The Historical Romances of Georg Ebers
Chapter 276
When they perceived the eyes fixed upon them they swung their weapons, arched their breasts with conscious vanity, distorted their faces into terrible threatening grimaces, or raised bugle horns to their lips, drew from them shrill, ear-piercing notes and gloated, with childish delight, in the terror of the gaping crowd, on whom the restraint of authority sternly forbade them to show their mettle.
Lust of rapine and greed for booty glittered in many a fiery, longing look, but their leaders kept them in check with the sword. So they rushed on without stopping, like a thunderstorm pregnant with destruction which the wind drives over a terrified village.
Hermon also had to take the road they followed, and, after giving the Gauls a long start, he set out again.
But though he succeeded in passing the marshy region without injury, there had been delay after delay; here the horses had left the flooded dike road and floundered up to their knees in the morass, there trees from the roadside, uprooted by the storm, barred the way.
As night closed in the rain ceased and the wind began to subside, but dark clouds covered the sky, and the horsemen were still an hour's ride from the place where the road ended at the little harbour from which travellers entered the boat which conveyed them to Tennis.
The way no longer led through the marsh, but through tilled lands, and crossed the ditches which irrigated the fields on wooden bridges.
On their account, in the dense darkness which prevailed, caution was necessary, and this the guide certainly did not lack. He rode at a slow walk in front of the artist, and had just pointed out to him the light at the landing place of the boat which went to Tennis, when Hermon was suddenly startled by a loud cry, followed by clattering and splashing.
With swift presence of mind he sprang from his horse and found his conjecture verified. The bridge had broken down, and horse and rider had fallen into the broad canal.
"The Galatians!" reached Hermon from the dark depths, and the exclamation relieved him concerning the fate of the Midianite.
The latter soon struggled up to the road uninjured. The bridge must have given way under the feet of the savage horde, unless the Gallic monsters, with brutal malice, had intentionally shattered it.
The first supposition, however, seemed to be the correct one, for as Hermon approached the canal he heard moans of pain. One of the Gauls had apparently met with an accident in the fall of the bridge and been deserted by his comrades. With the skill acquired in the wrestling school, Hermon descended into the canal to look for the wounded man, while his guide undertook to get the horses ashore.
The deep darkness considerably increased the difficulty of carrying out his purpose, but the young Greek went up to his neck in the water he could not become wetter than he was already. So he remained in the ditch until he found the injured man whose groans of suffering pierced his compassionate heart.
He was obliged to release the luckless Gaul from the broken timbers of the bridge, and, when Hermon had dragged him out on the opposite bank of the canal, he made no answer to any question. A falling beam had probably struck him senseless.
His hair, which Hermon's groping fingers informed him was thick and rough, seemed to denote a Gaul, but a full, long beard was very rarely seen in this nation, and the wounded man wore one. Nor could anything be discovered from the ornaments or weapons of this fierce barbarian.
But to whatever people he might belong, he certainly was not a Greek. The thoroughly un-Hellenic wrapping up of the legs proved that.
No matter! Hermon at any rate was dealing with some one who was severely injured, and the self-sacrificing pity with which even suffering animals inspired him, and which in his boyhood had drawn upon him the jeers of the companions of his own age, did not abandon him now.
Reluctantly obeying his command, the Midianite helped him bandage the sufferer's head, in which a wound could be felt, as well as it could be done in the darkness, and lift him on the artist's horse. During this time fresh groans issued from the bearded lips of the injured warrior, and Hermon walked by his side, guarding the senseless man from the danger of falling from the back of the horse as it slowly followed the Midianite's.
This tiresome walk, however, did not last long; the landing place was reached sooner than Hermon expected, and the ferryboat bore the travellers and the horses to Tennis.
By the flickering light of the captain's lantern it was ascertained that the wounded man, in spite of his long dark beard, was probably a Gaul. The stupor was to be attributed to the fall of a beam on his head, and the shock, rather than to the wound. The great loss of blood sustained by the young and powerful soldier had probably caused the duration of the swoon.
During the attempts at resuscitation a sailor boy offered his assistance. He carefully held the lantern, and, as its flickering light fell for brief moments upon the artist's face, the lad of thirteen or fourteen asked if he was Hermon of Alexandria.
A curt "If you will permit," answered the question, considered by the Hellenes an unseemly one, especially from such a youth; but the sculptor paid no further attention to him, for, while devoting himself honestly to the wounded man, his anxiety about his invalid friend increased, and Ledscha's image also rose again before him.
At last the ferryboat touched the land, and when Hermon looked around for the lad he had already leaped ashore, and was just vanishing in the darkness.
It was probably within an hour of midnight.
The gale was still blowing fiercely over the water, driving the black clouds across the dark sky, sometimes with long-drawn, wailing sounds, sometimes with sharp, whistling ones. The rain had wholly ceased, and seemed to have exhausted itself here in the afternoon.
As Archias's white house was a considerable distance from the landing place of the ferryboat, Hermon had the wounded warrior carried to it by Biamite sailors, and again mounted his horse to ride to Myrtilus at as swift a trot as the soaked, wretched, but familiar road would permit.
Considerable time had been spent in obtaining a litter for the Gaul, yet Hermon was surprised to meet the lad who had questioned him so boldly on the ferryboat coming, not from the landing place, but running toward it again from the city, and then saw him follow the shore, carrying a blazing torch, which he waved saucily. The wind blew aside the flame and smoke which came from the burning pitch, but it shone brightly through the gloom and permitted the boy to be distinctly seen. Whence had the nimble fellow come so quickly? How had he succeeded, in this fierce gale, in kindling the torch so soon into a powerful flame? Was it not foolish to let a child amuse itself in the middle of the night with so dangerous a toy?
Hermon hastily thought over these questions, but the supposition that the light of the torch might be intended for a signal did not occur to him.
Besides, the boy and the light in his hand occupied his mind only a short time. He had better things to think of. With what longing Myrtilus must now be expecting his arrival! But the Gaul needed his aid no less urgently than his friend. Accurately as he knew what remedies relieved Myrtilus in severe attacks of illness, he could scarcely dispense with an assistant or a leech for the other, and the idea swiftly flashed upon him that the wounded man would afford him an opportunity of seeing Ledscha again.
She had told him more than once about the healing art possessed by old Tabus on the Owl's Nest. Suppose he should now seek the angry girl to entreat her to speak to the aged miracle-worker in behalf of the sorely wounded young foreigner?
Here he interrupted himself; something new claimed his attention.
A dim light glimmered through the intense darkness from a bit of rising ground by the wayside. It came from the Temple of Nemesis--a pretty little structure belonging to the time of Alexander the Great, which he had often examined with pleasure. Several steps led to the anteroom, supported by Ionic columns, which adjoined the naos.
Two lamps were burning at the side of the door leading into the little open cella, and at the back of the consecrated place the statue of the winged goddess was visible in the light of a small altar fire.
In her right hand she held the bridle and scourge, and at her feet stood the wheel, whose turning indicates the influence exerted by her power upon the destiny of mortals. With stern severity that boded evil, she gazed down upon her left forearm, bent at the elbow, which corresponds with the ell, the just measure.
Hermon certainly now, if ever, lacked both time and inclination to examine again this modest work of an ordinary artist, yet he quickly stopped his weary horse; for in the little pronaos directly in front of the cella door stood a slender figure clad in a long floating dark robe, extending its hands through the cella door toward the statue in fervent prayer. She was pressing her brow against the left post of the door, but at her feet, on the right side, cowered another figure, which could scarcely be recognised as a human being.
This, too, was a woman.
Deeply absorbed in her own thoughts, she was also extending her arms toward the statue of Nemesis.
Hermon knew them both.
At first he fancied that his excited imagination was showing him a threatening illusion. But no!
The erect figure was Ledscha, the crouching one Gula, the sailor's wife whose child he had rescued from the flames, and who had recently been cast out by her husband.
"Ledscha!" escaped his lips in a muttered tone, and he involuntarily extended his hands toward her as she was doing toward the goddess.
But she did not seem to hear him, and the other woman also retained the same attitude, as if hewn from stone.
Then he called the supplicant's name loud tone, and the next instant still more loudly; and now she turned, and, in the faint light of the little lamp, showed the marvellously noble outlines of her profile. He called again, and this time Ledscha heard anguished yearning in his deep tones; but they seemed to have lost their influence over her, for her large dark eyes gazed at him so repellently and sternly that a cold tremor ran down his spine.
Swinging himself from his horse, he ascended the steps of the temple, and in the most tender tones at his command exclaimed: "Ledscha! Severely as I have offended you, Ledscha--oh, do not say no! Will you hear me?"
"No!" she answered firmly, and, before he could speak, continued: "This place is ill chosen for another meeting! Your presence is hateful to me! Do not disturb me a moment longer!"
"As you command," he began hesitatingly; but she swiftly interrupted with the question, "Do you come from Pelusium, and are you going directly home?"
"I did not heed the storm on account of Myrtilus's illness," he answered quietly, "and if you demand it, I will return home at once; but first let me make one more entreaty, which will be pleasing also to the gods."
"Get your response from yonder deity!" she impatiently interrupted, pointing with a grand, queenly gesture, which at any other time would have delighted his artist eye, to the statue of Nemesis in the cella.
Meanwhile Gula had also turned her face toward Hermon, and he now addressed her, saying with a faint tone of reproach: "And did hatred lead you also, Gula, to this sanctuary at midnight to implore the goddess to destroy me in her wrath?"
The young mother rose and pointed to Ledscha, exclaiming, "She desires it."
"And I?" he asked gently. "Have I really done you so much evil?"
She raised her hand to her brow as if bewildered; her glance fell on the artist's troubled face, and lingered there for a short time. Then her eyes wandered to Ledscha, and from her to the goddess, and finally back again to the sculptor. Meanwhile Hermon saw how her young figure was trembling, and, before he had time to address a soothing-word to her, she sobbed aloud, crying out to Ledscha: "You are not a mother! My child, he rescued it from the flames. I will not, and I can not--I will no longer pray for his misfortune!"
She drew her veil over her pretty, tear-stained face as she spoke, and darted lightly down the temple steps close beside him to seek shelter in her parents' house, which had been unwillingly opened to the cast-off wife, but now afforded her a home rich in affection.
Immeasurably bitter scorn was depicted in Ledscha's features as she gazed after Gula. She did not appear to notice Hermon, and when at last he appealed to her and briefly urged her to ask the old enchantress on the Owl's Nest for a remedy for the wounded Gaul, she again leaned against the post of the cella door, extended both arms with passionate fervour toward the goddess, and remained standing there motionless, deaf to his petition.
His blood seethed in his veins, and he was tempted to go nearer and force her to hear him; but before he had ascended the first of the flight of steps leading to the pronaos, he heard the footsteps of the men who were bearing the wounded warrior after him.
They must not see him here with one of their countrywomen at this hour, and manly pride forbade him to address her again as a supplicant.
So he went back to the road, mounted his horse, and rode on without vouchsafing a word of farewell to the woman who was invoking destruction upon his head. As he did so his eyes again rested on the stern face of Nemesis, and the wheel whose turning determined the destiny of men at her feet.
Assailed by horrible fears, and overpowered by presentiments of evil, he pursued his way through the darkness.
Perhaps Myrtilus had succumbed to the terrible attack which must have visited him in such a storm, and life without his friend would be bereft of half its charm. Orphaned, poor, a struggler who had gained no complete victory, it had been rich only in disappointments to him, in spite of his conviction that he was a genuine artist, and was fighting for a good cause. Now he knew that he had also lost the woman by whose assistance he was certain of a great success in his own much-disputed course, and Ledscha, if any one, was right in expecting a favourable hearing from the goddess who punished injustice.
He did not think of Daphne again until he was approaching the place where her tents had stood, and the remembrance of her fell like a ray of light into his darkened soul.
Yet on that spot had also been erected the wooden platform from which Althea had showed him the transformation into the spider, and the recollection of the foolish error into which the Thracian had drawn him disagreeably clouded the pleasant thought of Daphne.
CHAPTER XVII.
Complete darkness enfolded the white house. Hermon saw only two windows lighted, the ones in his friend's studio, which looked out into the open square, while his own faced the water.
What did this mean?
It must be nearly midnight, and he could no longer expect Myrtilus to be still at work. He had supposed that he should find him in his chamber, supported by his slaves, struggling for breath. What was the meaning of the light in the workrooms now?
Where was his usually efficient Bias? He never went to rest when his master was to return home, yet the carrier dove must have announced his coming!
But Hermon had also enjoined the care of Myrtilus upon the slave, and he was undoubtedly beside the sufferer's couch, supporting him in the same way that he had often seen his master.
He was now riding across the open space, and he heard the men who carried the Gaul talking close behind him.
Was the wounded barbarian the sole acquisition of this journey?
The beat of his horse's hoofs and the voices of the Biamites echoed distinctly enough amid the stillness of the night, which was interrupted only by the roaring of the wind. And this disturbance of the deep silence around had entered the lighted windows before him, for a figure appeared at one of them, and--could he believe his own eyes?--Myrtilus looked down into the square, and a joyous welcome rang from his lips as loudly as in his days of health.
The darkness of the night suddenly seemed to Hermon to be illumined. A leap to the ground, two bounds up the steps leading to the house, an eager rush through the corridor that separated him from the room in which Myrtilus was, the bursting instead of opening of the door, and, as if frantic with happy surprise, he impetuously embraced his friend, who, burin and file in hand, was just approaching the threshold, and kissed his brow and cheeks in the pure joy of his heart.
Then what questions, answers, tidings! In spite of the torrents of rain and the gale, the invalid's health had been excellent. The solitude had done him good. He knew nothing about the carrier dove. The hurricane had probably "blown it away," as the breeders of the swift messengers said.
Question and reply now followed one another in rapid succession, and both were soon acquainted with everything worth knowing; nay, Hermon had even delivered Daphne's rose to his friend, and informed him what had befallen the Gaul who was being brought into the house.
Bias and the other slaves had quickly appeared, and Hermon soon rendered the wounded man the help he needed in an airy chamber in the second story of the house, which, owing to the heat that prevailed in summer so close under the roof, the slaves had never occupied.
Bias assisted his master with equal readiness and skill, and at last the Gaul opened his eyes and, in the language of his country, asked a few brief questions which were incomprehensible to the others. Then, groaning, he again closed his lids.
Hitherto Hermon had not even allowed himself time to look around his friend's studio and examine what he had created during his absence. But, after perceiving that his kind act had not been in vain, and consuming with a vigorous appetite the food and wine which Bias set before him, he obliged Myrtilus--for another day was coming--to go to rest, that the storm might not still prove hurtful to him.
Yet he held his friend's hand in a firm clasp for a long time, and, when the latter at last prepared to go, he pressed it so closely that it actually hurt Myrtilus. But he understood his meaning, and, with a loving glance that sank deep into Hermon's heart, called a last good night.
After two sleepless nights and the fatiguing ride which he had just taken, the sculptor felt weary enough; but when he laid his hand on the Gaul's brow and breast, and felt their burning heat, he refused Bias's voluntary offer to watch the sufferer in his place.
If to amuse or forget himself he had caroused far more nights in succession in Alexandria, why should he not keep awake when the object in question was to wrest a young life from the grasp of death? This man and his life were now his highest goal, and he had never yet repented his foolish eccentricity of imposing discomforts upon himself to help the suffering.
Bias, on his part, was very willing to go to rest. He had plenty of cause for weariness; Myrtilus's unscrupulous body-servant had stolen off with the other slaves the night before, and did not return, with staggering gait, until the next morning, but, in order to keep his promise to his master, he had scarcely closed his eyes, that he might be at hand if Myrtilus should need assistance.
So Bias fell asleep quickly enough in his little room in the lower story, while his master, by the exertion of all his strength of will, watched beside the couch of the Gaul.
Yet, after the first quarter of an hour, his head, no matter how he struggled to prevent it, drooped again and again upon his breast. But just as slumber was completely overpowering him his patient made him start up, for he had left his bed, and when Hermon, fully roused, looked for him, was standing in the middle of the room, gazing about him.
The artist thought that fever had driven the wounded warrior from his couch, as it formerly did his fellow-pupil Lycon, whom, in the delirium of typhus, he could keep in bed only by force. So he led the Gaul carefully back to the couch he had deserted, and, after moistening the bandage with healing balm from Myrtilus's medicine chest, ordered him to keep quiet.
The barbarian yielded as obediently as a child, but at first remained in a sitting posture and asked, in scarcely intelligible broken Greek, how he came to this place.
After Hermon had satisfied his curiosity, he also put a few questions, and learned that his charge not only wore a mustache, like his fellow countrymen, but also a full beard, because the latter was the badge of the bridge builders, to which class he belonged. While examining the one crossing the canal, it had fallen in upon him.
He closed his eyes as he spoke, and Hermon wondered if it was not time for him to lie down also; but the wounded man's brow was still burning, and the Gallic words which he constantly muttered were probably about the phantoms of fever, which Hermon recognised from Lycon's illness.
So he resolved to wait and continue to devote the night, which he had already intended to give him, to the sufferer. From the chair at the foot of the bed he looked directly into his face. The soft light of the lamp, which with two others hung from a tall, heavy bronze stand in the shape of an anchor, which Bias had brought, shone brightly enough to allow him to perceive how powerful was the man whose life he had saved. His own face was scarcely lighter in hue than the barbarian's, and how sharp was the contrast between his long, thick black beard and his white face and bare arched chest!
Hermon had noticed this same contrast in his own person. Otherwise the Gaul did not resemble him in a single feature, and he might even have refused to compare his soft, wavy beard with the harsh, almost bristly one of the barbarian. And what a defiant, almost evil expression his countenance wore when--perhaps because his wound ached--he closed his lips more firmly! The children who so willingly let him, Hermon, take them in his arms would certainly have been afraid of this savage-looking fellow.
Yet in build, and at any rate in height and breadth of shoulders, there was some resemblance between him and the Gaul.
As a bridge builder, the injured man belonged, in a certain sense, to the ranks of the artists, and this increased Hermon's interest in his patient, who was now probably out of the most serious danger.
True, the Greek still cast many a searching glance at the barbarian, but his eyes closed more and more frequently, and at last the idea took possession of him that he himself was the wounded man on the couch, and some one else, who again was himself, was caring for him.
He vainly strove to understand the impossibility of this division of his own being, but the more eagerly he did so the greater became his bewilderment.
Suddenly the scene changed; Ledscha had appeared.
Bending over him, she lavished words of love; but when, in passionate excitement, he sprang from the couch to draw her toward him, she changed into the Nemesis to whose statue she had just prayed.
He stood still as if petrified, and the goddess, too, did not stir. Only the wheel which had rested at her feet began to move, and rolled, with a thundering din, sometimes around him, sometimes around the people who, as if they had sprung from the ground, formed a jeering company of spectators, and clapped their hands, laughed, and shouted whenever it rolled toward him and he sprang back in fear.
Meanwhile the wheel constantly grew larger, and seemed to become heavier, for the wooden beams over which it rolled splintered, crashing like thin laths, and the spectators' shouts of applause sounded ruder and fiercer.