The Joyful Wisdom ("La Gaya Scienza")
Part 14
_One Thing is Needful._—To "give style" to one's character—that is a grand and a rare art! He who surveys all that his nature presents in its strength and in its weakness, and then fashions it into an ingenious plan, until everything appears artistic and rational, and even the weaknesses enchant the eye—exercises that admirable art. Here there has been a great amount of second nature added, there a portion of first nature has been taken away:—in both cases with long exercise and daily labour at the task. Here the ugly, which does not permit of being taken away, has been concealed, there it has been re-interpreted into the sublime. Much of the vague, which refuses to take form, has been reserved and utilised for the perspectives:—it is meant to give a hint of the remote and immeasurable. In the end, when the work has been completed, it is revealed how it was the constraint of the same taste that organised and fashioned it in whole or in part: whether the taste was good or bad is of less importance than one thinks,—it is sufficient that it was _a taste_!—It will be the strong imperious natures which experience their most refined joy in such constraint, in such confinement and perfection under their own law; the passion of their violent volition lessens at the sight of all disciplined nature, all conquered and ministering nature: even when they have palaces to build and gardens to lay out, it is not to their taste to allow nature to be free.—It is the reverse with weak characters who have not power over themselves, and _hate_ the restriction of style: they feel that if this repugnant constraint were laid upon them, they would necessarily become _vulgarised_ under it: they become slaves as soon as they serve, they hate service. Such intellects—they may be intellects of the first rank—are always concerned with fashioning or interpreting themselves and their surroundings as _free_ nature—wild, arbitrary, fantastic, confused and surprising: and it is well for them to do so, because only in this manner can they please themselves! For one thing is needful: namely, that man should _attain to_ satisfaction with himself—be it but through this or that fable and artifice: it is only then that man's aspect is at all endurable! He who is dissatisfied with himself is ever ready to avenge himself on that account: we others will be his victims, if only in having always to endure his ugly aspect. For the aspect of the ugly makes one mean and sad.
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_Genoa._—I have looked upon this city, its villas and pleasure-grounds and the wide circuit of its inhabited heights and slopes, for a considerable time: in the end I must say that I see _countenances_ out of past generations,—this district is strewn with the images of bold and autocratic men. They have _lived_ and have wanted to live on—they say so with their houses, built and decorated for centuries, and not for the passing hour: they were well disposed to life, however ill-disposed they may often have been towards themselves. I always see the builder, how he casts his eye on all that is built around him far and near, and likewise on the city, the sea, and the chain of mountains; how he expresses power and conquest in his gaze: all this he wishes to fit into _his_ plan, and in the end make it his _property_, by its becoming a portion of the same. The whole district is overgrown with this superb, insatiable egoism of the desire to possess and exploit; and as these men when abroad recognised no frontiers, and in their thirst for the new placed a new world beside the old, so also at home everyone rose up against everyone else, and devised some mode of expressing his superiority, and of placing between himself and his neighbour his personal illimitableness. Everyone won for himself his home once more by over-powering it with his architectural thoughts, and by transforming it into a delightful sight for his race. When we consider the mode of building cities in the north, the law and the general delight in legality and obedience, impose upon us: we thereby divine the propensity to equality and submission which must have ruled in those builders. Here, however, on turning every corner you find a man by himself, who knows the sea, knows adventure, and knows the Orient, a man who is averse to law and to neighbour, as if it bored him to have to do with them, a man who scans all that is already old and established, with envious glances: with a wonderful craftiness of fantasy, he would like, at least in thought, to establish all this anew, to lay his hand upon it, and introduce his meaning into it—if only for the passing hour of a sunny afternoon, when for once his insatiable and melancholy soul feels satiety, and when only what is his own, and nothing strange, may show itself to his eye.
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_To the Preachers of Morality._—I do not mean to moralise, but to those who do, I would give this advice: if you mean ultimately to deprive the best things and the best conditions of all honour and worth, continue to speak of them in the same way as heretofore! Put them at the head of your morality, and speak from morning till night of the happiness of virtue, of repose of soul, of righteousness, and of reward and punishment in the nature of things: according as you go on in this manner, all these good things will finally acquire a popularity and a street-cry for themselves: but then all the gold on them will also be worn off, and more besides: all the gold _in them_ will have changed into lead. Truly, you understand the reverse art of alchemy, the depreciating of the most valuable things! Try, just for once, another recipe, in order not to realise as hitherto the opposite of what you mean to attain: _deny_ those good things, withdraw from them the applause of the populace and discourage the spread of them, make them once more the concealed chastities of solitary souls, say that _morality is something forbidden_! Perhaps you will thus win over for those things the sort of men who are only of any account, I mean the _heroic_. But then there must be something formidable in them, and not as hitherto something disgusting! Might one not be inclined to say at present with reference to morality what Master Eckardt says: "I pray God to deliver me from God!"
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_Our Atmosphere._—We know it well: to him who only casts a glance now and then at science, as in taking a walk (in the manner of women, and alas! also like many artists), the strictness in its service, its inexorability in small matters as well as in great, its rapidity in weighing, judging and condemning, produce something of a feeling of giddiness and fright. It is especially terrifying to him that the hardest is here demanded, that the best is done without the reward of praise or distinction; it is rather as among soldiers—almost nothing but blame and sharp reprimand _is heard_; for doing well prevails here as the rule, doing ill as the exception; the rule, however, has, here as everywhere, a silent tongue. It is the same with this "severity of science" as with the manners and politeness of the best society: it frightens the uninitiated. He, however, who is accustomed to it, does not like to live anywhere but in this clear, transparent, powerful, and highly electrified atmosphere, this _manly_ atmosphere. Anywhere else it is not pure and airy enough for him: he suspects that _there_ his best art would neither be properly advantageous to anyone else, nor a delight to himself, that through misunderstandings half of his life would slip through his fingers, that much foresight, much concealment, and reticence would constantly be necessary,—nothing but great and useless losses of power! In _this_ keen and clear element, however, he has his entire power: here he can fly! Why should he again go down into those muddy waters where he has to swim and wade and soil his wings!—No! There it is too hard for us to live! we cannot help it that we are born for the atmosphere, the pure atmosphere, we rivals of the ray of light; and that we should like best to ride like it on the atoms of ether, not away from the sun, but _towards the sun_! That, however, we cannot do:—so we want to do the only thing that is in our power: namely, to bring light to the earth, we want to be "the light of the earth!" And for that purpose we have our wings and our swiftness and our severity, on that account we are manly, and even terrible like the fire. Let those fear us, who do not know how to warm and brighten themselves by our influence!
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_Against the Disparagers of Nature._—They are disagreeable to me, those men in whom every natural inclination forthwith becomes a disease, something disfiguring, or even disgraceful. _They_ have seduced us to the opinion that the inclinations and impulses of men are evil; _they_ are the cause of our great injustice to our own nature, and to all nature! There are enough of men who _may_ yield to their impulses gracefully and carelessly: but they do not do so, for fear of that imaginary "evil thing" in nature! _That is the cause_ why there is so little nobility to be found among men: the indication of which will always be to have no fear of oneself, to expect nothing disgraceful from oneself, to fly without hesitation whithersoever we are impelled—we free-born birds! Wherever we come, there will always be freedom and sunshine around us.
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_Short-lived Habits._—I love short-lived habits, and regard them as an invaluable means for getting a knowledge of _many_ things and various conditions, to the very bottom of their sweetness and bitterness; my nature is altogether arranged for short-lived habits, even in the needs of its bodily health, and in general, _as far as_ I can see, from the lowest up to the highest matters. I always think that _this_ will at last satisfy me permanently (the short-lived habit has also that characteristic belief of passion, the belief in everlasting duration; I am to be envied for having found it and recognised it), and then it nourishes me at noon and at eve, and spreads a profound satisfaction around me and in me, so that I have no longing for anything else, not needing to compare, or despise, or hate. But one day the habit has had its time: the good thing separates from me, not as something which then inspires disgust in me—but peaceably and as though satisfied with me, as I am with it; as if we had to be mutually thankful, and _thus_ shook hands for farewell. And already the new habit waits at the door, and similarly also my belief—indestructible fool and sage that I am!—that this new habit will be the right one, the ultimate right one. So it is with me as regards foods, thoughts, men, cities, poems, music, doctrines, arrangements of the day, and modes of life.—On the other hand, I hate _permanent_ habits, and feel as if a tyrant came into my neighbourhood, and as if my life's breath _condensed_, when events take such a form that permanent habits seem necessarily to grow out of them: for example, through an official position, through constant companionship with the same persons, through a settled abode, or through a uniform state of health. Indeed, from the bottom of my soul I am gratefully disposed to all my misery and sickness, and to whatever is imperfect in me, because such things leave me a hundred back-doors through which I can escape from permanent habits. The most unendurable thing, to be sure, the really terrible thing, would be a life without habits, a life which continually required improvisation:—that would be my banishment and my Siberia.
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_A Fixed Reputation._—A fixed reputation was formerly a matter of the very greatest utility; and wherever society continues to be ruled by the herd-instinct, it is still most suitable for every individual _to give_ to his character and business _the appearance_ of unalterableness,—even when they are not so in reality. "One can rely on him, he remains the same"—that is the praise which has most significance in all dangerous conditions of society. Society feels with satisfaction that it has a reliable _tool_ ready at all times in the virtue of this one, in the ambition of that one, and in the reflection and passion of a third one,—it honours this _tool-like nature_, this self-constancy, this unchangeableness in opinions, efforts, and even in faults, with the highest honours. Such a valuation, which prevails and has prevailed everywhere simultaneously with the morality of custom, educates "characters," and brings all changing, re-learning, and self-transforming into _disrepute_. Be the advantage of this mode of thinking ever so great otherwise, it is in any case the mode of judging which is most injurious _to knowledge_: for precisely the good-will of the knowing one ever to declare himself unhesitatingly as _opposed_ to his former opinions, and in general to be distrustful of all that wants to be fixed in him—is here condemned and brought into disrepute. The disposition of the thinker, as incompatible with a "fixed reputation," is regarded as _dishonourable_, while the petrifaction of opinions has all the honour to itself:—we have at present still to live under the interdict of such rules! How difficult it is to live when one feels that the judgment of many millenniums is around one and against one. It is probable that for many millenniums knowledge was afflicted with a bad conscience, and that there must have been much self-contempt and secret misery in the history of the greatest intellects.
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_Ability to Contradict._—Everyone knows at present that the ability to endure contradiction is a high indication of culture. Some people even know that the higher man courts opposition, and provokes it, so as to get a cue to his hitherto unknown partiality. But the _ability_ to contradict, the attainment of _good_ conscience in hostility to the accustomed, the traditional and the hallowed,—that is more than both the above-named abilities, and is the really great, new and astonishing thing in our culture, the step of all steps of the emancipated intellect: who knows that?—
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_A Sigh._—I caught this notion on the way, and rapidly took the readiest, poor words to hold it fast, so that it might not again fly away. And now it has died in these dry words, and hangs and flaps about in them—and I hardly know now, when I look upon it, how I could have had such happiness when I caught this bird.
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_What one should Learn from Artists._—What means have we for making things beautiful, attractive, and desirable, when they are not so?—and I suppose they are never so in themselves! We have here something to learn from physicians, when, for example, they dilute what is bitter, or put wine and sugar into their mixing-bowl; but we have still more to learn from artists, who in fact, are continually concerned in devising such inventions and artifices. To withdraw from things until one no longer sees much of them, until one has even to see things into them, _in order to see them at all_—or to view them from the side, and as in a frame—or to place them so that they partly disguise themselves and only permit of perspective views—or to look at them through coloured glasses, or in the light of the sunset—or to furnish them with a surface or skin which is not fully transparent: we should learn all that from artists, and moreover be wiser than they. For this fine power of theirs usually ceases with them where art ceases and life begins; _we_, however, want to be the poets of our life, and first of all in the smallest and most commonplace matters.
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_Prelude to Science._—Do you believe then that the sciences would have arisen and grown up if the sorcerers, alchemists, astrologers and witches had not been their forerunners; those who, with their promisings and foreshadowings, had first to create a thirst, a hunger, and a taste for _hidden and forbidden_ powers? Yea, that infinitely more had to be _promised_ than could ever be fulfilled, in order that something might be fulfilled in the domain of knowledge? Perhaps the whole of _religion_, also, may appear to some distant age as an exercise and a prelude, in like manner as the prelude and preparation of science here exhibit themselves, though _not_ at all practised and regarded as such. Perhaps religion may have been the peculiar means for enabling individual men to enjoy but once the entire self-satisfaction of a God and all his self-redeeming power. Indeed!—one may ask—would man have learned at all to get on the tracks of hunger and thirst for _himself_, and to extract satiety and fullness out of _himself_, without that religious schooling and preliminary history? Had Prometheus first to _fancy_ that he had _stolen_ the light, and that he did penance for the theft—in order finally to discover that he had created the light, _in that he had longed for the light_, and that not only man, but also _God_ had been the work of _his_ hands and the clay in his hands? All mere creations of the creator?—just as the illusion, the theft, the Caucasus, the vulture, and the whole tragic Prometheia of all thinkers!
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_Illusion of the Contemplative._—Higher men are distinguished from lower, by seeing and hearing immensely more, and in a thoughtful manner—and it is precisely this that distinguishes man from the animal, and the higher animal from the lower. The world always becomes fuller for him who grows up into the full stature of humanity; there are always more interesting fishing-hooks, thrown out to him; the number of his stimuli is continually on the increase, and similarly the varieties of his pleasure and pain,—the higher man becomes always at the same time happier and unhappier. An _illusion_, however, is his constant accompaniment all along: he thinks he is placed as a _spectator_ and _auditor_ before the great pantomime and concert of life; he calls his nature a _contemplative nature_, and thereby overlooks the fact that he himself is also a real creator, and continuous poet of life,—that he no doubt differs greatly from the _actor_ in this drama, the so-called practical man, but differs still more from a mere onlooker or spectator _before_ the stage. There is certainly _vis contemplativa_, and re-examination of his work peculiar to him as poet, but at the same time, and first and foremost, he has the _vis creativa_, which the practical man or doer _lacks_, whatever appearance and current belief may say to the contrary. It is we, we who think and feel, that actually and unceasingly _make_ something which does not yet exist: the whole eternally increasing world of valuations, colours, weights, perspectives, gradations, affirmations and negations. This composition of ours is continually learnt, practised, and translated into flesh and actuality, and even into the commonplace, by the so-called practical men (our actors, as we have said). Whatever has _value_ in the present world, has it not in itself, by its nature,—nature is always worthless:—but a value was once given to it, bestowed upon it, and it was _we_ who gave and bestowed! We only have created the world _which is of any account to man_!—But it is precisely this knowledge that we lack, and when we get hold of it for a moment we have forgotten it the next: we misunderstand our highest power, we contemplative men, and estimate ourselves at too low a rate,—we are neither as _proud nor as happy_ as we might be.
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_The Danger of the Happiest Ones._—To have fine senses and a fine taste; to be accustomed to the select and the intellectually best as our proper and readiest fare; to be blessed with a strong, bold, and daring soul; to go through life with a quiet eye and a firm step, ever ready for the worst as for a festival, and full of longing for undiscovered worlds and seas, men and Gods; to listen to all joyous music, as if there, perhaps, brave men, soldiers and seafarers, took a brief repose and enjoyment, and in the profoundest pleasure of the moment were overcome with tears and the whole purple melancholy of happiness: who would not like all this to be _his_ possession, his condition! It was the _happiness of Homer_! The condition of him who invented the Gods for the Greeks,—nay, who invented _his_ Gods for himself! But let us not conceal the fact that with this happiness of Homer in one's soul, one is more liable to suffering than any other creature under the sun! And only at this price do we purchase the most precious pearl that the waves of existence have hitherto washed ashore! As its possessor one always becomes more sensitive to pain, and at last too sensitive: a little displeasure and loathing sufficed in the end to make Homer disgusted with life. He was unable to solve a foolish little riddle which some young fishers proposed to him! Yes, the little riddles are the dangers of the happiest ones!—
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_Two Happy Ones._—Certainly this man, notwithstanding his youth, understands the _improvisation of life_, and astonishes even the acutest observers. For it seems that he never makes a mistake, although he constantly plays the most hazardous games. One is reminded of the improvising masters of the musical art, to whom even the listeners would fain ascribe a divine _infallibility_ of the hand, notwithstanding that they now and then make a mistake, as every mortal is liable to do. But they are skilled and inventive, and always ready in a moment to arrange into the structure of the score the most accidental tone (where the jerk of a finger or a humour brings it about), and to animate the accident with a fine meaning and a soul.—Here is quite a different man: everything that he intends and plans fails with him in the long run. That on which he has now and again set his heart has already brought him several times to the abyss, and to the very verge of ruin; and if he has as yet got out of the scrape, it certainly has not been merely with a "black eye." Do you think he is unhappy over it? He resolved long ago not to regard his own wishes and plans as of so much importance. "If this does not succeed with me,"—he says to himself, "perhaps that will succeed; and on the whole I do not know but that I am under more obligation to thank my failures than any of my successes. Am I made to be headstrong, and to wear the bull's horns? That which constitutes the worth and the sum of life _for me_, lies somewhere else; I know more of life, because I have been so often on the point of losing it; and just on that account I _have_ more of life than any of you!"
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_In Doing we Leave Undone._—In the main all those moral systems are distasteful to me which say: "Do not do this! Renounce! Overcome thyself!" On the other hand I am favourable to those moral systems which stimulate me to do something, and to do it again from morning till evening, and dream of it at night, and think of nothing else but to do it _well_, as well as it is possible for _me_ alone! From him who so lives there fall off one after the other the things that do not pertain to such a life: without hatred or antipathy, he sees _this_ take leave of him to-day, and _that_ to-morrow, like the yellow leaves which every livelier breeze strips from the tree: or he does not see at all that they take leave of him, so firmly is his eye fixed upon his goal, and generally forward, not sideways, backward, nor downward. "Our doing must determine what we leave undone; in that we do, we leave undone"—so it pleases me, so runs _my placitum_. But I do not mean to strive with open eyes for my impoverishment; I do not like any of the negative virtues whose very essence is negation and self-renunciation.
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