Chapter 26

"And now, Messieurs," Filomena finished, "we must be hurrying on, or the _déjeuner_ will be late. That would make me so angry, I should poison all the fishes if I were thrown into the sea! How Monsieur the Prince is handsome, and like my _patron_--yet different, too! Ah, it does seem to me, begging Monsieur the Curé's pardon, that now-a-days the good God is becoming more experienced and therefore fashioning finer men. When He first began, He was but young and had no practice, so it is not strange if He made mistakes."

"You people of this country are very free with the great name of your Creator," remarked the curé, but not too sternly. "Think, Principino, I have heard this very Filomena saying that after Christmas it is safe to sin a little, for the enfant Jesus is so very small He takes no notice; and between Good Friday and Easter He is dead, so then again there is a chance. It is well that I know you mean no sacrilege, Filomena, or I should have to scold--and to-day that would be a pity, for it is a day of good omen for us all."

"Ah, yes," agreed Filomena. "Monsieur the Curé is to bless the house."

"Not only that, but his Highness here has come with great news to tell. He is going to marry a beautiful young lady."

"Then is the blessing a double one. I am sure the young lady must indeed be beautiful if she is worthy; perhaps even as beautiful as the Princess, my mistress."

"Quite as beautiful, Filomena. But you are the first one to have the news. You must not go and tell. Leave that to the Prince."

"Indeed, Monsieur the Curé need have no fear. I've my _déjeuner_ to cook. And I shall make something extra in honour of the great occasion." So, with a flash of white teeth and a bow no duchess could have bettered, Filomena went off about her business, followed by that aged patriarch, her father.

Three minutes after the pair had disappeared through the _porte de service_, Vanno and the curé arrived at the great gate, which was a famous landmark at Cap Martin, the Villa Mirasole having been built years ago for a Russian grand duke. Since he had been killed by a bomb in his own country, the house he loved had passed into other hands. Now it belonged to an English earl who had lost a fortune at the Casino: and it was owing to his losses that the villa was let this season to Prince Della Robbia.

Much of the furniture, which was of great value, had been sold, and the house was so denuded that it had practically to be redecorated and refurnished, to suit Angelo's ideas of fitness for his wife; because he wished to keep it on year after year. Only to-day was everything finished to his satisfaction.

The villa, whose exterior copied the Petit Trianon, had a large entrance hall of marble which opened to the roof, and was surrounded by a gallery. This hall was coldly beautiful, with its few bronzes and gilded seventeenth-century chairs, its tall vases of orange blossoms and tea roses, its faded Persian rugs and mosaic tables. But it made an extraordinarily impressive background or frame for a lovely woman, and Marie Della Robbia was a lovely woman. Vanno had seen her many times now in many different dresses since New Year's eve, when he had met her with Angelo, at the Mentone railway station; but she had never struck him as being a beauty, until to-day. As she came forward to greet her two visitors, he said to himself for the first time that she was beautiful.

She and Angelo had evidently just entered from the garden. Her right hand was full of roses, which she hastily changed into her left, and she wore a softly folding white dress, with a great cart-wheel of a Leghorn hat, drooping in all the right places, and wreathed with pink roses. She was a tall woman with a long neck, therefore could well wear such a hat; and it framed her head like an immense halo of dull gold. Her hair was brown with red lights in it, and her eyes were of exactly the same shade, the colour of ripe chestnuts. She had a beautiful short, rather square face, of a creamy paleness; a square, low forehead, straight dark brows, drawn very low over the long eyes; a short, straight nose, and a short, curved upper lip, fitting so charmingly into the full squareness of the under lip that her mouth looked like two pieces of pink coral cleverly carved one upon another. Her short, square chin was deeply cleft, and her long yet solid-looking white throat was like one of those slender marble columns which divide the arch of a Moorish window. At first sight, before she spoke, she would be taken for a woman of sensuous temperament, lazy, luxury-loving, not talkative, and the gay smile which flashed over her face at sight of Vanno and the curé seemed somehow unsuited to it, giving almost the effect of electric light suddenly turned upon a still pool, covered with the waxen weight of white water-lilies. Her manner, too, was a contradiction of her type. It had a light, sleigh-bell gayety, bringing thoughts of sparkling snows and iced sunshine. There was charm in it, yet it was oddly remote and cold, as if she, the woman herself, had gone away on an errand, leaving some other woman's spirit in temporary charge of her body. She looked to be twenty-five or six, and was meant by nature to be more dignified than she chose to be. She had elected to be light and girlish; and whatever she was, it was evident that in her husband's eyes she was perfect. He watched her admiringly, adoringly, as she welcomed her brother-in-law and the curé. The love in his eyes was pathetic, and would have been tragic if it had not been a happy love, fully returned, and culminating in a perfect marriage.

Angelo was delighted to see his brother, and especially to see him come in with their old friend the curé. This meant, he hoped, that the good man had found a chance to talk to Vanno, and perhaps to persuade him to stay at the Villa Mirasole.

The two young men shook hands cordially, with an affectionate grip, as if they had not seen each other for some time, though it was really no more than twenty-four hours since they had parted.

They were very much alike, and yet, as Filomena had shrewdly noticed at first glance, utterly different. Angelo was five years older than Vanno and looked more, because he wore a short pointed beard, cut almost close to the long oval of his cheeks, like the beards of many Italian naval officers. He was dark, but not so dark as Vanno's face had been painted by the desert; and whereas Vanno was both man of action and dreamer, Angelo had the face of a poet whose greatest joy is in his dreams. He seemed less Roman, more Italian than Vanno, and his profile was less salient, more perfect, being so purely cut that people who had seen him seldom, would think of him in profile, as one thinks always of a sword. Vanno would dream, and strenuously work out his dream. Angelo would dream on, and let others work; consequently the elder was not so vital, not so magnetic as the younger. He showed no trace of those battles with himself which gave Vanno's face strength and his eyes fire; yet it was clear that Angelo was a man of high ideals, and would be lost in losing them; whereas Vanno would fight on without ideals, only becoming harder. All this the curé had known since Angelo was a big boy and Vanno a little one, and he had learned it after an acquaintance of but a few days, for it was a theory of his that character is like the scent of various plants. It must so distil itself that it cannot in any way be hidden for long; and those who cannot recognize character for what it is are like people who have lost their sense of smell, and can detect no difference in the odour of flowers.

Almost at once the Princess proposed that the curé should begin to bless the house. He had brought with him a small olive branch which he had gathered in the woods; and with this he sprinkled each room with holy water, while the acolytes accompanied him, one holding a bowl, the other swinging the censer which sent clouds of perfume through the house. All the servants had been called together, even the Princess' English maid, who had left England for the first time to come to the Riviera. They followed the family from room to room, grave and deeply interested, Filomena in a large white apron exhaling a faint odour of spices and good things of the kitchen. When the ceremony was finished and not a room unvisited, Filomena flew back to duty, and carefully, but not anxiously, lifted the lid of each _marmite_ on the huge stove. She had possessed her soul in perfect confidence that the patron saint of the household would look after her dishes during her absence, and she would have been not only surprised but indignant if anything had been burnt.

Now had come the moment for Vanno to speak.

The curé had sent away the acolytes. It still wanted half an hour of luncheon time, and the Princess led the way to a wide window-door on to the loggia. This was very broad, like an American veranda, with a roof of thick, dull greenish glass which softened the glare of sunlight, and did not darken the rooms inside. Roses garlanded the marble pillars, and Indian rugs were spread on the marble floor. There were basket chairs and tables, and a red hammock piled with cushions was suspended on bars arranged after a plan of Angelo's. Marie Della Robbia in her white dress made a picture among the crimson cushions, and it was scarcely possible for her not to know that the three men who grouped round her found the picture charming.

Vanno's heart was thumping. He had thought it would be easy and delightful to tell the news of his engagement, but it struck him suddenly that these two, Angelo and Marie, were utterly absorbed in each other. Perhaps they would not care as much as he had hoped. Or Angelo might disapprove. Not that any disapproval would matter now, not even their father's; but Vanno wanted sympathy and interest. As he searched for the right word to begin, groping for it, ashamed of his shyness, the butler appeared at the window, a Mentonnais-Italian who prided himself passionately upon his English. He too had been found for the house by the friendly offices of the curé--an eager, intelligent man with glittering eyes and a laughable tendency to blushing. He had learned his English in three months at a Bloomsbury boarding-house where, apparently, conversations had been carried on entirely in slang. If he were addressed by an English-speaking person in any other language, his feelings were so deeply wounded that he turned a rich purple.

"Highnesses please," he announced, "a French mister has come to appear. It is a Stereo-Mondaine and he have a strong want to prend some photographs of the garden and peoples which is done from colours already, very rippin'."

Angelo frowned slightly. And when he frowned his long oval face looked cold and proud, the face of an aristocrat who believed that the world was made for him and his kind. "Tell the man that we cannot allow him to take photographs here," he said.

The butler hesitated. "Highness, it is necessary that this man vivre. I think he has not too much oof. _C'est dure, la publicité!_"

"I can't help that, Americo," Angelo persisted. "You can offer him food if you think he is poor, but we do not want him to take photographs."

Vanno saw that Marie was looking at her husband intently, with a peculiar, almost frightened expression, as if she were studying him wistfully, and finding out something new which she had not wholly understood.

"Angelo," she ventured, in a small, beguiling voice, "perhaps this poor man has his pride of an artist. You see, I have a fellow feeling!" She smiled pleadingly, yet mischievously, and turned an explanatory glance on the curé. "I was an artist, and I should so love to know what is a Stereo-Mondaine."

Vanno had never before liked her so much.

Angelo's face changed and softened. "If you want him, it is different!" he returned. "But you've seemed always to have a horror of snapshotters."

"He might take the garden," she suggested.

"Bring the fellow, Americo," said Prince Della Robbia.

The butler flushed furiously with joy. "Rightho, my good Highnesses," he exclaimed; and the three who understood why he was funny stifled laughter till he was out of earshot. "His English is a constant delight to us," said Marie, instantly picking up again her sleigh-bell gayety of manner, like a dropped, forgotten garment. "It's as wonderful as my English maid's French, which she's earnestly studying, though she finds that a language where meat is feminine and milk masculine simply doesn't appeal to her reason. She's learned to call Wednesday 'Mur_cree_dy' and Saturday 'Samdy.' When she goes to Mentone to buy me something at Aux Dames de France, she says she's bought it at the 'Ox Daimes.' But she reached her grandest height this morning. I walked into my room, to hear her groaning at a window that looks toward Monte Carlo. 'Oh, those poor, poor men committing suicide! I can't get them out of my head,' she moaned when I asked if she were ill. 'That day when I went over there sightseeing. It was too awful, walking on the terrace, to hear those poor creatures blowing out their brains every two minutes down under the Casino. I couldn't stand it, so I had to come away, but nobody else seemed to mind, and some of 'em was hanging over the wall to see what was going on!' I couldn't imagine what she meant, for a minute. Then I knew it must be the pigeon-shooters."

Angelo laughed. "Of course. But what do _you_ know of the pigeon-shooters, Marie mia? You have sternly refused to let me take you to Monte Carlo."

Marie blushed, a sudden bright blush. "Oh, you have told me about them--how they shoot under the terrace. That's one reason why I love staying here at Cap Martin, or taking excursions where everything is purely beautiful, and nothing to make one sad."

"I don't remember telling you about the pigeon-shooting," Angelo said.

"Well, if you didn't tell me, somebody else must have, mustn't they--else how could I know?"

"Highnesses, Mister the Stereo-Mondaine."

A frail wisp of a man was ushered by the butler on to the loggia: a man very shabby, very thin, very proud, with a camera out of proportion to his size and strength, hugged under one arm. He would have been known as a Frenchman if found dressed in furs at the North Pole.

He explained passionately that, had he been a mere photographer, he would not have ventured to intrude upon such distinguished company; but he was unique in his profession, a Stereo-Mondaine, a traveller who knew his world and had a _métier_ very special. He was, in short, an artist in colour photography; and before asking the privilege that he desired, he would beg to show a sample of his most successful work at Monte Carlo.

"Here, for instance," he went on hurriedly in his French of the Midi, "is a treasure of artisticness; a marvel of a portrait, a poem!" And he displayed a large glass plate, neatly bound round the edges with gilt paper. His thin hand, on which veins rose in a bas relief, held the plate up tremulously against the light. All bent forward with a certain interest, for none of the three had seen many specimens of colour photography. Vanno and the curé both gave vent to slight exclamations. They were looking at a picture of Mary Grant, dressed in pale blue, with a blue hat. She was standing in the _Place_ of the Casino at Monte Carlo, feeding pigeons.

It seemed to Vanno that his sister-in-law also uttered a faint, "Oh!" But turning to her, he saw that she was leaning back among the cushions of the hammock, having ceased to take an interest in the prettily coloured photograph. She met his eyes. "I thought I heard Americo coming to call us to luncheon," she said. "It must be nearly time. But it wasn't he, after all. Yes, indeed, it is a charming photograph." Breaking from English into French, she complimented the Stereo-Mondaine.

"Will you sell me that picture?" Vanno asked.

"But, Monsieur, it is my best. I should have to demand a good price; for it could be produced in a journal, and I would be well paid. When the plate of a coloured photograph is gone--biff! _all_ is gone. There is an end."

"I will give you three louis."

The Stereo-Mondaine accepted at once, lest the Monsieur should change his mind; and Vanno having taken the plate from him, he proceeded to produce others.

"Nothing more, thanks--unless you have any of the same lady."

"No, unfortunately, Monsieur. She would have posed again, for she was a most sympathetic as well as beautiful personality. But the crowd closed around us. I may induce her to stand again, however."

"I hardly think that is likely to happen," Vanno muttered.

"Let him go into the garden, and take half a dozen of the prettiest views--things we should like to carry away with us," the Princess said, hastily, as if she were anxious now to be rid of her protégé. "When they are ready, he can send them to us--and the bill."

The Stereo-Mondaine was disposed of, while Angelo took the glass plate from Vanno, and looked at the picture.

"Do you know the lady, by any chance," he asked lightly, "or did you buy merely as an admirer of beauty?"

"I--am going to marry her, I hope," said Vanno. "We have been engaged since last night. I came over early to tell you."

* * * * * * *

There was a pause. Each one seemed waiting for another to break the silence. Then the curé stepped into the breach.

"I speak from knowledge when I say that the Principino's fiancée is as good as beautiful--a most rare lady. He is to be congratulated."

"Of course we congratulate him!" Angelo said cordially. He got up and shook hands warmly with his brother, like an Englishman: then he patted him affectionately on the shoulder. "Dear boy," he added, "you have given us a great surprise. But I am sure it is a happy one. And we can feel for you because of our own happiness, which is so new: though I think it always will be new. Can we not sympathize, Marie mia?"

"Yes," said the Princess. "Yes, of course. I congratulate you." There was a different quality in her voice. It did not ring quite true; and Vanno was disappointed. He thought that to please Angelo and him she was affecting more interest than she was able to feel.

Angelo still had the coloured photograph on the glass plate, but now he handed it to his wife. "What a lovely girl!" he exclaimed. "I don't believe that in your artist days, dearest, you ever had a prettier model."

"No, never," said Marie. She took the plate that Angelo held out, and looked at it with a slight quivering of the eyelids as if the sun, which was very bright, shone too strongly. Then, quickly, she sprang up, leaving the photograph in the hammock. "An awfully pretty girl," she went on. "Vanno must tell us all about her, at luncheon. Here comes Americo to announce it."

She hurried to the door, smiling at the three men over her shoulder. The sun had given her a bright colour. Even her ears were rose-pink. Vanno, in following, retrieved the glass plate from among the cushions. He was not sure whether or no his announcement had been a success, but the method of it seemed to have been thrust on him by Fate.

For a few minutes after they were seated at the table Marie chatted of other things, talking very fast about a _Blinis au caviar_ for which she had given Filomena the recipe. "I tasted it first in Russia," she remarked, immediately adding "when I was very young." Then abruptly she jumped back to the subject of Vanno's great news. "Tell us about _her_," she commanded, giving her brother-in-law a charming smile. But as he began, rather jerkily, to supply the information asked for, the Princess looked down at her plate, eating slowly and daintily, as a child eats when it wishes to make some delicious food last as long as possible. Not once did she raise her thick, straight eyelashes, as Vanno said that the girl was a Miss Grant, now staying with the wife of the chaplain at Monte Carlo. Her first question seemed to have satisfied the Princess' curiosity, for all those that followed were asked by her husband.

"Miss Grant!" he echoed, deeply interested in his brother's love affair, though still puzzled by its suddenness, and a little uneasy. He felt that it would not be well for both the Duke's sons to marry women unknown socially; and almost unconsciously he was influenced by a selfish consideration. Vanno was expected to make his, Angelo's, peace with the father, who worshipped the younger, tolerated the elder, of his sons. It was Vanno's duty to describe Marie in glowing terms, to induce the Duke to feel that despite her social unimportance she was a pearl among women. But if Vanno had his own peace to make, his own pearl to praise, other interests might suffer. "Miss Grant! It is odd, isn't it, that we should choose girls of names so much alike? Marie Gaunt, and--but what is your Miss Grant's Christian name?"

Vanno had to confess ignorance; and this forced him to explain that he had known Miss Grant for a very short time. "But I felt from the beginning that I'd known her always," he added bravely. "It was--love at first sight. You--I think you'll understand when you see her. The curé sees. And that's what I want to ask. Will you both go to call upon her with me--and be kind?"

"Of course," said Angelo. "It can't be too soon. When shall we go?"

"Well," said Vanno, almost shamefacedly, "I thought if you could manage it this afternoon----"

Angelo laughed a pleasant but teasing laugh. "He doesn't want any grass to grow between Cap Martin and Monte Carlo before our motor-car has rushed us to his lady's bower. We can go this afternoon, I'm sure, can't we, Marie?"

The eyes of the three men were turned upon the Princess, who was still delicately eating her _Blinis au caviar_, though the others had finished. For an instant she did not answer. Then she looked up suddenly, first at Angelo, her glance travelling to Vanno almost pleadingly before she spoke. "I should love to go," she said to him, emphatically. "Only, I do think it would be so much more proper and better in every way for me to call on--on Miss Grant first alone, without either of you. Do let me. It will be far more of a compliment, I assure you. And she will prefer it."

"I don't quite see that," observed Angelo.

"Because you are a man! Why, she can talk to me, and tell me little confidential things that she will love telling, and couldn't so much as mention before you. Vanno says she has no relatives with her, but is staying with friends; and I will try to make her feel as if I were a sister."

"Marie, you _are_ good!" exclaimed Vanno, his eyes warm with gratitude. After all, his sister-in-law was not disapproving, as he had begun to fear. "She's perfectly right, Angelo. It will be splendid of her to go alone."

"I begin to see the point of view," said Angelo. "I might have known. She's always right."

Marie smiled at him sweetly and softly; and as her husband's eyes met hers a beautiful look of love and understanding flashed from the hidden soul of the woman to the soul of the man. Vanno saw it, and thrilled. So would it be with him and the girl he loved.

XXVII