# The House of the Seven Gables

## Part 8

Book page: https://www.cyberlibrary.org/en/books/the-house-of-the-seven-gables-77/index.md

“Well done! well done! well done!” quoth Uncle Venner, who had taken occasion to shuffle in and out of the shop several times in the course of the day. “Here’s a girl that will never end her days at my farm! Bless my eyes, what a brisk little soul!”

“Yes, Phœbe is a nice girl!” said Hepzibah, with a scowl of austere approbation. “But, Uncle Venner, you have known the family a great many years. Can you tell me whether there ever was a Pyncheon whom she takes after?”

“I don’t believe there ever was,” answered the venerable man. “At any rate, it never was my luck to see her like among them, nor, for that matter, anywhere else. I’ve seen a great deal of the world, not only in people’s kitchens and back-yards but at the street-corners, and on the wharves, and in other places where my business calls me; and I’m free to say, Miss Hepzibah, that I never knew a human creature do her work so much like one of God’s angels as this child Phœbe does!”

Uncle Venner’s eulogium, if it appear rather too high-strained for the person and occasion, had, nevertheless, a sense in which it was both subtile and true. There was a spiritual quality in Phœbe’s activity. The life of the long and busy day—spent in occupations that might so easily have taken a squalid and ugly aspect—had been made pleasant, and even lovely, by the spontaneous grace with which these homely duties seemed to bloom out of her character; so that labor, while she dealt with it, had the easy and flexible charm of play. Angels do not toil, but let their good works grow out of them; and so did Phœbe.

The two relatives—the young maid and the old one—found time before nightfall, in the intervals of trade, to make rapid advances towards affection and confidence. A recluse, like Hepzibah, usually displays remarkable frankness, and at least temporary affability, on being absolutely cornered, and brought to the point of personal intercourse; like the angel whom Jacob wrestled with, she is ready to bless you when once overcome.

The old gentlewoman took a dreary and proud satisfaction in leading Phœbe from room to room of the house, and recounting the traditions with which, as we may say, the walls were lugubriously frescoed. She showed the indentations made by the lieutenant-governor’s sword-hilt in the door-panels of the apartment where old Colonel Pyncheon, a dead host, had received his affrighted visitors with an awful frown. The dusky terror of that frown, Hepzibah observed, was thought to be lingering ever since in the passageway. She bade Phœbe step into one of the tall chairs, and inspect the ancient map of the Pyncheon territory at the eastward. In a tract of land on which she laid her finger, there existed a silver mine, the locality of which was precisely pointed out in some memoranda of Colonel Pyncheon himself, but only to be made known when the family claim should be recognized by government. Thus it was for the interest of all New England that the Pyncheons should have justice done them. She told, too, how that there was undoubtedly an immense treasure of English guineas hidden somewhere about the house, or in the cellar, or possibly in the garden.

“If you should happen to find it, Phœbe,” said Hepzibah, glancing aside at her with a grim yet kindly smile, “we will tie up the shop-bell for good and all!”

“Yes, dear cousin,” answered Phœbe; “but, in the mean time, I hear somebody ringing it!”

When the customer was gone, Hepzibah talked rather vaguely, and at great length, about a certain Alice Pyncheon, who had been exceedingly beautiful and accomplished in her lifetime, a hundred years ago. The fragrance of her rich and delightful character still lingered about the place where she had lived, as a dried rose-bud scents the drawer where it has withered and perished. This lovely Alice had met with some great and mysterious calamity, and had grown thin and white, and gradually faded out of the world. But, even now, she was supposed to haunt the House of the Seven Gables, and, a great many times,—especially when one of the Pyncheons was to die,—she had been heard playing sadly and beautifully on the harpsichord. One of these tunes, just as it had sounded from her spiritual touch, had been written down by an amateur of music; it was so exquisitely mournful that nobody, to this day, could bear to hear it played, unless when a great sorrow had made them know the still profounder sweetness of it.

“Was it the same harpsichord that you showed me?” inquired Phœbe.

“The very same,” said Hepzibah. “It was Alice Pyncheon’s harpsichord. When I was learning music, my father would never let me open it. So, as I could only play on my teacher’s instrument, I have forgotten all my music long ago.”

Leaving these antique themes, the old lady began to talk about the daguerreotypist, whom, as he seemed to be a well-meaning and orderly young man, and in narrow circumstances, she had permitted to take up his residence in one of the seven gables. But, on seeing more of Mr. Holgrave, she hardly knew what to make of him. He had the strangest companions imaginable; men with long beards, and dressed in linen blouses, and other such new-fangled and ill-fitting garments; reformers, temperance lecturers, and all manner of cross-looking philanthropists; community-men, and come-outers, as Hepzibah believed, who acknowledged no law, and ate no solid food, but lived on the scent of other people’s cookery, and turned up their noses at the fare. As for the daguerreotypist, she had read a paragraph in a penny paper, the other day, accusing him of making a speech full of wild and disorganizing matter, at a meeting of his banditti-like associates. For her own part, she had reason to believe that he practised animal magnetism, and, if such things were in fashion nowadays, should be apt to suspect him of studying the Black Art up there in his lonesome chamber.

“But, dear cousin,” said Phœbe, “if the young man is so dangerous, why do you let him stay? If he does nothing worse, he may set the house on fire!”

“Why, sometimes,” answered Hepzibah, “I have seriously made it a question, whether I ought not to send him away. But, with all his oddities, he is a quiet kind of a person, and has such a way of taking hold of one’s mind, that, without exactly liking him (for I don’t know enough of the young man), I should be sorry to lose sight of him entirely. A woman clings to slight acquaintances when she lives so much alone as I do.”

“But if Mr. Holgrave is a lawless person!” remonstrated Phœbe, a part of whose essence it was to keep within the limits of law.

“Oh!” said Hepzibah carelessly,—for, formal as she was, still, in her life’s experience, she had gnashed her teeth against human law,—“I suppose he has a law of his own!”

VI. Maule’s Well

After an early tea, the little country-girl strayed into the garden. The enclosure had formerly been very extensive, but was now contracted within small compass, and hemmed about, partly by high wooden fences, and partly by the outbuildings of houses that stood on another street. In its centre was a grass-plat, surrounding a ruinous little structure, which showed just enough of its original design to indicate that it had once been a summer-house. A hop-vine, springing from last year’s root, was beginning to clamber over it, but would be long in covering the roof with its green mantle. Three of the seven gables either fronted or looked sideways, with a dark solemnity of aspect, down into the garden.

The black, rich soil had fed itself with the decay of a long period of time; such as fallen leaves, the petals of flowers, and the stalks and seed-vessels of vagrant and lawless plants, more useful after their death than ever while flaunting in the sun. The evil of these departed years would naturally have sprung up again, in such rank weeds (symbolic of the transmitted vices of society) as are always prone to root themselves about human dwellings. Phœbe saw, however, that their growth must have been checked by a degree of careful labor, bestowed daily and systematically on the garden. The white double rosebush had evidently been propped up anew against the house since the commencement of the season; and a pear-tree and three damson-trees, which, except a row of currant-bushes, constituted the only varieties of fruit, bore marks of the recent amputation of several superfluous or defective limbs. There were also a few species of antique and hereditary flowers, in no very flourishing condition, but scrupulously weeded; as if some person, either out of love or curiosity, had been anxious to bring them to such perfection as they were capable of attaining. The remainder of the garden presented a well-selected assortment of esculent vegetables, in a praiseworthy state of advancement. Summer squashes almost in their golden blossom; cucumbers, now evincing a tendency to spread away from the main stock, and ramble far and wide; two or three rows of string-beans and as many more that were about to festoon themselves on poles; tomatoes, occupying a site so sheltered and sunny that the plants were already gigantic, and promised an early and abundant harvest.

Phœbe wondered whose care and toil it could have been that had planted these vegetables, and kept the soil so clean and orderly. Not surely her cousin Hepzibah’s, who had no taste nor spirits for the lady-like employment of cultivating flowers, and—with her recluse habits, and tendency to shelter herself within the dismal shadow of the house—would hardly have come forth under the speck of open sky to weed and hoe among the fraternity of beans and squashes.

It being her first day of complete estrangement from rural objects, Phœbe found an unexpected charm in this little nook of grass, and foliage, and aristocratic flowers, and plebeian vegetables. The eye of Heaven seemed to look down into it pleasantly, and with a peculiar smile, as if glad to perceive that nature, elsewhere overwhelmed, and driven out of the dusty town, had here been able to retain a breathing-place. The spot acquired a somewhat wilder grace, and yet a very gentle one, from the fact that a pair of robins had built their nest in the pear-tree, and were making themselves exceedingly busy and happy in the dark intricacy of its boughs. Bees, too,—strange to say,—had thought it worth their while to come hither, possibly from the range of hives beside some farm-house miles away. How many aerial voyages might they have made, in quest of honey, or honey-laden, betwixt dawn and sunset! Yet, late as it now was, there still arose a pleasant hum out of one or two of the squash-blossoms, in the depths of which these bees were plying their golden labor. There was one other object in the garden which Nature might fairly claim as her inalienable property, in spite of whatever man could do to render it his own. This was a fountain, set round with a rim of old mossy stones, and paved, in its bed, with what appeared to be a sort of mosaic-work of variously colored pebbles. The play and slight agitation of the water, in its upward gush, wrought magically with these variegated pebbles, and made a continually shifting apparition of quaint figures, vanishing too suddenly to be definable. Thence, swelling over the rim of moss-grown stones, the water stole away under the fence, through what we regret to call a gutter, rather than a channel. Nor must we forget to mention a hen-coop of very reverend antiquity that stood in the farther corner of the garden, not a great way from the fountain. It now contained only Chanticleer, his two wives, and a solitary chicken. All of them were pure specimens of a breed which had been transmitted down as an heirloom in the Pyncheon family, and were said, while in their prime, to have attained almost the size of turkeys, and, on the score of delicate flesh, to be fit for a prince’s table. In proof of the authenticity of this legendary renown, Hepzibah could have exhibited the shell of a great egg, which an ostrich need hardly have been ashamed of. Be that as it might, the hens were now scarcely larger than pigeons, and had a queer, rusty, withered aspect, and a gouty kind of movement, and a sleepy and melancholy tone throughout all the variations of their clucking and cackling. It was evident that the race had degenerated, like many a noble race besides, in consequence of too strict a watchfulness to keep it pure. These feathered people had existed too long in their distinct variety; a fact of which the present representatives, judging by their lugubrious deportment, seemed to be aware. They kept themselves alive, unquestionably, and laid now and then an egg, and hatched a chicken; not for any pleasure of their own, but that the world might not absolutely lose what had once been so admirable a breed of fowls. The distinguishing mark of the hens was a crest of lamentably scanty growth, in these latter days, but so oddly and wickedly analogous to Hepzibah’s turban, that Phœbe—to the poignant distress of her conscience, but inevitably—was led to fancy a general resemblance betwixt these forlorn bipeds and her respectable relative.

The girl ran into the house to get some crumbs of bread, cold potatoes, and other such scraps as were suitable to the accommodating appetite of fowls. Returning, she gave a peculiar call, which they seemed to recognize. The chicken crept through the pales of the coop and ran, with some show of liveliness, to her feet; while Chanticleer and the ladies of his household regarded her with queer, sidelong glances, and then croaked one to another, as if communicating their sage opinions of her character. So wise, as well as antique, was their aspect, as to give color to the idea, not merely that they were the descendants of a time-honored race, but that they had existed, in their individual capacity, ever since the House of the Seven Gables was founded, and were somehow mixed up with its destiny. They were a species of tutelary sprite, or Banshee; although winged and feathered differently from most other guardian angels.

“Here, you odd little chicken!” said Phœbe; “here are some nice crumbs for you!”

The chicken, hereupon, though almost as venerable in appearance as its mother—possessing, indeed, the whole antiquity of its progenitors in miniature,—mustered vivacity enough to flutter upward and alight on Phœbe’s shoulder.

“That little fowl pays you a high compliment!” said a voice behind Phœbe.

Turning quickly, she was surprised at sight of a young man, who had found access into the garden by a door opening out of another gable than that whence she had emerged. He held a hoe in his hand, and, while Phœbe was gone in quest of the crumbs, had begun to busy himself with drawing up fresh earth about the roots of the tomatoes.

“The chicken really treats you like an old acquaintance,” continued he in a quiet way, while a smile made his face pleasanter than Phœbe at first fancied it. “Those venerable personages in the coop, too, seem very affably disposed. You are lucky to be in their good graces so soon! They have known me much longer, but never honor me with any familiarity, though hardly a day passes without my bringing them food. Miss Hepzibah, I suppose, will interweave the fact with her other traditions, and set it down that the fowls know you to be a Pyncheon!”

“The secret is,” said Phœbe, smiling, “that I have learned how to talk with hens and chickens.”

“Ah, but these hens,” answered the young man,—“these hens of aristocratic lineage would scorn to understand the vulgar language of a barn-yard fowl. I prefer to think—and so would Miss Hepzibah—that they recognize the family tone. For you are a Pyncheon?”

“My name is Phœbe Pyncheon,” said the girl, with a manner of some reserve; for she was aware that her new acquaintance could be no other than the daguerreotypist, of whose lawless propensities the old maid had given her a disagreeable idea. “I did not know that my cousin Hepzibah’s garden was under another person’s care.”

“Yes,” said Holgrave, “I dig, and hoe, and weed, in this black old earth, for the sake of refreshing myself with what little nature and simplicity may be left in it, after men have so long sown and reaped here. I turn up the earth by way of pastime. My sober occupation, so far as I have any, is with a lighter material. In short, I make pictures out of sunshine; and, not to be too much dazzled with my own trade, I have prevailed with Miss Hepzibah to let me lodge in one of these dusky gables. It is like a bandage over one’s eyes, to come into it. But would you like to see a specimen of my productions?”

“A daguerreotype likeness, do you mean?” asked Phœbe with less reserve; for, in spite of prejudice, her own youthfulness sprang forward to meet his. “I don’t much like pictures of that sort,—they are so hard and stern; besides dodging away from the eye, and trying to escape altogether. They are conscious of looking very unamiable, I suppose, and therefore hate to be seen.”

“If you would permit me,” said the artist, looking at Phœbe, “I should like to try whether the daguerreotype can bring out disagreeable traits on a perfectly amiable face. But there certainly is truth in what you have said. Most of my likenesses do look unamiable; but the very sufficient reason, I fancy, is, because the originals are so. There is a wonderful insight in Heaven’s broad and simple sunshine. While we give it credit only for depicting the merest surface, it actually brings out the secret character with a truth that no painter would ever venture upon, even could he detect it. There is, at least, no flattery in my humble line of art. Now, here is a likeness which I have taken over and over again, and still with no better result. Yet the original wears, to common eyes, a very different expression. It would gratify me to have your judgment on this character.”

He exhibited a daguerreotype miniature in a morocco case. Phœbe merely glanced at it, and gave it back.

“I know the face,” she replied; “for its stern eye has been following me about all day. It is my Puritan ancestor, who hangs yonder in the parlor. To be sure, you have found some way of copying the portrait without its black velvet cap and gray beard, and have given him a modern coat and satin cravat, instead of his cloak and band. I don’t think him improved by your alterations.”

“You would have seen other differences had you looked a little longer,” said Holgrave, laughing, yet apparently much struck. “I can assure you that this is a modern face, and one which you will very probably meet. Now, the remarkable point is, that the original wears, to the world’s eye,—and, for aught I know, to his most intimate friends,—an exceedingly pleasant countenance, indicative of benevolence, openness of heart, sunny good-humor, and other praiseworthy qualities of that cast. The sun, as you see, tells quite another story, and will not be coaxed out of it, after half a dozen patient attempts on my part. Here we have the man, sly, subtle, hard, imperious, and, withal, cold as ice. Look at that eye! Would you like to be at its mercy? At that mouth! Could it ever smile? And yet, if you could only see the benign smile of the original! It is so much the more unfortunate, as he is a public character of some eminence, and the likeness was intended to be engraved.”

“Well, I don’t wish to see it any more,” observed Phœbe, turning away her eyes. “It is certainly very like the old portrait. But my cousin Hepzibah has another picture,—a miniature. If the original is still in the world, I think he might defy the sun to make him look stern and hard.”

“You have seen that picture, then!” exclaimed the artist, with an expression of much interest. “I never did, but have a great curiosity to do so. And you judge favorably of the face?”

“There never was a sweeter one,” said Phœbe. “It is almost too soft and gentle for a man’s.”

“Is there nothing wild in the eye?” continued Holgrave, so earnestly that it embarrassed Phœbe, as did also the quiet freedom with which he presumed on their so recent acquaintance. “Is there nothing dark or sinister anywhere? Could you not conceive the original to have been guilty of a great crime?”

“It is nonsense,” said Phœbe a little impatiently, “for us to talk about a picture which you have never seen. You mistake it for some other. A crime, indeed! Since you are a friend of my cousin Hepzibah’s, you should ask her to show you the picture.”

“It will suit my purpose still better to see the original,” replied the daguerreotypist coolly. “As to his character, we need not discuss its points; they have already been settled by a competent tribunal, or one which called itself competent. But, stay! Do not go yet, if you please! I have a proposition to make you.”

Phœbe was on the point of retreating, but turned back, with some hesitation; for she did not exactly comprehend his manner, although, on better observation, its feature seemed rather to be lack of ceremony than any approach to offensive rudeness. There was an odd kind of authority, too, in what he now proceeded to say, rather as if the garden were his own than a place to which he was admitted merely by Hepzibah’s courtesy.

“If agreeable to you,” he observed, “it would give me pleasure to turn over these flowers, and those ancient and respectable fowls, to your care. Coming fresh from country air and occupations, you will soon feel the need of some such out-of-door employment. My own sphere does not so much lie among flowers. You can trim and tend them, therefore, as you please; and I will ask only the least trifle of a blossom, now and then, in exchange for all the good, honest kitchen vegetables with which I propose to enrich Miss Hepzibah’s table. So we will be fellow-laborers, somewhat on the community system.”

Silently, and rather surprised at her own compliance, Phœbe accordingly betook herself to weeding a flower-bed, but busied herself still more with cogitations respecting this young man, with whom she so unexpectedly found herself on terms approaching to familiarity. She did not altogether like him. His character perplexed the little country-girl, as it might a more practised observer; for, while the tone of his conversation had generally been playful, the impression left on her mind was that of gravity, and, except as his youth modified it, almost sternness. She rebelled, as it were, against a certain magnetic element in the artist’s nature, which he exercised towards her, possibly without being conscious of it.

After a little while, the twilight, deepened by the shadows of the fruit-trees and the surrounding buildings, threw an obscurity over the garden.

“There,” said Holgrave, “it is time to give over work! That last stroke of the hoe has cut off a beanstalk. Good-night, Miss Phœbe Pyncheon! Any bright day, if you will put one of those rosebuds in your hair, and come to my rooms in Central Street, I will seize the purest ray of sunshine, and make a picture of the flower and its wearer.” He retired towards his own solitary gable, but turned his head, on reaching the door, and called to Phœbe, with a tone which certainly had laughter in it, yet which seemed to be more than half in earnest.

“Be careful not to drink at Maule’s well!” said he. “Neither drink nor bathe your face in it!”

“Maule’s well!” answered Phœbe. “Is that it with the rim of mossy stones? I have no thought of drinking there,—but why not?”

“Oh,” rejoined the daguerreotypist, “because, like an old lady’s cup of tea, it is water bewitched!”