The Golden Silence

Chapter 4

Chapter 44,329 wordsPublic domain

"Oh, I see!" he ejaculated, before stopping to reflect that he had no right to put into words the idea which jumped into his mind.

"You see?" she echoed. "But how can you see, unless you know something about me already?"

"I beg your pardon," he apologized. "It was only a thought. I----"

"A thought about my dancing?"

"Not exactly that. About your not dancing again."

"Then please tell me the thought."

"You may be angry. I rather think you'd have a right to be angry--not at the thought, but the telling of it."

"I promise."

"Why," explained Stephen, "when a young and successful actress makes up her mind to leave the stage, what is the usual reason?"

"I'm not an actress, so I can't imagine what you mean--unless you suppose I've made a great fortune in a few months?"

"That too, perhaps--but I don't think a fortune would induce you to leave the stage yet a while. You'd want to go on, not for the money perhaps, but for the fun."

"I haven't been dancing for fun."

"Haven't you?"

"No. I began with a purpose. I'm leaving the stage for a purpose. And you say you can guess what that is. If you know, you must have been told."

"Since you insist, it occurred to me that you might be going to marry. I thought maybe you were travelling to Africa to----"

She laughed. "Oh, you _are_ wrong! I don't believe there ever was a girl who thinks less about marrying. I've never had time to think of such things. I've always--ever since I was nine years old--looked to the one goal, and aimed for it, studied for it, lived for it--at last, danced towards it."

"You excite my curiosity immensely," said Stephen. And it was true. The girl had begun to take him out of himself.

"There is lunch," she announced, as a bugle sounded.

Stephen longed to say, "Don't go yet. Stop and tell me all about the 'goal' you're working for." But he dared not. She was very frank, and evidently willing, for some reason, to talk of her aims, even to a comparative stranger; yet he knew that it would be impertinent to suggest her sitting out on deck to chat with him, while the other passengers lunched.

He asked if she were hungry, and she said she was. So was he, now that he came to think of it; nevertheless he let her go in alone, and waited deliberately for several minutes before following. He would have liked to sit by Miss Ray at the table, but wished her to see that he did not mean to presume upon any small right of acquaintanceship. As she was on the stage, and extremely attractive, no doubt men often tried to take such advantage, and he didn't intend to be one of them; therefore he supposed that he had lost the chance of placing himself near her in the dining-room. To his surprise, however, as he was about to slip into a far-away chair, she beckoned from her table. "I kept this seat for you," she said. "I hoped you wouldn't mind."

"Mind!" He was on the point of repaying her kindness with a conventional little compliment, but thought better of it, and expressed his meaning in a smile.

The oak-panelled saloon was provided with a number of small tables, and at the one where Victoria Ray sat, were places for four. Three were already occupied when Stephen came; one by Victoria, the others by a German bride and groom.

At the next table were two French officers of the Chasseurs d'Afrique, the English clergyman Stephen had noticed on deck, and a remarkably handsome Arab, elaborately dressed. He sat facing Victoria Ray and Stephen Knight, and Stephen found it difficult not to stare at the superb, pale brown person whose very high white turban, bound with light grey cord, gave him a dignity beyond his years, and whose pale grey burnous, over a gold-embroidered vest of dark rose-colour, added picturesqueness which appeared theatrical in eyes unaccustomed to the East.

Stephen had never seen an Arab of the aristocratic class until to-day; and before, only a few such specimens as parade the Galerie Charles Trois at Monte Carlo, selling prayer-rugs and draperies from Algeria. This man's high birth and breeding were clear at first glance. He was certainly a personage aware of his own attractions, though not offensively self-conscious, and was unmistakably interested in the beauty of the girl at the next table. He was too well-bred to make a show of his admiration, but talked in almost perfect, slightly guttural French, with the English clergyman, speaking occasionally also to the officers in answer to some question. He glanced seldom at Miss Ray, but when he did look across, in a guarded way, at her, there was a light of ardent pleasure in his eyes, such as no eyes save those of East or South ever betray. The look was respectful, despite its underlying passion. Nevertheless, because the handsome face was some shades darker than his own, it offended Stephen, who felt a sharp bite of dislike for the Arab. He was glad the man was not at the same table with Miss Ray, and knew that it would have vexed him intensely to see the girl drawn into conversation. He wondered that the French officers should talk with the Arab as with an equal, yet knew in his heart that such prejudice was narrow-minded, especially at the moment when he was travelling to the Arab's own country. He tried, though not very strenuously, to override his conviction of superiority to the Eastern man, but triumphed only far enough to admit that the fellow was handsome in a way. His skin was hardly darker than old ivory: the aquiline nose delicate as a woman's, with sensitive nostrils; and the black velvet eyes under arched brows, that met in a thin, pencilled line, were long, and either dreamy or calmly calculating. A prominent chin and a full mouth, so determined as to suggest cruelty, certainly selfishness, preserved the face from effeminacy at the sacrifice of artistic perfection. Stephen noticed with mingled curiosity and disapproval that the Arab appeared to be vain of his hands, on which he wore two or three rings that might have been bought in Paris, or even given him by European women--for they looked like a woman's rings. The brown fingers were slender, tapering to the ends, and their reddened nails glittered. They played, as the man talked, with a piece of bread, and often he glanced down at them, with the long eyes which had a blue shadow underneath, like a faint smear of kohl.

Stephen wondered what Victoria Ray thought of her _vis-à-vis_; but in the presence of the staring bride and groom he could ask no questions, and the expression of her face, as once she quietly regarded the Arab, told nothing. It was even puzzling, as an expression for a young girl's face to wear in looking at a handsome man so supremely conscious of sex and of his own attraction. She was evidently thinking about him with considerable interest, and it annoyed Stephen that she should look at him at all. An Arab might misunderstand, not realizing that he was a legitimate object of curiosity for eyes unused to Eastern men.

After luncheon Victoria went to her cabin. This was disappointing. Stephen, hoping that she might come on deck again soon, and resume their talk where it had broken off in the morning, paced up and down until he felt drowsy, not having slept in the train the night before. To his surprise and disgust, it was after five when he waked from a long nap, in his stateroom; and going on deck he found Miss Ray in her chair once more, this time apparently deep in "Monte Cristo."

V

He walked past, and she looked up with a smile, but did not ask him to draw his chair near hers, though there was a vacant space. It was an absurd and far-fetched idea, but he could not help asking himself if it were possible that she had picked up any acquaintance on board, who had told her he was a marked man, a foolish fellow who had spoiled his life for a low-born, unscrupulous woman's sake. It was a morbid fancy, he knew, but he was morbid now, and supposed that he should be for some time to come, if not for the rest of his life. He imagined a difference in the girl's manner. Maybe she had read that hateful interview in some paper, when she was in London, and now remembered having seen his photograph with Margot Lorenzi's. He hated the thought, not because he deliberately wished to keep his engagement secret, but because the newspaper interview had made him seem a fool, and somehow he did not want to be despised by this dancing girl whom he should never see again after to-morrow. Just why her opinion of his character need matter to him, it was difficult to say, but there was something extraordinary about the girl. She did not seem in the least like other dancers he had met. He had not that feeling of comfortable comradeship with her that a man may feel with most unchaperoned, travelling actresses, no matter how respectable. There was a sense of aloofness, as if she had been a young princess, in spite of her simple and friendly ways.

Since it appeared that she had no intention of picking up the dropped threads of their conversation, Stephen thought of the smoking-room; but his wish to know whether she really had changed towards him became so pressing that he was impelled to speak again. It was an impulse unlike himself, at any rate the old self with which he was familiar, as with a friend or an intimate enemy.

"I hoped you would tell me the rest," he blurted out.

"The rest?"

"That you were beginning to tell."

The girl blushed. "I was afraid afterwards, you might have been bored, or anyway surprised. You probably thought it 'very American' of me to talk about my own affairs to a stranger, and it _isn't_, you know. I shouldn't like you to think Americans are less well brought up than other girls, just because _I_ may do things that seem queer. I have to do them. And I am quite different from others. You mustn't suppose I'm not."

Stephen was curiously relieved. Suddenly he felt young and happy, as he used to feel before knowing Margot Lorenzi. "I never met a brilliantly successful person who was as modest as you," he said, laughing with pleasure. "I was never less bored in my life. Will you talk to me again--and let me talk to you?"

"I should like to ask your advice," she replied.

That gave permission for Stephen to draw his chair near to hers. "Have you had tea?" he inquired, by way of a beginning.

"I'm too American to drink tea in the afternoon," she explained. "It's only fashionable Americans who take it, and I'm not that kind, as you can see. I come from the country--or almost the country."

"Weren't you drawn into any of our little ways in London?" He was working up to a certain point.

"I was too busy."

"I'm sure you weren't too busy for one thing: reading the papers for your notices."

Victoria shook her head, smiling. "There you're mistaken. The first morning after I danced at the Palace Theatre, I asked to see the papers they had in my boarding-house, because I hoped so much that English people would like me, and I wanted to be a success. But afterwards I didn't bother. I don't understand British politics, you see--how could I?--and I hardly know any English people, so I wasn't very interested in their papers."

Again Stephen was relieved. But he felt driven by one of his strange new impulses to tell her his name, and watch her face while he told it.

"'Curiouser and curiouser,' as our friend Alice would say," he laughed. "No newspaper paragraphs, and a boarding-house instead of a fashionable hotel. What was your manager thinking about?"

"I had no manager of my very own," said Victoria. "I 'exploited' myself. It costs less to do that. When people in America liked my dancing I got an offer from London, and I accepted it and made all the arrangements about going over. It was quite easy, you see, because there were only costumes to carry. My scenery is so simple, they either had it in the theatres or got something painted: and the statues in the studio scene, and the sculptor, needed very few rehearsals. In Paris they had only one. It was all I had time for, after I arrived. The lighting wasn't difficult either, and though people told me at first there would be trouble unless I had my own man, there never was any, really. In my letters to the managers I gave the dates when I could come to their theatres, how long I could stay, and all they must do to get things ready. The Paris engagement was made only a little while beforehand. I wanted to pass through there, so I was glad to accept the offer and earn extra money which I thought I might need by and by."

"What a mercenary star!" Stephen spoke teasingly; but in truth he could not make the girl out.

She took the accusation with a smile. "Yes, I am mercenary, I suppose," she confessed with unashamed frankness, "but not entirely for myself. I shouldn't like to be that! I told you how I've been looking forward always to one end. And now, just when that end may be near, how foolish I should be to spend a cent on unnecessary things! Why, I'd have felt _wicked_ living in an expensive hotel, and keeping a maid, when I could be comfortable in a Bloomsbury boarding-house on ten dollars a week. And the dresser in the theater, who did everything very nicely, was delighted with a present of twenty dollars when my London engagement was over."

"No doubt she was," said Stephen. "But----"

"I suppose you're thinking that I must have made lots of money, and that I'm a sort of little miseress: and so I have--and so I am. I earned seven hundred and fifty dollars a week--isn't that a hundred and fifty pounds?--for the six weeks, and I spent as little as possible; for I didn't get as large a salary as that in America. I engaged to dance for three hundred dollars a week there, which seemed perfectly wonderful to me at first; so I had to keep my contract, though other managers would have given me more. I wanted dreadfully to take their offers, because I was in such a hurry to have enough money to begin my real work. But I knew I shouldn't be blessed in my undertaking if I acted dishonourably. Try as I might, I've only been able to save up ten thousand dollars, counting the salary in Paris and all. Would you say that was enough to _bribe_ a person, if necessary? Two thousand of your pounds."

"It depends upon how rich the person is."

"I don't know how rich he is. Could an Arab be _very_ rich?"

"I daresay there are still some rich ones. But maybe riches aren't the same with them as with us. That fellow at lunch to-day looks as if he'd plenty of money to spend on embroideries."

"Yes. And he looks important too--as if he might have travelled, and known a great many people of all sorts. I wish it were proper for me to talk to him."

"Good Heavens, why?" asked Stephen, startled. "It would be most improper."

"Yes, I'm afraid so, and I won't, of course, unless I get to know him in some way," went on Victoria. "Not that there's any chance of such a thing."

"I should hope not," exclaimed Stephen, who was privately of opinion that there was only too good a chance if the girl showed the Arab even the faintest sign of willingness to know and be known. "I've no right to ask it, of course, except that I'm much older than you and have seen more of the world--but do promise not to look at that nigger. I don't like his face."

"He isn't a nigger," objected Victoria. "But if he were, it wouldn't matter--nor whether one liked his face or not. He might be able to help me."

"To help you--in Algiers?"

"Yes, in the same way that you might be able to help me--or more, because he's an Arab, and must know Arabs."

Stephen forgot to press his request for her promise. "How can I help you?" he wanted to know.

"I'm not sure. Only, you're going to Algiers. I always ask everybody to help, if there's the slightest chance they can."

Stephen felt disappointed and chilled. But she went on. "I should hate you to think I _gush_ to strangers, and tell them all my affairs, just because I'm silly enough to love talking. I must talk to strangers. I _must_ get help where I can. And you were kind the other night. Everybody is kind. Do you know many people in Algeria, or Tunisia?"

"Only one man. His name is Nevill Caird, and he lives in Algiers. My name is Stephen Knight. I've been wanting to tell you--I seemed to have an unfair advantage, knowing yours ever since Paris."

He watched her face almost furtively, but no change came over it, no cloud in the blueness of her candid eyes. The name meant nothing to her.

"I'm sorry. It's hardly worth while my bothering you then."

Stephen wished to be bothered. "But Nevill Caird has lived in Algiers for eight winters or so," he said. "He knows everybody, French and English--Arab too, very likely, if there are Arabs worth knowing."

A bright colour sprang to the girl's cheeks and turned her extreme prettiness into brilliant beauty. It seemed to Stephen that the name of Ray suited her: she was dazzling as sunshine. "Oh, then, I will tell you--if you'll listen," she said.

"If I had as many ears as a spear of wheat, they'd all want to listen." His voice sounded young and eager. "Please begin at the beginning, as the children say."

"Shall I really? But it's a long story. It begins when I was eight."

"All the better. It will be ten years long."

"I can skip lots of things. When I was eight, and my sister Saidee not quite eighteen, we were in Paris with my stepmother. My father had been dead just a year, but she was out of mourning. She wasn't old--only about thirty, and handsome. She was jealous of Saidee, though, because Saidee was so much younger and fresher, and because Saidee was beautiful--Oh, you can't imagine how beautiful!"

"Yes, I can," said Stephen.

"You mean me to take that for a compliment. I know I'm quite pretty, but I'm nothing to Saidee. She was a great beauty, though with the same colouring I have, except that her eyes were brown, and her hair a little more auburn. People turned to look after her in the street, and that made our stepmother angry. _She_ wanted to be the one looked at. I knew, even then! She wouldn't have travelled with us, only father had left her his money, on condition that she gave Saidee and me the best of educations, and allowed us a thousand dollars a year each, from the time our schooling was finished until we married. She had a good deal of influence over him, for he was ill a long time, and she was his nurse--that was the way they got acquainted. And she persuaded him to leave practically everything to her; but she couldn't prevent his making some conditions. There was one which she hated. She was obliged to live in the same town with us; so when she wanted to go and enjoy herself in Paris after father died, she had to take us too. And she didn't care to shut Saidee up, because if Saidee couldn't be seen, she couldn't be married; and of course Mrs. Ray wanted her to be married. Then she would have no bother, and no money to pay. I often heard Saidee say these things, because she told me everything. She loved me a great deal, and I adored her. My middle name is Cecilia, and she was generally called Say; so she used to tell me that our secret names for each other must be 'Say and Seal.' It made me feel very grown-up to have her confide so much in me: and never being with children at all, gave me grown-up thoughts."

"Poor child!" said Stephen.

"Oh, I was very happy. It was only after--but that isn't the way to tell the story. Our stepmother--whom we always called 'Mrs. Ray,' never 'mother'--liked officers, and we got acquainted with a good many French ones. They used to come to the flat where we lived. Some of them were introduced by our French governess, whose brother was in the army, but they brought others, and Saidee and Mrs. Ray went to parties together, though Mrs. Ray hated being chaperon. If poor Saidee were admired at a dinner, or a dance, Mrs. Ray would be horrid all next day, and say everything disagreeable she could think of. Then Saidee would cry when we were alone, and tell me she was so miserable, she would have to marry in self-defence. That made me cry too--but she promised to take me with her if she went away.

"When we had been in Paris about two months, Saidee came to bed one night after a ball, and waked me up. We slept in the same room. She was excited and looked like an angel. I knew something had happened. She told me she'd met a wonderful man, and every one was fascinated with him. She had heard of him before, but this was the first time they'd seen each other. He was in the French army, she said, a captain, and older than most of the men she knew best, but very handsome, and rich as well as clever. It was only at the last, after she'd praised the man a great deal, that she mentioned his having Arab blood. Even then she hurried on to say his mother was a Spanish woman, and he had been partly educated in France, and spoke perfect French, and English too. They had danced together, and Saidee had never met so interesting a man. She thought he was like the hero of some romance; and she told me I would see him, because he'd begged Mrs. Ray to be allowed to call. He had asked Saidee lots of questions, and she'd told him even about me--so he sent me his love. She seemed to think I ought to be pleased, but I wasn't. I'd read the 'Arabian Nights', with pictures, and I knew Arabs were dark people. I didn't look down on them particularly, but I couldn't bear to have Say interested in an Arab. It didn't seem right for her, somehow."

The girl stopped, and apparently forgot to go on. She had been speaking with short pauses, as if she hardly realized that she was talking aloud. Her eyebrows drew together, and she sighed. Stephen knew that some memory pressed heavily upon her, but soon she began again.

"He came next day. He was handsome, as Saidee had said--as handsome as the Arab on board this ship, but in a different way. He looked noble and haughty--yet as if he might be very selfish and hard. Perhaps he was about thirty-three or four, and that seemed old to me then--old even to Saidee. But she was fascinated. He came often, and she saw him at other houses. Everywhere she was going, he would find out, and go too. That pleased her--for he was an important man somehow, and of good birth. Besides, he was desperately in love--even a child could see that. He never took his eyes off Saidee's face when she was with him. It was as if he could eat her up; and if she flirted a little with the real French officers, to amuse herself or tease him, it drove him half mad. She liked that--it was exciting, she used to say. And I forgot to tell you, he wore European dress, except for a fez--no turban, like this man's on the boat, or I'm sure she couldn't have cared for him in the way she did--he wouldn't have seemed _possible_, for a Christian girl. A man in a turban! You understand, don't you?"

"Yes, I understand," Stephen said. He understood, too, how violently such beauty as the girl described must have appealed to the dark man of the East. "The same colouring that I have," Victoria Ray had said. If he, an Englishman, accustomed to the fair loveliness of his countrywomen, were a little dazzled by the radiance of this girl, what compelling influence must not the more beautiful sister have exercised upon the Arab?

"He made love to Saidee in a fierce sort of way that carried her off her feet," went on Victoria. "She used to tell me things he said, and Mrs. Ray did all she could to throw them together, because he was rich, and lived a long way off--so she wouldn't have to do anything for Say if they were married, or even see her again. He was only on leave in Paris. He was a Spahi, stationed in Algiers, and he owned a house there."

"Ah, in Algiers!" Stephen began to see light--rather a lurid light.