CHAPTER SIXTEEN
CONFORMATION AND ACTION
In the horse shows an exhibitor, except in the Thoroughbred classes, is not required to furnish the pedigrees of his horses. The judges, therefore, decide entirely on conformation and action. These two things are what make or unmake the excellence of the individual animal. A well-formed horse is apt to have good action. Sometimes this is not so, just as sometimes a woman may have beauty of form and feature and lack animation, vivacity, and that infinite variety and sympathy which recently we have accustomed ourselves to call temperament. Good conformation in a horse, however, is the advantage which conduces to good action. When action and conformation supplement, adjust, and confirm each the other, we have what may be called an approach to the ideal horse. I have never seen the ideal horse; but pretty close to it. I have owned a few that were very satisfactory, but never one that was entirely so. Still I have hope. I suspect that when one realizes his ideal in anything, life loses some of its zest. The pursuit, the seeking, the longing for the unattained—these are the things that make life so interesting, so absorbing. If I had the horse I have long had in my mind I should be glad, no doubt. But I might be sorry, too. There is one saving fact, however. We change our ideals as we get more experience and further knowledge. I have changed my opinions often about horses, since I first became interested in them. While writing the last chapter of this book I confess that I have changed some of my opinions during the two or three months that I have been engaged in the composition. I have learned some things that I did not know before; I have parted with some prejudices which I ought never to have entertained. So it was inevitable that I should modify my views. If, therefore, I should ever obtain my ideal in horse-flesh I might awaken a few weeks later to find that I really wanted something just a little different. I seek the ideal, therefore, without fear of achieving it and meanwhile I have lots of fun with horses that are not more than half what they ought to be.
The oldest writer on horses was Xenophon. He says: “The neck should not be thrown out from the chest like a boar’s, but like a cock’s, should rise straight up to the poll, and be slim at the bend, while the head, though bony, should have but a small jaw. The neck would then protect the rider, and the eye see what lies before the feet.”
Xenophon is the oldest writer on the subject. Mr. Price Collier is the latest and in many regards the best, because he not only knows how to write, but knows what he is writing about. Here is what he says about the proportions of a well-formed horse:
“One cannot go to buy a horse with a tape-measure, but certain proportions are well enough to keep in mind. The length of the head of a well-proportioned horse is almost equal to the distance; (1) from the top of the withers to the point of the shoulder; (2) from the lowest point of the back to the abdomen; (3) from the point of the stifle to the point of the hock; (4) from the point of the hock to the lower level of the hoof; (5) from the shoulder blades to the point of the haunch. Two and a half times the length of the head gives: (1) the height of the withers and the height of the croup above the ground, and (2) very nearly the length from the point of the shoulder to the extreme of the buttock.”
The tape-measure test is all very well, but if a man does not have an eye for a horse he will never be able to select a good one by mathematics. And an eye for a horse is a singular endowment. I have known men of proved intellectuality quite incapable of learning about horses. Also I have known men who, in the ordinary affairs of life were very fools but who knew good horses by a kind of instinct. The man with an eye for a horse takes the whole animal in at a glance; his minute examination, in nine cases out of ten only confirms his instant judgment. When I am buying a horse I do not need to hesitate very long. I have inspected and bought as many as twenty in a day, giving not more than fifteen or twenty minutes to each horse. Yet these purchases in the main have been satisfactory. No one of them, however, was my ideal.
In a general way, all horses should have certain points. Therefore general rules apply in all the types, from the Pony to the Percheron. Every horse should have (1) a bony head and small ears; (2) medium-sized eyes, neither protruding nor sunken, and without an excess of white in the pupil; (3) the forehead should be broad; (4) the face should be straight and neither concave nor convex; (5) the neck should be small and lean, its length regulated by the size of the head and the weight of the shoulders, the head being so joined to the neck that the neck seems to control the head instead of the reverse; (6) the shoulders should be oblique or sloping; (7) the back should be short; (8) the ribs should be well rounded, definitely separated and full of length; (9) the legs should be flat and lean, with knees wide from side to side and flat in front, the upper bone of the leg being long and muscular in proportion to the lower or the common bone; (10) the feet should be moderately large; (11) the pasterns should be long rather than short, but, better still, neither long nor short; (12) the hair should be short and fine.
I might have added another point, making thirteen in all, but for luck I stop at the dozen, feeling sure that if any of my readers gets a horse with the good points noted he will have a treasure beyond the lot of most men and maybe far beyond his deserts.
A well-formed horse ought to have good action. This does not always follow. But good conformation without good action is a kind of disappointing fraud. The best action is that which is natural to the horse. We expect this in families and in types. But training can modify the action of a horse, indeed, change it entirely as when a pacer is converted into a trotter. With pacers, however, I am not concerned as I presume that this book is written for gentlemen.
There can be no good action which is not straight. In the walk, the trot and the gallop a horse must move his feet and legs in parallel lines. The horse that does that naturally can be taught the other things that may not come to him by nature—high stepping, for instance. When a horse moves always without paddling or any other lateral motion, he is a very fit subject for cultivation. He can be taught to go daintily and gracefully as our grandmothers walked through the _minuet de la couer_. Throwing the feet far out in front or lunging, as it is called, is a very ugly trick and can be remedied in the shoeing, I am told. I believe this to be true, but I have never tried it. A horse with this inclination always seemed to me badly bred—Hambletonian, for instance—and I have not recently bothered with such. Paddling also can often be corrected by shoeing. General rules cannot be laid down as to these things. Each horse has his individuality. He must be so studied. When an owner brings general knowledge and acute intelligence to this study he can determine in a little while what is best to be done in each case. In the great majority of cases the best plan is to sell the horse that seems unpromising, but as no horse is ever entirely satisfactory some of them must be retained and educated by training, a training dominated by gentleness, courage, firmness and patience—but most of all patience.
THE END
INDEX
ABDUL AZEEZ, SULTAN OF TURKEY, 31
ABD-EL-KADER, 18, 23
ABDALLAH, 116, 128
ABRAHAM, 18, 19
ABDALLAH, XV, 175
ABDUL HAMID II, 146
ACTION AND CONFORMATION, 272
AGRICULTURAL DEPARTMENT, 111
ALASKER TURK, 25
ALEXANDER, ROBERT A., 54, 55
ALIX, 132
ALEXANDER’S ABDALLAH, 171
AMAZONIA, 116
AMERICAN STUD BOOK, 41
ANDREW JACKSON, 86, 104, 136
ANCIENT SCULPTURES, 6, 7
ANDERSON, EDWARD L., 6, 235, 250
ANDALUSIAN (JACK), 198
ARMENIA, 6, 20
ARAB AND BARB, vi, vii, 14, 15
ARISTIDES, 70
ARION, 134
ASIA, 6
AUTOMOBILES AND ELECTRIC TRAMWAYS, iv
AXTELL, 134
BARBARY, 13, 14
BARRS, 183, 184
BASSETT, HARRY, 66, 67
BATTELL, COL. JOSEPH, 80, 85, 107
BERBER BARBS, 13
BELLFOUNDER, (IMPORTED), 117, 119
BELLE MEAD FARM, 70
BEND OR, 70
BENJAMIN FRANKLIN, 10
BELMONT, AUGUST, 55
BEACON COURSE (HOBOKEN), 105
BETSEY HARRISON, 152, 153
BEN BRUSH, 74
BLACK HAWK, 88, 90, 106
BLUE GRASS, 148, 221
BLUNT, WILFRID, 33
BLACK DOUGLAS, 112, 139
BONHEUR, ROSA, 179
BOSTON BLUE, 131
BOSTON, 56
BONNER, ROBERT, 133
BONNIE SCOTLAND, 69
BOX-STALLS, 224
BOGUS (LOOMIS’S) SON OF LAME BOGUS BY ELLIS’S BOGUS, SON OF IMP. TOM BOGUS, 107
BOURBON BELLE, 71
BRITISH HORSE, 8
BREEDING ON FARMS, iv
BRONCHO BUSTERS, 238, 263
BRAMBLE, 69
BRUTUS MORGAN, 85
BREAKING AND TRAINING, 262
BRUCE, MR., 142
BREEDING TO A TYPE, v
BUFFALO BILL, 238
BULRUSH MORGAN, 86, 92, 93
BULLE ROCK, 40
BULL CALF, 131
BUYING A HORSE, 210
BYERLY TURK, 25, 40, 80
CARMON, 170, 174, 175
CANADA, 9
CASSIUS M. CLAY, 139
CAVESSON, 265
CALASH, 10
CATALAN, JACK, 190, 198
CARLYLE, W. L., 176
CABELL’S LEXINGTON, 166
CHANGING THE LEAD, 249
CHARLES KENT MARE, 117, 119, 121
CIVIL WAR, viii, 208, 236
CIRCUS TRICKS, 236
CLAY-KISMET, 145, 177
CLAY-ARABIAN, v, 13
CLEVELAND BAY, 8, 182
CLYDESDALE, v, 178, 182
CLAY, HENRY, 190
CONTINUITY IN BREEDING, vii
CORTEZ, 8
COLUMBUS, 8
CONEY ISLAND JOCKEY CLUB, 70
COLONIAL ERA IN NEW ENGLAND, 10
COLLIER, MR. PRICE, 256, 274
COMMISSIONS TO COACHMEN AND GROOMS, 218
CONFORMATION AND ACTION, 272
CONTINENTAL RIDERS, 237
CONESTOGA, 120
COLEMAN’S EUREKA, 166
CRUSADERS, 24
CRESCEUS, 132, 175
CUTTING A DASH, 258
CUB MARE, 41
DARLEY ARABIAN, 16, 25, 27, 36, 40, 80, 101, 168
DANIEL LAMBERT, 90
DAVY CROCKETT, 166
DAUMAS, GENERAL, 18, 22
DEXTER, 94, 132, 139, 140
DEALERS, 216, 217
DE LANCEY, COL., 41, 80
DENMARK, v, 13, 27, 69, 129, 130, 152, 153, 156, 157, 158, 159, 160, 161, 163, 166
DE LESSEPS, COUNT FERDINAND, 21, 22
DIOMED, 12, 42, 43, 44
DOMINO, 72, 73
DOBBINS, 73
DOBLE, BUDD, 94
DORSEY, L. L., 92
DOMESTICATION OF HORSE, 5
DRACO, 93
DRIVING, 251
DUKE OF MAGENTA, 70
DUKE OF MONTROSE, 70
DUTCHMAN, 104, 105, 132, 133
ECLIPSE (AMERICAN), 44, 45, 46, 47, 48, 49, 50, 100
ECLIPSE, 29
EDWIN FORREST, 132
EGYPT, 6
ELDERLY RIDERS, 247
ELECTIONEER, 139
EMPEROR OF NORFOLK, 71
ENGLISH RIDERS, 237, 238, 239
EOCENE HORSE, 3
EOLUS, 70
EQUITATION, 234
ETHAN ALLAN, 89, 93, 94, 95, 111, 175
EVOLUTION OF HORSE, 4
FALKLAND ISLAND HORSES, 5
FALLS AND TUMBLES, 248
FARM HORSES, iv
FAIRFAX, JOHN, 189
FASHION, 56
FAIR RACHEL, 41
FALSETTO, 70
FIRENZI, 71
FEARNAUGHT, 93
FEEDING AND WATERING, 231, 232
FELLOWCRAFT, 64
FIRST INSTRUCTION IN RIDING, 242
FOREST DENMARK, 164
FOUR-IN-HAND, 261
FOXALL, 70
FLYING CHILDERS, 27, 28, 43
FLORA TEMPLE, 94, 106, 110, 111, 114, 115, 132
FLEMISH HORSES, 8
FLANDERS, 9
GEORGE WILKES, 140
GEORGE M. PATCHEN, 111, 112, 139
GORDON HORSE (MORGAN), 85
GOLDSMITH MAID, 132
GODOLPHIN BARB, 16, 25, 29, 36, 80, 102, 168
GOVERNMENTAL BREEDING FARMS, vii, 167
GIFFORD MORGAN, 91
GOLDDUST, 32, 91, 92
GLIDELIA, 69
GLORIOUS THUNDER CLOUD (LAWSON’S), 177
GRAY EAGLE, 51, 52
GRAND BASHAW, 136
GRENADA, 70
GRINSTEAD, 70
GROOMING, 226
GREEN MOUNTAIN MAID, 139
GRANT, GENERAL, 32, 141, 209
HAMILTONIAN (BISHOP’S), 122, 123
HAGGIN, JAMES B., 55, 72
HAMILTON BUSBEY, 116, 118, 124
HAMBURG, 71, 73
HANOVER, 71
HARRISON CHIEF, 171
HARRY CLAY, 139, 140
HARNESS ROOMS, 226
HATS AND GLOVES, 253
HACKNEY, v, 185, 186
HAMBLETONIAN, 77, 79, 92, 96, 112, 113, 114, 115, 118, 120, 123, 139
HEDGEFORD (IMP.), 152, 153
HENRY CLAY, 86, 112, 133, 136, 137, 171, 175
HINDOO, 71
HIGHLAND DENMARK, 164
HIMYAR, 70
HIGHLAND MAID, 106, 132
HORSEBACK RIDING IN NORTH, viii
HORSEBACK RIDING IN SOUTH, ix
HOLDING THE REINS (RIDING), 246
HOLDING THE REINS (DRIVING), 254, 256
HONEST ALLEN, 90
HOLMES, DR. O. W., 150
HUNTINGTON, RANDOLPH, 13, 30, 32, 86, 136, 140, 141, 143, 144, 145
HYRACOTHERIUM, 3
IDEAL HORSES, 272, 273, 274
INDIAN RIDERS, 241
ISHMAEL, 18
ITALIAN (JACK), 198
JAPANESE CAVALRY, ix
JEFFERSON, PRESIDENT, 31
JOHN DILLARD, 166
JONES, MR. J. L., 191
JOCKEY-SEAT, 250
JOGGING, 255
KATE, 4
KEENE, JAMES R., 55, 65, 70, 72
KHALED, 146
KENTUCKY, 44, 52, 148, 149, 150, 151, 158, 159, 160, 162, 163, 235, 236
KENTUCKY’S EARLY STALLIONS, 53, 54
KENTUCKY HUNTER AND ONE-EYED KENTUCKY HUNTER, 107
KINGFISHER, 70
LATH, 41
LADY SURREY, 86, 137
LADY SUFFOLK (HER BREEDING AND PERFORMANCE), 105, 106, 124, 132, 133
LEOPARD, 32, 141, 146
LECOMPTE, 57, 58, 59, 60, 61, 62, 63
LEXINGTON, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 142
LEEDE’S ARABIAN, 25
LINDEN TREE, 141
LIKE BEGETS LIKE, vi, 39, 128
LINSLEY, D. C., 79, 82, 85
LONGFELLOW, 67
LORILLARD, P., 65
LORD CLINTON, 90
LOU DILLON, 132
LORD BRILLIANT, 170
LUCRETIA BORGIA, 51
LUKE BLACKBURN, 69
MASSACHUSETTS, 9
MACE, DAN, 95
MAMBRINO, 101, 116, 118, 119
MAMBRINO CHIEF, 175
MAGHREB, 23
MADAM TEMPLE, 107, 109, 110
MARY SHEPPARD, 146
MARKHAM’S ARABIAN, 25, 28
MAJORCA (JACK), 198
MALTESE (JACK), 198
MAMMOTH (JACK), 191
MAUD S., 132
MESSENGER, 12, 31, 42, 44, 77, 100, 101, 102, 103, 104, 105, 120, 136
MEXICO, 9
MILLER’S DAMSEL, 44, 100
MISS WOODFORD, 71
MONGRELS, vi
MORGAN, v, 13, 27, 31, 69, 75, 76, 79, 129, 146, 151, 171, 173, 175, 185
MOORISH INVASION OF SPAIN, 23
MORRIS, LEWIS G., 116, 119
MORRILL, 93
MORGAN, JUSTIN, 41, 79, 82, 85, 87, 88, 92
MORGAN EAGLE, 91
MONARCHIST, 70
MOUNTING A COLT, 267
MONTGOMERY CHIEF, 164
MULE COLTS (TREATMENT AND FEEDING), 204, 205
MULES (FATTENING FOR MARKET), 206
MUSTANGS, 31
MULES, VALUE OF, 187
NANCY HANKS, 132
NARRAGANSETT PACER, 10
NEOHIPPARION, 4
NEJD, 13, 14
NEJDEE, ARABS, 13
NIMROD, 146
NORFOLK TROTTER, 185
NOSTALGIA (HOME-SICKNESS), 217
NO FOOT NO HORSE, 228
NORMANS, 8
ORLOF, v, 13, 16, 183, 184, 186
OSBORN, PROFESSOR, 9
PAT CLEBURNE, 166
PAUL PRY, 104
PATCHEN, MR. GEO. M., 137
PATRICK GIL, 58, 59
PARTHENON FRIEZE, 7
PELHAM, 106, 132
PEARL BY FIRST CONSUL, 137
PETER’S HALCORN, 166
PERCHERON, v, 178, 179, 180, 181, 182
PHAETON, 65
PHILIPPINES, 146, 163
PLUMBING IN STABLES, 223
POLKAN, 183
POLICE RIDERS (N. Y. TRAFFIC SQUAD), 241
POSITION OF FEET IN RIDING, 244
POITOU (JACK), 198
POTOMAC, 153, 154
PRINCESS, 111, 112
PRIORESS, 65
PURDY, 47, 48, 50
QUINCY, JOSIAH, 45
RARUS, 132
RANDOLPH, JOHN, 47, 48, 49
RANDOLPH HORSE, 85
RATTLER, 105
REVOLUTIONARY WAR, 11, 42
REVENGE, 85, 86
RICHARD OWEN, 3
RICHARDS, A. KEENE, 32, 33, 166
ROMANS, 8
ROYAL GIFT, 188
ROBERT MCGREGOR, 175, 176
ROCKINGHAM, 137
ROXANA, 29
ROUGH RIDERS, 239
RUSSIAN CAVALRY, ix
RUNNING AWAY, 258, 259
RYSDYK, WM. M., 117, 121, 123
SANTO DOMINGO, 8
SAMPSON, 101
SALVATOR, 71, 72
SALES, FROM PRIVATE STABLES, 213, 214
SALMON, DR. D. E., 167, 176, 177
SENSATION, 70
SPRINGBOK, 70
SPENDTHRIFT, 70
SHEBA, QUEEN OF, 19
SHERMAN MORGAN, 85, 87
SHOW RING HORSES, 216
SHOEING, 229, 230
SILAS DEANE, 10
SIR ARCHY, 43, 44, 57
SIR HENRY, 43, 45, 46, 47, 48, 49, 100
SMETANKA, 183, 184
SOLOMON, 18, 19
SOUTH CAROLINA JOCKEY CLUB, 41
SPANISH HORSES, 8
SPEEDWAY (N. Y.), 128
SPURS, 246
SPIRIT OF THE TIMES, 109
STOCKTON, COMMODORE, 56
STUMP THE DEALER, 166
STANDARD BRED TROTTER, v, 114, 115, 124, 126, 139
STABLE CONSTRUCTION, 220
STABLE DRAINAGE, 220
STABLE VENTILATION, 220
STUD BOOK, ENGLISH, 25
ST. JULIEN, 132
SUNOL, 132
TADOUSAC, 9
TEN BROECK, RICHARD, 57, 58, 63, 64, 65
TEN BROECK, 65, 67
TENNY, 72
TEYSUL, KING OF NEJD, 31
THORA, 71
THE BARD, 71
THE ABBOT, 132
THOROUGHBRED, v, 13, 27, 40
TOM OCHILTREE, 70
TOM HAL, 166
TOP GALLANT, 104
TROUBADOUR, 71
TRAINING AND BREAKING, 262
TROTTING HORSE DRIVERS, 252
TRACY, GEN. BENJ. F., 129
TREATMENT OF A TIRED HORSE, 227
TREDWELL, JOHN, 116, 120
TURF, FIELD AND FARM, 124, 129
UNCAS, 70
UPTON, MAJOR ROGER D., 30
VALUE OF HORSES AND MULES IN U. S., 111
VAN METER’S WAXY, 166
VERMONT MORGAN, 91
VIRGIL
VIRGINIA, 9, 40
WARFIELD, DR.
WAGNER, 51, 52
WALLACE, WM. H., 20, 94, 95, 124, 126
WARRANTIES, 215
WALTERS, MR., OF BALTIMORE, 178
WASHINGTON, GEORGE, 188, 189
WARRIOR (JACK), 190
WASHING AND USE OF WATER, 228
WADSWORTH, GEN. WM., 138, 139
WELLS, GENERAL, 58
WEATHERBY, MESSRS., 25, 101
WEST POINT RIDERS, 240
WEASEL MORGAN OR FENTON HORSE, 85
WILDAIR, 41
WINTHROP MORRILL, 93
WOODBURN, 54
WOODRUFF, HIRAM, 104, 111, 119
WOODBURY MORGAN, 85, 90
XENOPHON, 274
YOUNG BASHAW, 136, 137
YOUNG TRAVELER, OR HAWKINS HORSE, 85
ZILCAADI, 31
THE McCLURE PRESS, NEW YORK
TRANSCRIBER’S NOTES
1. Added CONTENTS. 2. Changed ‘sooner of later’ to ‘sooner or later’ on p. 148. 3. Silently corrected typographical errors. 4. Retained anachronistic and non-standard spellings as printed. 5. Enclosed italics font in _underscores_.
End of Project Gutenberg's The Horse in America, by John Gilmer Speed