Part 3

"My mother's in here," she said, scarcely above a whisper. She held the door open for him, and he went past her into a room so carefully darkened that for a moment he hesitated blindly on the threshold. Then a sound guided him. It was the sound of some one crying. Not passionately, not desperately, but with a terrible monotony. Then one salient feature detached itself from the shadows--a wicker chair drawn up by the curtained window, and beside it, huddled together, with her face buried in her arms, the figure of a woman. She wore some loose, dark-coloured garment, and was so small and still that she would have seemed scarcely living, but for the jerking sobs. Tristram checked the girl's anxious movement and went forward alone. He knelt down by the piteous heap and put his hand on her arm, and remained thus for a full minute. He did not speak to her, and she seemed unconscious of his presence. The sobbing went on unbrokenly. Then he picked her up quietly and effortlessly, and placed her in the chair, dexterously slipping a silk cushion behind her head.

"Mrs. Boucicault!" She did not answer. Her eyes were closed. Her small, white face under the mop of fair hair, fast turning grey, was puckered like a child's. Her little hands gripped the arms of her chair. From her place near the door, Anne watched with a frightened wonder. "Mrs. Boucicault!" Tristram repeated quietly. Her eyes opened then. They were tearless and very bright. She stared straight ahead, her under-lip between her white teeth, and began to rock herself backwards and forwards. She was still sobbing. Tristram knelt again and took one of her hands and held it between his own. She looked down then--first at her hand, as though it puzzled her, and then at him. Suddenly, violently, she freed herself and tore open the heavily embroidered kimono. Her shoulders were bare. On the right shoulder was a black swollen stain bigger than a man's hand.

"Look!" she said.

Anne Boucicault caught her breath with a vague, vicarious shame. She saw that Tristram had moved very slightly. His square jaws looked ugly against the dim light of the window.

"Get hot water and bandages," he commanded. "Linen will do--and ointment--anything greasy." As she slipped from the room he drew the kimono gently over the poor lacerated shoulder. "You've had a nasty accident, Mrs. Boucicault," he said, levelly.

"It was no accident." Her sobs had stopped. Her voice sounded like the rasp of steel against steel. "_He_ did it--my husband. It's not the first time, Major Tristram. It won't be the last. He'll kill me--and he'll kill her." She nodded towards the door. The words poured from her as though released from a long restraint, but she was coldly, violently coherent. "Yes--he'll kill her--slowly, by inches. He'll break her. She'll go under fast. She's not like me--I'm wiry--she's hard, but she'll snap. For all her prayers and her church and her God, she'll go under." Something contemptuous and angry crept into her face. "Anne's cowed already. And it's not only us. His men--they tried to shoot him. Did you hear?"

He nodded.

"Yes."

Her eyes blazed.

"Oh, I wish to God they'd done it!" she burst out, from between clenched teeth. "Oh, why didn't they? He's goaded them enough. One of these days they'll murder us all for his sake. He's a devil. He's made life a hell. He likes to make suffering. He likes to see us wince. Oh, if he were only dead!" Suddenly the tense mask of hatred broke up into piteous lines of helpless misery. Two great tears rolled unheeded down her white cheeks. "Anne talked about bearing our cross, and prayer, and God's will," she went on chokingly. "But I want to be happy, Major Tristram, I want to be happy."

"You have an absolute right to happiness," he answered. "You've got to be happy, Mrs. Boucicault. I'm going to see to it."

She dropped back wearily among her cushions. Her grey eyes, now pale and faded-looking, rested on his face with a childish questioning.

"You talk as though--as though you could."

"Well, I can do something--I promise you. Close your eyes."

She closed them at once, and he took his handkerchief and brushed the tears from her cheeks. Then he resumed his kneeling position, her hand in his, soothing it much as he had soothed the frightened, broken-winged bird. Once she sighed deeply, as if released from some stifling weight, and thereafter her breathing sounded quiet and regular. By the time Anne Boucicault returned, her mother had dropped into a heavy sleep.

Major Tristram got up noiselessly, and motioned the girl to follow him. His movements were curiously light and noiseless, and brought no shadow of change on the sleeper's face.

"It's better that she should sleep," he said quietly. "I shall come in again tonight before I leave. I doubt if she wakes before then."

They went out together. On the mat the ubiquitous Wickie lay extended in a state of dusty misery. He rolled over as Tristram appeared, displaying much humility and a blood-stained paw. Tristram picked him up and hugged him. "You're not a dog--you're an ass, Wickie," he declared. "And I'll wager you consider yourself a martyr into the bargain, you assassin of innocent bulbuls. What do you suppose I'm going to do with you--carry you, I suppose?" He turned a wry, laughing face to his companion.

"Well, I'll be off now, anyhow," he said. "You'll see me tonight. Good-bye till then--and don't worry her or yourself."

She took his extended hand.

"Thank you. I thought it would be so terrible--for any one to know how things are with us. I haven't minded you a bit."

"I'm awfully glad."

He took up his impromptu bird's-nest from its place of safety in an empty fern-pot. The contents chirped defiance and terror, and Tristram looked up smiling. He saw then that Anne Boucicault's eyes were fixed on something beyond him, and that they were wide and stupid-looking with dread. He turned. A man stood in the sunlit verandah. Against the golden background he bulked huge and threatening, his features and whatever expression they bore blotted out by shadow. The switch which he carried beat an irritable tattoo against his riding-boots.

Tristram nodded a greeting.

"Good evening, Colonel."

"Good evening, Major." He bowed satirically and crossed the threshold. "This is a pleasant surprise. I understood you were out camping."

"I have been for the last two months. I am off again tonight."

"Then my daughter and I are indeed fortunate to catch this glimpse of you." He came farther into the shade, half turning to fling his helmet and whip on to a table. The light fell on his profile, revealing the livid skin, the brutal line of the jaw. "To what are we indebted, Major?"

"I came professionally," Tristram answered.

"On Anne's behalf, I suppose?"

"No, for Mrs. Boucicault." He scrutinized the elder man deliberately. "Perhaps I could do something for you, Colonel. You're not looking well. You ought to take a year's leave."

Colonel Boucicault allowed a moment to elapse before he answered. He had the tensely vicious look of a hard drinker who is never drunk, and whose jangling nerves are always writhing under restraint. Finally, he seemed to take a stronger hold over himself. He laughed out, shortly.

"Thanks, I'm very well. I'll last the regiment another year or two--to its infinite satisfaction, no doubt. As to Mrs. Boucicault, your visit was kind but unnecessary. There's nothing wrong in that quarter but feminine hysteria."

"I don't think so," Tristram returned. He had coloured slowly to the roots of his ruddy hair, but his voice was even quieter. "I take a serious view of the case. I have ordered Mrs. Boucicault an immediate return to England."

There was another break. The two men eyed each other squarely.

"That is an absurd proposition which I cannot sanction," Boucicault said in the same tone of violent self-restraint.

"I'm afraid you'll have to, Colonel."

The antagonism, whose note had sounded even in their greeting of each other, now rang out clearly. Boucicault's big hands twitched at his sides.

"Surely, Major, that is scarcely fitting language----" he began.

"I don't care a damn for what's fitting," Tristram broke in. "Mrs. Boucicault's going to England with Anne. If she doesn't, I'll have you hounded out of the army even if I get hounded out myself in the doing of it. That's my bargain."

"By God, Major----" Boucicault took a step nearer.

By reason of his heavy build, he seemed to tower over the younger man. His eyes were bloodshot in their inflamed rims; his whole body quivered. "You'd better get out of here," he stammered thickly. "And take my advice--keep clear of this place--keep out of my way."

"Thanks." Tristram tucked Wickie more securely under one arm. "I'll be round this evening," he added.

He ignored the threatening gesture, and went leisurely down the steps and along the drive. At the gates he stopped, drawing his breath with a quick, deep relief.

Across the roadway, the stems of the trees stood out black and straight as the pillars of a great temple, whose red-gold lamp had been lowered from the dome and now sank swiftly into an extinguishing pool of shadow. A breeze rustled coolly overhead, brushing away the sweet, heavy incense of many flowers and bringing the first warning of nightfall. A belated finch fluttered amidst the dense foliage, and then all was still again.

Tristram remained motionless, apparently plunged in his own thoughts, for he started when a hand touched his arm and turned almost angrily. Anne Boucicault stood beside him. She was breathless, her lips were parted, and the wind had blown the dark, curly hair from her white forehead, adding impulse and eagerness to her staid girlishness.

"I had to come," she panted, "to--to thank you. And then--you mustn't keep your promise. You mustn't come--it isn't safe----"

He shook his head. His eyes, after the first glance, had gone back to the fading light.

"I shouldn't hurt your father," he said, gravely.

"But you----!" she exclaimed. "No one knows what he might do to you."

"I don't think that matters," he returned, still in the same rather absent tone. "Anyway, if he's mad, he's not a fool. You mustn't worry."

She lingered. Her hand rested tremblingly on his arm.

"And I want to thank you, Major Tristram. You've helped poor mother--and I was so proud. No one's ever faced him like that. I wish----" She faltered. "If we could only do something for you----"

He was silent for a moment, then, as though her words only reached him gradually, he turned with a quick smile.

"You can. Take Wickie in as a boarder, will you? He's lame, and my hands are full already. I couldn't take him with me. Ayeshi could fetch him in a week or two. Would you mind?"

"I'd love to have him." She took the unwieldy, protesting mongrel, and held him rather clumsily in her arms. "And your little bird?" she asked.

"No, he'll want special medical treatment. Thanks awfully, all the same." He bent and patted Wickie's black snout with an apologetic gentleness. "Don't fret your heart out, old chap. It's your own fault--and Ayeshi shall come for you, upon my honour he shall."

"I'll take care of him," Anne said.

"I know you will."

"Good-bye, Major Tristram." The sunlight was in her eyes, and they were very bright. The colour in her cheeks deepened. "And God bless you," she added, timidly but very seriously.

He smiled down at her.

"And you and Wickie and everybody," he said. "I'm sure He does."

He strode off, and at the bend of the road turned and waved.

But long after he had disappeared, she stood there gazing into the dusk, the unhappy Wickie pressed tightly against her breast.

*CHAPTER IV*

*THE INTERLOPERS*

Rajah Rasaldu was wonderfully, if not impressively, European. He wore a frock-coat and grey trousers, English in intention, French in execution. They were almost too perfect. The native, brightly hued turban, an unwilling concession, as he admitted, to local prejudice, came as a rather startling finale, though it suited him better than his Europeanism. He was a short, unmuscular little man, built in circles rather than in straight lines, and a determined course of Parisian good-living had added seriously to a natural tendency to embonpoint. His manner, even in sitting still, was restless and fussy. He had, in fact, neither the inscrutable dignity of the native nor the self-assured ease of the race he aped.

"When I look at you, Mademoiselle," he was saying, earnestly, "I forget that I am in this dreadful country, and I imagine myself back to London. I see myself in the darkened box, and you in all the brightness. I hear the music and the roar of applause. I feel at home--almost happy." He stared down at his round, soft hands as though he were rather pleased with their severe lack of adornment, and sighed. The woman he addressed did not look at him. She was watching the little groups of white-clad figures dotted about the garden, with her head turned slightly away from him. Next her, Mary Compton and the Judge's wife were talking with the lazy earnestness engendered by tea and the cool shade of a flowering mango.

"But this is your country," Sigrid Fersen said. "You are surely happiest here."

He shrugged his shoulders.

"I was born here. The Government has put me in a position of trust, and it is my duty to be at my post from time to time. But my heart is with you--with the West and Western civilization. And of all that, Mademoiselle, you are the personification."

She laughed a little, as though secretly amused.

"Tell me your impressions of Paris, Rajah," she said.

He told her. From time to time his brown, dissipated eyes shot irritable glances at the figure seated immediately behind his hostess. It was perhaps a somewhat startling figure, and though Gaya approved of companions and chaperons, and had indeed heaved a sigh of relief over Mrs. Smithers's existence, it had none the less been considerably startled by her personality. She was well past middle age, and, in spite of the considerable heat, was dressed severely in black grenadine, and wore a mob-cap on a remarkably fine head of white hair, which she occasionally patted with a nervous hand. If it is true all human beings bear a resemblance to some animal, then Mrs. Smithers might easily have been associated with a bull-dog of exceedingly determined character. Her face was settled in wrinkles of challenging tenacity, but she never moved and never changed her expression. She sat there, bolt upright, and only her roving eyes betrayed the fact that she was alive. They expressed also the bitterest and most annihilating disapproval of everything existent.

Mrs. Compton accepted her third cup of tea from an engagingly youthful subaltern and went on talking.

"Of course he's mad," she was saying. "He hates Tristram worse than any one living, which is saying a lot. They had an awful row over Mrs. Boucicault just before Tristram went away, and now Boucicault is taking his turn. He refuses to forward Tristram's appeal for help--says the whole thing's a scare, and that Tristram is simply fussing for his own glorification. But it isn't true. Ayeshi came to my husband last night and told him. It's cholera--oh, my dear Susan, don't jump like that! Heerut's fifteen miles away, and we've the river between us, and Gaya's healthy when everything else is riddled. Besides, Tristram has got the thing in hand. He hasn't slept for four days. Ayeshi said he didn't look human. Some of the natives went crazy with fright and got out of hand. But Tristram managed them--single-handed, my dear, and with not so much as a revolver. Ayeshi talked about him as though he were the tenth Avatar, or whatever they call it. Of course, he'll do that sort of thing once too often. _C'est magnifique, mais ce n'est pas la guerre_. But I love that man. I tell Archie once a day at least, and he's getting quite tired about it----"

"Of whom are you talking, Mrs. Compton?"

Mrs. Compton started, and the Rajah, who had been expatiating on French genius as revealed in the _Bal du Moulin Rouge_, went on for a minute, carried forward by his own momentum. Then he stopped and dropped into a silence, which would have been sulky in any one less anxious to appear civilized. As for Mrs. Compton, the question had come with such self-assured, if quiet authority, that she felt certain that, as a woman on her own ground, she ought to take offence. In fact, all Gaya, as represented in the old dak-bungalow's garden, was in much the same position. Without performing the high kick at the club dinner or otherwise living up to the conventional reputation of her class, the newcomer had sailed serenely across all their unwritten laws, and not only had Gaya not been outraged, but it had been secretly delighted. And it was ashamed of itself for being delighted. Mrs. Compton was ashamed of herself--ashamed that she, the untamable spirit of the station who had insulted Colonel Boucicault to his face should sit there and meet this woman with a smile of propitiating amiability.

"Major Tristram," she said. "He belongs to the Medical Service. You haven't met him yet, and I don't suppose any of us will see him for some time. He's fighting the cholera in one of the native villages."

Sigrid Fersen nodded thoughtfully. Then she got up.

"I heard you say just now that you were interested in old china," she said, abruptly. "I have a piece in the drawing-room which I should like you to see. Will you come?"

"I should be delighted----"

"Your guests, Mademoiselle," Rasaldu murmured. But his protest passed unheeded, and Mrs. Compton got up and left the Judge's wife without a word of apology. Mrs. Smithers had risen with equal promptitude and brought up the rear.

They crossed the garden to the bungalow, and the little parties grouped lazily in the vicinity of the tea-tables became silent, and remained silent until Sigrid Fersen had disappeared. Then they went on talking. Very few of them realized that they had ever stopped, much less that they had been staring with the naive directness of children. They certainly made no comment. Only Jim Radcliffe, the newly joined subaltern, who had the inexhaustible restlessness of a fox-terrier puppy, became quiet to the point of thoughtfulness.

"By Jove, did you see her walk?" he said to Mrs. Brabazone. But the latter made no reply, being in a state of dudgeon and not inclined to appreciation.

Meantime, Mary Compton had become aware of a profound and very mysterious change in her own psychology. As she crossed the threshold of the darkened drawing-room she perceived that every earnest, painstaking effort of hers to make the place habitable and presentable had suffered a ruthless upheaval. The hours of patient questioning which she had spent on the to-be or not-to-be of the curtain bows had been so many hours wasted. Yet her fiery Celtic susceptibilities remained unruffled. She admitted at once that the changes were improvements,--small but effective strokes of genius. Moreover, various new items had been introduced--a piano procured from heaven alone knew where, a few rich embroideries, a vase or two, and a pale-tinted Persian rug. She was busy cataloguing these items, when her quick eyes encountered Mrs. Smithers. Mrs. Smithers had seated herself promptly on the chair nearest the door, and assumed her former attitude of unbending severity and disapproval. Her appearance somehow made a further reduction in Mrs. Compton's forces of self-assurance, and when her hostess, who had been busy with the contents of a carved chest, came back to her, she was overpowered by an unusual sense of almost fatuous helplessness. Whatever this small woman meant to do, she would do. And therewith the fate of Gaya seemed sealed.

"There--you recognize it, of course."

Mrs. Compton forgot Gaya and her own lost prestige. In the ten years of her married life, there was one passion for which she and the easy-going, hard-working Archie had scraped and saved. It was a passion which was one day to find a fitting background in some English home, a place created almost daily afresh in their minds but always with the abiding features of spacious lawns and an orchard and stables, and within doors oak cupboards guarding the treasures of the hard years. But with all their savings and searchings, they had never possessed anything like this.

"It's Sevres--of course--how beautiful! I'm almost afraid to touch it."

"Don't be. It's yours."

"Mine!" Mary Compton gasped--whether audibly or not, she did not know. She felt that there was fresh cause for offence coming and that she had no adequate forces with which to meet it. "But, of course not----"

"I bought it for you."

Mrs. Compton nearly regained her usual briskness.

"That's nonsense. We haven't known each other a week. And you must have bought that in Europe."

"Yes--I did, years ago. But I bought it for you, all the same. I bought it for some one who would look at it and touch it as you did. And besides, I want you to have something of mine--I am selfish enough to wish to be remembered by those who have been kind to me--as you have been. It was the Rajah's invitation which brought me to Gaya, but only a woman could have welcomed me. Any one in my position makes enemies automatically, and without you I should have had to face a whole army of prejudices. But you paved the way--you made it possible to invite all these people without offending them--and this in spite of the fact that you thought you were probably introducing a firebrand." She laughed in her curious, reflective way. "And then it was your hands prepared this beautiful home for me," she added.

Mrs. Compton crimsoned and swallowed the delicate morsel of brazen flattery with a ridiculous pleasure. She made a last effort, however, to retire to her first position of friendly reserve.

"Of course, we did what we could," she said. "Gaya is rather proud of its hospitality. We wanted you to take back a good impression, Mademoiselle----"

A quick gesture interrupted her.

"I'm not 'mademoiselle.' I'm English. My mother was a Swede, and I took her maiden name because--there never has been a great English dancer, and in England what hasn't been can't be. It's just one of the Rajah's foibles to give everything a Gallic touch. But I'm just Miss Fersen--or Sigrid if you like."

The Celtic temperament works both ways. The only certain feature is its uncertainty. Mrs. Compton abandoned her offensive-defensive and with great dexterity managed to cling to the Sevres vase and kiss the giver on both cheeks without disaster.

"I'd like it to be Sigrid," she said warmly. "And my name's Mary--and I'm going to take the Sevres because I want it badly, and because I like you and I shan't mind feeling horribly grateful. And I hope you'll make me your master of ceremonies, and our bungalow your headquarters. You will, won't you?"

She thrilled under the touch of the cool, small hand on hers.

"Yes, I promise you. It's what I wanted. I shall need a friend. A great many people will hate me--men and women. I have seen it in the eyes of one woman already. And, besides that I want to get to know real human beings. All my life I have lived for and in the one thing. People have been shadows to me. Now I need them. But they must be real--good, honest flesh and blood. Not puppets." She sat down on the big divan drawn up against the wall and patted the seat beside her. "Tell me about this Major Tristram," she said.

And Mrs. Compton, whose rules of etiquette were Gaya's social law, sat down and for half an hour talked about Major Tristram, whilst Sigrid Fersen's guests wandered unshepherded about her garden.