The Immortals: Masterpieces of Fiction, Crowned by the French Academy — Complete

CHAPTER LV

Chapter 4711,054 wordsPublic domain

A WITHERED LOTUS-FLOWER

One evening, in my cabin, in the midst of the Yellow Sea, my eyes fall upon the lotus-blossoms brought from Diou-djen-dji; they had lasted several days; but now they are withered, and strew my carpet pathetically with their pale pink petals.

I, who have carefully kept so many faded flowers, fallen, alas! into dust, stolen here and there, at moments of parting in different parts of the world; I, who have kept so many that the collection is now an absurd, an indistinguishable herbarium--I try hard, but without success, to awaken some sentiment for these lotus--and yet they are the last living souvenirs of my summer at Nagasaki.

I pick them up, however, with a certain amount of consideration, and I open my port-hole.

From the gray misty sky a strange light falls upon the waters; a dim and gloomy twilight descends, yellowish upon this Yellow Sea. We feel that we are moving northward, that autumn is approaching.

I throw the poor lotus into the boundless waste of waters, making them my best excuses for consigning them, natives of Japan, to a grave so solemn and so vast.

An Appeal to the Gods

Oama-Terace-Omi-Kami, wash me clean from this little marriage of mine, in the waters of the river of Kamo!

ETEXT EDITORS BOOKMARKS:

Japanese habit of expressing myself with excessive politeness Contemptuous pity, both for my suspicions and the cause of them

ETEXT EDITOR'S BOOKMARKS FOR THE ENTIRE CHRYSANTHEME:

Ah! the natural perversity of inanimate things Contemptuous pity, both for my suspicions and the cause of them Dull hours spent in idle and diffuse conversation Efforts to arrange matters we succeed often only in disarranging Found nothing that answered to my indefinable expectations Habit turns into a makeshift of attachment I know not what lost home that I have failed to find Irritating laugh which is peculiar to Japan Japanese habit of expressing myself with excessive politeness Ordinary, trivial, every-day objects Prayers swallowed like pills by invalids at a distance Seeking for a change which can no longer be found Trees, dwarfed by a Japanese process When the inattentive spirits are not listening Which I should find amusing in any one else,--any one I loved

AN "ATTIC" PHILOSOPHER

(Un Philosophe sous les Toits)

By EMILE SOUVESTRE

With a Preface by JOSEPH BERTRAND, of the French Academy

EMILE SOUVESTRE

No one succeeds in obtaining a prominent place in literature, or in surrounding himself with a faithful and steady circle of admirers drawn from the fickle masses of the public, unless he possesses originality, constant variety, and a distinct personality. It is quite possible to gain for a moment a few readers by imitating some original feature in another; but these soon vanish and the writer remains alone and forgotten. Others, again, without belonging to any distinct group of authors, having found their standard in themselves, moralists and educators at the same time, have obtained undying recognition.

Of the latter class, though little known outside of France, is Emile Souvestre, who was born in Morlaix, April 15, 1806, and died at Paris July 5, 1854. He was the son of a civil engineer, was educated at the college of Pontivy, and intended to follow his father's career by entering the Polytechnic School. His father, however, died in 1823, and Souvestre matriculated as a law-student at Rennes. But the young student soon devoted himself entirely to literature. His first essay, a tragedy, 'Le Siege de Missolonghi' (1828), was a pronounced failure. Disheartened and disgusted he left Paris and established himself first as a lawyer in Morlaix. Then he became proprietor of a newspaper, and was afterward appointed a professor in Brest and in Mulhouse. In 1836 he contributed to the 'Revue des Deux Mondes' some sketches of life in Brittany, which obtained a brilliant success. Souvestre was soon made editor of La Revue de Paris, and in consequence early found a publisher for his first novel, 'L'Echelle de Femmes', which, as was the case with his second work, Riche et Pauvre', met with a very favorable reception. His reputation was now made, and between this period and his death he gave to France about sixty volumes--tales, novels, essays, history, and drama.

A double purpose was always very conspicuous in his books: he aspired to the role of a moralist and educator, and was likewise a most impressive painter of the life, character, and morals of the inhabitants of Brittany.

The most significant of his books are perhaps 'Les Derniers Bretons (1835-1837, 4 vols.), Pierre Landais (1843, 2 vols.), Le Foyer Breton (1844, 2 vols.), Un Philosophe sons les Toits, crowned by the Academy (1850), Confessions d'un Ouvrier (1851), Recits et Souvenirs (1853), Souvenirs d'un Vieillard (1854); also La Bretagne Pittoresque (1845), and, finally, Causeries Historiques et Litteraires (1854, 2 vols.)'. His comedies deserve honorable mention: 'Henri Hamelin, L'Oncle Baptiste (1842), La Parisienne, Le Mousse, etc'. In 1848, Souvestre was appointed professor of the newly created school of administration, mostly devoted to popular lectures. He held this post till 1853, lecturing partly in Paris, partly in Switzerland.

His death, when comparatively young, left a distinct gap in the literary world. A life like his could not be extinguished without general sorrow. Although he was unduly modest, and never aspired to the role of a beacon-light in literature, always seeking to remain in obscurity, the works of Emile Souvestre must be placed in the first rank by their morality and by their instructive character. They will always command the entire respect and applause of mankind. And thus it happens that, like many others, he was only fully appreciated after his death.

Even those of his 'confreres' who did not seem to esteem him, when alive, suddenly found out that they had experienced a great loss in his demise. They expressed it in emotional panegyrcs; contemporaneous literature discovered that virtue had flown from its bosom, and the French Academy, which had at its proper time crowned his 'Philosophe sons les Toits' as a work contributing supremely to morals, kept his memory green by bestowing on his widow the "Prix Lambert," designed for the "families of authors who by their integrity, and by the probity of their efforts have well deserved this token from the Republique des Lettres."

JOSEPH BERTRAND de 'Academie Francaise.

AN "ATTIC" PHILOSOPHER