The Hundred Best English Poems

Chapter 2

Chapter 24,026 wordsPublic domain

Till a' the seas gang dry, my dear, And the rocks melt wi' the sun! And I will luve thee still, my dear, While the sands o' life shall run.

IV.

And fare the weel, my only luve, And fare the weel a while! And I will come again, my luve, Tho' it were ten thousand mile!

15. _Mary Morison._

I.

O Mary, at thy window be! It is the wish'd, the trysted hour. Those smiles and glances let me see, That make the miser's treasure poor. How blythely wad I bide the stoure, A weary slave frae sun to sun, Could I the rich reward secure-- The lovely Mary Morison!

II.

Yestreen, when to the trembling string The dance gaed thro' the lighted ha', To thee my fancy took its wing, I sat, but neither heard or saw: Tho' this was fair, and that was braw, And yon the toast of a' the town, I sigh'd and said amang them a':-- "Ye are na Mary Morison!"

III.

O Mary, canst thou wreck his peace Wha for thy sake wad gladly die? Or canst thou break that heart of his Whase only faut is loving thee? If love for love thou wilt na gie, At least be pity to me shown: A thought ungentle canna be The thought o' Mary Morison.

_Henderson and Henley's Text._

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LORD BYRON.

16. _She Walks in Beauty._

I.

She walks in Beauty, like the night Of cloudless climes and starry skies; And all that's best of dark and bright Meet in her aspect and her eyes: Thus mellowed to that tender light Which Heaven to gaudy day denies.

II.

One shade the more, one ray the less, Had half impaired the nameless grace Which waves in every raven tress, Or softly lightens o'er her face; Where thoughts serenely sweet express, How pure, how dear their dwelling-place.

III.

And on that cheek, and o'er that brow, So soft, so calm, yet eloquent, The smiles that win, the tints that glow, But tell of days in goodness spent, A mind at peace with all below, A heart whose love is innocent!

17. _Oh! Snatched Away in Beauty's Bloom._

I.

Oh! snatched away in beauty's bloom, On thee shall press no ponderous tomb; But on thy turf shall roses rear Their leaves, the earliest of the year; And the wild cypress wave in tender gloom:

II.

And oft by yon blue gushing stream Shall Sorrow lean her drooping head, And feed deep thought with many a dream, And lingering pause and lightly tread; Fond wretch! as if her step disturbed the dead!

III.

Away! we know that tears are vain, That Death nor heeds nor hears distress: Will this unteach us to complain? Or make one mourner weep the less? And thou--who tell'st me to forget, Thy looks are wan, thine eyes are wet.

18. _Song from "The Corsair."_

I.

Deep in my soul that tender secret dwells, Lonely and lost to light for evermore, Save when to thine my heart responsive swells, Then trembles into silence as before.

II.

There, in its centre, a sepulchral lamp Burns the slow flame, eternal--but unseen; Which not the darkness of Despair can damp, Though vain its ray as it had never been.

III.

Remember me--Oh! pass not thou my grave Without one thought whose relics there recline: The only pang my bosom dare not brave Must be to find forgetfulness in thine.

IV.

My fondest--faintest--latest accents hear-- Grief for the dead not Virtue can reprove; Then give me all I ever asked--a tear, The first--last--sole reward of so much love!

19. _Song from "Don Juan."_

I.

The Isles of Greece, the Isles of Greece! Where burning Sappho loved and sung, Where grew the arts of War and Peace, Where Delos rose, and Phoebus sprung! Eternal summer gilds them yet, But all, except their Sun, is set.

II.

The Scian and the Teian muse, The Hero's harp, the Lover's lute, Have found the fame your shores refuse: Their place of birth alone is mute To sounds which echo further west Than your Sires' "Islands of the Blest."

III.

The mountains look on Marathon-- And Marathon looks on the sea; And musing there an hour alone, I dreamed that Greece might still be free; For standing on the Persians' grave, I could not deem myself a slave.

IV.

A King sate on the rocky brow Which looks o'er sea-born Salamis; And ships, by thousands, lay below, And men in nations;--all were his! He counted them at break of day-- And, when the Sun set, where were they?

V.

And where are they? and where art thou, My Country? On thy voiceless shore The heroic lay is tuneless now-- The heroic bosom beats no more! And must thy Lyre, so long divine, Degenerate into hands like mine?

VI.

'Tis something, in the dearth of Fame, Though linked among a fettered race, To feel at least a patriot's shame, Even as I sing, suffuse my face; For what is left the poet here? For Greeks a blush--for Greece a tear.

VII.

Must _we_ but weep o'er days more blest? Must _we_ but blush?--Our fathers bled. Earth! render back from out thy breast A remnant of our Spartan dead! Of the three hundred grant but three, To make a new Thermopylæ!

VIII.

What, silent still? and silent all? Ah! no;--the voices of the dead Sound like a distant torrent's fall, And answer, "Let one living head, But one arise,--we come, we come!" 'Tis but the living who are dumb.

IX.

In vain--in vain: strike other chords; Fill high the cup with Samian wine! Leave battles to the Turkish hordes, And shed the blood of Scio's vine! Hark! rising to the ignoble call-- How answers each bold Bacchanal!

X.

You have the Pyrrhic dance as yet, Where is the Pyrrhic phalanx gone? Of two such lessons, why forget The nobler and the manlier one? You have the letters Cadmus gave-- Think ye he meant them for a slave?

XI.

Fill high the bowl with Samian wine! We will not think of themes like these! It made Anacreon's song divine: He served--but served Polycrates-- A Tyrant; but our masters then Were still, at least, our countrymen.

XII.

The Tyrant of the Chersonese Was Freedom's best and bravest friend; _That_ tyrant was Miltiades! Oh! that the present hour would lend Another despot of the kind! Such chains as his were sure to bind.

XIII.

Fill high the bowl with Samian wine! On Suli's rock, and Parga's shore, Exists the remnant of a line Such as the Doric mothers bore; And there, perhaps, some seed is sown, The Heracleidan blood might own.

XIV.

Trust not for freedom to the Franks-- They have a king who buys and sells; In native swords, and native ranks, The only hope of courage dwells; But Turkish force, and Latin fraud, Would break your shield, however broad.

XV.

Fill high the bowl with Samian wine! Our virgins dance beneath the shade-- I see their glorious black eyes shine; But gazing on each glowing maid, My own the burning tear-drop laves, To think such breasts must suckle slaves.

XVI.

Place me on Sunium's marbled steep, Where nothing, save the waves and I, May hear our mutual murmurs sweep; There, swan-like, let me sing and die: A land of slaves shall ne'er be mine-- Dash down yon cup of Samian wine!

_Coleridge's Text._

* * * * *

THOMAS CAMPBELL.

20. _Hohenlinden._

On Linden, when the sun was low, All bloodless lay th' untrodden snow; And dark as winter was the flow Of Iser, rolling rapidly.

But Linden saw another sight, When the drum beat, at dead of night, Commanding fires of death to light The darkness of her scenery.

By torch and trumpet fast array'd, Each horseman drew his battle blade, And furious every charger neigh'd, To join the dreadful revelry.

Then shook the hills with thunder riv'n, Then rush'd the steed to battle driv'n, And louder than the bolts of heaven, Far flash'd the red artillery.

But redder yet that light shall glow, On Linden's hills of stained snow, And bloodier yet the torrent flow Of Iser, rolling rapidly.

'Tis morn, but scarce yon level sun Can pierce the war-clouds, rolling dun, Where furious Frank, and fiery Hun, Shout in their sulph'rous canopy.

The combat deepens. On, ye brave, Who rush to glory, or the grave! Wave, Munich, all thy banners wave! And charge with all thy chivalry!

Few, few, shall part where many meet! The snow shall be their winding sheet, And every turf beneath their feet, Shall be a soldier's sepulchre.

_1809 Edition._

* * * * *

ARTHUR HUGH CLOUGH.

21. _Say not the Struggle Nought Availeth._

Say not, the struggle nought availeth, The labour and the wounds are vain, The enemy faints not, nor faileth, And as things have been they remain.

If hopes were dupes, fears may be liars; It may be, in yon smoke concealed, Your comrades chase e'en now the fliers, And, but for you, possess the field.

For while the tired waves, vainly breaking, Seem here no painful inch to gain, Far back, through creeks and inlets making, Comes silent, flooding in, the main.

And not by eastern windows only, When daylight comes, comes in the light, In front, the sun climbs slow, how slowly, But westward, look, the land is bright.

_1869 Edition._

* * * * *

SAMUEL TAYLOR COLERIDGE.

22. _Youth and Age._

Verse, a breeze mid blossoms straying, Where Hope clung feeding, like a bee-- Both were mine! Life went a maying With Nature, Hope, and Poesy, When I was young!

When I was young?--Ah, woful when! Ah! for the change 'twixt Now and Then! This breathing house not built with hands, This body that does me grievous wrong, O'er aery cliffs and glittering sands, How lightly then it flashed along:-- Like those trim skiffs, unknown of yore, On winding lakes and rivers wide, That ask no aid of sail or oar, That fear no spite of wind or tide! Nought cared this body for wind or weather When Youth and I liv'd in't together. Flowers are lovely; Love is flower-like; Friendship is a sheltering tree; O! the joys, that came down shower-like, Of Friendship, Love, and Liberty, Ere I was old.

Ere I was old? Ah woful Ere, Which tells me, Youth's no longer here! O Youth! for years so many and sweet 'Tis known, that Thou and I were one, I'll think it but a fond conceit-- It cannot be, that Thou art gone! Thy vesper-bell hath not yet toll'd:-- And thou wert aye a masker bold! What strange disguise hast now put on, To make believe, that Thou art gone? I see these locks in silvery slips, This drooping gait, this altered size: But springtide blossoms on thy lips, And tears take sunshine from thine eyes! Life is but thought: so think I will That Youth and I are house-mates still.

Dew-drops are the gems of morning, But the tears of mournful eve! Where no hope is, life's a warning That only serves to make us grieve, When we are old:

That only serves to make us grieve With oft and tedious taking-leave, Like some poor nigh-related guest, That may not rudely be dismist. Yet hath outstay'd his welcome while, And tells the jest without the smile.

_1869 Edition._

* * * * *

WILLIAM COLLINS.

23. _Written in the Year 1746._

How sleep the brave, who sink to rest By all their country's wishes bless'd! When Spring, with dewy fingers cold, Returns to deck their hallow'd mould, She there shall dress a sweeter sod Than Fancy's feet have ever trod.

By fairy hands their knell is rung; By forms unseen their dirge is sung; There Honour comes, a pilgrim gray, To bless the turf that wraps their clay; And Freedom shall a while repair, To dwell a weeping hermit there.

_1822 Edition._

* * * * *

WILLIAM COWPER.

24. _To a Young Lady._

Sweet stream that winds through yonder glade, Apt emblem of a virtuous maid-- Silent and chaste she steals along, Far from the world's gay busy throng, With gentle, yet prevailing, force, Intent upon her destin'd course; Graceful and useful all she does, Blessing and blest where'er she goes, Pure-bosom'd as that wat'ry glass, And heav'n reflected in her face.

_1813 Edition._

* * * * *

ALLAN CUNNINGHAM.

25. _A Wet Sheet and a Flowing Sea._

A wet sheet and a flowing sea, A wind that follows fast, And fills the white and rustling sail, And bends the gallant mast; And bends the gallant mast, my boys, While, like the eagle free, Away the good ship flies, and leaves Old England on the lee.

O for a soft and gentle wind! I heard a fair one cry; But give to me the snoring breeze, And white waves heaving high; And white waves heaving high, my boys, The good ship tight and free-- The world of waters is our home, And merry men are we.

There's tempest in yon horned moon, And lightning in yon cloud; And hark the music, mariners! The wind is piping loud; The wind is piping loud, my boys, The lightning flashing free-- While the hollow oak our palace is, Our heritage the sea.

_1847 Edition._

* * * * *

SIR WILLIAM DAVENANT.

26. _Song._

The lark now leaves his wat'ry nest, And, climbing, shakes his dewy wings; He takes this window for the east; And to implore your light, he sings: "Awake, awake! the morn will never rise, Till she can dress her beauty at your eyes.

"The merchant bows unto the seaman's star, The ploughman from the sun his season takes; But still the lover wonders what they are, Who look for day before his mistress wakes. Awake, awake! break thro' your veils of lawn! Then draw your curtains, and begin the dawn."

_1810 Edition._

* * * * *

JOHN DRYDEN.

27. _A Song for St. Cecilia's Day, 1687._

I.

From harmony, from heav'nly harmony This universal frame began: When nature underneath a heap Of jarring atoms lay, And cou'd not heave her head, The tuneful voice was heard from high, Arise, ye more than dead. Then cold, and hot, and moist, and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.

II.

What passion cannot Music raise and quell! When Jubal struck the corded shell, His list'ning brethren stood around, And, wond'ring, on their faces fell To worship that celestial sound. Less than a God they thought there could not dwell Within the hollow of that shell, That spoke so sweetly and so well. What passion cannot Music raise and quell!

III.

The trumpet's loud clangour Excites us to arms, With shrill notes of anger And mortal alarms. The double double double beat Of the thund'ring drum Cries, Hark! the foes come; Charge, charge, 'tis too late to retreat.

IV.

The soft complaining flute In dying notes discovers The woes of hopeless lovers, Whose dirge is whisper'd by the warbling lute.

V.

Sharp violins proclaim Their jealous pangs, and desperation, Fury, frantic indignation, Depth of pains, and height of passion, For the fair, disdainful dame.

VI.

But oh! what art can teach, What human voice can reach, The sacred organ's praise? Notes inspiring holy love, Notes that wing their heavenly ways To mend the choirs above.

VII.

Orpheus cou'd lead the savage race; And trees uprooted left their place, Sequacious of the lyre: But bright Cecilia rais'd the wonder higher: When to her organ vocal breath was giv'n, An angel heard, and straight appear'd, Mistaking Earth for Heav'n.

GRAND CHORUS.

_As from the pow'r of sacred lays The spheres began to move, And sung the great Creator's praise To all the Bless'd above; So when the last and dreadful hour This crumbling pageant shall devour, The trumpet shall be heard on high, The dead shall live, the living die, And Music shall untune the sky._

_1743 Edition._

* * * * *

OLIVER GOLDSMITH.

28. _Song._

The wretch condemn'd with life to part, Still, still on hope relies; And ev'ry pang that rends the heart, Bids expectation rise.

Hope, like the glimm'ring taper's light, Adorns and cheers the way; And still, as darker grows the night, Emits a brighter ray.

_1816 Edition._

* * * * *

THOMAS GRAY.

29. _Elegy written in a Country Church-yard._

The curfew tolls the knell of parting day, The lowing herd winds slowly o'er the lea, The ploughman homeward plods his weary way, And leaves the world to darkness and to me.

Now fades the glimmering landscape on the sight, And all the air a solemn stillness holds, Save where the beetle wheels his droning flight, And drowsy tinklings lull the distant folds:

Save that from yonder ivy-mantled tow'r, The moping owl does to the moon complain Of such as, wand'ring near her secret bow'r, Molest her ancient solitary reign.

Beneath those rugged elms, that yew-tree's shade, Where heaves the turf in many a mould'ring heap, Each in his narrow cell for ever laid, The rude forefathers of the hamlet sleep.

The breezy call of incense-breathing morn, The swallow twitt'ring from the straw-built shed, The cock's shrill clarion, or the echoing horn, No more shall rouse them from their lowly bed.

For them no more the blazing hearth shall burn, Or busy housewife ply her evening care; No children run to lisp their sire's return, Or climb his knees the envied kiss to share.

Oft did the harvest to their sickle yield, Their furrow oft the stubborn glebe has broke: How jocund did they drive their team afield! How bow'd the woods beneath their sturdy stroke.

Let not ambition mock their useful toil, Their homely joys, and destiny obscure; Nor grandeur hear with a disdainful smile The short and simple annals of the poor.

The boast of heraldry, the pomp of pow'r, And all that beauty, all that wealth e'er gave, Await alike th' inevitable hour. The paths of glory lead but to the grave.

Nor you, ye proud, impute to these the fault, If memory o'er their tomb no trophies raise, Where through the long-drawn aisle and fretted vault The pealing anthem swells the note of praise.

Can storied urn, or animated bust, Back to its mansion call the fleeting breath? Can honour's voice provoke the silent dust, Or flatt'ry soothe the dull cold ear of death?

Perhaps in this neglected spot is laid Some heart once pregnant with celestial fire; Hands, that the rod of empire might have sway'd, Or wak'd to ecstasy the living lyre:

But knowledge to their eyes her ample page Rich with the spoils of time did ne'er unroll; Chill penury repress'd their noble rage, And froze the genial current of the soul.

Full many a gem of purest ray serene The dark unfathom'd caves of ocean bear: Full many a flower is born to blush unseen, And waste its sweetness on the desert air.

Some village-Hampden, that, with dauntless breast, The little tyrant of his fields withstood, Some mute inglorious Milton here may rest, Some Cromwell guiltless of his country's blood.

Th' applause of list'ning senates to command, The threats of pain and ruin to despise, To scatter plenty o'er a smiling land, And read their history in a nation's eyes,

Their lot forbade: nor circumscrib'd alone Their growing virtues, but their crimes confin'd; Forbade to wade thro' slaughter to a throne, And shut the gates of mercy on mankind,

The struggling pangs of conscious truth to hide, To quench the blushes of ingenuous shame, Or heap the shrine of luxury and pride With incense kindled at the Muse's flame.

Far from the madding crowd's ignoble strife, Their sober wishes never learn'd to stray; Along the cool sequester'd vale of life They kept the noiseless tenour of their way.

Yet ev'n these bones from insult to protect Some frail memorial still erected nigh, With uncouth rhymes and shapeless sculpture deck'd, Implores the passing tribute of a sigh.

Their name, their years, spelt by th' unletter'd Muse, The place of fame and elegy supply: And many a holy text around she strews, That teach the rustic moralist to die.

For who, to dumb forgetfulness a prey, This pleasing anxious being e'er resign'd, Left the warm precincts of the cheerful day, Nor cast one longing ling'ring look behind?

On some fond breast the parting soul relies, Some pious drops the closing eye requires; E'en from the tomb the voice of nature cries, E'en in our ashes live their wonted fires.

For thee, who, mindful of th' unhonour'd dead, Dost in these lines their artless tale relate; If chance, by lonely contemplation led, Some kindred spirit shall enquire thy fate,--

Haply some hoary-headed swain may say, 'Oft have we seen him at the peep of dawn Brushing with hasty steps the dews away, To meet the sun upon the upland lawn:

'There at the foot of yonder nodding beech, That wreathes its old fantastic roots so high, His listless length at noontide would he stretch, And pore upon the brook that babbles by.

'Hard by yon wood, now smiling as in scorn, Mutt'ring his wayward fancies he would rove; Now drooping, woful-wan, like one forlorn, Or craz'd with care, or cross'd in hopeless love.

'One morn I miss'd him on the custom'd hill, Along the heath, and near his fav'rite tree; Another came; nor yet beside the rill, Nor up the lawn, nor at the wood was he:

'The next, with dirges due in sad array Slow through the church-way path we saw him borne:-- Approach and read (for thou canst read) the lay Grav'd on the stone beneath yon aged thorn.'

THE EPITAPH.

Here rests his head upon the lap of earth A youth, to fortune and to fame unknown: Fair science frown'd not on his humble birth, And melancholy mark'd him for her own.

Large was his bounty, and his soul sincere, Heaven did a recompense as largely send: He gave to mis'ry (all he had) a tear, He gain'd from heav'n ('twas all he wish'd) a friend.

No farther seek his merits to disclose, Or draw his frailties from their dread abode, (There they alike in trembling hope repose,) The bosom of his Father and his God.

_Mitford's Text._

* * * * *

WILLIAM ERNEST HENLEY.

30. _To R. T. H. B._

Out of the night that covers me, Black as the Pit from pole to pole, I thank whatever gods may be For my unconquerable soul.

In the fell clutch of circumstance I have not winced nor cried aloud. Under the bludgeonings of chance My head is bloody, but unbowed.

Beyond this place of wrath and tears Looms but the Horror of the shade, And yet the menace of the years Finds, and shall find, me unafraid.

It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate: I am the captain of my soul.

31. _I. M._ _Margaritæ Sorori_ _(1886)_

A late lark twitters from the quiet skies; And from the west, Where the sun, his day's work ended, Lingers as in content, There falls on the old, grey city An influence luminous and serene, A shining peace.

The smoke ascends In a rosy-and-golden haze. The spires Shine, and are changed. In the valley Shadows rise. The lark sings on. The sun, Closing his benediction, Sinks, and the darkening air Thrills with a sense of the triumphing night-- Night with her train of stars And her great gift of sleep. So be my passing! My task accomplished and the long day done, My wages taken, and in my heart Some late lark singing, Let me be gathered to the quiet west, The sundown splendid and serene, Death.

_1898 Edition._

* * * * *

GEORGE HERBERT.

32. _Virtue._

Sweet day, so cool, so calm, so bright, The bridal of the earth and sky: The dew shall weep thy fall to-night; For thou must die.

Sweet rose, whose hue angry and brave Bids the rash gazer wipe his eye: Thy root is ever in its grave, And thou must die.

Sweet spring, full of sweet days and roses, A box where sweets compacted lie; My music shows ye have your closes, And all must die.

Only a sweet and virtuous soul, Like season'd timber, never gives; But though the whole world turn to coal, Then chiefly lives.

_1633 Edition._