The History of Court Fools

Part 13

Chapter 134,028 wordsPublic domain

Having mentioned the faithful fool of Cardinal Wolsey,--Patch,--I cannot pass over the simpleton, or Morio, Patteson, retained in the household of Wolsey’s successor in the Chancellorship, Sir Thomas More. All persons who are familiar with the biography of the latter eminent individual, will remember how heartily Sir Thomas, from his youth upwards, was addicted to jesting. When he was a page, being then fifteen years of age, in the family of Cardinal Morton, Archbishop of Canterbury, he kept the octogenarian prelate and all his guests in roars of laughter, as he waited on them at table. Morton was delighted with the frolicsome boy, who, especially at Christmas and other joyous seasons, was worth any number of ordinary household fools, seeing that his improvised jests were superior to anything done or uttered by the professional joker. More’s manner on these occasions was, however, quite after the fashion of “cousin Motley.” Thus, when the players were representing some comic drama, for the entertainment of their reverend patron, “young More,” as Roper relates in his Life, “would suddenly step up among the players, and, never studying before upon the matter, make often a part of his own invention which was so witty, and so full of jests, that he alone made more sport than all the players besides; for which, his towardliness, the Cardinal much delighted in him, and would often say of him to divers of the nobility who at sundry times dined with him, ‘This child here, waiting at the table, whosoever shall live to see it, will prove a marvellous rare man.’” As More, in his youth, gratified Cardinal Morton by his wit, so, in his manhood, by his wit as well as his wisdom, he afforded amusement to his capricious Sovereign. When Henry had had enough of the outpouring of knowledge from More (who was yet but Under-Sheriff of London _and_ Master of the Requests) on astronomy, geometry, and divinity; then, “because,” says his biographer, “he was of a very pleasant disposition, it pleased His Majesty and the Queen, after the Council had supped, commonly to call for him to hear his pleasant jests.” These latter must have been of a very different quality from those which the King had been wont to make merry with from the lips of Will Sommers, and we cannot be surprised at their exciting such admiration in the Sovereign that he detained the illustrious jester whole weeks at Court, away from his home and domestic enjoyments. Sir Thomas beheld himself in great peril of descending to the vocation of joker in ordinary, and he devised a witty remedy in order to escape the uncoveted distinction. “When Sir Thomas perceived his pleasant conceits so much to delight them that he could scarce once in a month get leave to go home to his wife and children, and that he could not be two days absent from the Court, but he must be sent for again; he, much misliking this restraint of his liberty, began therefore to dissemble his mirth, and so, little by little, to disuse himself, that he from henceforth, in such seasons, was no more so ordinarily sent for.” In short, he feigned heaviness of humour, that he might escape the honours paid to, and the services expected from, a court jester. Had any friend expressed astonishment at the change in his bearing, More might have excused himself nearly in the words of the essayist, who said:--“If my readers should at any time remark that I am particularly dull, they may be assured there is a design under it.”

So More contrived for awhile to be more at home, where he had a wife who missed all the points of his puns, and a household fool who had about as much wit as his mistress. The latter was one Patteson, an ex-mummer, half crazed by a fall from a church-steeple, who had lost his old itinerant vocation, and whom More took into his family, poor, shabby, droll fellow as he was, and amused himself, after application to high subjects, by listening to his small wit, even as a man may take now and then to small-beer after too hot and long an acquaintance with ruddy Vin de Beaune.

Patteson founded his desire to be a household fool, on the very sufficient ground that, as he was already laughed at for one, he thought he might as well be hired in a great family, where he should be paid, fed, and lodged for being thus the object of risibility. Sir Thomas answered, that he had had little thought of employing such a retainer, being rather inclined to do all the fooling in his family, himself. The great negotiation, however, was brought to a conclusion by a compromise; the business was to be divided, Sir Thomas continuing unlicensed joker, and Patteson being paid full salary for inoffensive small wit, cleanliness of life, and restraint of his tongue before ladies.

Patteson was not an educated jester, like Scogan and other great wearers of the cap and bells under the roofs of kings. He could not read. “But what of that?” he is said to have asked; “there never was but one that I ever heard of, that never having learned, knew his letters, and well _he_ might, for he made them that made them.” The witty remark deserved to procure for Patteson his desired engagement; and this he had no sooner procured, than he affected to take precedence of his master, in his own house; “for,” said he, “you, brother, are but jester to King Harry, whereas _I_ am jester to Sir Thomas More; and I leave you to determine which is the greater man of the two.”

Patteson occasionally went abroad with his master, probably attending him as his servant, which was often one of the offices of fools. The license of the latter also went abroad with the service of the former, and we are told that once, after he had been many years in More’s service, he attended his master, or at all events was present, at a dinner given in Guildhall, when the conversation fell upon More’s refusal to take the oath of supremacy. The conversation of the guests was interrupted by a query of the fool:--“Why, what aileth him,” cried Patteson, “that he will not swear? Wherefore should he stick to swear? I have sworn the oath myself.”

Lord Campbell quotes another illustration of the license of this jester, from ‘Il Moro’, an Italian account of Sir Thomas More, printed at Florence, and dedicated to Cardinal Pole. The incident is supposed to be narrated by the Chancellor himself, and Lord Campbell is of opinion that it does not give us “a very exalted notion of the merriment caused by these simpletons.” Perhaps we might more correctly say, that the incident fails to convey a very elevated idea of the wit that raised the merriment. However this may be, here is the _trait_ in question:--

“Yesterday, while we were dining, Pattison” (so is the name here spelt) “seeing a guest with a very large nose, said, there was one at table who had been trading to the _Promontory of Noses_. All eyes were turned to the great nose, though we discreetly preserved silence, that the good man might not be abashed. Pattison, perceiving the mistake he had made, tried to set himself right, and said, ‘He lies who says the gentleman’s nose is large, for, on the faith of a true knight, it is rather a small one.’ At this, all being inclined to laugh, I made signs for the fool to be turned out of the room; but Pattison, who boasted that he brought every affair that he commenced to a happy conclusion, resisted, and, placing himself in my seat at the head of the table, said aloud, with my tone and gesture, ‘There is one thing I would have you to know,--that gentleman there has not the least bit of nose on his face.’”

This sort of sparring between patron and jester was commonly indulged in with considerable satisfaction by both parties. It was safer for More to do so, by way of relaxation, with Patteson, than with the King; whose humour might take a deadly turn against an unwelcome joke, and particularly against an unlicensed joker. The authoress of ‘The Household of Sir Thomas More,’ following the tradition, describes the banter of Sir Thomas and Sir Witless, as never exceeding the bounds of good-humoured pleasantry; “but Patteson,” it is added, “is never without an answer, and although, it may be, each amuses himself now and then with thinking, I’ll put him up with such a question; yet, once begun, the skein runs off the reel without a knot, and shows the excellent nature of both, so free are they alike from malice and over-license.” It is true that the sayings put in the mouth of More’s “_Morio_” by the authoress whose words I have just quoted, are for the most part as apocryphal as Borde’s compiled jests to which he has prefixed the name of “Scoggin,” to make them sell. The character of the fool is, however, described according to tradition, in the pleasant addition to the Romance of History, in the work last named. There we see Patteson, with a peacock’s feather in his hand, sitting astride on a balustrade, and exchanging sharp question and answer, and lively comment and reflection, on peacocks themselves and their vanity; and on the advantages of not having as many eyes in their heads as they have in their tails, as they are in consequence less vain-glorious, and see not what passes behind their backs. Patteson, according to this authoress, chopped logic with the young daughters of More; touched a little on sentimental matters; could speak feelingly of religion, death, and the equality of the grave; spoke prophetically on political subjects; and jested with them, or rather at them, on their several lovers.

Lord Campbell naturally suggests, that More’s fool ought to have been a great proficient at jesting, since he practised under so great a master. However this may be, when the Lord Chancellor had commenced to decline from power and dignity, he provided for the future well-being of his fool as carefully as he did for that of any greater officer of his household. Wolsey, at _his_ fall, sent Patch as an acceptable gift to the King. More made over Patteson to a less exalted sovereign,--the Lord Mayor of the City of London, “with a stipulation,” says Lord Campbell, “that he should continue to serve the office of fool to the Lord Mayor for the time being.” This rather loosely-worded phrase probably points at the origin of the office of “Lord Mayor’s Fool,” a title which was, however, given to the clubmen in provincial mayoral processions from the year 1444. Whether Patteson was, or was not, the original Lord Mayor’s Fool, by right of nomination to the office, he had as little respect for the dignity of chief magistrate of the city, as any modern merchant prince who, being too lazy or too unpatriotic to perform the onerous duty of the office, affects to despise the dignity which accompanies, and the titles which often follow, a distinguished fulfilment of that duty. So this first official corporation jester flouted his sublime chief. His humour in this respect is well hinted at by the authoress of ‘The Household of Sir Thomas More,’ who depicts Patteson as saying, on one first of April, “I told my Lord Mayor overnight, that if he looked for a fool this morning, he must look in the glass.... I should by rights wear the gold chain, and he the motley; and a proper fool he is, and I shall be glad when his year’s service to me is out. The worst of these Lord Mayors is, that we can’t part with them till their time’s up. Why, now, this present one hath not so much understanding as would foot an old stocking; ’twas but yesterday when, in quality of my Taster, he civilly enough makes over to me a half-eaten plate of gurnet, which I wave aside thus, saying,--I eat no fish of which I cannot affirm, ‘_rari sunt boni_,’ few are the bones, ... and I protest to you, he knew it not for fool’s Latin.” Patteson himself had a veneration for his old master which he could not entertain for the new, from whose chattering propensity at table, the jester picked out views of politics that foreboded evil to his former and now disgraced patron. “For the love of safety, then, Mistress Meg,” says Patteson, in a passage founded on this stray scrap of history, “bid thy good father e’en take a fool’s advice, and eat humble-pie betimes; for doubt not this proud madame (Anne Boleyn) to be as vindictive as Herodias, and one that, unless he appease her full early, will have his head set before her in a charger. I’ve said my say.”

We may take Patteson at his last word, and, leaving him, proceed to greater names than his on the register of Motley in the service of kings.

* * * * *

We now come to a personage of some celebrity, who seems to have been a court jester, without being exactly a court fool. I allude to John Heywood, of North Mimms, in Hertfordshire, whom Sir Thomas More introduced to the King as Sir William Neville did Scogan, and whose introduction was followed by similar circumstances,--his appointment as “jester” to the sovereign.

More had known Heywood early. The latter was a student at what was then called Broadgate, Oxford, now Pembroke. Heywood’s spirit of fun, his humour, and his readiness at repartee made him a favourite with More, who was fond of spending leisure hours with him,--a man of whom it was said that “he had wit at will, and art was all he missed.” Heywood, moreover, was a good vocalist, and no mean instrumental player. Previous to his introduction to the King, More presented him to the lady (afterwards Queen) Mary, who found his merriment so irresistible “that it moved even her rigid muscles,” says Warton; “and her sullen solemnity was not proof against his songs, his rhymes, and his jests.” Mary, however, was more easily moved to mirth than Warton and those whose opinions were followed by him, suspected. Even in her womanhood, when we are accustomed to think of her as one solemnly severe, she could (albeit moody and melancholy at times) laugh heartily at a mountebank. In 1556, Strype speaks of her as holding a grand military review in Greenwich Park, at which “came a tumbler, and played many pretty feats, the Queen and Cardinal (Pole) looking on; whereat she was observed to laugh heartily.” Long ere she had ascended the throne, she had learned to laugh at, with, or through John Heywood. Of the latter, Warton says that “he was beloved and rewarded by Henry VIII. for his buffooneries;” and, indeed, that monarch was so satisfied with the quips of his daughter’s favourite, that, as previously stated, he named John “King’s Jester.” He seems to have been a favourite also in the mansions and at the tables of the nobility; and a specimen of his wit there is offered us by Puttenham.

“The following happened,” he says, “on a time, at the Duke of Northumberland’s board, where merry John Heywood was allowed to sit at the board’s end. The Duke had a very noble and honourable mind to pay his debts well, and when he lacked money, would not stick to sell the greatest part of his plate. So had he done some few days before.

“Heywood being loath to call for his drink as often as he was dry, turned his eyes towards the cupboard, and said, ‘I find a great miss of your Grace’s standing-cups.’ The Duke, thinking that he had spoken it of some knowledge that his plate was lately sold, said somewhat sharply, ‘Why, Sir, will not _these_ cups serve so good a man as yourself?’ Heywood readily replied, ‘Yes, if it please your Grace, but I would have one of them stand still at my elbow, full of drink, that I might not be driven to trouble your man so often to call for it.’

“This pleasant and speedy reverse of the former words, helped all the matter again, whereby the Duke became very pleasant, and drank a bottle of wine to Heywood, and bade a cup should always be standing by him.”

His boldness with the Queen was quite that of the privileged jester, and he was recompensed for his puns and conceits when men more meritorious were neglected. The following contains good proof of his license. When the Queen once remarked to him that the priests must forego their wives, John exclaimed (and he was a very strict Catholic too), “Then your Grace must allow them _lemmans_ [sweethearts], for the clergy cannot live without _sauce_.” This epigrammatic turn was very strong upon him; and indeed many of his epigrams, of which he was the author of hundreds, are said to have been versifications of his own jokes. I have already noticed the audacity of his jests with the sovereign, a further instance of which we have in an incident connected with one of his visits to the palace.

“Now, Master Heywood,” said Mary on the occasion in question, “what wind blew you to court?” “There were two,” answered audacious John; “one, that I might see your Majesty, and the other, that your Majesty might see me.” When he was told that a certain Master of Arts had assumed the ordinary attire of the court fool, “There is no great harm in that,” remarked Heywood, “he is merely a wise man in a fool’s coat; the evil is, when the fool puts over his motley the wise man’s gown.”--“How do you like my beer?” asked a host of him, “is it not well hopped?” “So well,” said Heywood, “that had it hopped a little further, it would have hopped into water.” This reminds me of a far wittier saying by a brighter English wit than Heywood--the late Douglas Jerrold; and which is better worth recording. At an hotel at Hastings, Jerrold was dining with two friends, one of whom, after dinner, ordered among other pleasant things, “a bottle of _old_ port.” “Waiter,” said Douglas, with that twinkle of the eye which was always a promise of wit, “Mind, now; a bottle of your _old_ port, not your _elder_ port.” Heywood never equalled _that_, though he gave utterance to as many witty thoughts as the wittiest man of his time. Among them was his remark, to a person complaining that the great number of lawyers would spoil the profession. “Not so,” exclaimed John; “for the more spaniels, the more game!”

His familiarity with Mary, was doubtless founded on his long service. When she was a mere little girl at Greenwich, Heywood officiated as manager of the troop of child actors who performed in her presence. On one occasion he appears to have received six and eightpence for his pains. Later, he wrote ballads for her, sometimes making herself the subject of them. When her coronation procession passed St. Paul’s, _there_ was mirthful John, seated beneath a vine; and, as the Queen approached, he arose and delivered an oration. When Mary was ill, he went to her chamber and recited verses or read plays to her; and when she was dying, says Flögel, he stood by her death-bed, and solaced her with music; “Er war auch ein berühmter Musikus, und musste der Königin Maria von England, auf ihrem Todbette, mit seiner Musik aufwarten.” This could not have been, however, when her death was very near. Lingard simply says, that “on the morning of her death, Mass was celebrated in her chamber; she was perfectly sensible, and expired a few minutes before the conclusion.”

With the reputation of having been “King’s Jester,” Heywood is also known to us as a poet, a dramatist, and a writer of epigrams. In the first capacity, his most laboured piece is the least successful. I have tried in vain to read through his ninety-eight chapters, in octave stanzas, devoted to the subject of “The Spider and the Fly,” in the gaily-bound copy in the British Museum. I quite agree with Harrison’s description of it (quoted by Warton), that “neither he himself that made it, neither any one that readeth it, can read unto the meaning thereof.” It is far less amusing than the comic song, with the same title, by the old free-and-easy poet, Tom Hudson.

As a dramatist, Heywood was among the earliest of English writers of comedy. He was not among the best for delicacy, humour, or decency. All these are of the roughest and dirtiest, such as might have been expected from Will Sommers. I must however differ in some degree from Warton, unassailable as his judgments generally are, when he describes Heywood’s plays as “altogether void of plot, humour, and character.” Yet, I confess, detestable as I hold idleness to be, a man were better occupied in doing nothing than in reading these productions. They hardly repay the curiosity of the student of literature, and even _he_ must rise from the perusal sorely in need of civet wherewith to sweeten his imagination.

It is as an epigrammatist that this honorary jester was most celebrated, and continues to be best known to the few who care to cultivate acquaintance with him. Of the epigrams I will select a few specimens. Bearing in mind that they are often the versification of his jests, and that the latter must frequently have had allusion to passing subjects, the following probably points at a then living prince. It is entitled:--

OF AN ILL GOVERNOR CALLED JUDE.

A ruler there was in a country afar, And of the people a great executioner, Who by name, I understand, was called Jude. One gave him an ass, which gift when he had view’d, He asked the giver, for what intent He brought him that ass. “For a present I bring, Master Jude,” quoth he, “this ass hither; To join Master Jude and this ass together, Which two joined in one, this is brought to pass, I may bid you good even, Master Jude--ass.” “Maccabee or Iscariot, thou knave?” quoth he;-- “Whom it pleaseth your mastership, him let it be!”

The following, too, is very much after the fashion of the French “_fous à titre d’office_” when they repelled the unwelcome familiarity of certain courtiers.

TWO, ARM-IN-ARM.

One said to another, on taking his arm, “By license, friend, and take this for no harm.” “No, Sir,” (quoth the other,) “I give you full leave To hang on my arm, Sir, but not on my sleeve.”

Here is a jester’s definition of

WIT, WILL, AND WISDOM.

Where will is good, and wit is ill, There wisdom can no manner skill. Where wit is good, and will is ill, There wisdom sitteth silent still. Where wit and will are both too ill, There wisdom no way meddle will. Where wit and will well-ordered be, There wisdom maketh a trinity.

And the following is not a bad specimen of the ordinary fool’s mock sermon put into rhyme, with the title of

CERTAIN FOLLIES.

To cast fair white salt into wise man’s meat, To make them count salt, sugar, when they eat,-- A folly. To bear a man in hand he itcheth in each part, When the man feeleth an universal smart,-- A folly. To speak always well and do always ill, And tell men those deeds are done of good will,-- A folly. Thy lusty-limbed horse to lead in thy hand, When on thy lame limbs thou canst scanty stand,-- A folly. Of sticks for cage-work to build thy house high, And cover it with lead, to keep thy house dry,-- A folly!

From a sermon, to those who needed the instruction that ought to be afforded by one, is not going wide apart. Such a person Heywood seems to have met, and to have reproved by a Latin pun which was unintelligible to this

MERRY WOMAN.