Part 18

The most complete impression, however, of the chivalric character, on the minds of the Italians, was made by the house of Anjou, when Charles and his Frenchmen conquered Naples in 1266. The south of Italy seems to have been far less advanced in civilisation than the commercial towns of the north; but the Angevine monarchs made Naples one blaze of splendid luxury. Nothing had been seen in Italy so brilliant as the cavalcade of Charles. The golden collars of the French lords,--the surcoats and pennons, and plumed steeds of the knights,--the carriage of the Queen, covered with blue velvet, and ornamented with golden lilies,--surpassed in magnificence all former shows.[233] The entry of Charles was a festival; and on that occasion the honour of knighthood was conferred on all persons who solicited it. The kings of the house of Anjou pretended to revive the regulations of Frederic II.; but they soon relaxed them, and gave the military girdle to the commonalty who could not prove that their forefathers had been knights.

[Sidenote: Curious circumstances attending knighthood at Naples.]

When a person was invested at Naples, the bishop, or other ecclesiastic who assisted at the inauguration, not only commanded the recipient to defend the church, and regard the usual obligations of chivalry, but he exhorted him not to rise in arms against the King from any motive, or under any circumstances. This curious clause was added to the exhortation: "If you should be disloyal to your sovereign, to him who is going to make you a knight, you ought first to return him the girdle with which you are immediately to be honoured; and then you may make war against him, and none will reproach you with treachery; otherwise, you will be reputed infamous, and worthy of death." An instance of the fear of this imputation of treachery occurred when the Princes of Besignano and Melfi, the Duke of Atri, and the Count of Maddolini, returned to Louis XII., King of France, the collar of St. Michael, (with which he had honoured them,) when Ferdinand the Catholic took possession of the kingdom.[234]

Knighthood was much solicited, on account of its privileges, as well as of its titular distinction. It exempted the fortunate wearer from the payment of taxes, and gave him the power of enjoying the royal and noble amusement of the chase. But the Angevine monarchs were so prodigal in granting the honour of knighthood, that it ceased to be a distinction; and in the reign of the last princes of that house the order had degenerated into a vain and empty title.

[Sidenote: Mode of creating knights in Italy generally.]

Such was the general state of chivalry in northern and southern Italy; but there were some circumstances common to every part of the peninsula. The nobility invested each other with festive and religious ceremonies, with the bath[235], the watching of arms, and the sacred and military shows, or with a simple stroke of a sword, and the exhortation, "Sii un valoroso cavaliere," two ancient knights buckling on his golden spurs. In the year 1294, Azzo, Marquis of Este, was knighted by Gerard, Lord of Camino, at a public solemnity held at Ferrara. Cane, Lord of Verona, in 1328, gave the honour of knighthood to thirty-eight young nobles, and presented them with golden belts, and beautiful war-horses.[236] In Italy there was the usual array of knights and squires, of cavalieri and scudieri; but I can find no mention of pages distinct from the squires, and attending their lords; except, indeed, they were the domicelli, or donzelli, who, however, are supposed by Muratori to have been the squires of noble rank. All the armour-bearers of the knights were not noble or of gentle birth, or we should not very often meet, in the Italian annalists of the middle ages, the expression "honourable squires."

In the fourteenth century knights had four titles, agreeably to the various modes of their creation:--Cavalieri Bagnati, or Knights of the Bath, who were made with the grandest ceremonies, and supposed, from their immersion, to be freed from all vice and impurity; the Cavalieri di Corredo, or those who were invested with a deep-green dress, and a golden garland; the Cavalieri di Scudo, or those who were created either by people or nobility; and the Cavalieri d'Arme were those who were made either before or during battle.[237]

Many orders of knighthood were known in Italy: some (but their history is not interesting) were peculiar to it; and others, such as the order of the knights of Saint John and of the Temple, had their preceptories and commanderies in that country. And, to enlarge upon a circumstance alluded to in another place, it is curious to notice the dexterity with which chivalry accommodated itself to the manners and usages of any particular society. The commercial cities in the north of Italy vied in power with, and were superior in wealth to, the feudal nobility. Chivalry was esteemed as a graceful decoration by every class of men, and by none with more ardour than by new families, whom opulence had raised into civic consideration. The strictness of the principles of knighthood opposed their investiture; but those principles, were made to give way; and commercial pride was satisfied with the concession of aristocratical haughtiness, that the _sons_ of men in trade might become brothers of the orders of chivalry.

[Sidenote: Political use of knighthood.]

The decoration of simple knighthood, however, was given indiscriminately without regard to birth or station. Every city assumed the power of bestowing it; and after a great battle it was showered with indiscriminate profusion upon those who had displayed their courage, whether they were armed burghers or condottieri. And this was a wise measure of the Italian cities: for there was always an obligation expressed or implied on the part of knights of fidelity to the person from whom they received the honour.[238] It is amusing to observe, that, in the year 1378, a Florentine mob paused in its work of murder and rapine to play with the graceful ensigns of chivalry; and, in imitation of the power of the city, they insisted on investing their favourites with knighthood.

[Sidenote: Chivalric literature.]

Chivalry had, perhaps, greater influence on the literature and manners of the Italians than on their military usages. Wandering minstrels from France and Spain chaunted in the streets of Italy tales of warriors' deeds and lady-love, particularly the stories of Roland and Oliver, the paladins of Charlemagne, who were also the subject of song and recitation, even by the stage-players on the earliest theatre at Milan.[239] Much of the popular literature of Italy consisted of romances; and the chief topics of them were the exploits both in arms and amours of Charlemagne and his paladins: though on one occasion Buovo d'Antina, a hero of chivalry, who fought and loved prior to the time of those heroes, was the theme of Tuscan verse. The wars of Charlemagne and his paladins with the Saracens were afterwards sung by the nobler muse of Pulci and Boiardo, and then by Ariosto, who, not confining himself to the common stores of romantic fiction, has borrowed as freely from the tales regarding Arthur and the British and Armoric knights as from those relating to Charlemagne and the peers of France, and has thrown over the whole the graceful mantle of Oriental sorcery. The chivalric duties of converting the heathens, of adoring the ladies, of fighting in the cause of heaven and woman, were thus presented to the minds of the Italians; and the Homer of Ferrara roused the courage, or softened into love or pity, the hearts of knights and ladies, by singing the wars and loves of days which his poetry rendered bright and golden.

[Sidenote: Chivalric sports.]

These were the literary amusements of Italy; the subjects of recitation in the baronial hall, and of solitary perusal in the lady's bower: with these works the Italians nourished their imaginations; and a chivalric taste was diffused over the manners of public and private life. The amusement of hawking, which, as we have seen, the fathers of chivalric Italy had introduced, was indulged in at every court; and the Ferrarese princes were generally attended in the field by a hundred falconers, so proud and magnificent was their display. Every great event was celebrated by a tournament or a triumphal show. Dante speaks of the tournament as the familiar amusement of the fourteenth century.

----"e vidi gir gualdane, Ferir torniamenti, e correr giostra." Inferno, c. 22.

So early as the year 1166, on occasion of the interview between Frederic Barbarossa and Pope Alexander at Venice, chivalric and civic pomp celebrated their friendship. Two centuries afterwards, the recovery of Cyprus presented a fair opportunity for military display. Knights flocked to Venice from England, France, and every country of the West, and manifested their prowess in the elegant, yet perilous, encounter of the tournament. There was a pageant, or grand triumphal show, of a splendid procession of knights cased in steel, and adorned with the favours of the ladies. The scene-painter and the mechanist combined their talents to give an allegorical representation of the Christian's victory over Islamism: the knights moved amidst the scenic decorations, and by their gallant bearing swelled with noble pride the hearts of the spectators.

The sports of chivalry were so elegant and graceful that we might have supposed the refined Italians would have embraced them in all their circumstances. But the arena of the Coliseum, so admirably adapted for a tournament, was used for Moorish games. The matrons and virgins of Rome, arrayed in all their bravery, were seated in its ample galleries, and beheld, not a gallant and hurtless encounter between two parties of knights with lances of courtesy, but a succession of sanguinary conflicts between cavaliers and bulls. Only one solitary circumstance gave an air of chivalry to the scene, and prevents us from mingling the bull-feast of the Coliseum, on the 1st of September, 1332, with the horrid spectacles of classic times. Each knight wore a device, and fancied himself informed by the spirit of chivalry, and the presence of the ladies. "I burn under the ashes," was the motto of him who had never told his passion. "I adore Lavinia, or Lucretia," was written on the shield of the knight who wished to be thought the servant of love, and yet dared not avow the real name of his mistress.[240]

CHAP. VII.

ON THE MERITS AND EFFECTS OF CHIVALRY.

We are now arrived at that part of our subject where we may say with the poet,

"The knights are dust, And their good swords are rust: Their souls are with the saints, we trust."

With Italy the historical tracing ceases of that system of principles which for so many centuries formed or influenced the character of Europe. Its rude beginnings may be marked in the patriarchal manners which preceded every known frame of artificial life, and have been shaped and modified by the legislator and the moralist. The ties of fraternity or companionship in arms, respect to elders, devotion to women, military education and military investiture, were the few and simple elements of chivalry, and in other times would have formed the foundation of other systems of manners. But a new and mighty spirit was now influencing the world, and bending to its purposes every principle and affection. Christianity, with its sanctities and humanities, gave a form and character to chivalry. He who was invested with the military belt was no longer the mere soldier of ambition and rapine, but he was taught to couch his lance for objects of defence and protection, rather than for those of hostility. He was the friend of the distressed, of widows and orphans, and of all who suffered from tyranny and oppression. The doctrine of Christian benevolence, that all who name the name of Christ are brothers, gave beauty and grace to the principles of fraternity, which were the Gothic inheritance of knights, and therefore the wars of the middle ages were distinguished for their humanities. A cavalier was kind and courteous to his prisoner, because he saw in him a brother; and while the system of ancient manners would have limited this feeling to people of one nation, a knight did not bound his humanity by country or soil, for Christian chivalry was spread over most parts of Europe, and formed mankind into one band, one order of men. From the same principle all the courtesies of private life were communicated to strangers; and gentleness of manners, and readiness of service, expanded from a private distinction into an universal character. Since, by the Christian religion, woman was restored to the rank in the moral world which nature had originally assigned her, the feelings of respect for the sex, which were entertained in the early and unsophisticated state of Europe, were heightened by the new sanctions of piety. It was a principle, as well as a feeling and a love, to guard and cherish woman; and many of the amenities of chivalry proceeded from her mild influence and example.

The patriarchal system of manners, shaped and sanctioned by Christianity, formed the fabric of chivalry; and romance, with its many-coloured hues, gave it light and beauty. The early ages of Europe gaily moved in all the wildness and vigour of youth; imagination freshened and heightened every pleasure; the world was a vision, and life a dream. The common and palpable value of an object was never looked at, but every thing was viewed in its connection with fancy and sentiment. Prudence and calculation were not suffered to check noble aspirations: army after army traversed countries, and crossed the sea to the Holy Land, reckless of pain or danger: duties were not cautiously regarded with a view to limit the performance of them; for every principle was not only practised with zeal, but the same fervid wish to do well lent it new obligations. From these feelings proceeded all the graceful refinements, all the romance of chivalry: knighthood itself became a pledge for virtue; and as into the proud and lofty imagination of a true cavalier nothing base could enter, he did not hesitate to confide in the word of his brother of chivalry, on his pledging his honour to the performance of any particular action. There was no legal or other positive punishment consequent on the violation of his word; and, therefore, the matter being left to imagination and feeling, the contempt of his fellow-knights could be the only result of recreancy. The knight looked to fame as one of the guerdons of his toils: this value of the opinions of others taught him to dread shame and disgrace; and thus that fine sense of morality, that voluntary submission to its maxims which we call honour, became a part of knighthood.

The genius of chivalry was personal, inasmuch as each knight, when not following the banner of his sovereign, was in himself an independent being, acting from his own sense of virtue, and not deriving counsel from, or sharing opprobrium with, others. This independence of action exalted his character; and, nourished by that pride and energy of soul which belong to man in an early state of society, all the higher and sterner qualities of the mind,--dignity, uncompromising fidelity to obligations, self-denial, and generousness, both of sentiment and conduct,--became the virtues of chivalry.

All the religious devotion of a cavalier to woman existed in his mind, independently of, or superadded to, his oath of knighthood. She was not merely the object of his protection, but of his respect and idolatry. His love was the noble homage of strength to beauty. Something supernaturally powerful had been ascribed to her by the fathers of modern Europe; and this appeal to the imagination was not lost. In some ages and countries it reigned in all its religious force; in others it was refined into gentleness and courtesy: but every where, and at every time, the firmest confidence in woman's truth accompanied it, or supplied its stead; and the opinion of her virtue, which this feeling implied, had a corresponding influence on his own manners.

The triumph of chivalry over all preceding systems of opinions was complete, when imagination refined the fierceness of passion into generous and gentle affection,--a refinement so perfect and beautiful, that subsequent times, with all their vaunted improvements in letters and civilisation, are obliged to revert their eyes to the by-gone days of the shield and the lance for the most pleasing and graceful pictures of lady-love.

From these elements, and by means of these principles, sprang the fair and goodly system of chivalry, which extended itself, as we have seen, over most of the states of Europe, blending with the strongest passions and dearest affections of the heart, influencing the manners of private life, and often determining the character of political events. In England and France its power was most marked and decided; in Spain it was curiously blended with Oriental feelings; Germany was not much softened by its impressions; and in Italy the bitterness of private war admitted but few of its graces. It is difficult to define the precise period of its duration, for it rose in the mists and gloom of barbarism; and the moment of its setting was not regarded, for other lights were then playing on the moral horizon, and fixing the attention of the world. In the part, entirely historical, of the present work, the reader must have remarked, that sometimes the decay of chivalry was gradual, and not apparently occasioned by external means; while in other countries its extinction was manifestly hastened by causes which sprang not from any seeds of weakness in itself. But, viewing the subject in its great and leading bearings, it may be observed, that chivalry was coeval with the middle ages of Europe, and that its power ceased when new systems of warfare were matured, when the revival of letters was complete and general, and the reformation of religion gave a new subject for the passions and imagination.

This attempt to describe a history of chivalry has proved, at least, that chivalry was no dream of poets and romancers, and that the feudal system was not the only form of real life during the middle ages. Sismondi, in his work on the Literature of the South, contends that chivalry was an ideal world. He then admits, that sometimes the virtues of chivalry were not entirely poetical fictions, but that they existed in the minds of the people, without, however, producing any effect on their lives. His reasons for his opinions are, that it is impossible to distinguish the countries where chivalry prevailed; that it is represented to us as remote both in time and place; and while one class of authors give accounts of the general corruption of their age, writers of after times refer to those very days, and adorn them with every virtue and grace.

Now, much of this reasoning is erroneous. That past ages should be praised at the expence of the present is no uncommon a circumstance, whether in morals or poetry. We have proved that the countries where chivalry prevailed are clearly distinguishable, and the degree of its influence can likewise be marked. M. Sismondi does not argue as if he had been aware that there ever had existed such a writer as Froissart; who does not refer to old times for his pictures of arms and amours, but describes the chivalric character of his own age.

Notwithstanding the light and beauty which chivalry cast over the world, the system has been more frequently condemned than praised. The objectors have rested their opinion on a sentence, said to be witty, of an old English author, that errant knights were arrant knaves, or on a few passages of reprehension which are scattered through the works of middle-age literature. Sainte Palaye has founded his condemnation of chivalry upon the remark of Pierre de Blois, a writer of the twelfth century, that the horses of knights groan under the burden, not of weapons, but of wine; not with lances, but cheeses; not with swords, but with bottles; not with spears, but with spits.[241] Not many years afterwards, John of Salisbury also says, that some knights appear to think that martial glory consists in shining in elegant dress, and attaching their silken garments so tightly to their body, that they may seem part of their flesh. When they ride on their ambling palfreys they think themselves so many Apollos. If they should unite for a martial chevisance, their camp will resemble that of Thais, rather than that of Hannibal. Every one is most courageous in the banqueting hall, but in the battle he desires to be last. They would rather shoot their arrows at an enemy than meet him hand to hand. If they return home unwounded, they sing triumphantly of their battles, and declare that a thousand deaths hovered over them. The first places at supper are awarded to them. Their feasts are splendid, and engrossed by self-indulgence: they avoid labour and exercise like a dog or a snake. All the dangers and difficulties of chivalry they resign to those who serve them, and in the mean time they so richly gild their shields, and adorn their camps, that every one of them looks not a scholar but a chieftain of war.[242]

All this splenetic declamation involves charges of coxcombry, luxury, and cowardice. That knights were often guilty of the first offence is probable enough, for all their minute attention to the form and fashion of armour could not but attach their minds too strongly to the effect of their personal appearance. Graced also with the scarf of his sovereign-mistress, the knight well might caracole his gallant steed with an air of self-complacency: but a censure on such matters comes with little propriety from monks, who, according to Chaucer, were wont to tie their beads under their chin with a true lover's knot.

The personal indulgence of the knights was not the luxury of the cloister,--idle, gross, and selfish,--but it was the high and rich joviality of gay and ardent souls. They were boon or good companions in the hall, as well as in the battle-field. If their potations were deep, they surely were not dull; for the wine-cup was crowned and quaffed to the honour of beauty; and minstrelsy, with its sweetest melodies, threw an air of sentiment over the scene. How long their repasts lasted history has not related: but we have seen, in the life of that great and mighty English knight, Sir Walter Manny, that when the trumpet sounded to horse, cavaliers overthrew, in gay disorder, every festival-appliance, in their impatience to don their harness, and mount their war-steeds; and we also saw that a cup of rich Gascon wine softened the pride and anger of Sir John Chandos, and, awakening in him the feelings of chivalric generosity, impelled him to succour the Earl of Pembroke. In sooth, at the festivals of cavaliers all the noble feelings of chivalry were displayed. In those hours of dilatation of the heart, no appeal was made in vain to the principles of knighthood.