Chapter 9
Daniel was the only one who failed to notice the change that was coming over him. Probably he had accustomed himself to the belief that Benda’s life was orderly and agreeable. The plebeian prosperity of the family in which he himself lived probably made him feel that that was the way his friend was living. At all events he never asked any questions, and was never once struck by the fact that Benda would sit before him for hours with his face wrapped in bitter, melancholy gloom.
Benda smiled at Daniel’s naïveté; for he felt that his attitude was due to naïveté and nothing more. He harboured no resentment. He decided not to say a word about his condition to Daniel, then all taken up with himself and his music. It was, however, at times impossible for him to prevent his smarting and his desire to put an end to his ineffectual existence from breaking through the coating of reserve in which he had encased himself.
Late in the afternoon of a dismal day, Benda called for Daniel just as he was finishing one of his piano lessons. The two friends decided to take a walk and then dine together at Benda’s.
In the hallway they met the Rüdiger sisters as they were returning from their daily stroll through the garden. Benda greeted them with an antiquated politeness; Daniel just barely touched the rim of his hat. The sisters lined up as if ready for a cotillion, and returned the greetings with infinite grace. Fräulein Jasmina let a rose fall, and when Benda picked it up for her, she pressed her hand against her scarcely noticeable breast and gave voice to her gratitude, again with infinite grace.
When they reached the street, Benda said in a tone of compassion: “They are three delicate creatures; they live their lonely lives like vestal virgins guarding a sacred fire.”
Daniel smiled. “Yes, a sacred fire? Do you refer to the incident with the painter?”
“Yes, I do; and he was no ordinary painter, either, let me tell you. I heard the whole story the other day. The painter was Anselm Feuerbach.”
Daniel knew nothing whatever about Anselm Feuerbach. He was impressed, however, by the name, which, by virtue of a mysterious magic, struck his ear like the chime of a noble bell. “Tell me about him,” he said.
The story was as follows: Four years before his death, that is, six years ago, Anselm Feuerbach came to Nuremberg for the last time to visit his mother. He was already sick in body and soul, and was much disappointed in his alleged friends. The incessant torture resulting from lack of appreciation had told on his health. A few of the more enlightened citizens, however, recalled his fame, as it floated about in the heavy air of Germany, somewhat befogged and quite expatriated, and the Chamber of Commerce placed an order with Feuerbach for a painting to be hung in the Palace of Justice. Feuerbach accepted the order, choosing as his theme Emperor Ludwig in the act of conferring on the citizens of Nuremberg the right to free trade. When the picture was completed, there was a great deal of dissatisfaction with it. The merchants had expected something totally different: they had looked for a cheap but striking canvas after the style of Kreling, and not this dignified, classical work by Feuerbach.
Nor was this all. The hanging space was so small that several inches of the canvas had to be run into the wall, and the light was wretched. The Chamber of Commerce proceeded at once to make trouble with regard to the paying of Feuerbach’s bill. An ugly quarrel arose in which Rüdiger, the geometrician, who had always been an ardent champion of Feuerbach, took the artist’s part. It finally reached the point where Rüdiger left the city, swearing he would never return. His daughters had all three loved Feuerbach from the time he lived in their father’s house.
“As a matter of fact, if there ever was an amiable artist,” Benda said in conclusion, “it was Anselm Feuerbach. Would you like to see him? Come, then.”
They were near the Cemetery of St. John. The gate was open, and Daniel followed Benda. They walked along a narrow path, until Benda pointed to a flat stone bearing the name of Albrecht Dürer. After this they came to Feuerbach’s grave. A bronze tablet, already quite darkened with age and weather, bore Feuerbach’s face in profile. Beneath it lay a laurel wreath, the withered leaves of which were fluttering in the wind.
“What a life he lived!” said Benda in a low tone. “And what a death he died! The death of a hunted dog!”
As they walked back to the city, night came on. Daniel had removed his hat, and was walking along at Benda’s side looking straight ahead. Benda was as nervous as he had ever been in his life.
“A German life, and a German death,” he exclaimed. “He stretched out his hand to give, and the people spat in it. He gives and gives and gives, and they take and take and take, without gratitude, yea, rather with, scorn. The only thing they study is their consanguinity table. They make the microscope and the catechism copulate; their philosophy and their police systems live in _mésalliance_. Good demeanour they know not; of human agreements they have never heard. They decide to do something, and they do it. That is all. There is no longer a place for me in Germany. I am leaving.”
“You are going to leave? Where are you going?” asked Daniel, in faithful amazement. Benda bit his lips, and was silent.
“Do you see these big white spots here? They have neither mountains nor rivers on them. Those are places that have never been trod upon by European feet. There is where I am going.” He smiled a gentle smile.
“Really? When?” asked Daniel, filled with dismay at the thought of losing his friend.
“I have not decided when, but it will be soon. I have work to do over there. I need air, room, sky, the free animal and the free plant.”
Benda’s mother came in. She was rather tall, walked with the difficulties of age, had sharp features and deep-set eyes.
She looked first at her son and then at Daniel. Then her eyes fell on the atlas and remained fixed upon it, filled with an expression of horror and anxiety.
Daniel did not know what to say. Benda, still smiling to himself, began to talk about other things.
XIII
At the death of her mother, Gertrude Jordan was nine years old. She had crept into the death chamber and sat by the bier for three hours. Perhaps her seclusion from the world and association with people dated from that hour. As she was leaving the death room, the clock on the wall struck, and a cock crowed in the distance.
“Why do you tick, clock?” she asked in a loud voice, “why do you crow, cock?” And again: “Who makes you tick, clock, who makes you crow, cock?”
She had grown up, and no one knew anything about her. It was even difficult for her own father to approach her; how she was constituted, mentally and spiritually, he did not know. She never associated with girls of her own age. Her dark eyes glowed with wrath when she heard the senseless, sensuous laughter of other girls.
The first time she partook of the holy communion she swooned and had to be carried out. Jordan then took her to Pommersfelden to his sister, the widow of the district physician Kupferschmied. At the end of one week she returned alone, completely broken in spirit. She had seen a calf slaughtered; the sight had made her almost insane.
From the time she was fifteen years old she had insisted on having her own bed room. When she was sixteen she demanded that the maid be discharged; she herself did all the cooking and kept house. As soon as she had finished her work, she would take her seat by the quilting frame.
Through her father, Benjamin Dorn had come into the family. Gertrude liked him because Eleanore made fun of him. He did not seem to her like a man; he reminded her rather of the languishing angels she embroidered. He brought her all his religious tracts and edifying pamphlets, but she could not grasp the language. He took her to the Methodist revivals, but the noisy gnashing of teeth at these meetings terrified her, and after a few times it was impossible to persuade her to go back. He also recommended that she read the Bible, but she could find nothing in it that brought her peace of mind. It seemed that she had a wound in her soul that would not heal. Long after she had abandoned Benjamin Dorn and his cheap sanctimoniousness, he imagined that she still loved him and looked up to him. She managed, however, to come into his presence only on the rarest occasions, and then she never spoke to him.
Divine worship in the Protestant church seemed to her like a sort of bargain day on which the people assembled to do business with Heaven instead of on work days. She missed the dignity; the sermons left her cold; the ritual made not the slightest appeal to her.
She never heard from any one at any time a single sentence that really enlightened her or remained fixed in her memory. It was the jejune insipidity of an entire age, the stale flatness of the world that she felt to the very depths of her soul. If she wished to make her heart glow, if she became unusually fearful of the empty air and the empty day, she stole secretly into the Church of Our Lady or into St. Sebaldus, where the house of God was more solemnly decorated, where there were more lights burning, where the prayers had a more mysterious sound, the priests seemed to be more affected by what they were doing, and where the worshipper could sense the awful meaning of life and death.
All external beauty, however, was repulsive to her. She hated even beautiful scenery and fair weather, regarding them as temptations to mortal man intended to lead him into some sort of folly. She loved nothing about herself, neither her face nor her voice. She was indeed frightened at the sound of her own deep voice. She did not like her hair, nor had she any use for her hands.
One winter evening she took from her hand the gold ring, an heirloom from her mother, presented to her by her father, and threw it into the creek. Then she bowed down over the ledge, and seemed to feel as if she had relieved her soul of a great burden.
Eleanore tried time and time again to come near her sister, but each time she was thrust back. Though Gertrude never conversed with people, every word that was said about Eleanore reached her ears; she felt ashamed of her sister. She could not bear the looks of Eleanore, took an intense dislike to her, and in the end was obliged to summon all her courage in order to return her greeting. It was impossible for her, however, to reproach Eleanore; for that she did not have sufficient command of language. In truth, her control of words was exceedingly limited. Everything, grief as well as injustice, she was forced to stifle within her own soul. She grieved about Eleanore, and became at the same time more and more nervous and excited. It seemed that something about her sister was tantalising her, drawing her on, worrying her, making her lose sleep.
Her restlessness became so great that she could no longer sit at the quilting frame; in fact, it was no longer possible for her to do any kind of exacting work. Something drew her out of the house, and once she was away, something forthwith drew her back home. Her heart beat violently when she was alone, and yet, if her father or brother or Eleanore came in, she could not stand their presence, and took refuge in her own room. If it was hot, she closed the windows; if it was cold, she opened them and leaned out. If it was quiet, she was filled with fear; if it was not quiet, she longed for peace. She could not say her prayers; she had none to say; her mind and soul were muted, muffled, dumb. She felt the hours following each other in regular order as something terrible; she wanted to skip over years, just as one might skip over pages of a tiresome book. And when the worst came to the worst, and she did not know what on earth to do, she ran to the Church of Our Lady, threw herself prostrate before the high altar, buried her face, and remained perfectly motionless until her soul had found greater peace.
Something made her go to Eleanore; she did not want to do it, but she could not help it. She was naturally vigilant, and she wished to ward off misfortune if possible. She was obsessed with an uncanny feeling, a gruesome curiosity. She dogged her sister’s steps in secret. One time she saw from a distance that Eleanore had started off with a man who had been waiting for her. She could not move from the spot; Eleanore caught sight of her.
The next day Eleanore came to her voluntarily, and told her quite candidly of her relation to Eberhard von Auffenberg. Concerning what she knew of Eberhard’s fate she said nothing; she merely indicated that he was extremely unhappy. She told her how she had met him the previous winter on the Dutzendteich at the ice carnival, how he ran after her, how glad she was to show him a little friendship, and how much he needed friendship.
Gertrude was silent for a long while. Finally she said, with a voice so deep that it seemed to have burst from being too full: “You two either must get married, or you must not see each other any more. What you are doing is a crime.”
“A crime?” said Eleanore astonished, “how so?”
“Ask your conscience,” was the answer, spoken with eyes riveted on the ground.
“My conscience is quite clear.”
“Then you have none,” said Gertrude harshly. “You lie, and you are being lied to. You are sunk in sin; there is no hope for you. That man’s evil looks! His ugly thoughts! And the thoughts of the other men! They are all beyond redemption. You are spotted through and through. You don’t know it, but I do.”
She got up, kicked the chair from her with her heels, and stared at Eleanore with her mysterious black eyes: “Never mention this to me again,” she whispered with trembling lips, “never, never!” With that she went out.
Eleanore felt something like actual loathing for her own sister. Filled with an indescribable foreboding, she detected in Gertrude the adversary that fate had marked out for her.
XIV
When the autumn days came on and it began to get cold, Daniel was a frequent visitor at Jordan’s. Although he had a warm stove now of his own, he took pleasure in remembering the comfortable corner of a year ago. He had a greater affection for things and rooms than he had for human beings.
It was rare that he came in contact with Jordan, for now that he was no longer with the Prudentia, it was hard to locate him: he was doing odd jobs for a number of concerns, and this kept him more or less on the go. Benno came home after office hours, only to betake himself to his room, where he shaved and made himself as elegant-looking as possible for the social engagements of the evening. He did not like to be alone with Gertrude, so he never came until after six o’clock, when he knew that Eleanore would be at home. Realising that Eleanore was diligently pursuing the study of French and English, and that her evenings were therefore of great value to her, he begged her not to be disturbed by his visits. He said that he found nothing so agreeable as sitting still and saying nothing. After an hour or two, however, he left, murmuring an indistinct farewell as he did so.
At times he would bring a book with him and read. If he chanced to look up, he saw Eleanore bending over the writing table, her hair, bathed in a flood of golden light from the lamp, falling in fine silken threads over her temples, while her mouth was firmly closed, her lips inclined to droop at the corners, but in a lovely fashion. Then he saw Gertrude. She did not wear her hair loose; she put it up in a tight knot above her neck. Her dress was no longer the Nile green; it was made of brown cloth, and on the front was a row of glistening black buttons.
At times Eleanore would make some remark to him, and he would reply. At times the remarks between the two spun out into a verbal skirmish. Eleanore teased, and he was gruff; or he mocked, and Eleanore delivered a curtain lecture. Gertrude would sit with an expression of helpless amazement on her face, and look at the window. She purposely remained unoccupied; she purposely postponed her household duties. The thought of leaving the two alone in the room was unbearable.
What Daniel did and said, how he walked or sat or stood, how he put his hands in his pockets and smacked his lips, all this and more aroused a sense of fear and shame in her. She regarded his candour as impudent presumption; she looked upon his capriciousness as malevolent irrationality; his indifferent manners and his disposition to slander she felt certain were of a piece with the scorn of the devil.
On one occasion he dropped a caustic remark about the bigots who contend that God is a moralising censor. Having this phase of ethics under discussion, he also paid his respects to those people who look upon every worm-eaten pastor as an archangel. Gertrude got up with a jerk, and stared at him. He stood his ground; he merely shrugged his shoulders. Gertrude whispered: “Men without faith are worse than contagious diseases.”
Daniel laughed. Then he became serious, and asked her what she understood by faith. He wanted to know whether she felt that faith was a matter of lip service. She replied, with bowed head, that she could not discuss sacred matters with a man who had renounced all religion. Daniel told her that her remark was slanderous. He wanted to know whether she had ever taken the pains to find out precisely how he stood in matters of religion, and if not, was this the reason she passed such final judgment on him with such suddenness and conviction. He asked her point blank whether she was quite certain that her so-called faith was better than his so-called unfaith. Not content with this, he asked where she got her authority, her courage, her feeling of security; whether she felt she had evidence to prove that she had carefully examined his soul; and whether she had at any time interviewed God.
He laughed again, whistled, and left.
Gertrude remained motionless for a while, her eyes fixed on the floor. Eleanore supported her chin on her hand, and looked at her compassionately. Gertrude began to tremble in her whole body, and, without raising her head, she stretched out her arms to Eleanore. Though quite unable to interpret this accusing gesture, Eleanore was terrified.
The next time Daniel came, he resumed his seat by the stove, and remained silent for a while. Then, without the slightest warning or apparent motivation, he began to discuss religion. And how? With the old spirit of defiance, as if from an ambuscade from which he could send out his poisoned arrows, with calculating maliciousness and cold rebellion, with the air of a man who has been defeated, who is now being pursued, and who is willing to concede more to the earthly order of things than to the divine. Thus he sat, the incarnation of blasphemy, and once more shuffled the features of his face until he looked like the sedulous ape.
Eleanore felt that he was denying both himself and God, and that with violence. She went over to him, and laid her hand on his shoulder. Gertrude, a death-like pallor playing over her face, got up, passed by her and Daniel, and did not appear again that evening. Nor did she appear the following evening. From that time on she avoided his presence.
For one remarkable second and no longer, Daniel fixed his eyes on the shape of Gertrude’s legs. He became suddenly conscious of the fact that she was a woman and he was a man. During this second, one of the rarest of his life, he perceived the outer surface of her body, but without the enveloping clothes. He thought of her as a nude figure. It lasted only a second, but he pictured her to himself as a nude. Everything she had said and done fell from her like so much clothing.
He had a feeling that his eyes had been opened; that he had really seen for the first time in his life; and that what he now saw was the body of the world.
The nude picture followed him. He fought against his disquietude. Nothing like this had ever happened to him before. He conjured up the picture in order to destroy it with coolness and composure; but it would not be destroyed, nor would it vanish. One day he chanced to meet Gertrude by the beautiful fountain. He stopped, stood as if petrified, and forgot to speak to her.
XV
It was a cold, clear day in the middle of December. Eleanore wanted to go skating after dinner. She was known in the entire city for her skill on the ice. An irrepressible vivacity and sense of freedom pulsed through her body. It seemed to her lamentable that she should have to sit down in the overheated, sticky air of the office among all those clerks, and write.
She went, nevertheless, to the office, took her place among the clerks, and wrote as usual. Herr Zittel’s eyes shone through the lenses of his spectacles like two poison flasks. But she did not make much progress; time dragged; it dragged even more heavily and slowly than Herr Diruf’s feet, as he made his rounds through the room. Eleanore looked up. She felt as if his gloomy eyes were resting on her. Conscious of having failed to perform her duty as she might have done, she blushed.
Finally the clock struck six. The other clerks left, making much noise as they did so. Eleanore waited as usual until they had all gone, for she did not like to mix with them. Just then Benjamin Dorn came wabbling in: “The Chief would like to speak to Fräulein Jordan,” he said, and bent his long neck like a swan. Eleanore was surprised: what on earth could Herr Diruf want with her? Possibly it had to do with Benno.
Alfons Diruf was sitting at his desk as she entered. He wrote one more line, and then stared at her. There was something in his expression that drove the blood from her cheeks. Involuntarily she looked down at herself and felt her flesh creep.
“You wanted to see me,” she said.
“Yes, I wanted to see you,” he replied, and made a weary attempt to smile.
There was another pause. In her anxiety Eleanore looked first at one object in the room and then at another; first at the bathing nymph, then at the silk curtains, then at the Chinese lampshade.
“Well, sweetheart,” said Herr Diruf, his smile gradually changing into a sort of convulsion, “we are not bad, are we? By the beard of the prophet, we are all right, aren’t we? Hunh?”
Eleanore lowered her head. She thought she had misunderstood him: “You wanted to see me,” she said in a loud voice.
Diruf laid his hand, palm down, on the edge of his desk. His solitaire threw off actual sparks of brilliancy. “I can crush every one of you,” he said, as he shoved his hand along the edge of the desk toward Eleanore. “That boy out there, your brother, is an underhanded sharper. If I want to I can make him turn a somersault, believe me.” He shoved his fat hand a little farther along, as if it were some dangerous engine and his solitaire a signal lamp. “I can make the whole pack of you dance whenever I want to. Can’t I, sweetheart? _Capito?_ _Comprenez-vous?_”
Eleanore looked into Alfons Diruf’s smeary eyes with unspeakable amazement.
Diruf got up, walked over to her, and put his arms around her shoulders. “Well, if the boy is a sweet-toothed tom-cat who can easily be led astray, you are a purring pussy-cat,” he said with a tone of terrible tenderness, and held the girl so tight in his arms that she could not possibly move. “Now be quiet, sweetheart; be calm, my little bosom; don’t worry, you little devil!”