Music

The Head Voice and Other Problems: Practical Talks on Singing

Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 19493-h.htm or 19493-h.zip: (https://www.gutenberg.org/dirs/1/9/4/9/19493/19493-h/19493-h.htm) or (https://www.gutenberg.org/dirs/1/9/4/9/19493/19493-h.zip)

Chapters

2. Chapter 2

The ability to use the full power of the upper voice when occasion demands is necessary and right, but merely to be able to sing high and loud means nothing. All that is require...

4. Chapter 4

But arguments and battles rarely ever result in anything more than an armed truce. Difference of opinion will continue indefinitely, but of this we may be sure, that the solutio...

3. Chapter 3

I have here used three octaves of the vocal compass as sufficient for the illustration. Remembering that the male voice is an octave lower than the female voice we shall see tha...

1. Chapter 1

Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 19493-h.htm or 19493-h.zip: (https://www.gutenberg.org/dirs/1/9/4/9/...

5. Chapter 5

What is meant by indirect control? It means, in short, the automatic response of the mechanism to the idea. By way of illustration. If I should ask my pupil to make her vocal co...

7. Chapter 7

=First,=--consonants must be produced without tension. It will be well to remember in this connection that consonants are not to be sung. They are points of interference and mus...

8. Chapter 8

Dr. Guilmette says that to hold that all of the tones of the voice depend on one mechanism or register is an acknowledgment of ignorance of vocal anatomy. He further declares th...

6. Chapter 6

The statement is frequently made in public print that there are no registers in the trained voice. This order of wisdom is equally scintillating with that profound intellectual...