The History of Modern Painting, Volume 3 (of 4) Revised edition continued by the author to the end of the XIX century

CHAPTER XXXVI

Chapter 1083 wordsPublic domain

ITALY

Fortuny's influence on the Italians, especially on the school of Naples.--Domenico Morelli and his followers: F. P. Michetti, Edoardo Dalbono, Alceste Campriani, Giacomo di Chirico, Rubens Santoro, Edoardo Toffano, Giuseppe de Nigris.--Prominence of the costume picture.--Venice: Favretto, Lonza.--Florence: Andreotti, Conti, Gelli, Vinea.--The peculiar position of Segantini.--Otherwise anecdotic painting still preponderates.--Chierici, Rotta, Vannuttelli, Monteverde, Tito.--Reasons why the further development of modern art was generally completed not so much on Latin as on Germanic soil 326