Chapter 22

"Let them go to the devil with their ballads!" roared Lancelot, and with a sweep of his arm whirled _Good-night_ and _Good-by_ into the air. Peter picked it up and wrote something on it with a stylographic pen which he produced from his waistcoat pocket.

"There!" he said, "that'll make you remember it's your own property--and mine--that you are treating so disrespectfully."

"I beg your pardon, old chap," said Lancelot, rebuked and remorseful.

"Don't mention it," replied Peter. "And whenever you decide to become rich and famous--there's your model."

"Never! Never! Never!" cried Lancelot, when Peter went at ten. "My poor Beethoven! What you must have suffered! Never mind, I'll play you your moonlight sonata."

He touched the keys gently and his sorrows and his temptations faded from him. He glided into Bach, and then into Chopin and Mendelssohn, and at last drifted into dreamy improvisation, his fingers moving almost of themselves, his eyes half closed, seeing only inward visions.

And then, all at once, he awoke with a start, for Beethoven was barking towards the door, with pricked-up ears and rigid tail.

"Sh! You little beggar," he murmured, becoming conscious that the hour was late, and that he himself had been noisy at unbeseeming hours. "What's the matter with you?" And, with a sudden thought, he threw open the door.

It was merely Mary Ann.

Her face--flashed so unexpectedly upon him--had the piquancy of a vision, but its expression was one of confusion and guilt; there were tears on her cheeks; in her hand was a bedroom candle-stick.

She turned quickly, and began to mount the stairs. Lancelot put his hand on her shoulder, and turned her face towards him and said in an imperious whisper:--

"Now then, what's up? What are you crying about?"

"I ain't--I mean I'm _not_ crying," said Mary Ann, with a sob in her breath.

"Come, come, don't fib. What's the matter?"

"I'm not crying, it's only the music," she murmured.

"The music," he echoed, bewildered.

"Yessir. The music always makes me cry--but you can't call it crying--it feels so nice."

"Oh, then you've been listening!"

"Yessir." Her eyes drooped in humiliation.

"But you ought to have been in bed," he said. "You get little enough sleep as it is."

"It's better than sleep," she answered.

The simple phrase vibrated through him, like a beautiful minor chord. He smoothed her hair tenderly.

"Poor child!" he said.

There was an instant's silence. It was past midnight, and the house was painfully still. They stood upon the dusky landing, across which a bar of light streamed from his half-open door, and only Beethoven's eyes were upon them. But Lancelot felt no impulse to fondle her, only just to lay his hand on her hair, as in benediction and pity.

"So you liked what I was playing," he said, not without a pang of personal pleasure.

"Yessir; I never heard you play that before."

"So you often listen!"

"I can hear you, even in the kitchen. Oh, it's just lovely! I don't care what I have to do then, if it's grates or plates or steps. The music goes and goes, and I feel back in the country again, and standing, as I used to love to stand of an evening, by the stile, under the big elm, and watch how the sunset did redden the white birches, and fade in the water. Oh, it was so nice in the springtime, with the hawthorn that grew on the other bank, and the bluebells--"

The pretty face was full of dreamy tenderness, the eyes lit up witchingly. She pulled herself up suddenly, and stole a shy glance at her auditor.

"Yes, yes, go on," he said; "tell me all you feel about the music."

"And there's one song you sometimes play that makes me feel floating on and on like a great white swan."

She hummed a few bars of the _Gondel-Lied_--flawlessly.

"Dear me! you have an ear!" he said, pinching it. "And how did you like what I was playing just now?" he went on, growing curious to know how his own improvisations struck her.

"Oh, I liked it so much," she whispered back, enthusiastically; "because it reminded me of my favourite one--every moment I did think--I thought--you were going to come into that."

The whimsical sparkle leapt into his eyes. "And I thought I was so original," he murmured.

"But what I liked best," she began, then checked herself, as if suddenly remembering she had never made a spontaneous remark before, and lacking courage to establish a precedent.

"Yes--what you liked best?" he said encouragingly.

"That song you sang this afternoon," she said shyly.

"What song? I sang no song," he said, puzzled for a moment.

"Oh, yes! That one about--

"'Kiss me, dear love, good-night.'

"I was going upstairs but it made me stop just here--and cry."

He made his comic grimace.

"So it was you Beethoven was barking at! And I thought he had an ear! And I thought you had an ear! But no! You're both Philistines after all. Heigho!"

She looked sad. "Oughtn't I to ha' liked it?" she asked anxiously.

"Oh, yes," he said reassuringly; "it's very popular. No drawing-room is without it."

She detected the ironic ring in his voice. "It wasn't so much the music," she began apologetically.

"Now--now you're going to spoil yourself," he said. "Be natural."

"But it wasn't," she protested. "It was the words--"

"That's worse," he murmured below his breath.

"They reminded me of my mother as she laid dying."

"Ah!" said Lancelot.

"Yes, sir, mother was a long time dying--it was when I was a little girl and I used to nurse her--I fancy it was our little Sally's death that killed her, she took to her bed after the funeral and never left it till she went to her own," said Mary Ann, with unconscious flippancy. "She used to look up to the ceiling and say that she was going to little Sallie, and I remember I was such a silly then, I brought mother flowers and apples and bits of cake to take to Sally with my love. I put them on her pillow, but the flowers faded and the cake got mouldy--mother was such a long time dying--and at last I ate the apples myself, I was so tired of waiting. Wasn't I silly?" And Mary Ann laughed a little laugh with tears in it. Then growing grave again, she added: "And at last, when mother was really on the point of death, she forgot all about little Sally and said she was going to meet Tom. And I remember thinking she was going to America--I didn't know people talk nonsense before they die."

"They do--a great deal of it, unfortunately," said Lancelot, lightly, trying to disguise from himself that his eyes were moist. He seemed to realise now what she was--a child; a child who, simpler than most children to start with, had grown only in body, whose soul had been stunted by uncounted years of dull and monotonous drudgery. The blood burnt in his veins as he thought of the cruelty of circumstance and the heartless honesty of her mistress. He made up his mind for the second time to give Mrs. Leadbatter a piece of his mind in the morning.

"Well, go to bed now, my poor child," he said, "or you'll get no rest at all."

"Yessir."

She went obediently up a couple of stairs, then turned her head appealingly towards him. The tears still glimmered on her eyelashes. For an instant he thought she was expecting her kiss, but she only wanted to explain anxiously once again, "That was why I liked that song, 'Kiss me, good-night, dear love.' It was what my mother--"

"Yes, yes, I understand," he broke in, half amused, though somehow the words did not seem so full of maudlin pathos to him now. "And there--" he drew her head towards him--"Kiss _me_, good-night--"

He did not complete the quotation; indeed, her lips were already drawn too close to his. But, ere he released her, the long-repressed thought had found expression.

"You don't kiss anybody but me?" he said half playfully.

"Oh, no, sir," said Mary Ann, earnestly.

"What!" more lightly still. "Haven't you got half a dozen young men?"

Mary Ann shook her head, more regretfully than resentfully. "I told you I never go out--except for little errands."

She had told him, but his attention had been so concentrated on the ungrammatical form in which she had conveyed the information, that the fact itself had made no impression. Now his anger against Mrs. Leadbatter dwindled. After all, she was wise in not giving Mary Ann the run of the London streets.

"But"--he hesitated. "How about the--the milkman--and the--the other gentlemen?"

"Please, sir," said Mary Ann, "I don't like them."

After that no man could help expressing his sense of her good taste.

"Then you won't kiss anybody but me," he said, as he let her go for the last time. He had a Quixotic sub-consciousness that he was saving her from his kind by making her promise formally.

"How could I, Mr. Lancelot?" And the brimming eyes shone with soft light. "I never shall--never."

It sounded like a troth.

He went back to the room and shut the door, but could not shut out her image. The picture she had unwittingly supplied of herself took possession of his imagination: he saw her almost as a dream-figure--the virginal figure he knew--standing by the stream in the sunset, amid the elms and silver birches, with daisies in her hands and bluebells at her feet, inhaling the delicate scent that wafted from the white hawthorn bushes, and watching the water glide along till it seemed gradually to wash away the fading colours of the sunset that glorified it. And as he dwelt on the vision he felt harmonies and phrases stirring and singing in his brain, like a choir of awakened birds. Quickly he seized paper and wrote down the theme that flowed out at the point of his pen--a reverie full of the haunting magic of quiet waters and woodland sunsets and the gracious innocence of maidenhood. When it was done he felt he must give it a distinctive name. He cast about for one, pondering and rejecting titles innumerable. Countless lines of poetry ran through his head, from which he sought to pick a word or two as one plucks a violet from a posy. At last a half-tender, half-whimsical look came into his face, and picking his pen out of his hair, he wrote merely--"Marianne."

It was only natural that Mary Ann should be unable to maintain herself--or be maintained--at this idyllic level. But her fall was aggravated by two circumstances, neither of which had any particular business to occur. The first was an intimation from the misogamist German Professor that he had persuaded another of his old pupils to include a prize-symphony by Lancelot in the programme of a Crystal Palace Concert. This was of itself sufficient to turn Lancelot's head away from all but thoughts of Fame, even if Mary Ann had not been luckless enough to be again discovered cleaning the steps--and without gloves. Against such a spectacle the veriest idealist is powerless. If Mary Ann did not immediately revert to the category of quadrupeds in which she had started, it was only because of Lancelot's supplementary knowledge of the creature. But as he passed her by, solicitous as before not to tread upon her, he felt as if all the cold water in her pail were pouring down the back of his neck.

Nevertheless, the effect of both of these turns of fortune was transient. The symphony was duly performed, and dismissed in the papers as promising, if over-ambitious; the only tangible result was a suggestion from the popular composer, who was a member of his club, that Lancelot should collaborate with him in a comic opera, for the production of which he had facilities. The composer confessed he had a fluent gift of tune, but had no liking for the drudgery of orchestration, and, as Lancelot was well up in these tedious technicalities, the two might strike a partnership to mutual advantage.

Lancelot felt insulted, but retained enough mastery of himself to reply that he would think it over. As he gave no signs of life or thought, the popular composer then wrote to him at length on the subject, offering him fifty pounds for the job, half of it on account. Lancelot was in sore straits when he got the letter, for his stock of money was dwindling to vanishing point, and he dallied with the temptation sufficiently to take the letter home with him. But his spirit was not yet broken, and the letter, crumpled like a rag, was picked up by Mary Ann and straightened out, and carefully placed upon the mantel-shelf.

Time did something of a similar service for Mary Ann herself, picking her up from the crumpled attitude in which Lancelot had detected her on the doorstep, straightening her out again, and replacing her upon her semi-poetic pedestal. But, as with the cream-laid note-paper, the wrinklings could not be effaced entirely; which was more serious for Mary Ann.

Not that Mary Ann was conscious of these diverse humours in Lancelot. Unconscious of changes in herself she could not conceive herself related to his variations of mood; still less did she realise the inward struggle, of which she was the cause. She was vaguely aware that he had external worries, for all his grandeur, and if he was by turns brusque, affectionate, indifferent, playful, brutal, charming, callous, demonstrative, she no more connected herself with these vicissitudes than with the caprices of the weather. If her sun smiled once a day it was enough. How should she know that his indifference was often a victory over himself, as his amativeness was a defeat?

If any excuse could be found for Lancelot, it would be that which he administered to his conscience morning and evening like a soothing syrup. His position was grown so desperate that Mary Ann almost stood between him and suicide. Continued disappointment made his soul sick; his proud heart fed on itself. He would bite his lips till the blood came, vowing never to give in. And not only would he not move an inch from his ideal, he would rather die than gratify Peter by falling back on him; he would never even accept that cheque which was virtually his own.

It was wonderful how, in his stoniest moments, the sight of Mary Ann's candid face, eloquent with dumb devotion, softened and melted him. He would take her gloved hand and press it silently. And Mary Ann never knew one iota of his inmost thought! He could not bring himself to that; indeed, she never for a moment appeared to him in the light of an intelligent being; at her best she was a sweet, simple, loving child. And he scarce spoke to her at all now--theirs was a silent communion--he had no heart to converse with her as he had done. The piano too was almost silent; the canary sang less and less, though spring was coming, and glints of sunshine stole between the wires of its cage; even Beethoven sometimes failed to bark when there was a knock at the street door.

And at last there came a day when--for the first time in his life--Lancelot inspected his wardrobe, and hunted together his odds and ends of jewelry. From this significant task he was aroused by hearing Mrs. Leadbatter coughing in his sitting-room.

He went in with an interrogative look.

"Oh, my chest!" said Mrs. Leadbatter, patting it. "It's no use my denyin' of it, sir, I'm done up. It's as much as I can do to crawl up to the top to bed. I'm thinkin' I shall have to make up a bed in the kitchen. It only shows 'ow right I was to send for my Rosie, though quite the lady, and where will you find a nattier nursemaid in all Bayswater?"

"Nowhere," assented Lancelot, automatically.

"Oh, I didn't know you'd noticed her running in to see 'er pore old mother of a Sunday arternoon," said Mrs. Leadbatter, highly gratified. "Well, sir, I won't say anything about the hextry gas, though a poor widder and sevenpence hextry on the thousand, but I'm thinkin' if you would give my Rosie a lesson once a week on that there pianner, it would be a kind of set-off, for you know, sir, the policeman tells me your winder is a landmark to 'im on the foggiest nights."

Lancelot flushed, then wrinkled his brows. This was a new idea altogether. Mrs. Leadbatter stood waiting for his reply, with a deferential smile tempered by asthmatic contortions.

"But have you got a piano of your own?"

"Oh, no, sir," cried Mrs. Leadbatter, almost reproachfully.

"Well; but how is your Rosie to practise? One lesson a week is of very little use anyway, but unless she practises a good deal it'll only be a waste of time."

"Ah, you don't know my Rosie," said Mrs. Leadbatter, shaking her head with sceptical pride. "You mustn't judge by other gels--the way that gel picks up things is--well, I'll just tell you what 'er school-teacher, Miss Whiteman said. She says--"

"My good lady," interrupted Lancelot, "I practised six hours a day myself."

"Yes, but it don't come so natural to a man," said Mrs. Leadbatter, unshaken. "And it don't look natural neither to see a man playin' the pianner--it's like seein' him knittin'."

But Lancelot was knitting his brows in a way that was exceedingly natural. "I may as well tell you at once that what you propose is impossible. First of all, because I am doubtful whether I shall remain in these rooms; and secondly, because I am giving up the piano immediately. I only have it on hire, and I--I--" He felt himself blushing.

"Oh, what a pity!" interrupted Mrs. Leadbatter. "You might as well let me go on payin' the hinstalments, instead of lettin' all you've paid go for nothing. Rosie ain't got much time, but I could allow 'er a 'our a day if it was my own pianner."

Lancelot explained "hire" did not mean the "hire system." But the idea of acquiring the piano, having once fired Mrs. Leadbatter's brain, could not be extinguished. The unexpected conclusion arrived at was that she was to purchase the piano on the hire system, allowing it to stand in Lancelot's room, and that five shillings a week should be taken off his rent in return for six lessons of an hour each, one of the hours counterbalancing the gas grievance. Reviewing the bargain, when Mrs. Leadbatter was gone, Lancelot did not think it at all bad for him.

"Use of the piano. Gas," he murmured, with a pathetic smile, recalling the advertisements he had read before lighting on Mrs. Leadbatter's. "And five shillings a week--it's a considerable relief! There's no loss of dignity either--for nobody will know. But I wonder what the governor would have said!"

The thought shook him with silent laughter; a spectator might have fancied he was sobbing.

But, after the lessons began, it might almost be said it was only when a spectator was present that he was not sobbing. For Rosie, who was an awkward, ungraceful young person, proved to be the dullest and most butter-fingered pupil ever invented for the torture of teachers; at least, so Lancelot thought, but then he had never had any other pupils, and was not patient. It must be admitted, though, that Rosie giggled perpetually, apparently finding endless humour in her own mistakes. But the climax of the horror was the attendance of Mrs. Leadbatter at the lessons, for, to Lancelot's consternation, she took it for granted that her presence was part of the contract. She marched into the room in her best cap, and sat, smiling, in the easy chair, wheezing complacently and beating time with her foot. Occasionally she would supplement Lancelot's critical observations.

"It ain't as I fears to trust 'er with you, sir," she also remarked about three times a week, "for I knows, sir, you're a gentleman. But it's the neighbours; they never can mind their own business. I told 'em you was going to give my Rosie lessons, and you know, sir, that they _will_ talk of what don't concern 'em. And, after all, sir, it's an hour, and an hour is sixty minutes, ain't it, sir?"

And Lancelot, groaning inwardly, and unable to deny this chronometry, felt that an ironic Providence was punishing him for his attentions to Mary Ann.

And yet he only felt more tenderly towards Mary Ann. Contrasted with these two vulgar females, whom he came to conceive as her oppressors, sitting in gauds and finery, and taking lessons which had better befitted their Cinderella--the figure of Mary Ann definitely reassumed some of its antediluvian poetry, if we may apply the adjective to that catastrophic washing of the steps. And Mary Ann herself had grown gloomier--once or twice he thought she had been crying, though he was too numbed and apathetic to ask, and was incapable of suspecting that Rosie had anything to do with her tears. He hardly noticed that Rosie had taken to feeding the canary; the question of how he should feed himself was becoming every day more and more menacing. He saw starvation slowly closing in upon him like the walls of a torture-chamber. He had grown quite familiar with the pawn-shop now, though he still slipped in as though his goods were stolen.

And at last there came a moment when Lancelot felt he could bear it no longer. And then he suddenly saw daylight. Why should he teach only Rosie? Nay, why should he teach Rosie at all? If he _was_ reduced to giving lessons--and after all it was no degradation to do so, no abandonment of his artistic ideal, rather a solution of the difficulty so simple that he wondered it had not occurred to him before--why should he give them at so wretched a price? He would get another pupil, other pupils, who would enable him to dispense with the few shillings he made by Rosie. He would not ask anybody to recommend him pupils--there was no need for his acquaintances to know, and if he asked Peter, Peter would probably play him some philanthropic trick. No, he would advertise.

After he had spent his last gold breast-pin in advertisements, he realised that to get pianoforte pupils in London was as easy as to get songs published. By the time he quite realised it, it was May, and then he sat down to realise his future.

The future was sublimely simple--as simple as his wardrobe had grown. All his clothes were on his back. In a week or two he would be on the streets; for a poor widow could not be expected to lodge, partially board (with use of the piano, gas), an absolutely penniless young gentleman, though he combined the blood of twenty county families with the genius of a pleiad of tone poets.

There was only one bright spot in the prospect. Rosie's lessons would come to an end.

What he would do when he got on the streets was not so clear as the rest of this prophetic vision. He might take to a barrel-organ--but that would be a cruel waste of his artistic touch. Perhaps he would die on a doorstep, like the professor of many languages, whose starvation was recorded in that very morning's paper.

Thus, driven by the saturnine necessity that sneers at our puny resolutions, Lancelot began to meditate surrender. For surrender of some sort must be--either of life or ideal. After so steadfast and protracted a struggle--oh, it was cruel, it was terrible; how noble, how high-minded he had been; and this was how the fates dealt with him--but at that moment--

"Sw--eet," went the canary, and filled the room with its rapturous demi-semi-quavers, its throat swelling, its little body throbbing with joy of the sunshine. And then Lancelot remembered--not the joy of the sunshine, not the joy of life--no, merely Mary Ann.

Noble! high-minded! No, let Peter think that, let posterity think that. But he could not cozen himself thus! He had fallen--horribly, vulgarly. How absurd of him to set himself up as a saint, a martyr, an idealist! He could not divide himself into two compartments like that and pretend that only one counted in his character. Who was he to talk of dying for art? No, he was but an everyday man. He wanted Mary Ann--yes, he might as well admit that to himself now. It was no use humbugging himself any longer. Why should he give her up? She was his discovery, his treasure-trove, his property.

And if he could stoop to her, why should he not stoop to popular work, to devilling, to anything that would rid him of these sordid cares? Bah! away with all pretences!