Part 33
FORTY-NINTH SECTION, OR FIRST SECTION OF JOY.
The Fog.--Lilienbad.
Receive us with thy flowery Eden, veiled Lilienbad, me, Gustavus and my sister, give our dreams an earthly floor that they may play before us, and be thou as beautiful in thy twilight haze as a Past!
To-day we made our entry and our _avant-courier_ was a sporting butterfly which we drove before us from one flowery station to another. And the path of my pen, also, shall lead over no less charming ground.
The morning of to-day had submerged the whole Auenthal landscape under a sea of fog. The cloudy heavens rested low down upon our flowers. We sallied forth and went into these fluid heavens, into which, generally, only the Alps carry us up. Overhead on this globe of mist the sun painted itself like a paling mock-sun; at last the white ocean ran off into long streams--on the woods lay hanging mountains, every low place was covered with gleaming clouds, overhead the blue celestial circle opened wider and wider, till at length the earth took off from the heavens its tremulous veil and gazed joyfully into the great, eternal face--the white raiment of heaven (as my sister said) laid together by itself still fluttered on the trees, and the fleeces of cloud still overhung blossoms and floated as blond-laces around flowers--at last the landscape was sprinkled with the glittering gold-grains of the dew, and the meadows were overlaid as with magnified wings of butterflies. A cleansed and exhilarating May air cooled as with ice the draught of the lungs, the sun looked down joyously upon our sparkling spring and gazed and glowed into all globules of dew, as God does into all souls.... Oh, if I, this morning, when all things seemed to embrace us and when we sought to embrace all, could not answer myself, when I asked myself: "Was ever thy virtue as pure as thy enjoyment and for what hours does _this_ one come to reward thee?"--still less can I now answer, when I see that man can renew his joys, but not his deserts by remembrance, and that the fibres of our brains are the chords of an AEolian harp, which under the breath of a long-forgotten hour begin again to sound. The great Spirit of the Universe could not transform for us the whole stubborn chaotic mass with flowers; but he gave our spirits the power to make out of the second more ductile chaos, out of the globe of the brain, nothing but rose-fields and sunny shapes. Fortunate Rousseau--more fortunate than thou thyself knowest! The heaven which thou hast now won will differ in nothing from that which thy fancy here laid out, except in this, that thou inhabitest it not alone....
But just that makes the infinite difference; and where could I have felt it more sweetly, than by the side of my sister, whose glances have been the reflection of our sky, whose sighs the echo of our brotherly and sisterly harmony. Only be thou always so, precious darling! who hast suffered as much from the sick man as I from the sickness! Besides I know not which I oftener take back from thee, my blame or my praise!
Full of unuttered thoughts we arrived at Unter-Scheerau and found our pale traveling-companion all ready, my Gustavus. He was silent much of the time and his words lay under the pressure of his thoughts; the outer sunshine paled to inner moonlight, for no man is cheery when he is seeking or hoping to find the best that one can lose here below--Health and Love. As in such cases the chords of the soul do not fail to be put out of tune save under the lightest fingers, _i. e_., those of woman, accordingly I let _mine_ rest and _female_ fingers play, those of my sister.
When, at length, we had waded through many a stream of fragrance--for one often, out in the air, goes along by little flower-gales, without knowing whence they blow;--and when all the haze of the day's joy had condensed, before the eye, into an evening-dew and sunk with the sun; when that part of the sky over which the sun flamed began to glow white before glowing red, whereas the eastern quarter came forth in dark blue to meet the night; when we had followed with our eyes every bird and butterfly and traveler going in the direction of Lilienbad;--then at last did the lovely vale, into which we brought with us so many hopes as seeds of future joys, open to us its bosom. Our entry was at the eastern end; at the western the sun looked at us along the earth toward which he was going down, and as if from rapture over his well-spent day, melted into an evening-redness which floated through the whole valley and ascended even to the summits of the trees. I never saw the like; it lay, as if it had fallen in drops, in the bushes, on the grass and foliage and painted sky and earth to the likeness of one rosy cup. Single cottages, sometimes pairs of them, embowered themselves with trees; living lattices of twigs pressed themselves up on the prospects of the chambers and overspread the happy one who looked out at these pictures of bliss with shadows, perfumes, blossoms and fruits. The sun had gone down: the vale, like a widowed princess, put on a veil of white fragrant mist, and with its thousand throats sank into silence.
Oh, if our days in Lilienbad should be destined one day to die on thorns; if, instead of sections of joy, I should have to write sections of sorrow; if this is one day to be, then the reader will know it beforehand in the fact of my leaving off from the section the word "joy," and instead of the superscription make only crosses. But it is impossible; I can conclude my sheet in peace. Beata still breathes a low evening-song into her chorded echo; when both have died away then will sleep extinguish the light of the senses in the dwellers of Lilienbad and spread out the night-piece of dream in the twilight of souls....
FIFTIETH, OR SECOND JOY, SECTION.
The Springs.--The Wail of Love.
I went to sleep in the first heaven and woke up in the third. One should never wake up in any but strange places--nor in any chambers except those into which the morning-sun flings its first flames--and before only those windows where the green shadows burn like a traced name in the heavenly firework, and where the bird screams among the leaves through which he is skipping....
I could wish my future reviewer were living with me in my chamber at Lilienbad; he would not (as he does) break over my joy-sections the aesthetic staff, but an oak-twig to crown their father....
That father is just now a ladies' tailor, but merely in the following sense: in the centre of Lilienbad is the medicinal spring, from which is drawn the dispensary gushing out or the earth; from this spring radiate in regular symmetry the artificial peasants'-cottages, which the bathing guests occupy; each of these little cottages is decorated in jest with the hung-out emblem or signature of one or another trade. My little house holds out a pair of shears as a technical _insigne_, to announce that its occupant (myself) drives the trade of a ladies' tailor. My sister (to judge by the exponent of a wooden stocking) is a stocking-weaver; next door to her swings a wooden boot or a wooden leg (who can tell which?) which tells us as plainly as a journeyman's greeting, that the occupant is a shoemaker, who is no other than my Gustavus.
Against Beata's cottage, which like ladies of the present day has on a hat or roof of straw, rests a long ladder, which indicates the fair peasant-woman dwelling within, and is the Jacob's ladder, at the foot of which is seen at least _one_ angel.
It is well known even in foreign parts, that our principality has and must have its healing springs as well as any one on the princely bench, for everyone of them must carry round with it such a pharmaceutic well as a flask, to smell of, against financial fainting; further, it may be well known that once many guests came hither, and now not a cat--and for this, not the springs, but the Chamber of Finance is to blame, which has built too much into the place and wants to get too much out of it, and which began at as dear a rate as the Selter's springs ended--that consequently our springs will end as cheaply as those began--and that our Lilienbad, with all its medicinal virtues, has not after all the more important one of making people as sick as a chamber-maid--I said, that is all sufficiently well known, and therefore I need not in fact have said it at all.
To be sure, it is not a merit in other healing springs, if they are popular resorts of the sick, around which the whole great and rich world stands in priestly attitude; had we only here in Lilienbad also such female angels as in other watering-places, to agitate the pool of Bethesda and impart to it a medicinal virtue, which is the _reverse_ of that of the Biblical one; had we players who should compel the guests to sit, attendant physicians who should force them to swig, not sip, the eau-de-vie, then would our springs be as capable as any others in Germany of putting the tippling guests into such a state that they would come again every year. But as it is, our Board of Inspection will have to see again and again the sick phalanx of the great world roll by us and throng to other springs; as the wild beasts do round one in Africa; and if Pliny[91] explains by these animal-conventions the proverb in the note, I too would find a key to similar novelties in the mineral-spring-congresses.
The Exchequer is after all the most to be pitied, that in our Valley of Jehosaphat, nothing is to be found but Nature, Blessedness, Temperance and Resurrection.
To-day we all drank, at the _Baquet_ (or water-trough) the water drawn off over iron, amidst the noise of birds and leaves, and swallowed down the image of the sun that gleamed up out of it and its fire too. The winter of sorrow has drawn around the eyelids of Beata and around her mouth the inexpressibly tender lines and letters of her faded grief; her large eye is a sunny heaven, from which escape glistening drops. As a maiden can unfold the peacock's-mirror of her charms with another maiden more easily than with a male person, so she gained greatly by her play with my sister. Gustavus--was invisible, he drank his water after the rest and lost himself amidst the charms of the country, in order, strictly speaking, to escape the greater charms of its fair inhabitant. Except the happiness of seeing her he knew no greater than that of not seeing her. She never speaks of him, nor he of her; his thoughts of her which yearn outward do not grow into words, but only into blushes. Would to Heaven I were composing a romance instead of a biography! then would I bring you, fair souls, nearer together and reconstruct a friendly circle out of its segments; then should we both secure even here such a heaven, that if death should come along looking for us, that worthy man would not know whether we were already settled there or whether we were still waiting for him to get us in....
I acted at once judiciously and delicately, in bringing before Gustavus at this time, as I now do before my readers, a certain sketch which Beata made in the winter and which I came by in an equally honorable and ingenious manner. It is addressed to the picture of her brother and consists of questions. Grief lies upon woman's heart, which yields patiently to its burden, far more heavily than on man's, which by throbbing and thumping labors to shake it off; as on the motionless fir-peaks all the snow piles itself up, whereas on the lower twigs, which are always in motion, none remains.
"_To the Picture of my Brother._
"Why dost thou look on me so smilingly, thou precious image? Why dost thy pictured eye remain forever dry, when mine is so full of tears before thee? Oh, how I would love thee, wert thou painted mourning!
"Ah, Brother! dost thou not still long for a sister, does thy heart never tell thee that there is in the desolate world yet another which loves thee so unspeakably?-~Ah had I but _once_ set my eyes upon thee, clasped thee in my arms ... we could never forget each other! But now, if thou too art forsaken like thy sister, if thou too, like her, ploddest on under a rainy heaven and over a dreary earth, and findest no friend in the hours of sorrow--ah, in that case, thou hast not even a sister's likeness, before which thy heart may bleed to death! Oh, Brother! if thou art good and unhappy, then come to thy sister and take her whole heart--it is torn, but not asunder, and only bleeds! Oh, it would love thee so! Why dost thou not long for a sister? O thou unseen one, if thou too art abandoned, art deceived, art forgotten by strangers, why dost thou not long for a faithful sister? When can I tell thee, how often I have passed thy mute image to my heart, how often I have gazed upon it for hours together, and imagined my tears into its painted eyes, till I myself have burst into a flood of real tears at the thought?--Tarry not so long that thy sister with her worn-out heart shall repose under the coffin-lid, and with all her vain yearnings, her vain tears, her vain love, shall have crumbled into cold, forgotten earth! Nor tarry so long that our youthful meadows shall meanwhile have been mowed down and snowed over, and the heart has stiffened, and years and sorrows have become too many. There comes all at once over my soul so sad, so bitter a feeling.... Art thou perhaps already dead, dear one?--Ah, the thought benumbs my heart--turn thine eyes away, if thou art in bliss, from thy orphaned sister, and behold not her sorrows--ah, I put to myself the heavy question in my bleeding heart: _What have I left to love me?_ and I give myself no answer...."
* * * * *
The reader has the courage to divine from this more to Gustavus's advantage than he himself can. To him, as the hero of this book, this leaf must be a welcome one; but I, as his mere biographer, have nothing from it but two or three more heavy scenes, which however I gladly despatch out of true love for the reader--billions of them would I work out for his pleasure. Only it does my whole biography harm, that the persons whom I have set to work at the same time set me to work, and that the writer of this history or protocol is himself one of the heroes and parties. I should perhaps be more impartial, too, if I composed this history two or three decades or centuries after its birth, as they will have to do who shall in future draw from me. The artists direct the portrait-painter to sit three times as far off from the original as it is tall--and as Princes are so great and consequently can only be drawn by authors who sit at a distance from them, of place or time, equal to such greatness--accordingly it were to be desired that I did not stand so near to the Prince, so that I might portray less partially than I do....
FIFTY-FIRST, OR THIRD JOY, SECTION.
Sunday Morning.--Open Table.--Tempest.--Love.
What a Sunday!--To-day is Monday. I know no means of discharging myself, I who (as we all have by our insulation), have become an electrophorus of joy, except by writing, unless, indeed, I should dance. Gustavus makes himself heard over here: he has for a conductor a harpsichord and plays on it. The harpsichord will lighten this section for me and fling out to me many sparks of thought. I have often wished only to be rich enough to keep (as the Greeks did) a fellow of my own who should make music as long as I was writing. Heavens! what _opera omnia_ would bloom out! The world would at least experience the pleasurable result, that whereas, hitherto, so many pieces of poetical patchwork (_e. g_. the Medea) have become the occasion of musical masterpieces, the case would be reversed, and that musical blanks would produce poetical prizes.
Yesterday, before day, we rose from our beds, I and my musical _souffleur_. "We must," I said to him, "stir round out of doors four good hours before we go to church."--Namely, to _Ruhestatt_, where the excellent Herr Buerger of Grossenhayn[92] was to appear as invited preacher. So said, so done. Up to this hour I know not whether to prefer a tepid summer night or a cold summer morning: in the former the melted[93] heart dissolves in longing; the latter consolidates the glowing heart to joy and steels its throbbings. In order to reproduce our four hours one would have to bring together the minutes from a hundred summer-houses and hunting-lodges, and even then the description would limp. Morning twilight is to the day what spring is to summer, evening twilight to the night, autumn to winter. We saw and heard and smelt and felt, how one bit of the day gradually woke up after another--how the morning passed over lawn and garden and perfumed them like the morning-chambers of the great with flowers and blossoms--how it opened (so to speak) all windows, that a cooling draught of air might sweep through the whole theatre--how every throat woke every other and invited it into the breezy heights, that they might, with intoxicated bosom, soar to meet the low and rising sun and sing him a welcome--how the changeable sky ground and melted a thousand colors and touched and painted its drapery of clouds.... So far had the morning advanced, when we were still walking in the dewy vale. But when we passed out from its eastern gate into an immense meadow mosaically laid out with growing garlands and stirring foliage, whose soft wave-line sank into deeps and flowed up into heights, so as to keep its charms and flowers moving upward and downward--when we stood before all this--then uprose the storm of bliss and of the living day, and the east wind moved along beside it, and the great sun stood and throbbed like a heart in heaven and set all streams and drops of life whirling around him.
(Gustavus plays at this moment more softly, and his tones arrest my breath which passes over more and more easily into hypochondriacal intensity.)
Now when the mill of Creation roared and stormed with all its wheels and streams, in our sweet intoxication we hardly cared to go on, everywhere we were delighted; we were rays of light, broken on their way by every medium; we journeyed with the bee and the ant and followed every fragrance to its very source, and walked around every tree; every creature was a pole-star that led our needle into deflections and inflections. We stood in a circle of villages, whose roads were all bringing out joyous churchgoers and whose bells were ringing in the holy fair. At last we too followed the devout pilgrimage and entered the cool Ruhestatt church.
If a _maitre de plaisirs_ should draw up for a Prince a plan of decoration for an opera-house, to consist of a rising sun, a thousand Leipsic larks, twenty ringing bells, whole meadows and floras of silken flowers, the Prince would say, it cost too much~-but the master of pleasures should reply, costs a walk--or a crown, say I, because such an entertainment requires not the Prince, but the man.
In the church I seated myself on the organ-stool in order to fire off the clumsy organ, to the astonishment of most of the souls present. When Gustavus stepped into a pew of the nobility, there sat in the opposite one--Beata; for she was as fond of a sermon as other maidens are of a dance. Gustavus bent down with drooping eyes and rising blushes before her and was deeply touched by the pale, afflicted form, which once had glowed before him. She was equally affected by his, on which she read all the mournful recollections which had been on either his or her soul. Their four eyes turned back again from the object of love to that of the general attention, Herrn Brueger of Grossenhayn. He began--I had intended, as temporary organist, not to give heed to him at all--a chorister makes as little out of a sermon as a man of _ton_;--but Herr Brueger with his first words preached the singing-book, in which I was going to read, out of my hands. He took for his theme the forgiveness of human faults--how hard men were on one side and how frail on the other; how surely, too, and how bloodily every fault avenged itself upon man, and like a hairworm ate its way through him whom it inhabited; and how little reason, therefore, another had to exercise the judicial office of inexorableness; how little merit there was in forgiving faults of heedlessness, little or venial errors, and now very much all merit centered in the overlooking of such faults as reasonably exasperated us, etc. When at last he pointed to the blessedness of love to man, then did the burning and streaming eyes of Gustavus unconsciously rest on Beata's countenance; and when, finally, their eyes, directed toward the preacher, filled with the true solvent of joy and sorrow, and when, during the drying of them, she turned to Gustavus, then did they open upon each other mutually their eyes and their innermost being; the two disembodied souls gazed full into each other and a moment of the tenderest enthusiasm flying over chained their eyes together by a spell.... But suddenly they sought the old place again, and Beata's remained fixed upon the pulpit.
I cannot assert whether he, Herr Brueger, has yet inserted this practical discourse in his printed volume; nevertheless, this commendation shall not prevent my confessing that his sermons, however good in themselves, are perhaps wanting in the proper soporific power, a defect which one perceives in reading as well as in hearing. I will here, for the benefit of other clergymen, interpolate some extra pages upon the false style of church architecture.
_Extra lines on the false architecture of Churches_.
I have already delivered this lecture before the Consistory and the building inspector; but it had no effect. We and they all know that every church, a cathedral as well as a chapel of ease, has to care for the head or _brain_ of the diocese, _i. e_., for its _sleep_, because, according to Brinkmann, nothing strengthens the former so much as the latter. It were ridiculous if I should set to work to elaborate the point, that this disorganizing sleep can be induced in a cheaper way and for fewer pence and less opium, than it is done among the Turks; for our opium, like quicksilver, is rubbed in outwardly and applied mainly at the ears. Now, no one knows so well as I what has been already done in the whole matter. As in Constantinople (according to De Tott) there are special baths and seats for opium eaters, but only near the Mosques; so with us they are actually in them and are called church pews. Further, regular _night-lamps_ burn on the altar. The window-panes have in Catholic temples, glass paintings, which answer for shade as well as window-curtains. Sometimes the columns are so arranged or multiplied that they help toward that darkening of the church which is such a promoter of sleep. As the sleeping-chambers in France have only dull and dead colors, so in the great canonical dormitory is at least so much provision made for sleeping, that those parts of the church at least on which the eye chiefly rests: altar, preacher, chorister, and pulpit, are painted black. It will be seen that I omit no good point, and if I censure it is in no censorious spirit.