The Journal of Geology, January-February 1893 A Semi-Quarterly Magazine of Geology and Related Sciences

Part 3

Chapter 33,921 wordsPublic domain

It thus appears that here as well as upon the river front, the works of art were confined to local deposits, limited horizontally but not vertically, and a strong presumption is created that the finds were confined to redistributed gravels settled upon the terrace face in the form of talus. Dr. Abbott states that "at that point where I gathered the majority of specimens there is a want of stratification."[2] It is well known that such rearranged deposits are often difficult to distinguish from the original gravels. In trenching an implement producing terrace at Washington--where the conditions were probably quite similar to those at the Trenton railroad station--I passed through eighty feet of redistributed talus gravels before encountering the gravels in place, and so deceptively were portions of these deposits re-set that experts in gravel phenomena were unable to decide whether they were or were not portions of the original formation (cretaceous). The question was finally settled by the discovery of artificially shaped stones in and beneath the deposits.

[2] Abbott, C. C. 10th Annual Report of the Peabody Museum, p. 41.

Again, an implement bearing deposit of gravel was recently discovered by the late Miss F. E. Babbitt at Little Falls, Minnesota, and sufficient (a very little) digging was done to satisfy the discoverer, and all paleolithic archeologists as well, that the objects were really imbedded in the glacial gravels. In the summer of 1892 I visited the place and carried a trench twenty feet horizontally into the terrace face on the "implement bed" level before encountering the gravels in place. The talus deposits were several feet thick, and were of such a nature that their true character could not be determined without careful and extensive trenching. The whole talus deposit was here well stocked with Indian quartz quarry-shop rejects, which were as usual of paleolithic types, and it was but natural that Miss Babbitt's conclusions, although based as they necessarily were upon inexpert observations, backed by such well known "types" of "implements" should be unhesitatingly accepted by believers.

The occurrence of these telling examples of the deceptive appearance of re-set gravels would seem to justify and emphasize the conviction created by a critical examination of the two leading so-called paleolithic sites at Trenton, that Dr. Abbott, notwithstanding his asseverations to the contrary, has been deceived. Very strong support, it seems to me, is given to this conclusion by the recently published opinion of the late Dr. H. Carvill Lewis, a glacialist familiar with the Trenton region, and with the work of Dr. Abbott at the period of his paleolithic castle building. Dr. Lewis is reported to have maintained before an open meeting of the Academy of Science in Philadelphia "that what Dr. Abbott believed to be undisturbed layers (of gravel) were those of an ancient talus."[3] This remark may refer to both the main sites--the one at the railroad station and the other at the river front--or possibly only to the former. I have also heard it stated that that eminent scholar, Dr. Leidy, who must have had ample opportunities of forming correct opinions upon the subject, held pretty much the same views of Dr. Abbott's finds.

[3] Brinton, D. G., Science, Oct. 28, p. 249.

To make the above criticism entirely clear, a few words of explanation of talus phenomena may be added. As a river cuts its channel deeper and deeper into deposits of gravel a section is gradually exposed, but the gravels break down readily under atmospheric influences and the exposed face does not retain a high angle. The upper part crumbles and descends toward the base, there to rest against the slope or to be carried away by the stream. A supposititious case will be convenient for illustration. A gravel terrace twenty feet in height is encroached upon by the river at high water and undermined, and the face breaks down vertically, leaving an exposure as illustrated in Fig. 4. In a very short time the upper portions become loosened and fall below, giving a steep slope as seen in Fig. 5. The process goes on with gradually decreasing rapidity, and if the river does not again encroach seriously, a practically stable slope is reached, as shown in Fig. 6. Such a talus may be hundreds or even thousands of years old, but there is rarely any means of determining its exact age. If the gravels are homogeneous in character, the talus will simulate their normal condition so completely that the distinction cannot be made out in ordinary gullies or by unsystematic digging. If the gravels contain varied strata the talus will be composite, and will be more readily distinguished from at least portions of the material in place.

Now it is important to observe what may be the possible art contents of such a talus as that shown in Fig. 6. It may contain all objects of art originally included in that portion of the gravels represented by _a_, _b_, _c_, together with all articles that happened to be upon the surface _b_, _c_, beside such objects as may have accumulated from dwelling or shop work upon its own surface, after the slope became sufficiently reduced to be occupied for these purposes. A talus is therefore liable to contain, and in the utmost confusion, relics of all periods of occupation, supposing always that there were such periods, from the beginning of the formation of the gravel deposits down to the present moment. As a rule such a talus, if art-containing, will have a large percentage of shop and quarry-shop refuse, for the reason that the exposed gravels, and the banks and beds of rivers cutting them, furnish, as a rule, a good deal of the raw material utilized by workers in stone, and the shops in which the work was done are usually located upon the slopes and outer margins of the terraces. Although there is the possibility of very considerable age for these talus deposits, it is unlikely that any of them date back as far as the close of the glacial epoch or at all near it, for rivers change back and forth constantly, undermining first one bank and then the other, so that a very large percentage of our talus deposits have been formed well within the historic period.

At Trenton the constantly exposed gravel banks afforded considerable argillite in bowlders, fragments and heavy masses, as well as some other flakable stones of inferior quality little used, and it is inevitable that the Indian who dwelt upon the shores of the river should have sought the workable pieces along the bluff, leaving the refuse everywhere; and it is a necessary consequence that the terrace margin, the bluff face, and the talus deposits, places little fitted for habitation, should for long distances contain no trace of any art shapes save such as pertain to manufacture. Thus are fully and satisfactorily accounted for all the turtle backs and other rude forms that our paleolith hunters have been so assiduously gathering. Nothing can be more fully apparent than that no other race than the Indian in his historic character and condition need be conjured up to reasonably account for every phase and every article of the recovered art. Mistaken interpretations of the nature of shop rejects, and the common association of these objects with redistributed gravels, are probably accountable for the many misconceptions that have arisen. Talus deposits form exceedingly treacherous records for the would-be chronologist. They are the reef upon which more than one paleolithic adventurer has been wrecked.

Relics of art attributed to gravel man have been collected, so far as I can gather from museum labels and from incidental references in various publications, from a number of sites aside from the two already referred to. These are scattered over the city, and the finds were made mostly in exposures of the gravels that remained visible for a short time only, as in street and cellar excavations and well pits. These reported finds can never be brought within the range of re-examination, and the searcher after unimpeachable testimony must content himself with placing them in the doubtful column on general principles. Urban districts are so subject to disturbance through cutting down of hills, filling in of depressions, grading of streets, digging of foundations, cellars, sewers, wells and graves that no man can, from a limited exposure such as those producing the reported tools necessarily were, speak with certainty of the undisturbed nature of the deposits penetrated. It is doubtful if any one is justified in publishing such observations at all without serious query. Such testimony is liable to fall of its own inherent weakness, being absolutely valueless if unsupported by collateral evidence of real weight. It can only be made permanently available to science by the discovery of something unusual or unique with which to couple it, something decidedly un-Indian in character or type, as for example the two skulls now in the Peabody Museum. These objects and the antler knife-handle exhibited with them may be alluded to as the only finds so far made at Trenton, having of themselves the least potentiality as proof and these skulls and this knife-handle must yet be subjected to the rigid examination made necessary by the importance of the conclusions to be based upon them.

Something may now be said concerning the art remains upon which this discussion hinges, and upon which conclusions of the greatest importance to anthropology are supposed to depend. Let us pass over all that has been said with regard to their manner of occurrence and association with the gravels and ask them simply what story they tell of themselves. Does this story, so far as we are able clearly to read it, speak of a great antiquity and a peculiar culture, or does it hint rather at vital weaknesses in the position taken by the advocates of these ideas? We shall see. The history of the utilization of rudely flaked stones in the attempt to establish a gravel man in America has never been written, but as read between the lines of paleolithic literature, it runs about as follows: The theory of a very rude and ancient people, having a unique culture and certain peculiar art limitations, was developed in Europe many years ago in a manner well known and often rehearsed. This people was associated with the ice age in Europe, and this epoch, with its moraines and till and sedimented gravels, was found to have been repeated in America. It was the most natural thing possible that these discoveries should carry with them the suggestion that man may have existed here as in Europe during that epoch, and that his culture was of closely corresponding grade. These were legitimate inferences and warranted the instituting of careful researches, but it was a dangerous suggestion to put into the minds of enthusiastic novices with fertile brains and ready pens. The idea was hardly transplanted to American soil before finds began to be made. The so-called "types" of European paleoliths suggested the lines upon which finds here should be made, and everything in the way of flaked stones connected directly or indirectly with the glacial gravels which had not yet been fully credited to and absorbed by the inconvenient Indian, was seized upon as representing the ancient time and its hypothetic people and culture. In the early days of the investigation the various rude forms of flaked stones, resulting from failures in manufacture, had not been studied, and were shrouded in convenient mystery, and they thus became the foundation of the new archeologic dynasty in America, the dynasty of the turtle-back. Dr. Abbott states in his first work[4] that these rude "implements" are not especially characteristic of any one locality, but seem to be scattered uniformly over the state. Specimens of every type, he says, are "found upon the surface, and are plowed up every spring and autumn; but this in no way militates against the opinion that these ruder forms are far older than the well-chipped jasper and beautifully-polished porphyry stone-work."[5] At that stage of the investigation it was not at all necessary that a specimen should come from the gravels in place or from any given depth, since the "type" was supposed to be easily recognized and was a sufficient means of settling the question of age.

[4] Abbott, C. C. The Stone Age in N. J., Sm. Rep. 1875, p. 247.

[5] Ibid, p. 252.

Rude "implements" were called for and they were found. The only requirements were that they should not be of well-known Indian types, that they should be rude and have some sort of resemblance to what were known as paleolithic implements abroad. Since most of these so-called gravel implements of Europe are also doubtless the rejects of manufacture resemblances were readily found. The early attempts to utilize these rejects in support of the theory, and make them masquerade creditably as "implements" with specialized features and self-evident adaptation to definite ice-age uses, now appear decidedly amusing. Gradually, however, the lines have been drawn upon this early license, and it is to-day well understood by all careful students, that since the rude forms are so often repeated in modern neolithic refuse, the only reliable test of a gravel "implement" is its occurrence in the gravels in place. That a particular "implement," said to have been obtained from the gravels, is of "paleolithic type," does not in the least strengthen its claims to being a _bona fide_ gravel implement; nor does its easy assignment to a "type" give any additional value to the collector's claim that the gravels said to contain it are implement bearing. The very names, "rude implement," "paleolithic implement," etc., carry with them a certain amount of mysterious suggestion; one thinks of unique, significant shapes and of strange, archaic uses. At their mere mention, the great ice sheet looms up with startling realism, and the reindeer and the mighty mammoth appear upon the scene. The reader of our paleolithic literature is led to feel that these antiquated objects carry volumes of history in their worn and weather-beaten faces, but this is all the figment of fertile brains. These objects have without exception the appearance of the most commonplace every-day rejects of manufacture without specialization and without hidden meaning. They tell of themselves no story whatsoever, save that of the oft-repeated failure of the aboriginal blade maker in his struggle with refractory stones. This will be shown with greater clearness farther on.

But the scheme does not end with the repetition of a European state of affairs. Our gravel archeologists have not been content to adopt that feature of the foreign scheme which utterly destroys the paleolithic race before a higher culture is brought upon the scene. It was thought to improve upon the borrowed plan by allowing for a gradual development upward from the paleolithic stage, represented exclusively by a class of meaningless bits of flaked stone, through a period less rude, characterized by productions so far advanced as to be assigned to a definite use. These latter productions consist mainly of rather large and often rude blades, sometimes plain, but generally notched or modified at the broader end as if to be set in a handle, or attached to a spear or arrow shaft. These were assigned to post-glacial times in such a way as to bridge or partly bridge the great space between the glacial epoch and the present. They were separated arbitrarily from the body of the collections of the region, and referred to as probably the work of an Eskimo race. This arrangement produced a pleasing symmetry and completeness, and brought the history of man down to the beginning of the Indian epoch, which is represented by all of those forms of art with which the red man is historically associated.

Three principal periods are thus thought to be represented by the finds at Trenton; and in the arrangement of the collections these grand divisions are illustrated by three great groups of relics, which are looked upon by the founders of the scheme as an epitome of native American art and culture. By others this grouping is looked upon as purely empirical, as an arbitrary separation of the normal art remains of the historic Indian, not suggested by anything in the nature or condition of the objects, nor in the manner of their discovery.

The "Eskimo" feature of the scheme requires a more detailed examination than can be given it here. It may be stated, however, that the separation of the so-called Eskimo spear points, or whatever they may be, from the great body of associated articles of flaked stone, appears to be a highly arbitrary proceeding. That they were extensively made by the Indians is proved by the occurrence of refuse resulting from their manufacture on modern shop sites, and that they were used by the Indian, is equally apparent from their common occurrence on modern dwelling sites. The exceptionally large size of the argellite points is readily accounted for by the nature of the material. It was the only stone of the region well adapted to the manufacture of long blades or projectile points. Jasper, quartz and flint have such minute cleavage that, save in rare cases, small implements only could be made from them. Their peculiar manner of occurrence, described at so much length by Dr. Abbott,[6] has been given undue consideration and weight. The phenomena observed may all be accounted for as a result of the vicissitudes of aboriginal life and occupation within the last few hundred years as fully and satisfactorily as by jumping thousands of years backward into the unknown.

[6] Abbott, C. C. Popular Science Monthly, Dec., 1889.

Whatsoever real support there may be for the "Eskimo" theory, either in the published or the unpublished evidence, it is apparent that under the present system of solitary and inexpert research, the scientific world will gain little that it can utilize without distrust and danger. Whatsoever may be the final outcome--which outcome is bound to be the truth--it is clear that there is little in the present evidence to warrant the separation of a "paleolithic" and an "Eskimo" period of art from that of the Indian.

That the art remains of the Trenton region are essentially a unit, having no natural separation into time, culture or stock groups, is easily susceptible of demonstration. I have already presented strong reasons for concluding that all the finds upon the Trenton sites are from the surface or from recent deposits, and that all may reasonably be assigned to the Indian. A find has recently been made which furnishes full and decisive evidence upon this point. At Point Pleasant, on the Delaware, some twenty-five miles above Trenton, there are outcrops of argillite, and here have been discovered recently the shop sites upon which this stone was worked. There are two features of these shops to which the closest attention must be given. The first is that they are manifestly modern; they are situated on the present flood plain of the Delaware, and but a few feet above average water level, the glacial terrace here being some forty or fifty feet in height. These shops, therefore, represent the most modern phases of aboriginal industry, and may have been occupied at the coming of William Penn. The second point is that every type of flaked argillite found in the Trenton region, associated with the gravels or otherwise, is found on this site. It was to a certain extent a quarry site, for the great masses of argillite brought down by the floods were here broken up and removed from the river banks or bed. It was a shop site, for here the articles, mainly blades, were roughed out, and it was also a dwelling place--a village site--where all the specialized forms of flaked stones made from the blades were prepared for use. Here are found great numbers of the rude failures, duplicating every feature of the mysterious "paleolith" with which our museums are stocked, and exhibiting the same masterly quitting at just the point "where no further shaping was possible."[7] Here we see the same boldly manipulated "cutting edge," the "flat bottom" and "high peak," and the same mysteriously weathered and disintegrated surfaces, so skillfully made, by a nice balancing of accidents,[8] to tell the story of chronologic sequence in deposition.

[7] Abbott, C. C. Smithsonian Report, 1875, p. 248.

[8] Ibid. Primitive Industry, p. 487.

Beside the failures, we have here, as on other quarry shop sites, the evidence of more advanced work, the wide, thick, defective blades, and many of the long, thin blades broken at or near the finishing point. Here, too, just back of the roughing-out shops, are the dwelling sites from which many specialized forms are obtained. The "Eskimo" type is fully represented as well as the ordinary spear point, the arrow point, and the perforator of our Indian. There is not a type of flaked argillite known in the Delaware valley that may not be duplicated here on this modern Indian site, and this has been known by local archeologists for years. Why so little has been said about the matter is thus explained. Dr. Abbott, in 1890, discovering this site, and finding "typical paleolithic implements" (the ordinary ruder forms of rejects) among the refuse, was so entirely at a loss to explain the occurrence that he felt compelled to again "take up the examination of the gravel deposits of the valley of the Delaware" with the hope of "finally solving the problem."[9] The true conditions would have been at once apparent to any one not utterly blinded by the prevailing misconceptions.

[9] Abbott, C. C. Annual Report of the Curator of the Museum of American Archeology, University of Pennsylvania. No. 1, p. 7.

The entire simplicity of the archeologic conditions in the Delaware valley may be further illustrated. Had William Penn paused in his arduous traffic with the tawny Delawares, and glanced out with far-sighted eyes from beneath the pendant branches of the great elm at Shackamaxon, he might have beheld an uncouth savage laboriously fabricating rude ice age tools, making the clumsy turtle-back, shaping the mysterious paleolith, thus taking that first and most interesting theoretical step in human art and history. Had he looked again a few moments later he might have beheld the same tawny individual deeply absorbed in the task of trimming a long rude spear point of "Eskimo" type from the refractory argillite. If he had again paused when another handful of baubles had been judiciously exchanged, he would have seen the familiar redskin carefully finishing his arrow points and fitting them to their shafts preparatory to a hunting and fishing cruise on the placid Delaware. Thus in a brief space of time Penn might have gleaned the story of the ages--the history of the turtle-back, the long spear point and their allies--as in a single sheaf. But the opportunity was wasted, and the heaps of flinty refuse left upon the river bank by the workmen were the only record left of the nature of the work of that day. Two hundred years of aboriginal misfortune and Quaker inattention and neglect have resulted in so mixing up the simple evidence of a day's work, that it has taken twenty-five years to collect the scattered fragments, to sift, separate and classify them, and to assign them to theoretic places in a scheme of culture evolution that spans ten thousand years.