Part 13

I had almost forgotten to say anything about the annual gratuity which the Brahmins of Bengal obtain on the occasion of this festival. From time immemorial, when orthodox Hindooism was in the ascendant, the Brahmins not only advanced their claims, as now, to all the offerings made to gods or goddesses, small or great, but established a rule that every Hindoo, whose circumstances would permit it, should give them individually, one, two, four, or five Rupees at the return of this festival. Every respectable Hindoo family, even now-a-days when heterodoxy is rampant in all the great centres of education, has to give ten, fifteen, twenty-five, or fifty Rupees to Brahmins. Rich families give much more. So very tenacious are the Brahmins of this privilege that even if they earn one hundred Rupees a month by employment they will not forego a single Rupee once a year on this occasion, seeing they claim it as a birthright.

These men have studied human nature, but they have built their hopes of permanent gain on the baseless fabric of a hollow superstition, which is destined, through the progress of improvement, inevitably to fall into decay. It is too late to retrieve the huge blunder of laying a false foundation for their gains.

FOOTNOTES:

[51] Doorga is also worshipped in the month of April, in the time of the vernal equinox, but very few then offer her their devotion, though this celebration claims priority of origin.

[52] For some general remarks on the religion of the Hindoos, see Note c.

[53] "In this ancient story" says Tod, "we are made acquainted with the distant maritime wars which the princes of India carried on. Even supposing Ravana's abode to be the insular Ceylon, he must have been a very powerful prince to equip an armament sufficiently numerous to carry off from the remote kingdom of _Kousula_ the wife of the great king of the Suryas. It is most improbable that a petty king of Ceylon could wage equal war with a potentate who held the chief dominion of India; whose father, _Dosaratha_ drove his victorious car (_ratha_) over every region (_desa_) and whose intercourse with the countries beyond the Bramaputra is distinctly to be traced in the _Ramayana_."

[54] This is also the day which is vulgarly called the _Kalá kátá amabáshay_ when unripe plantain fruits are cut in immense quantities for offerings to Doorga.

[55] This sacred jar is marked with two combined triangles, denoting the union of the two deities, Siva and Doorga,--the worshippers of the _Sakti_, female energy, mark the jar with another triangle.

[56] The day before the _Kalpa_ begins, these priests receive new clothes, comprising a _dhootie_ and _dubja_, and some money for _habishay_, or food destitute of fish. Very few, however, abide by the rules enjoined in the holy writings.

[57] Even in the observance of this religious preliminary, the Brahmins take advantage of their superior caste, and curtail five days out of six in order to save expense. Every thing is allowable in their case, because they assume to be the oracles between the god and man.

[58] The vermilion is used by a Hindoo female whose husband is _alive_, the privilege of putting it on the forehead is considered a sign of great merit and virtue.

[59] There is a singular coincidence between the Hindoos and the ancient heathen nations in regard to music. In both it is used as an indispensable accompaniment to religious worship.

[60] It is no less strange than surprising that ornamental articles prepared by the hands of European artisans who are accustomed to eat beef and pork, the very mention, and much more, the touch of which contaminates the purity of religion, are put on the bodies and heads of Hindoo gods without the least religious scruple, simply for the gratification of vanity. So much for the consistent and immaculate character of the Hindoo creed!

[61] These scented oils are mostly prepared by Mussulmans, whose very touch is enough to desecrate a thing; the Brahmins knowing this fact unhesitatingly use them for religious purposes. Thus we see in almost every sphere of social and domestic life the fundamental rules of religious purity are shamefully violated.

[62] It is deserving of notice that the slaughter of oxen, cows or calves is most religiously forbidden in the Hindoo Shaster. Divine honors are paid to the species. The cow is regarded as a form of Doorga and called Bhuggobutty. The husband of Doorga, Shiva, rides naked on an ox. The very _dung_ of a cow purifies all unclean things in a Hindoo household, and possesses the property of a disinfectant. The milk of a cow assuredly affords the best nourishment to the young and the old, hence the species was deified by the Hindoo sages. Even after the advent of the English into this country for above two centuries, an orthodox Hindoo is apt to exclaim "what impious times!" whenever he happens to see a Mussulman butcher carry a cow or calf in the street for slaughtering purposes. Not a few wonder how the English power continues to prosper amidst the daily perpetration of such irreligious acts. By way of derision, the English are called _gokháduk_ or beef-eaters and the _goylás_ (milkmen) _Kásays_ or butchers. If such Hindoos had power enough they would certainly have delivered their country from the grasp of these beef-eaters and placed it above the reach of sacrilligious hands. But alas! in the present _Kaliyaga_ or iron age, both they and their gods are alike impotent.

[63] It is generally known that except the Brahmins, who are proverbially noted for their eating propensities, scarcely any respectable Hindoo condescends to sit down to a regular _jalpan_ dinner at this popular festival. He comes, gives his usual _pranámy_ of one Rupee to the goddess in the _thácoordállán_, talks with the owner of the house for a few minutes, is presented by way of compliment with otto of roses and pan, and then goes away, making the stereotyped plea that he has many other places to go to. Besides this, every man is expected to provide himself at home with a good stock of choice eatables on this festive occasion. The prices of sweetmeats, already too high, are nearly doubled at this time, because of the large demand and small supply. From 32 Rupees a maund (82 lbs) the normal price of _sundesh_ in ordinary times, it rises to 60 or 70 Rupees in the Poojah time. Milk sells at four annas a pound, and without milk no _sundesh_ could be made. It is the most expensive article of food among the Hindoos of Bengal, when well made with fresh _channa_ (curded milk) it has a fine taste, but is entirely destitute of nutritive property. The Hindoos of the Upper Provinces, however, do not regard the preparation as _pure_, and consequently do not use it, because of its admixture with curded milk.

[64] Rich men are in the habit of firing guns for the guidance of the people.

[65] The flesh of buffaloes is used only by sweepers, shoemakers, &c., who sometimes quarrel for the possession of the slaughtered animals. The meat with country liquor ends in drunken feasts.

[66] The late Rajah Rajkissen Bahadoor, Baboos Santiram Sing, Ramdoolal Dey, Shibnarain Ghose, Prankissen Holdar, the Mullick family, the Ghosal family of Bhookoylash and others, spent large sums of money from year to year in giving clothes, food and money to a very large number of poor men, and liberating prisoners from jail on payment of their debts. Any relief to suffering humanity is certainly an act of great merit for which the donors deserve well of the community. In our days there are several Baboos who do the same on a limited scale, but the name of Baboo Tarucknauth Puramanick of Kassiriparrah deserves a special notice. Naturally unassuming and unambitious, his character is as irreproachable as his large-heartedness is conspicuous. On every anniversary of the Doorga Poojah, and on almost every religious celebration, he gives alms to hundreds and thousands of poor people without distinction of caste or creed. On the occasion of the Doorga Poojah festival he would not break his fast until midnight, when he is assured that all the poor people who came to his door have been duly provided with food and coppers. For three nights this distribution of alms continues. The public road before his house is closed by order of the police for the accommodation of beggars. Five or six times in a month he feeds all the poor people that come to his house, hence the fame of his generosity is spread far and wide, and he is surnamed Taruck Baboo, "the _datta_" or charitable--a distinction which the more opulent of his countrymen (and there are not a few) should seek to covet.

[67] An _Urghy_ is a bunch of doorva grass tied up at the last, either with red cotton or a slip of plantain leaf. Two or three of such bundles are made, one is placed on the crown of the goddess and two on her two feet. It is usually stuffed with paddy and besmeared with sandal wood water and vermillion. It is a sacred offering and consequently preserved for solemn occassions.

[68] Home made things are, in the long run, cheaper and more preferable to the questionable products of the market, which are not only inferior in quality but are more or less subject to defilement, being exposed for sale to people of all castes. This detracts from the absolute purity of the preparation.

[69] It would not be out of place to observe here that liberal Hindoos as a body are not beef-eaters as is vulgarly supposed. They are content with fowls, goat, sheep and fish. About forty years ago before the Calcutta University was founded, the late Baboo Isser Chunder Goopto, the editor of _Pravakur_, a vernacular news paper, very cleverly hit off and satirised in popular ballads the then growing desire of the young Hindoo reformers to adopt a European style of eating. He commenced with Rammohun Roy--the pioneer of Hindoo reformation--and thus sarcastically described his public career. Addressing _Saraswattee_ the Hindoo goddess of learning, he thus laments: "Oh goddess! in vain have you established schools in Calcutta, look at the end of that Roy (Rammohun Roy); profound learning had wafted him over the waters to a distant region (England), and never brought him back again." As regards the young alumni, he makes a wife thus accost her husband: "_Pran, Pran_, my heart, my heart, you go to society and lectures every day, and when the Examination is held at the Town Hall you get prizes, heaps and heaps of books you read and always remain outside. Is it written in the books that you should never touch the body of a female? What sort of a _gooroo_ (master) is your Sahib? he is a regular _garu_ (bull) if he give you such lessons. You dislike _loochee_ and _mundá_ (Hindoo sweetmeats) but you get _gunda_ and _gunda_ of fowl eggs and satisfy your hunger, and for you all there is an end of cows and calves." But this is an exaggeration about the eating of beef by the educated Hindoos. Except a few medical students, who have, in a great measure, overcome their prejudices by the constant handling of dead bodies, the rest still feel a sort of natural repugnance to eating beef. This is, perhaps, the effect of early impressions produced by the religious veneration in which a cow is held among the Hindoos. "The superstitious reverence," says an eminent writer, "for the ox, points doubtless to a period when that useful animal was first naturalized in India and protected by a law for its preservation and encouragement, which, now that the original intention is lost sight of in the lapse of ages, has invested the cattle with a religious character, and, indeed, it is not 200 years since the Emperor Jehangir was obliged once to prohibit the slaughter of kine for a term of years, as a measure absolutely required to prevent the ruin of agriculture." It is a striking fact that that loathsome disease, leprosy, is very common among the lower orders of Mussulmans who use this meat freely. Perhaps it is more suited to the inhabitants of milder regions than those of a tropical climate.

[70] So great was the mania for extravagant, ostentations show, that instances were not wanting in which a lakh of Rupees was freely spent on this grand occasion. The late Prankissen Holdar, of Chinsurah, in the neighbourhood of Calcutta, expended annually for three or four years the above sum in furnishing his house without stint of cost in truly oriental style, giving rich entertainments to Europeans and Natives, and distributing alms among the poor. There was no Railway then, and consequently the boat hire alone from Calcutta to Chinsurah for English and Native grandees might have cost four to five thousand Rupees. The very invitation cards written in golden letters with gold fringes cost eight to ten Rupees each. For the entertainment of his English friends he used to give ten thousand Rupees to Messrs. Gunter and Hooper, the then public Purveyors of Calcutta. First class wines and provisions were procured in abundance, and arranged in the corridor under European and Mahomedan stewards, while one hundred Brahmins were engaged in prayers, reciting _Chundee_ and repeating the name of the god, Modosoodun, for the propitiation of the goddess and the interests of the family. It sometimes so happened that the clang of knives, forks and spoons was simultaneous with the sound of the holy bell and conch, the one neutralising what the other was supposed to produce in a religious point of view.

[71] "The reader will recollect that the festivals of Bacchus and Cybele were equally noted for the indecencies practised by the worshippers both in their words and actions."

[72] The Reverend Mr. Maurice, a pious clergyman, who had never seen these ceremonies, attempted to paint them in the most captivating terms. Should he think that Hindoo idolatry is capable of exciting the most elevated conceptions about the godhead and leading the mind to the true path of righteousness, let him come and join the Brahmins and their numerous devotees in crying "Hurree Bole! Hurree Bole! Joy Doorga! Joy Kally!" "Mr. Forbes, of Stanmore Hill, in his elegant museum of Indian rarities, numbers two of the bells that have been used in devotion by the Brahmins. They are great curiosities, and one of them in particular appears to be of very high antiquity, in form very much resembling the cup of the lotus, and the tune of it is uncommonly soft and melodious. I could not avoid being deeply affected with the sound of an instrument which had been actually employed to kindle the flame of that superstition which I have attempted so extensively to unfold. My transported thoughts travelled back to the remote period when Brahmin religion blazed forth in all its splendour in the caverns of Elephanta: I was, for a moment, entranced, and caught the odour of enthusiasm. A tribe of venerable priests, arrayed in flowing stoles, and decorated with high tiaras, seemed assembled around me, the mystic song of initiation vibrated in my ear; I breathed an air fragrant with the richest perfumes, and contemplated the deity in the fire that symbolized him." And again, in another place, "She, (the Hindoo religion) wears the similitude of a beautiful and radiant cherub from Heaven, bearing on his persuasive lips the accents of pardon and peace, and on his silken wings benefaction and blessing." What strange hallucinations some of these Christian ministers labour under in attempting to reconcile the ideas of idolatry with those of the True and Living God!

IX.

THE KALI POOJAH FESTIVAL.

In Bengal, next to the Doorga Poojah in point of importance stands the Kali Poojah, which invariably takes place on the last night of the decrease of the moon, in the month of Kartik (between October and November). She is represented as standing on the breast of her husband, Shiva, with a tongue projecting to a great length. She has four arms, in one of which she holds a scimitar; in another, the head of a giant whom she has killed in a fight, the third hand is spread out for the purpose of bestowing blessing, while by the fourth, she welcomes the blessed. She also wears a necklace of skulls and has a girdle of hands of giants round her loins. To add to the terrific character of the goddess, she is represented as a very black female with her locks hanging down to her heels. The reason ascribed for her standing on the breast of her husband, is the following: In a combat with a formidable giant called Ruckta Beeja, she became so elated with joy at her victory that she began to dance in the battle-field so frantically that all the gods trembled and deliberated what to do in order to restore peace to the earth, which, through her dancing was shaken to its foundation. After much consultation, it was decided that her husband should be asked to repair to the scene of action and persuade her to desist. Shiva, the husband, accordingly came down, but seeing the dreadful carnage and the infuriated countenance as well as the continued dancing of his wife, who could not in her frenzy recognise him, he threw himself among the dead bodies of the slain. The goddess was so transported with joy that in one of her dancing feats she chanced to step upon the breast of her husband, whereupon the body moved. Struck with amazement she stood motionless for a while, and fixing her gaze at length discovered that she had trampled on her husband. The sight at once restored her feminine modesty, and she stood aghast feeling shocked at the unhappy accident. To express her shame, she put out her tongue and in that posture she is worshipped by her followers.[73]

Her black features, the dark night in which she is worshipped, the bloody deeds with which her name is associated, the countless sacrifices relentlessly offered at her altar, the terrific form in which she is represented, the unfeminine and warlike posture in which she stands, and last but not least, the desperate character of some of her votaries, invest her name with a terror which is without a parallel in the mythological legends of the Hindoos. The authors of the Hindoo mythology could not have invented in their fertile imagination a sanguinary character more singularly calculated to inspire terror[74] and thereby extort the blind adoration of an ignorant populace. About seven hundred years ago, a devoted follower of this goddess, named Agum Bagish, proclaimed that her worship should be performed in the following manner: The image is to be made, set up, worshipped and destroyed on the same night. It is a _nishi_ or midnight Poojah on the darkest night of the month, so that not a single soul from outside could know it. He strictly observed this rule while he was alive, and it was said that Rajah Krishnu Chunder Roy of Kishnaghur followed his example for some time. Baboo Obhoy Churn Mitter of Calcutta and Bhobaney Churn Mookerjee of Jessore also tried to observe the rule prescribed above, but as it has been alleged the spirit of secret devotion forsook them after a little while. They reverted to the general custom of worshipping the goddess on the darkest night in Kartik, inviting friends and making pantomimic exhibitions.

Though her Poojah lasts but one night, the sacrifices of goats, sheep and buffaloes are as numerous as those offered before the altar of Doorga. In former times, when idolatry prevailed universally throughout Bengal and religious belief of the people therein was firm and unshaken, the splendour with which the worship of this goddess was performed was second only, as I have remarked, to that of the Doorga. Both goddesses, however, still continue to count their votaries by millions. "The reader may form some idea," says Mr. Ward, "how much idolatry prevailed at the time when the Hindoo monarchy flourished from the following circumstance, which belongs to a modern period, when the Hindoo authority in Hindoosthan was almost extinct. Rajah Krishnu Chunder Roy, and his two immediate successors, in the month of Kartick, annually gave orders to all the people over whom they had a nominal authority to keep the _shyma_ festival, and threatened every offender with the severest penalties on non-compliance. In consequence of these orders, in more than ten thousand houses in one night, in the Zillah of Kishnaghur, the worship of this goddess was celebrated. The number of animals destroyed could not have been less than ten thousand."

Kali, like Doorga, Siva, Vishnu and Krishna, is the guardian deity of many Hindoos, who daily offer their prayers to her both in the morning and evening. Several, who possess great wealth and know not how to employ it better, dedicate temples to her service and consecrate them with ample endowments. In the holy City of Benares, there still exists a Kali shrine where hundreds of beggars are daily fed at the expense of the founder, the late Rani Bhobaney of Nattore. Nearly a hundred and fifty years ago, Raja Ramkrishna erected a temple at Burranagore, about six miles north of Calcutta, in honor of this goddess, and spent upwards of a lakh of Rupees when it was first consecrated. He endowed it with a large revenue for its permanent support, so that any number of religious mendicants who might come there daily could be easily fed. In his prosperous days, this rich zemindar paid an annual revenue of fifty-two lakhs of Rupees to the East India Company. Unfortunately the family has since been reduced to a state of poverty, and the temple is a heap of ruins. The endowment, like most other endowments of this nature, disappeared soon after the death of the founder. The Rajah of Burdwan's endowment of this kind still endures, and promises to enjoy a longer lease of life.

The name of Kali, be it observed, is more extensively used than either that of Doorga or Shiva. Whenever a Native Regiment is to march or set out on an expedition the stereotyped acclaim is,--"_Kali Maikey Jay_," "victory to mother Kali." When the evening gun is fired in any of the military stations, the almost involuntary exclamation is, "_Jay Kali Calcutta Wallee_." Nor is her worship less universal than her fame. On the last night of the decrease of the moon in Kartik, every family in Bengal must worship her though in a somewhat different shape. Every family, rich or poor, Brahmin or Soodar, must celebrate the Lucki or Kali Poojah before the sacred _Reck_ of _dhán_ or paddy, which in the estimation of a Hindoo is a valuable heritage.[75] Several incidents connected with this religious festival are worth recording. In the Upper and Central Provinces, as in the South of Hindoostan, it is called the _Dewallee_ Festival. Though the image is not set up, yet the Hindoo and Parsi inhabitants observe the holiday by opening their new year's account on that day. Illuminations, fireworks and all sorts of festivities mark the day. To try their luck for the next year, almost all Hindoo merchants and bankers indulge in gambling that night, and large sums are sometimes at stake on the occasion. In Calcutta, where gambling is strictly prohibited, the law is shamefully violated on that dark night. This does not imply any reflection on the vigilance of the Police, because the game is carried on surreptitiously. The Parsi merchants who deal in wines and stores throw open their shops and treat their European customers free of cost on that particular day. Their brethren in Bengal are, however, not so liberal to their customers, simply because it is not their new year's day. In Calcutta and all over Bengal the night is remarkable for illumination,[76] fireworks, feasting, carousing and gambling. There is a time-honored custom among the people to light bundles of _paycáttee_ or faggots that night. As is naturally to be expected the children take a great delight in such pastimes. At the close of the Poojah a servant of the house takes a _Koolow_ or winnowing fan and a stick with which he beats and sings "Bad luck out" and "Good luck in."[77]