; and so also, that every thing in nature will be wrought with marvellous beauty and harmonies of sound; and oh! most satisfactory of all, there will still be an air that properly inhaled fills the _heart_ as well as the lungs. It is from a calm consideration of this fact, that we have done with the _eagerness_ of pleasure. No daily counting of hours to see that all have been properly brimmed; no grasping at a dozen things at once; no draining of the very dregs, lest that may be the last bottle, and we die to-morrow. But thankful as we are for to-morrow, and especially grateful for to-day, we don't care for noon-marks. We have kept no count lately, and for aught we know, Time may have stopped, but probably not. He is doubtless somewhere about, but we take no particular notice. Our watches have run down, and we care not to wind them again. The hours, if there are any, are all golden, and we have no occasion to note the passage one to the other; or if we start them, just to see the motion, they run on diamonds of the purest water; but mostly, whether it be morn, or mid-day, or the starry night, Sabbath or week-day, it is all one--all beautiful. Does it rain? It is quite proper. The earth needs it, no doubt, and it will look the more grateful therefor. Does it shine? Why then the birds will sing, and if they will come a little nearer, we will teach them that charming air from the last opera. Does a new star come out in heaven, or an old one disappear? The one will be an added glory, and the other not much missed; but they will little concern our astronomy. Expect no more rhapsodies, my friend, unless it be upon the wonderful ease with which every thing can be done without them. That we find all things pleasant, is the extent of our poetry. It is pleasant to wake; it is pleasant to sleep; it is pleasant to wake and sleep again; pleasant to watch the opening lid, and pleasant the smile that follows it; pleasant are kind words and tones, the touch of hands, and the touch of lips; the breath of flowers and those that love them; pleasant are the thousand infinitesimals, like the motes of the sun-beam, not less bright because of their minuteness; and pleasant the thought that sufficient as this heaven may be, there is another one above. And doubtless it is pleasant to breathe as usual, and feel the heart send round its currents with a touch of joy; but oh, pleasanter than all, to have no sigh or throb, to remind you that that breath must one day stop, and that warm blood turn cold. Oh! in the 'time' that is set apart 'for all things,' may heaven look kindly on and count these trifling hours!

'Shall we ever leave this charming retreat? Certainly not, while these things last; but it is not impossible that we may return with the cold weather. Meanwhile, I have made a chalk-mark about the grounds, and as yet nothing with a bite or sting has passed over it. Mrs. JULIAN, as she now insists upon being called, has become highly contemplative; and if I did not know that she was never so happy before, I should think her sometimes a little sad; she is so quiet, so demure, and so eternally bewitched with that boy! Why Sir, she will sit for half a day over the fellow, amusing herself and him with I know not what varieties and wonders of invention; with lullabies and ditties and homoeopathies of language; and if he condescend to sleep for a few moments, how divinely still must every thing be! What infinite care is there in pinning the screen; what fortifications are built round about him; and what a world of protection in every movement! And then, when all is complete, she must still sit there, with that strange upward look which she has acquired lately, seeming to reach quite beyond the stars. She is a strange woman! Yesterday, having dined rather late, I happened to forget myself for a few moments on the lounge; and on waking, I found her kneeling before me, and looking up in my face with an expression that to me is peculiarly embarrassing; not the quick, joyous look, followed as quickly by the touch of lips; not that, but something quite indescribable. Perhaps I am not as considerate as I ought to be on such occasions, for doubtless she knows what she would be at, but I confess I do not. Indeed, she is constantly bringing out new points and flourishes, which to me are all vowels of the Hebrew; no doubt very sweet and musical, and certainly very necessary to the sense of the reading, but they are past all finding out. When she dazzles me with these brilliants, I sometimes reply in the Tartar, and so we are quits.

'Young JULIAN developes slowly. He has smiled once or twice, but in a manner so precocious, that it would be alarming, if he were at all delicate. Fortunately he is not. His utterance as yet is quite unintelligible, though no doubt he has his meaning. To Mrs. JULIAN it is all poetry. '_Poeta nascitur_' may be quite true, but if he rhymes, which is quite possible to her ear, I am constrained to think that it is entirely accidental. I hope, at least, that he is not so viciously gifted. · · · HAVE I told you that she refuses a nurse, and that too pretty sharply? Well, that is not all; I can hardly touch the boy myself. She is so afraid I shall crush it! My raptures, she says, are not becoming; she even says that I 'frighten the child!' But she is the strangest of women! Last night, happening to wake some time in the small hours, I heard a slight noise in the room, and emerging from a dream, in which I remembered to have heard a good deal of crying and hushing, I listened intently for some moments, but couldn't for my life guess what it could be. There was nothing moving in the room, and the sound appeared to arise from some slow and uniform movement, so that it couldn't be the wind on the shutters; and if the mocking-birds had been sufficiently awake to swing, as they sometimes do, they would certainly have dropped a word or two, for they are great talkers. Now I often hear bells, fire-arms, and exclamations, and very often hear my name called, and questions asked, to which I reply in due form, all which I _know_ at the time to be imaginary; but this sound, though it seemed to be familiar, I couldn't make out. I was so drowsy, however, that I had half a mind to consider it a dream; but then what if any thing should happen? I should be responsible. Rising, therefore, very carefully, not to disturb Mrs. J., I discovered by the shaded light on the table that she was quite sound asleep; but what was wonderful, her right arm, outside the bed, was moving up and down with the regularity of a pendulum! What the deuce was all that? Well, Sir, I bent over breathlessly, and found she was pulling at a string! And what, O EDITOR! who ought to know every thing, what do you think she was pulling? Why, Sir, she was pulling at young JULIAN'S cradle. She was rocking the baby in her sleep! Oh!'

* * * * *

Apropos of 'the baby': an agreeable correspondent, from whom we shall be happy to hear 'frequently if not oftener,' intimates to us that our friend JULIAN, when the 'lactiferous animalcule' whose advent into this breathing world he lately described in such glowing terms, shall have reached a more mature babyhood, may find occasion to 'change the paternal note;' and he cites for us the following passage, from an essay by a sometime contributor to the KNICKERBOCKER, 'in justification of his fears:'

'In my bachelor visitations to my married friends, I have often chuckled over the bashfulness, contending with love, which distinguishes the YOUNG FATHER. In the pride of his heart, perhaps, when his little man has first given evidence of that degree of mental exertion called 'taking notice,' he clasps the crowing baby in his arms; he rests its lily feet upon his knees; he endures with philosophic patience all the 'gouging,' and pulling, and kicking, with which the young hero may testify his triumph; and while the young mother stands by, her eyes beaming with mingled love and pride, he becomes warmer in his romps; makes faces, as the nerveless fingers of the little one seek, with more earnestness, his eyes, or pull with a greater effort at his lips; and amid screams of laughter, he chases the flying hours, until at length a 'pale cast of thought' flits over the baby's face, like a cloud in a summer sky. This is the signal for immediate seriousness. The father grows grave--then frightened. He raises him gently from his lap, and with a single exclamation of 'Take him mother!' consigns the precious charge to her arms, and darting a hasty glance at his 'pants' he walks in silence from the room. Nor do we bachelors always escape with impunity. Anxious to win a smile from some fond mother, more than one of us may have dared to approach, with a kiss, the hallowed lips of her darling. But mark the quick wing of vengeance! Darting from its lurking place in the mouth, out flies the little doubled fist, and slams a well-beslabbered biscuit into the face of the intruder. He recoils, with his 'reeking honors fresh upon him,' and the little squab coos in triumph at his failure.'

NATIONAL ACADEMY OF DESIGN.--The growing interest felt in relation to the Fine Arts in this country, and the influence which the NATIONAL ACADEMY OF DESIGN has had in producing that interest, make it imperative upon us to notice the pictures which are annually sent to this exhibition. In passing through the Academy with this object in view, we have been at some loss to know where to begin. Finding however by chance at the end of the catalogue an alphabetical arrangement of the exhibitors' names, we have adopted this as the best method of laying the merits of the several pictures before our readers. We therefore begin with:

V. G. AUDUBON, A.--Mr. AUDUBON exhibits four pictures this season: of these, No. 133, 'Grove of Palm-trees' in the Island of Cuba, we prefer. This picture appears to be a faithful representation of the scene, and is handled with a free and firm pencil. The trees are perhaps a little too literally represented, to be agreeable to the eye, consisting as they do of so many equally straight and unpicturesque lines. No. 237, 'Moon-light Squall coming up,' is a pleasing representation of one of Nature's poetical moments. The light is clear and silvery, and the water transparent and truthful. The whole scene is interesting, and there is but little to find fault with; although perhaps parts would admit of more warmth of color.

J. D. BLONDELL has six pictures, the majority portraits. No. 80, 'Portrait of a Lady,' half-length, is a pleasing picture; warm in color and carefully painted, and gives evidence of rising talent. The head is perhaps slightly deficient in careful drawing; but few artists are competent to paint a lady's portrait; and this gentleman should not feel discouraged, though his work be found slightly deficient in that grace which is so difficult of attainment.

BODDINGTON, (London,) exhibits three landscapes, all in a style peculiarly belonging to the English school. They possess great charms; facility of execution, and delicacy of handling.

BONFIELD.--No. 168 is perhaps the best of his productions. If it were not for the pinky hue of the sky, this would indeed be a charming picture.

F. BAYLE.--No. 25; 'Picture-Dealer.' A deep-toned, carefully-painted picture, and evincing much promise in so young an artist. We are glad to perceive that it is purchased by the American Art-Union.

G. L. BROWN.--No. 400; 'View of the Tiber.' Too much of an imitation of old pictures. In seeking this quality, the artist has lost sight of the truth and freshness of nature.

CHAPMAN, N. A.--Mr. CHAPMAN presents nine pictures this season, and all in his usual brilliant style. No. 116, 'Peasant Girl of Albano,' is exceedingly rich in color, and forcible in effect: a few cool tints about the head-dress would give perhaps still greater value to the warm tones. No. 189, 'Hebrew Women,' is this artist's gem of the year. Well composed, pleasing in color, and carefully finished, it expresses the occurrence with fidelity and truth. No. 204, 'Boy in Indian Costume,' is an attractive picture; but No. 213, 'On the Fence,' is more to our liking. The story is well told; the city beau is carefully and truly represented; and the dogs are admirable. No. 263, portrait of Doctor ANDERSON, the father of wood-engraving in this country, is capital. No. 266, 'Lazy Fisherman,' is Laziness personified. No. 341, 'Sketch from Nature,' in water-colors, is an exemplification of this gentleman's versatility of talent.

J. G. CLONNEY, A., has two pictures in the exhibition, Nos. 7 and 160. No. 7, 'The New-Year's Call,' is decidedly the best. The negro is well painted. Mr. CLONNEY'S works generally evince great observation of nature in this class of subjects.

T. COLE, N. A.--Mr. COLE exhibits but one picture, and that comparatively a small one. It possesses however many of the admirable characteristics of his works, particularly his early ones. It would be difficult to find a middle-ground and distance surpassing those of this picture.

T. CRAWFORD, (Rome.)--Mr. CRAWFORD gives us two full-length statues, in which the charm of the _marble_ is strongly apparent. Mr. CRAWFORD, we grieve to say, is evidently too impatient in the finish of his works to produce that correctness which is essential to a high effort of art.

J. F. CROPSEY.--No. 68, 'View in Orange County,' is a careful representation of nature, and has the appearance to our eyes of having been painted on the spot; a practice very rarely to be found in young artists. A continuance in this course will place this artist in a prominent position as a landscape-painter. The sky is faulty in color, being too purple to meet our views of nature; and there is a lack of delicacy in the more receding portions of the work. But the fore-ground is carefully painted, and full of truth.

CUMMINGS, N. A.--Mr. CUMMINGS has but one picture. It possesses however the careful finish, gentlemanly character, and general truthfulness, so characteristic of this fine artist.

T. CUMMINGS, JR., a young artist. No. 149, 'The Ball,' is his best work. In thus attempting a subject of great difficulty of execution, he evinces promise of future ability. The picture has many pleasing points, marked however with some errors, which time and practice, let us hope, will correct.

C. CURTIS.--Mr. CURTIS has two pictures in the exhibition, and both of merit. No. 196 is among the best heads in the collection.

J. W. DODGE, A.--'Miniature Portraits.' Those of HENRY CLAY and Gen. JACKSON are the most prominent. The likenesses are good, and the pictures carefully finished; a merit in works of this character frequently unattended to. There is, however, a want of dignity sometimes to be found in Mr. DODGE'S portraits, which we could wish to see remedied: it would give an elevation to his paintings which they at present lack.

PAUL P. DUGGAN.--'John the Baptist' is a model in plaster, which displays greater knowledge of anatomy than we are in the habit of finding in the works of even older artists. In this respect it possesses great merit. We understand it is his first effort in modelling. As such, it is truly a work of the highest promise.

DURAND, N. A.--Mr. DURAND has contributed largely to the present exhibition, in every sense of the word. His most prominent production is No. 36, 'The Solitary Oak.' For an exhibition-picture, perhaps it is not so striking as some of his previous works; yet it will bear examination better. Without any effort at warmth of color, it has that glow of sunlight which it is so difficult to express. A veteran tree, standing alone upon a gentle eminence, stretching forth its giant arms, that have withstood the storms of centuries, is truly a noble subject for an artist of Mr. DURAND'S reputation; and most truly has he depicted it. The distance is beautiful, and the introduction of cattle seeking their evening shelter gives an interest seldom to be found in works of this class. Should we attempt to find a fault, it would be the want of a little more warmth and clearness in the dark parts of the fore-ground. No. 134, another charming landscape; true to nature, of a silvery tone, and most exquisite sweetness of color and delicacy of touch. Nos. 181 and 258 are two careful studies from nature, wherein special care has been given to the trunks of trees, a feature in landscape-painting upon which sufficient attention is rarely bestowed. No. 244, 'Emigrant Family,' is full of interest. The travelling family are encamped under the shade of the trees, and the kettle hung over the fire shows that they are evidently preparing to refresh themselves for farther toil and journeying. The foliage of the trees is elaborately executed; the distance is well preserved; and the whole possesses great truth to nature; perhaps however, like all '_green_' pictures, it is less attractive in an exhibition than works of a warmer color. No. 163, 'Portrait of a Gentleman,' has great force, and shows the artist's versatility of genius.

F. W. EDMONDS, N. A.--No. 105, 'Beggar's Petition,' is a spirited and faithful representation of the cold indifference to the wants of others, displayed in the miser's disposition. The figures are of life-size, and well drawn. The female supplicating in behalf of the distressed, is graceful in attitude, and admirably contrasted with the hoarding miser. No. 205, 'The Image Pedler,' is an effort of a higher order; for the artist has attempted, and successfully too, to elevate the class of works to which it belongs. In short, he has invested a humble subject with a moral dignity, which we hope our younger artists, who paint in this department, will not lose sight of. An independent farmer has his family around him, apparently immediately after dinner, and a strolling pedler appears among them, to dispose of his wares; and this gives interest to the whole group. The grandmother drops her peeling-knife, and the mother takes her infant from the cradle, to gaze at the sights in the pedler's basket. The husband, who has been reading in the cool breeze of the window, turns to participate in the sport; while the grandfather takes a bust of WASHINGTON, places it on the table, and commences an earnest elucidation of the character of the, 'Father of his Country' to the little children around him. All the figures are intelligent, and the whole scene conveys to the mind a _happy family_. In color, light and shade, and composition, it is masterly; and we see in it that minuteness of detail and careful finish are not incompatible with a broad and luminous effect.

C. L. ELLIOTT has five portraits in the exhibition. His 'Full-length of GOV. SEWARD' is a prominent one, although not his most agreeable picture. No. 61 is we think the best, and is a well-managed portrait, both in drawing and color.

G. W. FLAGG, H.--No. 63, 'Half-length of a Lady,' has considerable merit. It is rich and mellow in color, and better we think than many of Mr. FLAGG'S recent works. No. 208, 'The Widow,' is a popular picture; pleasing in expression, and possessing more refinement of character than is observable in many of his other portraits. No. 102, 'Bianca Visconti,' we do not admire.

G. FREEMAN.--Miniature portraits, generally large, and highly finished. This gentleman has lately arrived from Europe, and is we believe a popular artist; yet we do not like his productions.

J. FROTHINGHAM, N. A.--Nos. 32 and 35: portraits exhibiting Mr. FROTHINGHAM'S usual bold and free style in this department of art; remarkably fine likenesses; true in color, and of pleasing general effect.

H. P. GRAY, N. A.--Mr. GRAY exhibits a number of his works this season. He seems to us to sacrifice every thing to color; and his color is not such as is generally seen in nature, but rather what he has seen in pictures. This we think a mistake, and one which we must be permitted to hope he will rectify. In the pictures which he formerly painted, a much closer attention to nature is observable. Mr. GRAY has all the feeling of an artist, with no ordinary talent; and we regret to find that he wanders from the direct path. We were among the first, if not the very first, to call public attention to his merits, and it is with reluctance that we perform the duty involved in these animadversions. 'Comparisons,' DOGBERRY tells us, 'are odorous;' we cannot help remarking, however, that Mr. GRAY'S old fellow-student, HUNTINGTON, is (_longa intervallo_) in the advance. We prefer, of our artist's present efforts, the picture of 'His Wife.' It has a pleasing effect, and is more finished than usual, and more natural in tone than his 'Magdalen.'

J. T. HARRIS, A., has two pictures, and both portraits. No. 19 is the best. It exhibits a broad, free touch, and correct drawing, and is withal an excellent likeness. But we never look at Mr. HARRIS' works without being impressed with the idea that they are not finished. They seem to us, to borrow an artistical expression, as if they were in a capital state for 'glazing and toning up.' Otherwise, they are above the ordinary run of portraits.

G. P. A. HEALY, H.--Mr. HEALY is a resident of Paris, but an American. He is a favorite at the French court, and has by this means a reputation to which his works generally do not entitle him. We are bound in justice to say of his present effort, however, that it is an exceedingly fine picture. It is boldly and masterly executed; forcibly drawn, honestly colored, and well expressed. There is too about it a freedom from all the usual tricks of the profession, such as a red chair, velvet collar, and fantastic back-ground, which we particularly recommend to the attention of young artists.

THOMAS HICKS, A., has eight pictures in the collection, but none, excepting his portraits, which equal his former productions. No. 264, 'The Mother's Grave,' is an oft-repeated subject, and should not be attempted unless the artist is able to treat it with entire originality. There are good points about it, but none sufficiently attractive to warrant particular notice.

INGHAM, N. A., as usual has a fine collection of female portraits, all excellent for their careful drawing, lady-like expression, and high finish. The drapery and accessories of Mr. INGHAM'S portraits are always wonderfully exact to nature; and this greatly enhances the value of portraits of this description; for aside from their merit as likenesses, they will always be valuable as pictures. His male portrait, No. 113, of T. S. CUMMINGS, Esq., is a most admirable likeness, as well as a highly-wrought and masterly-painted picture. No. 239, 'Portrait of a Lady,' with a fan in her hand, is our favorite among his female heads. There is a sweetness and modesty in the expression, not only in the countenance but in the whole figure, which makes it peculiarly attractive.

H. INMAN, N. A.--No. 62, 'Portrait of the late Bishop MOORE, of Virginia,' is the admiration of all who behold it. In color it surpasses any thing of Mr. INMAN'S we have seen in many a day. Clear and luminous, with great breadth of light, and a mild, pleasing expression. We of course mean this to apply to the head. The hand and part of the drapery are not, in our judgment, so well done. No. 104, 'Lady with a Mask,' we do not altogether like; yet it is remarkable for being foreshortened in every part, and possesses that singular charm of light and shadow, and accidental effect, which are the characteristics of our artist's pencil. No. 314, a Landscape, although small, is delicately handled, and 'touched in' with great neatness and accuracy. In effect it is attractive, and in color pleasing. The figure in the fore-ground equals in care and minuteness of finish the manner of WOUVERMANS.

N. JOCELYN.--No. 57, 'Portrait of Professor SILLIMAN,' a faithful likeness, and carefully-painted portrait of a distinguished individual. No. 2, 'Portrait of a Child,' is another finished picture by this artist; clear and pearly in color and infantile in expression.

ALFRED JONES.--No. 301, an engraving from MOUNT'S picture of 'Nooning,' for the American Art-Union, is one of the largest line-engravings ever published in this country, and a work of high order. This style of engraving has heretofore received so little encouragement, that until the Art-Union started it, no one except Mr. DURAND had ever before dared to attempt it. This effort of Mr. JONES does him great credit.

M. LIVINGSTONE, A., has several works in the exhibition, but we cannot rank them among the higher class of landscapes. They lack the poetry of landscape-painting; but as amateur productions, they are very good.

E. D. MARCHANT, A.--All portraits, but none of high merit. Mr. MARCHANT is a persevering artist, who paints good likenesses and pleasing pictures; and so far, is doubtless popular with those who employ him.

JOHN MEGAREY has two portraits, and those far surpassing his former works. They are carefully painted, without an effort at any thing beyond the subject before the artist.

We shall resume and conclude our remarks upon the exhibition in our next number.

GOSSIP WITH READERS AND CORRESPONDENTS.--We are about to enter upon the TWENTY-FOURTH volume of the KNICKERBOCKER, for the advertisement of which, please note the second and third pages of the cover of the present number. We have nothing farther to add, than that 'what _has been_, is that which _shall be_,' in our onward progress. This Magazine, much the oldest in the United States, has been established, by the ever-unabated favor of the public, upon a basis of unshaken permanence. Its subscription-list fluctuates only in advance; it has the _affection_ of its readers, and all concerned in its production and promulgation, to a degree wholly unexampled; and it is designed not only to maintain, but continually to enhance, its just claims upon the liberal patronage of American readers. The arrangements for the next volume, if they do not 'preclude competition,' will be found, it is confidently believed, to preclude any thing like successful rivalry, on the part of any of our contemporaries. On this point, however, we choose as heretofore to be judged by the public. · · · WE gave in a recent issue two or three extracts from a lecture on '_The Inner Life of Man_' delivered by Mr. CHARLES HOOVER, at Newark, New-Jersey. This admirable performance has since been repeated to a highly gratified audience in this city; and from it we derive the following beautiful passage, which we commend to the heart of every lover of his kind: 'It is a maxim of patriotism never to despair of the republic. Let it be the motto of our philanthropy never to despair of our sinning, sorrowing brother, till his last lingering look upon life has been taken, and all avenues by which angels approach the stricken heart are closed and silent forever. And in such a crisis, let no counsel be taken of narrow, niggard sentiment. When in a sea-storm some human being is seen in the distant surf, clinging to a plank, that is sometimes driven nearer to the shore, and sometimes carried farther off; sometimes buried in the surge, and then rising again, as if itself struggling like the almost hopeless sufferer it supports, who looks sadly to the shore as he rises from every wave, and battling with the billow, mingles his cry for help with the wild, mournful scream of the sea-bird; nature in every bosom on the shore is instinct with anxious pity for his fate, and darts her sympathies to him over the laboring waters. The child drops his play-things, and old age grasps its crutch and hurries to the spot; and the hand that cannot fling a rope is lifted to heaven for help. What though the sufferer be a stranger, a foreigner, an enemy even? Nature in trouble, in consternation, shrieks '_He is a man!_' and every heart and hand is prompt to the rescue.' 'To a high office and ministry, to a life of beneficence, pity and love, each man should deem himself called by a divine vocation, by the appointment of nature; and otherwise living, should judge himself to be an abortion, a mistake, without signification or use in a world like ours. And the beauty, the glory of such a life, is not to be reckoned among ideal things heard out of heaven but never encountered by the eye. This world has had its CHRIST, its FENELONS, its HOWARDS, as well as its CALIGULAS and NEROS. Love hath been at times a manifestation as well as a principle; and the train of its glory swept far below the stars, and its brightness has fallen in mitigated and mellowed rays from the faces of men. As the ambiguous stranger-star of Bethlehem had its interpreting angel-song to the herdsmen of the plains, so loving men in all ages have given glimpses and interpretations of the love of GOD, and of the pity that is felt for the miserable and the guilty in the palace and presence-chamber of JEHOVAH. What glory within the scope of human imitation and attainment is comparable to that of the beneficent, the sympathising lover of his race? What more elevated, pure, and beautiful is possible among the achievements of an endless progression in heaven itself? MILTON represents the profoundest emotions of joy and wonder among the celestial hosts as occasioned by the first anticipative disclosures of divine pity toward sinning man; and a greater than MILTON assures us that the transport and festival of angelic joy occurs when Pity lifts the penitent from his prostration and forgives his folly.' · · · EMBELLISHMENT would seem to be the literary order of the day, in more ways than one. It has come to be the mode to express the most simple thought in the most magniloquent phrase. This propensity to lingual _Euphuism_ has given rise to sundry illustrations, in embellished maxims, which are particularly amusing. They are of the sort so finely satirized by 'OLLAPOD,' on one occasion, two or three examples of which we annex. The common phrase of ''Tis an ill wind that blows nobody any good' was transformed into 'That gale is truly diseased which puffeth benefactions to nonentity;' 'Let well enough alone,' into 'Suffer a healthy sufficiency to remain in solitude;' and 'What is sauce for the goose is sauce for the gander,' into 'The culinary adornments which suffice for the female of the race _Anser_, maybe relished also with the masculine adult of the same species.' Some London wag, in a kindred spirit, has illustrated the cockney song, 'If I had a donkey as vouldn't go, do you think I'd wallop him?' etc., as follows: 'The herbaceous boon and the bland recommendation to advance, are more operative on the ansinine quadruped than the stern imprecation and the oaken cudgel:

'Had I an ass averse to speed, I ne'er would strike him; no indeed! I'd give him hay, and cry 'Proceed,' And 'Go on EDWARD!''

The same species of satire is now and then visited upon the 'Troubadour Songs,' which have become so afflictingly common of late years. Some of these we have already given; and we find them on the increase in England. We have before us, from the London press of TILT AND BOGUE, 'Sir WHYSTLETON MUGGES, a Metrical Romaunte, in three Fyttes,' with copious notes. A stanza or two will suffice as a specimen. The knightly hero, it needs only to premise, has been jilted by his fair 'ladye-love,' who retires to her boudoir, while the knight walks off in despair:

'Hys herte beat high and quycke; Forth to his tygere he did call, 'Bring me my palfrey from his stall, For I moste cotte my stycke!'

'Ye stede was brought, ye knyghte jomped up, He woulde not even stay to sup, But swyft he rode away; Still groanynge as he went along, And vowing yet to come out stronge, Upon some future day.

'Alack for poore Syr WHYSTLETON, In love and warre so bold! Ye Ladye BLANCHE hym browne hath done, He is completely solde!

'Completely solde alack he is, Alack and wel-a-day; Mort DIEU! a bitterre fate is hys Whose trewe love sayth him nay!'

Thus endeth 'Fytte ye First.' We learn from the preface that the 'Rhime of the Manne whose Mothre did not Know he was Out,' and 'Ye Lodgemente of Maistre FERGISOUN,' are also in the editor's possession, but owing to the imperfect state of the MSS., it is doubtful whether they will ever be published. They have however been submitted to the inspection of 'The PERCY Society!' · · · WE are well pleased to learn that Sir EDWARD LYTTON BULWER, the distinguished author, is soon to visit the United States. That he will be warmly welcomed and cordially received, we cannot doubt; but we have good reason to believe that in the present instance at least our admiration of true genius will be tempered by all proper self-respect. Mr. BULWER has for many years entertained a desire to visit America. In one of his letters to the late WILLIS GAYLORD CLARK, now lying before us, he writes: 'I have long felt a peculiar admiration for your great and rising country; and it gives me a pleasure far beyond that arising from a vulgar notoriety, to think that I am not unknown to its inhabitants. Some time or other I hope to visit you, and suffer my present prepossessions to be confirmed by actual experience.' · · · WE have received and perused with gratification the last report of the '_New-York Asylum for Deaf Mutes_.' The institution is in the most flourishing condition, and its usefulness greatly increased. We are sorry to perceive, by the following 'specimen of composition' of a pupil in the eighth class, that the 'Orphic Sayings' of Mr. A. BRONSON ALCOTT are taken as literary models by the deaf and dumb students. The ensuing is certainly much better, internally, than anything from the transcendental 'seer;' but the manner too nearly resembles his, for both to be original. There is the same didactic condensation, the same Orphic 'oneness,' which distinguishes all _Alcottism_ proper. It is entitled 'Story of Hog:'

'I walked on the road. I stood near the water. I undressed my feet. I went in the water. I stood under the bridge. I sat on the log. I washed my feet with hands. I looked at large water came. I ran in the water. I ran out the water. The large water floated fast. I afraid. I wiped feet with stockings. I dressed my feet with stockings and shoes. I went on the ground. I stood on the ground. I seen at the hog ate grass. The hog seen at me. I went on the ground. I ran. The hog heard. The hog looked at me. It ran and jumped. The hog ran under the fence and got his head under the fence and want to ran out the fence! I caught ears its hog. The hog shout. I pulled the hog out the fence. I struck a hog with hand. I rided on the hog ran and jumped fast. The hog ran fell on near the water. I rided off a hog. I stood. I held one ear its hog. The hog slept lies on near the water. I waited. I leaved. I went from the hog. The hog awoke. It rose. It saw not me. It ran and jumped. The hog went from the water. The hog went in the mud and water. The hog wallowed in the mud and water became very dirty. It slept. I went. I went into the house.'

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THE EKKALAEOBION is the name given to an establishment opposite the Washington Hotel, in Broadway, where the formation of chickens, _ab initio_, is 'practised to a great extent.' And really, it is in some respects an awful exhibition, to a reflecting mind. It is as it were a visible exposition of the source of life. You see the pulse of existence throbbing in the yet unformed mass, which assumes, day after day, the image of its kind; until at length the little creature knocks for admittance into this breathing world; steps forth from the shell in which it had been so long 'cabined, cribbed, confined, bound in;' and straitway walks abroad, 'regenerated, disenthralled,' and ready for its 'grub.' By all means, reader, go and see this interesting and instructive exhibition. It is provocative of much reflection, aside from the mere contemplation of it as a matter of curiosity. · · · THE correspondent who sends us the following, writes upon the envelope containing it: 'I have endeavored to preserve the measure of the original, and at the same time to present a literal translation.' It will be conceded, we think, that he has been successful in his endeavor. Perhaps in some lines (as in '_Pertransivit gladius_') the translation is a little _too_ literal:

STABAT MATER.

I. I.

Stabat mater dolorosa, Near the cross the Mother weeping Juxta crucem lacrymosa, Stood, her watch in sorrow keeping Dum pendebat filius: While was hanging there her SON: Cujus animam gementem, Through her soul in anguish groaning, Contristantem et dolentem, O most sad, HIS fate bemoaning, Pertransivit gladius. Through and through that sword was run.

II. II.

O quam tristis et afflicta Oh how sad with woe oppressed, Fuit illa benedicta, Was she then, the Mother blessed, Mater unigeniti: Who the sole-begotten bore: Quæ moerebat, et dolebat, As she saw his pain and anguish, Et tremebat, cum videbat She did tremble, she did languish, Nati poenas inclyti. Weep her holy Son before.

III. III.

Quis est homo qui non fleret, Who is he his tears concealing, Christi matrem si videret Could have seen such anguish stealing In tanto supplicio? Through the Saviour-mother's breast? Quis posset non contristari, Who his deepest groans could smother, Piam matrem contemplari, Had he seen the holy Mother Dolentem cum filio? By her Son with grief oppressed!

IV. IV.

Pro peccatis suæ gentis Christ for Israel's transgression Vidit Jesum in tormentis, Saw she suffer thus oppression, Et flagellis subditum; Torment, and the cruel blow: Vidit suum dulcem natum Saw Him desolate and dying; Morientem, desolatum, Him she loved, beheld Him sighing Dum emisit spiritum. Forth His soul in deepest woe.

V. V.

Eja mater, fons amoris, Source of love, thy grief, O Mother, Me sentire vim doloris Grant with thee to share another-- Fac, ut tecum lugeam. Grant that I with thee may weep: Fac ut ardeat cor meum, May my heart with love be glowing, In amando Christum Deum, All on Christ my God bestowing, Ut sibi complaceam. In His favor ever keep.

VI. VI.

Saneta mater, istud agas, This, oh holy Mother! granting, Crucifixi fige plagas In my heart the wounds implanting Cordi meo valide: Of His cross, oh let me bear: Tui nati vulnerati, Pangs with which thy Son when wounded Jam dignati pro me pati, Deigned for me to be surrounded, Poenas mecum divide. [] Grant, oh grant that I may share.

VII. VII.

Fac me vere tecum flere, Be my eyes with tears o'erflowing, Crucifixo condolere, For the crucified bestowing, Donec ego vixero: Till my eyes shall close in death: Juxta crucem tecum stare, Ever by that cross be standing, Te libenter sociare Willingly with thee demanding In planctu desidero. But to share each mournful breath.

VIII. VIII.

Virgo virginum præclara, Thou of virgins blest forever, Mihi jam non sis amara Oh deny I pray thee never Fac me tecum plangere; That I may lament with thee: Fadut portem Christi mortem, Be my soul His death enduring, Passionis ejus sortem, And His passion--thus securing Et plagas recolere. Of His pains the memory.

IX. XI.

Fac me plagis vulnerari, With those blows may I be smitten, Cruce hac inebriari, In my heart that cross be written, Ob amorem filii: For thy Son's dear love alway: Inflammatus et accensus Glowing, burning with affection, Per te, virgo, sim defensus Grant me, Virgin! thy protection, In die judicii. In the dreaded judgment-day.

X. X.

Fac me cruce custodiri, May that cross its aid extend me, Morte Christi præmuniri, May the death of Christ defend me, Confoveri gratia: With its saving grace surround; Quando corpus morietur, And when life's last link is riven, Fac ut animæ donetur To my soul be glory given, Paradisi gloria. That in Paradise is found.

_St. Paul's College._ G. H. H.

* * * * *

'_A Story of Sorrow and Crime_' is an affecting monitory sketch, devoid of that mawkishness which is sometimes the characteristic of kindred performances. The writer's reflections upon the career of his hero, remind us of that beautiful passage in one of BLAIR'S essays: 'Life is short: the poor pittance of seventy years is worth being a villain for. What matters it if your neighbor lies in a splendid tomb? Sleep you with innocence! Look behind you through the track of time; a vast desert lies open in the retrospect; through this desert have your fathers journeyed on, until wearied with years and sorrows, they sunk from the walks of men. You must leave them where they fell, and you are to go a little farther, where you will find eternal rest. Whatever you may have to encounter between the cradle and the grave, every moment is big with innumerable events, which come not in slow succession, but bursting forcibly from a revolving and unknown cause, fly over this orb with diversified influence.' · · · 'F. P.'s '_Western Adventures_' have good _points_ about them, but if published entire, would we think disappoint himself perhaps as much as his readers. Here is an anecdote, however, which is worth 'jotting down' in types: 'I met not long after in New-York a man who had just been induced to rent the very hotel in Kentucky which was the scene of the reverses I have been describing. Aware that I had at one time kept the establishment, he was anxious to know my opinion of its pecuniary promise. 'I don't expect to make much the first year,' said he; 'I shall be satisfied if I 'realize' all expenses. But do you think I shall clear myself the first year?' 'I haven't the slightest doubt of it,' I replied; '_I cleared myself_ before the first six months were up, and was d--d _glad_ to get off so; and I rather guess that _you'll_ be too, in about half that time.' And he was!' · · · Could there be a more affecting picture than that of a fond mother learning for the first time from the tell-tale prattle of her little ones that she is 'given over to darkness and the worm' by her friends, who had disguised from her the fatal truth? Such is the scene depicted in these pathetic lines:

'He speaketh now: 'Oh, mother dear!' Murmurs the little child: And there is trouble in his eyes, Those large blue eyes so mild:

'Oh, mother dear! they say that soon, When here I seek for thee I shall not find thee--nor out there, Under the old oak-tree;

'Nor up stairs in the nursery, Nor any where, they say: Where wilt thou go to, mother dear? Oh, do not go away!'

There was long silence, a deep hush, And then the child's low sob: _Her_ quivering eyelids close: one hand Keeps down the heart's quick throb.

And the lips move, though sound is none, That inward voice is prayer. And hark! 'THY will, O LORD, be done!' And tears are trickling there--

Down that pale cheek, on that young head; And round her neck he clings; And child and mother murmur out Unutterable things.

_He_ half unconscious, _she_ deep-struck With sudden, solemn truth, That number'd are her days on earth-- Her shroud prepared in youth:

That all in life her heart holds dear GOD calls her to resign: She hears, feels, trembles--but looks up, And sighs 'THY will be mine!''

* * * * *

'I came down from Albany the other evening,' writes a correspondent, 'in that floating palace, the KNICKERBOCKER steamer; I slept in your KNICKERBOCKER state-room; arrived in town, I took after dinner a KNICKERBOCKER omnibus, and rode up to the 'Westminster Abbey Bowling Saloon,' named of KNICKERBOCKER; I called on you with my article for the KNICKERBOCKER Magazine; and on my way down, enjoyed a delightful ablution at the KNICKERBOCKER Bath; stepped into the KNICKERBOCKER Theatre, and 'laughed consumedly' over an amusing play; and finally, closed with a cup of delicious tea, green and black, and anchovy-toast, at KNICKERBOCKER Hall. Every thing, I was glad to see, was KNICKERBOCKER.' Very flattering; yet we dare say our friend was not aware that this Magazine was the _pioneer_ in the use of this popular name in Gotham, and that its example has suggested, one after another, the namesakes to which he has alluded. Such, howbeit, is the undeniable fact. · · · We remarked the example of _catachresis_ to which 'L.' alludes, and laughed at it, we venture to say, as heartily as himself. It was not quite so glaring however as the confused images of a celebrated Irish advocate: 'I smell a rat; I see it brewing in the storm; and I will crush it in the bud!' · · · We find several things to admire in our Detroit friend's '_Tale of Border Warfare_;' but he can't 'talk Indian'--that is very clear. The 'abrogynes' are not in the habit of making interminable speeches: they leave that to white members of Congress, who pump up a feeling in a day's speech 'for Buncombe.' Do you remember what HALLECK says of RED-JACKET?

'The spell of eloquence is thine, that reaches The heart, and makes the wisest head its sport; And there's one rare, strange virtue in thy speeches, The secret of their mastery--_they are short_.'

Not one man in a thousand can talk or write the true 'Indian.' Our friend SA-GO-SEN-O-TA, formerly known as Col. WILLIAM L. STONE, is one of the best Indian writers in this country. His late letter 'To the Sachems, Chiefs, and Warriors of the Seneca Indians,' acknowledging the honor they had done him in electing him a chief, is a perfect thing in its kind. May it be long before the 'MASTER OF BREATH' shall call him to 'the fair hunting-grounds, through clouds bright as fleeces of gold, upon a ladder as beautiful as the rainbow!' · · · Our entertaining '_Dartmoor Prisoner_' has a pleasant story of a fellow-captive who on one occasion performed that 'cautionary' experiment which is sometimes denominated 'putting your foot in it.' The term is of legitimate origin, it should seem. According to the _Asiatic Researches_, a very curious mode of trying the title to land is practised in Hindostan. Two holes are dug in the disputed spot, in each of which the lawyers on either side put one of their legs, and remain there until one of them is tired, or complains of being stung by the insects, in which case his client is defeated. In this country it is the client and not the lawyer who 'puts his foot into it!' · · · We have commenced in the present, and shall conclude in our next number, a '_Legend of the Conquest of Spain_,' by WASHINGTON IRVING. We derive it from the same source whence we received the 'Legend of Don RODERICK,' lately published in these pages. We commend its graphic limnings and stirring incidents to the admiration of our readers. · · · A FRIEND and correspondent in a sister city dashes in with a rich brush, in one of his familiar letters to us, a sketch of a boss-painter, who was renovating the writer's house with sundry pots of paint; a conceited, half-informed prig, who having grown rich, talks of 'going to Europe in the steam-boat,' and has a huge fancy for seeing Italy. 'Yes,' said the house-and-sign RAPHAEL, 'I must see Rome and Athens; them Romans allers made a great impression on me; the land of APELLES and XERXES; ah! that must be worth travelling for.' 'Would you not rather run over England?' I asked; but the ass _poohed_ at England, and on the strength of his daubing our house-blinds, claimed an interest in the Fine Arts abroad: 'No, Sir, give me Italy--the Loover and the Vattykin; them's the places for my money! Gods! how I should like to rummage over them old-masters! They beat _us_ all hollow--that's a fact. I'll give in to them. There never was such painters before, nor never will be. I want to study 'em.' 'Yes,' I rejoined; ''twould interest you, doubtless; and after having studied the great painters in Italy, you might return by way of Switzerland, and scrape acquaintance with the _glaciers_.' The booby did not _take_, but only stared and said: 'Oh, they're famous for glass-work there, be they?' This lover of the Fine Arts had a counterpart in the man who having 'made as much money as he wanted by tradin' in Boston,' went 'a-travelling abroad;' and while in Florence, called on POWERS the sculptor, with a design to 'patronize' him a little. After looking at his 'Greek Slave,' his 'Eve,' and other gems of art, he remarked that he 'thought they'd look a good 'eal better if they had some clothes on. I'm pretty well off,' he continued, 'and ha'n't a chick nor child in the world; and I thought I'd price a _statty_ or two. What's the damage, now, for that one you're peckin' at?' 'It should be worth from four to five thousand dollars, I think,' answered POWERS. 'What! five thousand dollars for _that 'are_! I cal'lated to buy me a piece of _stattyary_ before I went home, but _that's_ out of the question! _Hasn't stattyary riz lately?_ How's paintin's here now?' · · · Just complaints are made by our city contemporaries of the exorbitant rates of postage upon weekly periodicals. Mr. WILLIS complains, in the '_New-Mirror_' weekly journal, that country postmasters charge so much postage on that periodical by mail, that in many cases it would make the work cost to its country subscribers something like ten dollars a year! All postage in this country is at too high a rate; and so long as it remains so, the law will continue to be evaded. 'Cheating UNCLE SAM' is not considered a very heinous offence. There is nothing one robs with so little compunction as one's country. It is at the very worst robbing only eighteen millions of people. · · · The lines sent us in rejoinder to the stanzas of 'C. W. D.,' in a late issue, would not be _original_ in our pages; nor could we hope to have many _new_ readers for them, after they have appeared in, and of course been copied from, that exceedingly pleasant and well-edited daily journal, the _Boston Evening Transcript_. · · · HAUFFMAN, the German poet, was recently expelled from the Prussian dominions, and all his works proscribed thenceforth. 'Served him right;' for in one of his works appears the 'word following, to wit:' '_Sleuerverweigerungsverfassungsmassigberechtig_!'--meaning a man who is exempt by the constitution from the payment of taxes. 'Myscheeves thick' must needs follow such terrific words. 'We have heard,' says a London critic, in allusion to this jaw-breaker, 'of a gentleman, a member of the _Marionettenschauspielhausengesellschaft_, who was said to be an excellent performer on the '_Constantinopolitanischetudelsackpfeife_!'' · · · We owe a word of apology to our friends the publishers, for the omission of notices which we had prepared of their publications, and which are crowded out by our title-page and index, that were forgotten until the last moment. We shall 'bring up arrears' in our next.