Part 7

But hail, thou goddess sage and holy, Hail, divinest Melancholy! Whose saintly visage is too bright To hit the sense of human sight, And therefore to our weaker view O'erlaid with black, staid Wisdom's hue; Black, but such as in esteem Prince Memnon's sister might beseem. Or that starr'd Ethiop queen that strove To set her beauty's praise above The sea-nymphs, and their powers offended. Yet thou art higher far descended: Thee bright-hair'd Vesta, long of yore, To solitary Saturn bore; His daughter she; in Saturn's reign Such mixture was not held a stain: Oft in glimmering bowers and glades He met her, and in secret shades Of woody Ida's inmost grove, Whilst yet there was no fear of Jove. Come, pensive nun, devout and pure, Sober, steadfast, and demure, All in a robe of darkest grain Flowing with majestic train, And sable stole of cypres lawn Over thy decent shoulders drawn: Come, but keep thy wonted state, With even step, and musing gait, And looks commercing with the skies, Thy rapt soul sitting in thine eyes: There, held in holy passion still, Forget thyself to marble, till With a sad leaden downward cast Thou fix them on the earth as fast: And join with thee calm Peace, and Quiet, Spare Fast, that oft with gods doth diet, And hears the Muses in a ring Aye round about Jove's altar sing: And add to these retired Leisure That in trim gardens takes his pleasure:-- But first, and chiefest, with thee bring Him that yon soars on golden wing, Guiding the fiery-wheeléd throne, The cherub Contemplatión; And the mute Silence hist along, 'Less Philomel will deign a song, In her sweetest saddest plight, Smoothing the rugged brow of Night, While Cynthia checks her dragon yoke Gently o'er the accustom'd oak. --Sweet bird, that shunn'st the noise of folly, Most musical, most melancholy! Thee, chauntress, oft the woods among I woo, to hear thy even-song; And, missing thee, I walk unseen On the dry smooth-shaven green, To behold the wandering moon, Riding near her highest noon, Like one that had been led astray Through the heaven's wide pathless way, And oft, as if her head she bow'd, Stooping through a fleecy cloud. Oft, on a plat of rising ground I hear the far-off curfeu sound, Over some wide-water'd shore, Swinging slow with sullen roar; Or, if the air will not permit, Some still removéd place will fit, Where glowing embers through the room Teach light to counterfeit a gloom; Far from all resort of mirth, Save the cricket on the hearth, Or the bellman's drowsy charm To bless the doors from nightly harm. Or let my lamp at midnight hour Be seen in some high lonely tower, Where I may oft out-watch the Bear, With thrice-great Hermes, or unsphere The spirit of Plato, to unfold What worlds or what vast regions hold The immortal mind that hath forsook Her mansion in this fleshy nook: And of those demons that are found In fire, air, flood, or under ground, Whose power hath a true consent With planet, or with element. Sometime let gorgeous Tragedy In sceptr'd pall come sweeping by Presenting Thebes, or Pelops' line, Or the tale of Troy divine; Or what (though rare) of later age Ennobled hath the buskin'd stage. But, O sad Virgin, that thy power Might raise Musaeus from his bower, Or bid the soul of Orpheus sing Such notes as, warbled to the string, Drew iron tears down Pluto's cheek And made Hell grant what Love did seek! Or call up him that left half-told The story of Cambuscan bold, Of Camball, and of Algarsife, And who had Canacé to wife That own'd the virtuous ring and glass; And of the wondrous horse of brass On which the Tartar king did ride; And if aught else great bards beside In sage and solemn tunes have sung Of tourneys, and of trophies hung, Of forests, and enchantments drear, Where more is meant than meets the ear. Thus, Night, oft see me in thy pale career, Till civil-suited Morn appear, Not trick'd and frounced as she was wont With the Attic Boy to hunt, But kercheft in a comely cloud While rocking winds are piping loud, Or usher'd with a shower still, When the gust hath blown his fill, Ending on the rustling leaves With minute drops from off the eaves. And when the sun begins to fling His flaring beams, me, goddess, bring To archéd walks of twilight groves, And shadows brown, that Sylvan loves, Of pine, or monumental oak, Where the rude axe, with heavéd stroke, Was never heard the nymphs to daunt Or fright them from their hallow'd haunt. There in close covert by some brook Where no profaner eye may look, Hide me from day's garish eye, While the bee with honey'd thigh, That at her flowery work doth sing, And the waters murmuring, With such consort as they keep Entice the dewy-feather'd Sleep. And let some strange mysterious dream Wave at his wings in aery stream Of lively portraiture display'd, Softly on my eyelids laid: And, as I wake, sweet music breathe Above, about, or underneath, Sent by some spirit to mortals good, Or the unseen Genius of the wood. But let my due feet never fail To walk the studious cloister's pale, And love the high-embowéd roof, With antique pillars massy proof, And storied windows richly dight Casting a dim religious light: There let the pealing organ blow To the full-voiced quire below In service high and anthems clear, As may with sweetness, through mine ear, Dissolve me into ecstasies, And bring all Heaven before mine eyes. And may at last my weary age Find out the peaceful hermitage, The hairy gown and mossy cell, Where I may sit and rightly spell Of every star that heaven doth show, And every herb that sips the dew; Till old experience do attain To something like prophetic strain.

These pleasures, Melancholy, give, And I with thee will choose to live.

J. MILTON.

114. SONG OF THE EMIGRANTS IN BERMUDA.

Where the remote Bermudas ride In the ocean's bosom unespied, From a small boat that row'd along The listening woods received this song.

"What should we do but sing His praise That led us through the watery maze Where He the huge sea-monsters wracks, That lift the deep upon their backs, Unto an isle so long unknown, And yet far kinder than our own? He lands us on a grassy stage, Safe from the storms, and prelate's rage: He gave us this eternal spring Which here enamels everything, And sends the fowls to us in care On daily visits through the air. He hangs in shades the orange bright Like golden lamps in a green night, And does in the pomegranates close Jewels more rich than Ormus shows: He makes the figs our mouths to meet, And throws the melons at our feet; But apples plants of such a price, No tree could ever bear them twice. With cedars chosen by His hand From Lebanon He stores the land; And makes the hollow seas that roar Proclaim the ambergris on shore. He cast (of which we rather boast) The Gospel's pearl upon our coast; And in these rocks for us did frame A temple where to sound His name. O let our voice His praise exalt Till it arrive at Heaven's vault, Which then perhaps rebounding may Echo beyond the Mexique bay!" --Thus sung they in the English boat A holy and a cheerful note: And all the way, to guide their chime, With falling oars they kept the time.

A. MARVELL.

115. AT A SOLEMN MUSIC.

Blest pair of Sirens, pledges of Heaven's joy, Sphere-born harmonious Sisters, Voice, and Verse, Wed your divine sounds, and mixt power employ Dead things with inbreathed sense able to pierce, And to our high-raised phantasy present That undisturbéd Song of pure concent, Ay sung before the sapphire-colour'd throne To Him that sits thereon, With saintly shout and solemn jubilee; Where the bright Seraphim in burning row Their loud uplifted angel-trumpets blow; And the Cherubic host in thousand quires Touch their immortal harps of golden wires, With those just Spirits that wear victorious palms Hymns devout and holy psalms Singing everlastingly: That we on earth, with undiscording voice May rightly answer that melodious noise; As once we did, till disproportion'd sin Jarr'd against nature's chime, and with harsh din Broke the fair music that all creatures made To their great Lord, whose love their motion sway'd In perfect diapason, whilst they stood In first obedience, and their state of good. O may we soon again renew that Song, And keep in tune with Heaven, till God ere long To His celestial consort us unite, To live with Him, and sing in endless morn of light!

J. MILTON.

116. ALEXANDER'S FEAST, OR, THE POWER OF MUSIC.

'Twas at the royal feast for Persia won By Philip's warlike son-- Aloft in awful state The godlike hero sate On his imperial throne; His valiant peers were placed around; Their brows with roses and with myrtles bound (So should desert in arms be crown'd). The lovely Thais by his side Sate like a blooming eastern bride In flower of youth and beauty's pride:-- Happy, happy, happy pair! None but the brave None but the brave None but the brave deserves the fair.

Timotheus placed on high Amid the tuneful quire With flying fingers touch'd the lyre: The trembling notes ascend the sky And heavenly joys inspire. The song began from Jove Who left his blissful seats above-- Such is the power of mighty love! A dragon's fiery form belied the god; Sublime on radiant spires he rode When he to fair Olympia prest, And while he sought her snowy breast; Then round her slender waist he curl'd, And stamp'd an image of himself, a sovereign of the world. --The listening crowd admire the lofty sound! A present deity! they shout around: A present deity! the vaulted roofs rebound! With ravish'd ears The monarch hears, Assumes the god; Affects to nod And seems to shake the spheres.

The praise of Bacchus then the sweet musician sung: Of Bacchus ever fair and ever young: The jolly god in triumph comes! Sound the trumpets, beat the drums! Flush'd with a purple grace He shows his honest face: Now give the hautboys breath; he comes, he comes! Bacchus, ever fair and young, Drinking joys did first ordain; Bacchus' blessings are a treasure, Drinking is the soldier's pleasure: Rich the treasure, Sweet the pleasure, Sweet is pleasure after pain.

Soothed with the sound, the king grew vain; Fought all his battles o'er again, And thrice he routed all his foes; and thrice he slew the slain! The master saw the madness rise, His glowing cheeks, his ardent eyes; And while he Heaven and Earth defied Changed his hand and check'd his pride. He chose a mournful Muse Soft pity to infuse: He sung Darius great and good, By too severe a fate Fallen, fallen, fallen, fallen, Fallen from his high estate, And weltering in his blood; Deserted, at his utmost need, By those his former bounty fed; On the bare earth exposed he lies With not a friend to close his eyes. --With downcast looks the joyless victor sate, Revolving in his alter'd soul The various turns of Chance below; And now and then a sigh he stole; And tears began to flow.

The mighty master smiled to see That love was in the next degree; 'Twas but a kindred-sound to move, For pity melts the mind to love. Softly sweet, in Lydian measures, Soon he soothed his soul to pleasures. War, he sung, is toil and trouble, Honour but an empty bubble, Never ending, still beginning; Fighting still, and still destroying; If the world be worth thy winning, Think, O think, it worth enjoying: Lovely Thais sits beside thee, Take the good the gods provide thee! --The many rend the skies with loud applause; So Love was crown'd, but Music won the cause. The prince, unable to conceal his pain, Gazed on the fair Who caused his care, And sigh'd and look'd, sigh'd and look'd, Sigh'd and look'd, and sigh'd again: At length, with love and wine at once opprest The vanquish'd victor sunk upon her breast.

Now strike the golden lyre again: A louder yet, and yet a louder strain! Break his bands of sleep asunder, And rouse him, like a rattling peal of thunder. Hark, hark! the horrid sound Has raised up his head: As awaked from the dead, And amazed he stares around. Revenge, revenge, Timotheus cries, See the Furies arise! See the snakes that they rear How they hiss in their hair, And the sparkles that flash from their eyes! Behold a ghastly band Each a torch in his hand! Those are Grecian ghosts, that in battle were slain And unburied remain Inglorious on the plain: Give the vengeance due To the valiant crew! Behold how they toss their torches on high, How they point to the Persian abodes And glittering temples of their hostile gods. --The princes applaud with a furious joy: And the king seized a flambeau with zeal to destroy; Thais led the way, To light him to his prey, And like another Helen, fired another Troy!

--Thus, long ago, Ere heaving bellows learn'd to blow, While organs yet were mute, Timotheus, to his breathing flute And sounding lyre Could swell the soul to rage, or kindle soft desire. At last divine Cecilia came, Inventress of the vocal frame; The sweet enthusiast from her sacred store Enlarged the former narrow bounds, And added length to solemn sounds, With Nature's mother-wit, and arts unknown before. --Let old Timotheus yield the prize Or both divide the crown; He raised a mortal to the skies; She drew an angel down!

J. DRYDEN.

THIRD BOOK.

SUMMARY.

It is more difficult to characterise the English Poetry of the eighteenth century than that of any other. For it was an age not only of spontaneous transition, but of bold experiment: it includes not only such divergences of thought as distinguished the "Rape of the Lock" from the "Parish Register," but such vast contemporaneous differences as lie between Pope and Collins, Burns and Cowper. Yet we may clearly trace three leading moods or tendencies:--the aspects of courtly or educated life represented by Pope and carried to exhaustion by his followers; the poetry of Nature and of Man, viewed through a cultivated, and at the same time an impassioned frame of mind by Collins and Gray:--lastly, the study of vivid and simple narrative, including natural description, begun by Gay and Thomson, pursued by Burns and others in the north, and established in England by Goldsmith, Percy, Crabbe, and Cowper. Great varieties in style accompanied these diversities in aim: poets could not always distinguish the manner suitable for subjects so far apart; and the union of the language of courtly and of common life, exhibited most conspicuously by Burns, has given a tone to the poetry of that century which is better explained by reference to its historical origin than by naming it, in the common criticism of our day, artificial. There is again, a nobleness of thought, a courageous aim at high and, in a strict sense manly, excellence in many of the writers:--nor can that period be justly termed tame and wanting in originality, which produced poems such as Pope's Satires, Gray's Odes and Elegy, the ballads of Gay and Carey, the songs of Burns and Cowper. In truth Poetry at this as at all times was a more or less unconscious mirror of the genius of the age; and the brave and admirable spirit of Enquiry which made the eighteenth century the turning-time in European civilisation is reflected faithfully in its verse. An intelligent reader will find the influence of Newton as markedly in the poems of Pope, as of Elizabeth in the plays of Shakespeare. On this great subject, however, these indications must here be sufficient.

117. ODE ON THE PLEASURE ARISING FROM VICISSITUDE.

Now the golden Morn aloft Waves her dew-bespangled wing, With vermeil cheek and whisper soft She woos the tardy Spring: Till April starts, and calls around The sleeping fragrance from the ground, And lightly o'er the living scene Scatters his freshest, tenderest green.

New-born flocks, in rustic dance, Frisking ply their feeble feet; Forgetful of their wintry trance The birds his presence greet: But chief, the sky-lark warbles high His trembling thrilling ecstasy; And lessening from the dazzled sight, Melts into air and liquid light.

Yesterday the sullen year Saw the snowy whirlwind fly; Mute was the music of the air, The herd stood drooping by: Their raptures now that wildly flow No yesterday nor morrow know; 'Tis Man alone that joy descries With forward and reverted eyes.

Smiles on past Misfortune's brow Soft Reflection's hand can trace, And o'er the cheek of Sorrow throw A melancholy grace; While Hope prolongs our happier hour, Or deepest shades, that dimly lour And blacken round our weary way, Gilds with a gleam of distant day.

Still, where rosy Pleasure leads, See a kindred Grief pursue; Behind the steps that Misery treads Approaching Comfort view: The hues of bliss more brightly glow Chastised by sabler tints of woe, And blended form, with artful strife, The strength and harmony of life.

See the wretch that long has tost On the thorny bed of pain, At length repair his vigour lost And breathe and walk again: The meanest floweret of the vale, The simplest note that swells the gale, The common sun, the air, the skies, To him are opening Paradise.

T. GRAY.

118. SOLITUDE.

Happy the man, whose wish and care A few paternal acres bound, Content to breathe his native air In his own ground.

Whose herds with milk, whose fields with bread, Whose flocks supply him with attire; Whose trees in summer yield him shade In winter, fire.

Blest, who can unconcern'dly find Hours, days, and years, slide soft away In health of body, peace of mind, Quiet by day,

Sound sleep by night; study and ease Together mix'd; sweet recreation, And innocence, which most does please With meditation.

Thus let me live, unseen, unknown; Thus unlamented let me die; Steal from the world, and not a stone Tell where I lie.

A. POPE.

119. THE BLIND BOY.

O say what is that thing call'd Light, Which I must ne'er enjoy; What are the blessings of the sight, O tell your poor blind boy!

You talk of wondrous things you see, You say the sun shines bright; I feel him warm, but how can he Or make it day or night?

My day or night myself I make Whene'er I sleep or play; And could I ever keep awake With me 'twere always day.

With heavy sighs I often hear You mourn my hapless woe; But sure with patience I can bear A loss I ne'er can know.

Then let not what I cannot have My cheer of mind destroy: Whilst thus I sing, I am a king, Although a poor blind boy.

C. CIBBER.

120. ON A FAVOURITE CAT, DROWNED IN A TUB OF GOLD FISHES.

'Twas on a lofty vase's side Where China's gayest art had dyed The azure flowers that blow, Demurest of the tabby kind The pensive Selima, reclined, Gazed on the lake below.

Her conscious tail her joy declared: The fair round face, the snowy beard, The velvet of her paws, Her coat that with the tortoise vies, Her ears of jet, and emerald eyes-- She saw, and purr'd applause.

Still had she gazed, but 'midst the tide Two angel forms were seen to glide, The Genii of the stream: Their scaly armour's Tyrian hue Through richest purple, to the view Betray'd a golden gleam.

The hapless Nymph with wonder saw; A whisker first, and then a claw With many an ardent wish She stretch'd, in vain, to reach the prize-- What female heart can gold despise? What cat's averse to fish?

Presumptuous maid! with looks intent Again she stretch'd, again she bent, Nor knew the gulf between-- Malignant Fate sat by and smiled-- The slippery verge her feet beguiled; She tumbled headlong in!

Eight times emerging from the flood, She mew'd to every watery God Some speedy aid to send:-- No Dolphin came, no Nereid stirr'd, Nor cruel Tom nor Susan heard-- A favourite has no friend!

From hence, ye Beauties! undeceived Know one false step is ne'er retrieved, And be with caution bold: Not all that tempts your wandering eyes And heedless hearts, is lawful prize, Nor all that glisters, gold!

T. GRAY.

121. TO CHARLOTTE PULTENEY.

Timely blossom, Infant fair, Fondling of a happy pair, Every morn and every night Their solicitous delight, Sleeping, waking, still at ease, Pleasing, without skill to please Little gossip, blithe and hale, Tattling many a broken tale, Singing many a tuneless song. Lavish of a heedless tongue; Simple maiden, void of art, Babbling out the very heart, Yet abandon'd to thy will, Yet imagining no ill, Yet too innocent to blush, Like the linnet in the bush To the mother-linnet's note Moduling her slender throat; Chirping forth thy petty joys, Wanton in the change of toys, Like the linnet green, in May Flitting to each bloomy spray; Wearied then and glad of rest, Like the linnet in the nest:-- This thy present happy lot This, in time will be forgot: Other pleasures, other cares, Ever-busy Time prepares; And thou shalt in thy daughter see, This picture, once, resembled thee.

A. PHILIPS.

122. RULE BRITANNIA.