CHAPTER X. EATING THE GOD.

§ 1. The Sacrament of First-Fruits.

(M38) We have now seen that the corn-spirit is represented sometimes in human, sometimes in animal form, and that in both cases he is killed in the person of his representative and eaten sacramentally. To find examples of actually killing the human representative of the corn-spirit we had naturally to go to savage races; but the harvest-suppers of our European peasants have furnished unmistakable examples of the sacramental eating of animals as representatives of the corn-spirit. But further, as might have been anticipated, the new corn is itself eaten sacramentally, that is, as the body of the corn-spirit. In Wermland, Sweden, the farmer’s wife uses the grain of the last sheaf to bake a loaf in the shape of a little girl; this loaf is divided amongst the whole household and eaten by them.(166) Here the loaf represents the corn-spirit conceived as a maiden; just as in Scotland the corn-spirit is similarly conceived and represented by the last sheaf made up in the form of a woman and bearing the name of the Maiden. As usual, the corn-spirit is believed to reside in the last sheaf; and to eat a loaf made from the last sheaf is, therefore, to eat the corn-spirit itself. Similarly at La Palisse, in France, a man made of dough is hung upon the fir-tree which is carried on the last harvest-waggon. The tree and the dough-man are taken to the mayor’s house and kept there till the vintage is over. Then the close of the harvest is celebrated by a feast at which the mayor breaks the dough-man in pieces and gives the pieces to the people to eat.(167)

(M39) In these examples the corn-spirit is represented and eaten in human shape. In other cases, though the new corn is not baked in loaves of human shape, still the solemn ceremonies with which it is eaten suffice to indicate that it is partaken of sacramentally, that is, as the body of the corn-spirit. For example, the following ceremonies used to be observed by Lithuanian peasants at eating the new corn. About the time of the autumn sowing, when all the corn had been got in and the threshing had begun, each farmer held a festival called Sabarios, that is, “the mixing or throwing together.” He took nine good handfuls of each kind of crop—wheat, barley, oats, flax, beans, lentils, and the rest; and each handful he divided into three parts. The twenty-seven portions of each grain were then thrown on a heap and all mixed up together. The grain used had to be that which was first threshed and winnowed and which had been set aside and kept for this purpose. A part of the grain thus mixed was employed to bake little loaves, one for each of the household; the rest was mixed with more barley or oats and made into beer. The first beer brewed from this mixture was for the drinking of the farmer, his wife, and children; the second brew was for the servants. The beer being ready, the farmer chose an evening when no stranger was expected. Then he knelt down before the barrel of beer, drew a jugful of the liquor and poured it on the bung of the barrel, saying, “O fruitful earth, make rye and barley and all kinds of corn to flourish.” Next he took the jug to the parlour, where his wife and children awaited him. On the floor of the parlour lay bound a black or white or speckled (not a red) cock and a hen of the same colour and of the same brood, which must have been hatched within the year. Then the farmer knelt down, with the jug in his hand, and thanked God for the harvest and prayed for a good crop next year. Next all lifted up their hands and said, “O God, and thou, O earth, we give you this cock and hen as a free-will offering.” With that the farmer killed the fowls with the blows of a wooden spoon, for he might not cut their heads off. After the first prayer and after killing each of the birds he poured out a third of the beer. Then his wife boiled the fowls in a new pot which had never been used before. After that, a bushel was set, bottom upwards, on the floor, and on it were placed the little loaves mentioned above and the boiled fowls. Next the new beer was fetched, together with a ladle and three mugs, none of which was used except on this occasion. When the farmer had ladled the beer into the mugs, the family knelt down round the bushel. The father then uttered a prayer and drank off the three mugs of beer. The rest followed his example. Then the loaves and the flesh of the fowls were eaten, after which the beer went round again, till every one had emptied each of the three mugs nine times. None of the food should remain over; but if anything did happen to be left, it was consumed next morning with the same ceremonies. The bones were given to the dog to eat; if he did not eat them all up, the remains were buried under the dung in the cattle-stall. This ceremony was observed at the beginning of December. On the day on which it took place no bad word might be spoken.(168)

(M40) Such was the custom about two hundred years or more ago. At the present day in Lithuania, when new potatoes or loaves made from the new corn are being eaten, all the people at table pull each other’s hair.(169) The meaning of this last custom is obscure, but a similar custom was certainly observed by the heathen Lithuanians at their solemn sacrifices.(170) Many of the Esthonians of the island of Oesel will not eat bread baked of the new corn till they have first taken a bite at a piece of iron.(171) The iron is here plainly a charm, intended to render harmless the spirit that is in the corn.(172) In Sutherlandshire at the present day, when the new potatoes are dug all the family must taste them, otherwise “the spirits in them [the potatoes] take offence, and the potatoes would not keep.”(173) In one part of Yorkshire it is still customary for the clergyman to cut the first corn; and my informant believes that the corn so cut is used to make the communion bread.(174) If the latter part of the custom is correctly reported (and analogy is all in its favour), it shews how the Christian communion has absorbed within itself a sacrament which is doubtless far older than Christianity.

(M41) Among the heathen Cheremiss on the left bank of the Volga, when the first bread baked from the new corn is to be eaten, the villagers assemble in the house of the oldest inhabitant, the eastern door is opened, and all pray with their faces towards it. Then the sorcerer or priest gives to each of them a mug of beer, which they drain; next he cuts and hands to every person a morsel of the loaf, which they partake of. Finally, the young people go to the elders and bowing down to the earth before them say, “We pray God that you may live, and that God may let us pray next year for new corn.” The rest of the day is passed in mirth and dancing. The whole ceremony, observes the writer who has described it, looks almost like a caricature of the Eucharist.(175) According to another account, each Cheremiss householder on this occasion, after bathing, places some of each kind of grain, together with malt, cakes, and drink, in a vessel, which he holds up to the sun, at the same time thanking the gods for the good things which they have bestowed upon him.(176) But this part of the ceremony is a sacrifice rather than a sacrament of the new corn.

(M42) The Aino or Ainu of Japan are said to distinguish various kinds of millet as male and female respectively, and these kinds, taken together, are called “the divine husband and wife cereal” (_Umurek haru kamui_). “Therefore before millet is pounded and made into cakes for general eating, the old men have a few made for themselves first to worship. When they are ready they pray to them very earnestly and say:—‘O thou cereal deity, we worship thee. Thou hast grown very well this year, and thy flavour will be sweet. Thou art good. The goddess of fire will be glad, and we also shall rejoice greatly. O thou god, O thou divine cereal, do thou nourish the people. I now partake of thee. I worship thee and give thee thanks.’ After having thus prayed, they, the worshippers, take a cake and eat it, and from this time the people may all partake of the new millet. And so with many gestures of homage and words of prayer this kind of food is dedicated to the well-being of the Ainu. No doubt the cereal offering is regarded as a tribute paid to god, but that god is no other than the seed itself; and it is only a god in so far as it is beneficial to the human body.”(177)

(M43) The natives of the Reef Islands in Melanesia describe as follows the ceremonies which they observe at eating new fruits: “When the fruit of trees that are eatable, such as bread-fruit, or _ninas_ (nuts) is nearly ripe, about a month before the time that people eat it, they all go together into the bush. They must all go together for this ‘holy eating,’ and when they return they all assemble in one place, and no one will be absent; they sit down and cook bread-fruit. While it is being cooked no one will eat beforehand, but they set it in order and cook it with reverence, and with the belief that the spirit has granted that food to them and they return thanks to him for it. When it is cooked a certain man takes a bread-fruit and climbs up a tree, and all the people stand on the ground and they all look up, and when he has reached the top they shout out, and when they have shouted they call out, ‘This is the bread-fruit of the whole land’; then he throws down the bread-fruit and they pick it up and shout out again and give thanks, for they think that the spirit who protects the fruit will hear. Their thoughts are thus also with regard to the yam, there is no difference, it is all the same; they think that a spirit gives them food, and the people assemble together and thank the spirit. In every island they think that there is a spirit presiding over food.”(178)

(M44) At Bourail, in New Caledonia, the eating of the first yams of the season is a solemn ceremony. The women may take no part in it; indeed for five days previously they may not even shew themselves on any pretext, and must hide in the forest. But the men of other tribes are invited to share in the festivity. On the day of the ceremony seven or eight yams are dug up with the greatest precaution, wrapt in leaves, and carried before the great wooden images, ten or twelve feet high, rudely carved in human form and painted black, red, and white, which represent the ancestors of the tribe. Special pots, only used on these occasions, are then disinterred by boys, who cook the new yams in them, eat them, and afterwards bury the pots in the places where they found them. Thereupon the chief or the oldest man mounts a ladder and addresses the crowd in a long and voluble harangue, telling them how their forefathers always respected the feast of the first yams, and exhorting the young men of the tribe to do the same in the time to come. After that, turning towards the ancestral images, he prays them to give a good crop of yams every year to the people and their descendants, adjuring them to remember how, while they were still on earth, they always ate to their heart’s content, and beseeching them to reflect that their sons and grandsons naturally desire to do the same. When the orator has finished his discourse, and his hearers have signified their approval of his eloquence by a loud grunt, the new yams are dressed and eaten, each family cooking them in a pot of its own.(179)

(M45) At the close of the rice harvest in the East Indian island of Buru, each clan (_fenna_) meets at a common sacramental meal, to which every member of the clan is bound to contribute a little of the new rice. This meal is called “eating the soul of the rice,” a name which clearly indicates the sacramental character of the repast. Some of the rice is also set apart and offered to the spirits.(180) Amongst the Alfoors of Minahassa, in the north of Celebes, the priest sows the first rice-seed and plucks the first ripe rice in each field. This rice he roasts and grinds into meal, and gives some of it to each of the household.(181) Shortly before the rice-harvest in Bolang Mongondo, another district of Celebes, an offering is made of a small pig or a fowl. Then the priest plucks a little rice, first on his own field and next on those of his neighbours. All the rice thus plucked by him he dries along with his own, and then gives it back to the respective owners, who have it ground and boiled. When it is boiled the women take it back, with an egg, to the priest, who offers the egg in sacrifice and returns the rice to the women. Of this rice every member of the family, down to the youngest child, must partake. After this ceremony every one is free to get in his rice.(182)

(M46) On the north coast of Ceram every owner of a rice-field begins planting by making six holes in the middle of the field and depositing rice-seed in them. When the crop is ripe, the rice which has sprouted from these six holes must be the first to be reaped and the first to be eaten by the owner at the common harvest-feast of the village. When all the owners of the fields have thus partaken of the rice that was first planted and first reaped in their fields, the other villagers may help themselves to rice out of the pot. Not till this feast has been held may the owners of rice-fields sell their rice.(183) Among the Kayans of Central Borneo, who, as we have seen, believe rice to be animated by a soul,(184) before a family partakes of the new rice at harvest, a priestess must touch the face and breast of every person with a magical instrument (_kahe parei_) consisting of the husk of a certain fruit adorned with strings of beads. After this ceremony has been performed on every member of the family, he or she eats a few grains of the new rice and drinks a little water. When all have complied with this ritual, the feast begins.(185)

(M47) Amongst the Burghers or Badagas, a tribe of the Neilgherry Hills in Southern India, the first handful of seed is sown and the first sheaf reaped by a Curumbar—a man of a different tribe, the members of which the Burghers regard as sorcerers. The grain contained in the first sheaf “is that day reduced to meal, made into cakes, and, being offered as a first-fruit oblation, is, together with the remainder of the sacrificed animal, partaken of by the Burgher and the whole of his family, as the meat of a federal offering and sacrifice.”(186) Amongst the Coorgs of Southern India the man who is to cut the first sheaf of rice at harvest is chosen by an astrologer. At sunset the whole household takes a hot bath and then goes to the rice-field, where the chosen reaper cuts an armful of rice with a new sickle, and distributes two or more stalks to all present. Then all return to the threshing-floor. A bundle of leaves is adorned with a stalk of rice and fastened to the post in the centre of the threshing-floor. Enough of the new rice is now threshed, cleaned, and ground to provide flour for the dough-cakes which each member of the household is to eat. Then they go to the door of the house, where the mistress washes the feet of the sheaf-cutter, and presents to him, and after him to all the rest, a brass vessel full of milk, honey, and sugar, from which each person takes a draught. Next the man who cut the sheaf kneads a cake of rice-meal, plantains, milk, honey, seven new rice corns, seven pieces of coco-nut, and so on. Every one receives a little of his cake on an Ashvatha leaf, and eats it. The ceremony is then over and the sheaf-cutter mixes with the company. When he was engaged in cutting the rice no one might touch him.(187) Among the Hindoos of Southern India the eating of the new rice is the occasion of a family festival called Pongol. The new rice is boiled in a new pot on a fire which is kindled at noon on the day when, according to Hindoo astrologers, the sun enters the tropic of Capricorn. The boiling of the pot is watched with great anxiety by the whole family, for as the milk boils, so will the coming year be. If the milk boils rapidly, the year will be prosperous; but it will be the reverse if the milk boils slowly. Some of the new boiled rice is offered to the image of Gaṇeṣa; then every one partakes of it.(188) In some parts of Northern India the festival of the new crop is known as _Navan_, that is, “new grain.” When the crop is ripe, the owner takes the omens, goes to the field, plucks five or six ears of barley in the spring crop and one of the millets in the autumn harvest. This is brought home, parched, and mixed with coarse sugar, butter, and curds. Some of it is thrown on the fire in the name of the village gods and deceased ancestors; the rest is eaten by the family.(189) At Gilgit, in the Hindoo Koosh, before wheat-harvest begins, a member of every household gathers a handful of ears of corn secretly at dusk. A few of the ears are hung up over the door of the house, and the rest are roasted next morning, and eaten steeped in milk. The day is spent in rejoicings, and next morning the harvest begins.(190)

(M48) The Chams of Binh-Thuan, in Indo-China, may not reap the rice-harvest until they have offered the first-fruits to Po-Nagar, the goddess of agriculture, and have consumed them sacramentally. These first-fruits are gathered from certain sacred fields called _Hamou-Klêk-Laoa_ or “fields of secret tillage,” which are both sown and reaped with peculiar ceremonies. Apparently the tilling of the earth is considered a crime which must be perpetrated secretly and afterwards atoned for. On a lucky day in June, at the first cock-crow, two men lead the buffaloes and the plough to the sacred field, round which they draw three furrows in profound silence and then retire. Afterwards at dawn the owner of the land comes lounging by, as if by the merest chance. At sight of the furrows he stops, pretends to be much surprised, and cries out, “Who has been secretly ploughing my field this night?” Hastening home, he kills a kid or some fowls, cooks the victuals, and prepares five quids of betel, some candles, a flask of oil, and lustral water of three different sorts. With these offerings and the plough drawn by the buffaloes, he returns to the field, where he lights the candles and spreading out the victuals worships Po-Nagar and the other deities, saying: “I know not who has secretly ploughed my field this night. Pardon, ye gods, those who have done this wrong. Accept these offerings. Bless us. Suffer us to proceed with this work.” Then, speaking in the name of the deities, he gives the reassuring answer, “All right. Plough away!” With the lustral water he washes or sprinkles the buffaloes, the yoke, and the plough. The oil serves to anoint the plough and to pour libations on the ground. The five quids of betel are buried in the field. Thereupon the owner sows a handful of rice on the three furrows that have been traced, and eats the victuals with his people. After all these rites have been duly performed, he may plough and sow his land as he likes. When the rice has grown high enough in this “field of secret tillage” to hide pigeons, offerings of ducks, eggs, and fowls are made to the deities; and fresh offerings, which generally consist of five plates of rice, two boiled fowls, a bottle of spirits, and five quids of betel, are made to Po-Nagar and the rest at the time when the rice is in bloom. Finally, when the rice in “the field of secret tillage” is ripe, it has to be reaped before any of the rest. Offerings of food, such as boiled fowls, plates of rice, cakes, and so forth, are spread out on the field; a candle is lit, and a priest or, in his absence, the owner prays to the guardian deities to come and partake of the food set before them. After that the owner of the land cuts three stalks of rice with a sickle in the middle of the field, then he cuts three handfuls at the side, and places the whole in a napkin. These are the first-fruits offered to Po-Nagar, the goddess of agriculture. On being taken home the rice from the three handfuls is husked, pounded in a mortar, and presented to the goddess with these words: “Taste, O goddess, these first-fruits which have just been reaped.” This rice is afterwards eaten, while the straw and husks are burned. Having eaten the first-fruits of the rice, the owner takes the three stalks cut in the middle of the field, passes them through the smoke of the precious eagle-wood, and hangs them up in his house, where they remain till the next sowing-time comes round. The grain from these three stalks will form the seed of the three furrows in “the field of secret tillage.” Not till these ceremonies have been performed is the proprietor at liberty to reap the rest of that field and all the others.(191)

(M49) The ceremony of eating the new yams at Onitsha, on the Niger, is thus described: “Each headman brought out six yams, and cut down young branches of palm-leaves and placed them before his gate, roasted three of the yams, and got some kola-nuts and fish. After the yam is roasted, the _Libia_, or country doctor, takes the yam, scrapes it into a sort of meal, and divides it into halves; he then takes one piece, and places it on the lips of the person who is going to eat the new yam. The eater then blows up the steam from the hot yam, and afterwards pokes the whole into his mouth, and says, ‘I thank God for being permitted to eat the new yam’; he then begins to chew it heartily, with fish likewise.”(192)

(M50) Among the Ewe negroes of West Africa the eating of the new yams is the greatest festival of the year; it usually falls at the beginning of September, and its character is predominantly religious. We possess a native account of the festival as it is celebrated by the tribe of the Hos in Togoland. When the yams are ripe and ready to be dug up and brought home, two days are devoted to cleansing the town of all ills, whether spiritual or material, as a solemn preparation for the ensuing celebration. When these rites of purification, which will be described in a later part of this work, have been accomplished, then, in the words of the native account, “the people make ready to eat the new yams. And the manner of making ready consists in going to the fields and digging the yams. However, they do not bring them home but lay them down somewhere on the way. The reason why they do not bring them home is that the people have not yet been on the place where they sacrifice to the deity. When they wish to go thither, the way to the sacrificial place of Agbasia must first be cleared of grass. Afterwards the people come with their drums, which they beat loudly. When they are come to the place of sacrifice, they first raise two great mounds of earth, and they bring to the place of sacrifice palm wine, uncooked and cooked yams, and meal mixed with oil. First of all the uncooked yams are cut in two through the middle, and then this prayer is offered: ‘Agbasia, thou art he who has given the yams; therefore here is thine own! We thank thee sincerely. May the eating of the yams be a great joy, and may no quarrel intervene!’ Thereupon they lay down on the ground yams mixed with oil and not mixed with oil. In doing so they say to Agbasia, ‘He who eats not the white yams, to him belong the yams mixed with oil; and he who eats not the yams mixed with oil, to him belong the white yams.’ They do the same with the meal that is mixed with oil and with the meal that is not mixed with oil. Thereby they say: ‘Here we bring thee all that thou hast given us. Eat thereof what thou pleasest!’ After that they pour palm wine into one pot and water into another, and say, ‘When one has eaten, one drinks water.’ Thereby the drums sound, songs are sung, and the priest says: ‘Our father Agbasia, we pray thee, let us hear no more evil but good only! When women are with child, let them bear twins and triplets, that we may increase and multiply! When the time for sowing the yams comes again, make it to rain upon them even more than hitherto, in order that we may come again and thank thee more sincerely than hitherto!’ Thereupon the priest pours water on one of the mounds, makes a paste with it, and calls the people thither. Then he dips his finger in the slime and smears it on their brows, temples, and breasts, saying, ‘This is the slime of Agbasia, wherewith I smear you, that ye may remain in life.’ After that they disperse and go home. Further, the prayers and offerings of the individual peasants on the occasion of the yam festival are described as follows. “In the evening, when the town is swept clean, the people go to the fields to fetch yams, which, however, they may not yet bring into the town and therefore they hide them in the forest. As soon as the high priest quits the town next morning to go to the sacrificial place of his god, the women set out to fetch the yams which they had deposited. Now they begin to cook. Many people kill fowls or goats, and others buy fish for the festival. When the yams are sodden, a little is broken off, mixed with oil, and laid, together with uncooked yams, on the ground at the entrance to the homestead. Thereby the house-father says: ‘That belongs to all those (gods) who abide at the fence.’ He does the same under the door of the house and says: ‘That belongs to all those (gods) who dwell with me.’ Then he goes to the loom, and brings it its offering, and says: ‘That belongs to all the “Artificers” who have helped me in weaving.’ After that he lays all his charms on a mat spread in the house, and brings them also their offering, and speaks with them.”

“Another account describes the priestly functions of the house-father still more fully. Every house-father takes a raw piece of yam and goes with it to his loom (_agbati_) and prays: ‘May the Artificers take this yam and eat! When they practise their art, may it prosper!’ Again he takes a raw yam and goes with it under the house-door and prays: ‘O my guardian-spirit (_aklama_) and all ye gods who pay heed to this house, come and eat yams! When I also eat of them, may I remain healthy and nowhere feel pain! May my housemates all remain healthy!’ After he has invoked their protection on his family, he takes a cooked yam, crumbles it on a stone, and mixes it with red oil. With this mixture he goes again to the loom and prays as before. But even that is not the end of the worship of the Artificers. He again crumbles a cooked yam, but this time he does not mix it with red oil; he goes to the entrance of the homestead and prays again to the loom: ‘He among the Artificers who does not relish yams mixed with oil, let him come and take the white yam and eat it!’ From there he goes again under the house-door and prays: ‘He of my guardian gods and he of the watchers of the house who likes not yams mixed with oil, let him come and take the white yam from my hand and eat!’ From the house-door he steps into the midst of the chamber and says: ‘He who relishes not the yams mixed with oil, may eat the white; he who relishes not the white may eat the red; and he who relishes not the red may eat the uncooked!’ With this prayer he has completed his duties as house-priest. Just as the weaver prays to his loom, so the hunter prays to his musket, the smith to his hammer and anvil, and the carpenter to his plane and saw.

“Now, while the free people begin to cook the yams so soon as the priest has left the town, the slaves of the Earth Gods, the _Trõkluwo_, must first as children perform their duties to the priest of their gods. Each of these children receives from his parents on the morning of the Yam Festival two pieces of yam, which he brings to the priest of his god. The priest cuts off a small piece of the yam and divides the piece again into four pieces. The child kneels before him and lolls out his tongue. Holding two of these pieces of yam in his hands, the priest utters a prayer over the child and touches his tongue five times with the pieces of yam. Then the child stretches his hands out, each of which the priest touches five times with the same pieces of yam and prays as before. Then he touches both feet of the child five times and prays for the third time. He takes half of the cowry-shells which the child has brought, fastens them on a string, and hangs it round the child’s neck. Thereby the child gets leave to eat new yams.

“After all these preparations the yams are pounded into a mash, and every one calls his brother, that he may eat with him. When the meal is over, the people are called together to amuse themselves and to drink palm wine. In the afternoon every one bathes, puts on a new garment, and girds himself with a new loin-cloth.”(193)

(M51) The Ashantees celebrate the festival of the new yams early in September; until it is over none of the people may taste of the new yams. “The Yam Custom,” we are told, “is like the Saturnalia; neither theft, intrigue, nor assault are punishable during the continuance, but the grossest liberty prevails, and each sex abandons itself to its passions.” An eye-witness has described the scene at Coomassie, the capital: “The next morning the King ordered a large quantity of rum to be poured into brass pans, in various parts of the town; the crowd pressing around, and drinking like hogs; freemen and slaves, women and children, striking, kicking, and trampling each other under foot, pushed head foremost into the pans, and spilling much more than they drank. In less than an hour, excepting the principal men, not a sober person was to be seen, parties of four, reeling and rolling under the weight of another, whom they affected to be carrying home; strings of women covered with red paint, hand in hand, falling down like rows of cards; the commonest mechanics and slaves furiously declaiming on state palavers; the most discordant music, the most obscene songs, children of both sexes prostrate in insensibility. All wore their handsomest cloths, which they trailed after them to a great length, in a drunken emulation of extravagance and dirtiness.” About a hundred persons, mostly culprits reserved for the purpose, used to be sacrificed at this festival in Coomassie. All the chiefs killed several slaves that their blood might flow into the hole from which the new yam was taken. Such as could not afford to kill slaves took the head of a slave who had already been sacrificed and placed it in the hole. About ten days after these ceremonies the whole of the royal household ate new yams for the first time in the market-place, the King himself being in attendance. Next day he and his captains set off before sunrise to perform their annual ablutions in the river Dah; almost all the inhabitants of the capital followed him, so that the streets appeared to be deserted. The following day the King, attended by his suite, washed in the marsh at the south-east end of the town and laved the water not only over himself but also over the chairs, stools, gold and silver plate, and the articles of furniture which were set aside for his special use.(194) From another account it appears that the King of Ashantee must eat the new yams before any of his subjects was at liberty to do so.(195) Similarly in the West African kingdom of Assinie, which forms part of the French possessions of Senegal, the king must eat the new yams eight full days before the people may taste them.(196)

(M52) A second festival of yams used to be celebrated at Coomassie in December, when the king or a fetish priest consecrated the new yams before they could be eaten by common folk. On one of the days of this December celebration all the laws were suspended, and every man might do what seemed good in his own eyes: he might even, contrary to custom, look at the king’s wives, to the number of several hundreds, when they returned with the king and his suite from washing in the fetish water of Tana. All that day drinking went on, and the noise and uproar were prolonged far into the night. Early in the morning a human victim was sacrificed: the first man found near the gates of the palace was seized, butchered, and cut in pieces, and the executioners danced with the bleeding fragments of the victim in their hands or fastened round their necks. Before he ate of the new yams the king washed himself in fetish water brought from distant springs, and the chiefs performed similar ablutions.(197) In Benin the new yams might not be eaten until the king had performed certain ceremonies, among which one is said to have been a pretence of making a yam to grow in a pot. Dancing, merrymaking, and farces or plays formed part of the festival; the city was crowded with people, and they indulged in a regular orgie.(198)

(M53) Among the Nandi of British East Africa, when the eleusine grain is ripening in autumn, every woman who owns a cornfield goes out into it with her daughters, and they all pluck some of the ripe grain. Each of the women then fixes one grain in her necklace and chews another, which she rubs on her forehead, throat, and breast. No mark of joy escapes them; sorrowfully they cut a basketful of the new corn, and carrying it home place it in the loft to dry. As the ceiling is of wickerwork, a good deal of the grain drops through the crevices and falls into the fire, where it explodes with a crackling noise. The people make no attempt to prevent this waste; for they regard the crackling of the grain in the fire as a sign that the souls of the dead are partaking of it. A few days later porridge is made from the new grain and served up with milk at the evening meal. All the members of the family take some of the porridge and dab it on the walls and roofs of the huts; also they put a little in their mouths and spit it out towards the east and on the outside of the huts. Then, holding up some of the grain in his hand, the head of the family prays to God for health and strength, and likewise for milk, and everybody present repeats the words of the prayer after him.(199) Amongst the Baganda, when the beans were ripe, a woman would call her eldest son to eat some of the first which she cooked; if she neglected to do so, it was believed that she would incur the displeasure of the gods and fall ill. After the meal her husband jumped over her, and the beans might thereafter be eaten by all.(200)

(M54) Amongst the Caffres of Natal and Zululand, no one may eat of the new fruits till after a festival which marks the beginning of the Caffre year and falls at the end of December or the beginning of January. All the people assemble at the king’s kraal, where they feast and dance. Before they separate the “dedication of the people” takes place. Various fruits of the earth, as corn, mealies, and pumpkins, mixed with the flesh of a sacrificed animal and with “medicine,” are boiled in great pots, and a little of this food is placed in each man’s mouth by the king himself. After thus partaking of the sanctified fruits, a man is himself sanctified for the whole year, and may immediately get in his crops.(201) It is believed that if any man were to partake of the new fruits before the festival, he would die;(202) if he were detected, he would be put to death, or at least all his cattle would be taken from him.(203) The holiness of the new fruits is well marked by the rule that they must be cooked in a special pot which is used only for this purpose, and on a new fire kindled by a magician through the friction of two sticks which are called “husband and wife.” These sticks are prepared by the sorcerers from the wood of the _Uzwati_ tree and belong exclusively to the chief. The “wife” is the shorter of the two. When the magician has kindled the new fire on which the new fruits are to be cooked, he hands the fire-sticks back to the chief, for no other hand may touch them; and they are then put away till they are required next season. The sticks are regarded as in a measure sacred, and no one, except the chief’s personal servant, may go to the side of the hut where they are kept. No pot but the one used for the preparation of this feast may be set on a fire made by the friction of the “husband and wife.” When the feast is over, the fire is carefully extinguished, and the pot is put away with the fire-sticks, where it remains untouched for another year.(204)

(M55) A remarkable feature of the festival, as it is observed at the court of the Zulu king, is a dance performed by the king himself in a mantle of grass or, according to another account, of herbs and corn-leaves. This mantle is afterwards burnt and its ashes are scattered and trodden into the ground by cattle.(205) Further, it is worthy of notice that the festival is described as a saturnalia, and we are told that “a great deal of noise and dancing goes on, and people are not supposed to be responsible for what they say or do.”(206) Thus, for example, among the Pondos the festival includes a period of license, during the continuance of which the chief abdicates his functions and any crime may be committed with impunity. The description of the Pondo festival comprises so many interesting features that I will reproduce it entire. “When a Pondo chief is to hold the feast of first-fruits, some of his people procure a ripe plant of the gourd family, pumpkin or calabash, from another tribe. This is cooked; the inside cleaned out, and the rind made ready for use as a vessel. It is then presented to the chief with much ceremony. The first-fruits are now brought forward, and a sacrifice, generally a young bull, is offered, after which the feast commences. The chief issues certain orders for the conduct of the proceedings, tastes the fruits which are served in the gourd-dish with which he has been presented, and then abdicates all his functions while the festival lasts. The cattle from all the neighbouring villages are collected in the vicinity, and now they are brought together, and the bulls incited to fight to determine which is to be king among them for the next year. The young people engage in games and dances, feats of strength and running. After these are over the whole community give themselves over to disorder, debauchery, and riot. In their bull-fights and games they but did honour to the powers of nature, and now, as they eat and drink, the same powers are honoured in another form and by other rites. There is no one in authority to keep order, and every man does what seems good in his own eyes. Should a man stab his neighbour he escapes all punishment, and so too with all other crimes against the person, property, and morality. People are even permitted to abuse the chief to his face, an offence which at any other time would meet with summary vengeance and an unceremonious dispatch to join the ancestors. While the feast continues, a deafening noise is kept up by drumming, shouting, hand-clapping, and every kind of instrument that can be made to emit sound. Men advance to the chief and explain their origin, and also the object they hold sacred, by imitating the sounds and movements of their most sacred animal. This is the person’s totem. Others imitate the gurgling made by an enemy when stabbed in the throat. Those who adopt this latter emblem are known as ‘children of the spear.’ When the ceremonies, revels, and mummeries are ended, the chief repairs to his accustomed place, and sitting down there, by that act resumes his kingly functions. He calls the bravest of his braves before him, who is immediately clothed and decorated with skins of animals suggestive of courage and strategy. He performs a dance amid the frenzied shouting of the multitude, after which the chief declares the festival at an end and harvest commenced.”(207) Another writer, speaking of the Zulu festival of first-fruits as it was celebrated in the time of the ferocious despot Chaka, says that “at this period the chiefs are allowed to converse unreservedly with the king, speaking with great freedom, and in some measure to be dictatorial.”(208) Again, another traveller, who visited the Zulus in the reign of King Panda, tells us that “in spite of the practice of the most absolute despotism there are three days in the year when the nation in its turn has the right to call the king to a severe account for his acts. It is at the general assembly of the warriors, when the maize is ripe, that the lively discussions take place and the questions are put to which the king must answer at once in a manner satisfactory to the people. I have then seen simple warriors come leaping from the ranks, assume the style of fluent and excessively energetic orators, and not only confront the fiery glare of Panda, but even attack him before everybody, blame his acts, call them infamous and base, compel him to vindicate his conduct, and then refute his vindication by dissecting it and exposing its falsehood, finally proceeding to haughty threats and winding up the harangue with a gesture of contempt.”(209) Such liberties taken with the despotic Zulu kings seem to point to a time when they too, like the Pondo chiefs, abdicated or were deposed during the festival. Perhaps we may even go a step further. We have seen that on this occasion the Zulu king dances in a mantle of grass or of herbs and corn-leaves, which is afterwards burnt and the ashes scattered and trodden into the ground. This custom seems clearly intended to promote the fertility of the earth, and in earlier times the same end may have been compassed by burning the king himself and dispersing his ashes; for we have seen that a Bechuana tribe, of the same Bantu stock as the Zulus, were wont to sacrifice a human victim for the good of the crops and to scatter his ashes over the ground.(210) In this connexion it should be borne in mind that we have found independent evidence of a custom of putting the Zulu king to death whenever his bodily strength began to fail.(211)

(M56) Among the Bechuanas it is a rule that before they partake of the new crops they must purify themselves. The purification takes place at the commencement of the new year on a day in January which is fixed by the chief. It begins in the great kraal of the tribe, where all the adult males assemble. Each of them takes in his hand leaves of a gourd called by the natives _lerotse_ (described as something between a pumpkin and a vegetable marrow); and having crushed the leaves he anoints with the expressed juice his big toes and his navel; many people indeed apply the juice to all the joints of their body, but the better-informed say that this is a vulgar departure from ancient custom. After this ceremony in the great kraal every man goes home to his own kraal, assembles all the members of his family, men, women, and children, and smears them all with the juice of the _lerotse_ leaves. Some of the leaves are also pounded, mixed with milk in a large wooden dish, and given to the dogs to lap up. Then the porridge plate of each member of the family is rubbed with the _lerotse_ leaves. When this purification has been completed, but not before, the people are free to eat of the new crops. On the night after the purification every man was bound, as a matter of ritual, to sleep with his chief wife. If she had been unfaithful to him during the past year, it was incumbent on her to confess her sin before she fulfilled her part of the ceremony. Having confessed she was purified by a medicine-man, who fumigated her with the smoke produced by burning a bean plant. Thereupon husband and wife cut each other slightly under the navel, and each of them rubbed his or her blood, mixed with “medicine,” into the other’s wound. That completed the purification of the woman, and the pair might now proceed with the rest of the rite. Should a married man be from home at the time when the annual purification ceremony is performed, he is thought to be in a very sad plight; indeed his chances of surviving for another year are supposed to be small. On his return home, he dare not enter his own house, for he would pollute it, and if even his shadow were to fall on one of his children, the child would die. He must wait till his wife comes to him and brings him a calabash of water to drink, which is a sign that she has waited for his return to perform the rite of purification together. But if she does not bring the water, he knows that in his absence she has performed the rite with some other man, and it becomes necessary to purge her by means of fumigation and blood-letting, as described before. But even when that purgation is completed, husband and wife may not indulge in connubial intercourse for the rest of the year, that is, until the next annual purification has taken place. The Bechuanas think that “any breach of this rule will be punished with supernatural penalties—the husband, wife, or child will die.”(212)

(M57) Among the Matabele, another Bantu tribe of South Africa, no one might partake of the new fruits till the king had first tasted of them; any one who was known to have broken the law was instantly put to death. On this occasion the regiments assembled at Bulawayo, the capital, and danced in a great semicircle before the king, who occasionally joined in the dance. When he did so, the medicine-men and their satellites, armed with thorn-bushes, rushed about among the dancers and incited them to fresh efforts by a vigorous application of the thorns to the bodies of such as seemed to flag. The king’s wives also sang and danced before him in long lines, holding the marriage ring in their right hands and green boughs in their left. On the third day of the festival hundreds of oxen were sacrificed: the flesh and blood of the black or sacred cattle were converted into charms; while the carcases of the rest were cut up and distributed among the people, who feasted upon them. The fourth day was specially set apart for the ceremony of the first-fruits. In the morning all the people went down to the river to wash, and on their return a witch-doctor or medicine-man took a dish of the new vegetables and corn, mixed with charms, and scattered the contents by handfuls among the crowd, who seized and ate them. After that the people were free to eat the new crops. According to one account, this festival of first-fruits was held at the first full moon which followed the summer solstice (the twenty-first of December in the southern hemisphere); according to another account, it took place a few days after the full moon of February, which marked the beginning of the Matabele year.(213)

(M58) The Ovambo or, as they call themselves, the Ovakuanjama, of South-West Africa, may not partake of the new fruits of the _omuongo_ tree, which ripen in February and from which an intoxicating beverage is extracted, until certain ceremonies have been performed. Among other things husband and wife mutually offer each other one of the fruits, make white strokes with chalk each on the brow, cheeks, and nose of the other, and accompany the action with the formal expression of good wishes. If this ceremony, which seems to mark the beginning of the New Year, were omitted, they believe that they would be attacked by a painful disease of the knee-joints which would cripple them.(214)

(M59) The Bororo Indians of Brazil think that it would be certain death to eat the new maize before it has been blessed by the medicine-man. The ceremony of blessing it is as follows. The half-ripe husk is washed and placed before the medicine-man, who by dancing and singing for several hours, and by incessant smoking, works himself up into a state of ecstasy, whereupon he bites into the husk, trembling in every limb and uttering shrieks from time to time. A similar ceremony is performed whenever a large animal or a large fish is killed. The Bororo are firmly persuaded that were any man to touch unconsecrated maize or meat, before the ceremony had been completed, he and his whole tribe would perish.(215)

(M60) Amongst the Creek Indians of North America, the _busk_ or festival of first-fruits was the chief ceremony of the year.(216) It was held in July or August, when the corn was ripe, and marked the end of the old year and the beginning of the new one. Before it took place, none of the Indians would eat or even handle any part of the new harvest. Sometimes each town had its own busk; sometimes several towns united to hold one in common. Before celebrating the busk, the people provided themselves with new clothes and new household utensils and furniture; they collected their old clothes and rubbish, together with all the remaining grain and other old provisions, cast them together in one common heap, and consumed them with fire.(217) As a preparation for the ceremony, all the fires in the village were extinguished, and the ashes swept clean away. In particular, the hearth or altar of the temple was dug up and the ashes carried out. Then the chief priest put some roots of the button-snake plant, with some green tobacco leaves and a little of the new fruits, at the bottom of the fireplace, which he afterwards commanded to be covered up with white clay, and wetted over with clean water. A thick arbour of green branches of young trees was then made over the altar.(218) Meanwhile the women at home were cleaning out their houses, renewing the old hearths, and scouring all the cooking vessels that they might be ready to receive the new fire and the new fruits.(219) The public or sacred square was carefully swept of even the smallest crumbs of previous feasts, “for fear of polluting the first-fruit offerings.” Also every vessel that had contained or had been used about any food during the expiring year was removed from the temple before sunset. Then all the men who were not known to have violated the law of the first-fruit offering and that of marriage during the year were summoned by a crier to enter the holy square and observe a solemn fast. But the women (except six old ones), the children, and all who had not attained the rank of warriors were forbidden to enter the square. Sentinels were also posted at the corners of the square to keep out all persons deemed impure and all animals. A strict fast was then observed for two nights and a day, the devotees drinking a bitter decoction of button-snake root “in order to vomit and purge their sinful bodies.” That the people outside the square might also be purified, one of the old men laid down a quantity of green tobacco at a corner of the square; this was carried off by an old woman and distributed to the people without, who chewed and swallowed it “in order to afflict their souls.” During this general fast, the women, children, and men of weak constitution were allowed to eat after mid-day, but not before. On the morning when the fast ended, the women brought a quantity of the old year’s food to the outside of the sacred square. These provisions were then fetched in and set before the famished multitude, but all traces of them had to be removed before noon. When the sun was declining from the meridian, all the people were commanded by the voice of a crier to stay within doors, to do no bad act, and to be sure to extinguish and throw away every spark of the old fire. Universal silence now reigned. Then the high priest made the new fire by the friction of two pieces of wood, and placed it on the altar under the green arbour. This new fire was believed to atone for all past crimes except murder. Next a basket of new fruits was brought; the high priest took out a little of each sort of fruit, rubbed it with bear’s oil, and offered it, together with some flesh, “to the bountiful holy spirit of fire, as a first-fruit offering, and an annual oblation for sin.” He also consecrated the sacred emetics (the button-snake root and the cassina or black-drink) by pouring a little of them into the fire. The persons who had remained outside now approached, without entering, the sacred square; and the chief priest thereupon made a speech, exhorting the people to observe their old rites and customs, announcing that the new divine fire had purged away the sins of the past year, and earnestly warning the women that, if any of them had not extinguished the old fire, or had contracted any impurity, they must forthwith depart, “lest the divine fire should spoil both them and the people.” Some of the new fire was then set down outside the holy square; the women carried it home joyfully, and laid it on their unpolluted hearths. When several towns had united to celebrate the festival, the new fire might thus be carried for several miles. The new fruits were then dressed on the new fires and eaten with bear’s oil, which was deemed indispensable. At one point of the festival the men rubbed the new corn between their hands, then on their faces and breasts.(220) During the festival which followed, the warriors, dressed in their wild martial array, their heads covered with white down and carrying white feathers in their hands, danced round the sacred arbour, under which burned the new fire. The ceremonies lasted eight days, during which the strictest continence was practised. Towards the conclusion of the festival the warriors fought a mock battle; then the men and women together, in three circles, danced round the sacred fire. Lastly, all the people smeared themselves with white clay and bathed in running water. They came out of the water believing that no evil could now befall them for what they had done amiss in the past. So they departed in joy and peace.

(M61) Ceremonies of the same general type are still annually observed by the Yuchi Indians of Oklahoma, who belong to the Creek nation but speak a different language. The rites are said to have been instituted by the Sun. They are solemnised in the public square, and are timed so as to coincide with the ripening of the corn, which usually takes place about the middle or early part of July. Continence and abstinence from salt are prescribed during their celebration, and all the men must fast for twelve hours before they take the emetic. A sacred new fire is kindled by striking two stones against each other, after which all the males are scarified or scratched by an official on the arm or breast, so as to let blood flow and drip on the ground of the public square. This bleeding of the men is said to be symbolical of the origin of the Yuchi people; for the first Yuchi sprang from some drops of blood which the mother of the Sun let fall on earth at one of her monthly periods. Hence the Yuchi call themselves the Children of the Sun. The solemn rite of scratching is followed by the no less solemn rite of vomiting. This also was instituted by the Sun. He taught the Indians to steep the button-snake root and the red root in water and to drink the decoction, in order that they might vomit and so purify their bodies against sickness during the ensuing year. They think that if they did not thus purge themselves before eating the new corn, they would fall sick. The chief of the town is charged with the solemn duty of preparing the nauseous concoction, and he is assisted by four boys who have been initiated into the mysteries. The pots containing the stuff are decorated on the rim with a pattern representing the sun, and they stand east of the fire near the middle of the public square. The order of drinking is regulated by the rank of the drinkers. When the sun is about the zenith, the four noblest come forward, face eastward, and gulp down the vile but salutary potion; then they retire to their places and await the usual results. When they feel the inward workings of the draught, they step out of the square and discharge the contents of their stomachs in a place set apart for the purpose. They are followed by another party of four, and that by another, and so on, till all the men have thus purged themselves. The rite is repeated several times. When it is over, they all go to water and wash off the paint with which they were adorned; then returning to their places in the square they feast on the new corn. After a rest of some hours the men engage in ball play, not as a mere recreation but as a matter of ritual. Sides are chosen; every player is equipped with two rackets, and the aim of each side is to drive the ball through their opponents’ goal, which consists of two uprights and a cross-piece. The two goals stand east and west of each other. During the following night dancing is kept up, and a general laxity, degenerating into debauchery, prevails; but parents and elders wink at the excesses of the young folk. Among the dances are some in which the dancers mimick the motions and cries of their totemic animals, such as ducks, buzzards, rabbits, fish, buffaloes, chickens, and owls.(221)

(M62) To this day, also, the remnant of the Seminole Indians of Florida, a people of the same stock as the Creeks,(222) hold an annual purification and festival called the Green Corn Dance, at which the new corn is eaten. On the evening of the first day of the festival they quaff a nauseous “Black Drink,” as it is called, which acts both as an emetic and a purgative; they believe that he who does not drink of this liquor cannot safely eat the new green corn, and besides that he will be sick at some time in the year. While the liquor is being drunk, the dancing begins, and the medicine-men join in it. Next day they eat of the green corn; the following day they fast, probably from fear of polluting the sacred food in their stomachs by contact with common food; but the third day they hold a great feast.(223) Further, the Natchez Indians, another tribe of the same stock, who used to inhabit a district on the lower course and eastern bank of the Mississippi, ate the new corn sacramentally at a great festival which has been fully described by Du Pratz, the French historian of Louisiana. As his work is probably not easily accessible to many of my readers, I shall perhaps consult their convenience by extracting his description entire. The Natchez, he tells us, began their year in March and divided it into thirteen moons. Their sixth moon, which answered to our August, was the Mulberry Moon, and the seventh was the moon of Maize or Great Corn. “This feast is beyond dispute the most solemn of all. It principally consists in eating in common, and in a religious manner, of new corn, which had been sown expressly with that design, with suitable ceremonies. This corn is sown upon a spot of ground never before cultivated; which ground is dressed and prepared by the warriors alone, who also are the only persons that sow the corn, weed it, reap it, and gather it. When this corn is near ripe, the warriors fix on a place proper for the general feast, and close adjoining to that they form a round granary, the bottom and sides of which are of cane; this they fill with the corn, and when they have finished the harvest, and covered the granary, they acquaint the Great Sun,(224) who appoints the day for the general feast. Some days before the feast, they build huts for the Great Sun, and for all the other families, round the granary, that of the Great Sun being raised upon a mound of earth about two feet high. On the feast-day the whole nation set out from their village at sun-rising, leaving behind only the aged and infirm that are not able to travel, and a few warriors, who are to carry the Great Sun on a litter upon their shoulders. The seat of this litter is covered with several deer-skins, and to its four sides are fastened four bars which cross each other, and are supported by eight men, who at every hundred paces transfer their burden to eight other men, and thus successively transport it to the place where the feast is celebrated, which may be near two miles from the village. About nine o’clock the Great Sun comes out of his hut dressed in the ornaments of his dignity, and being placed in his litter, which has a canopy at the head formed of flowers, he is carried in a few minutes to the sacred granary, shouts of joy re-echoing on all sides. Before he alights he makes the tour of the whole place deliberately, and when he comes before the corn, he salutes it thrice with the words _hoo, hoo, hoo_, lengthened and pronounced respectfully. The salutation is repeated by the whole nation, who pronounce the word _hoo_ nine times distinctly, and at the ninth time he alights and places himself on his throne.

(M63) “Immediately after they light a fire by rubbing two pieces of wood violently against each other, and when everything is prepared for dressing the corn, the chief of war, accompanied by the warriors belonging to each family, presents himself before the throne, and addresses the Sun in these words, ‘Speak, for I hear thee.’ The sovereign then rises up, bows towards the four quarters of the world, and advancing to the granary, lifts his eyes and hands to heaven, and says, ’Give us corn’: upon which the great chief of war, the princes and princesses, and all the men, thank him separately by pronouncing the word _hoo_. The corn is then distributed, first to the female Suns, and then to all the women, who run with it to their huts, and dress it with the utmost dispatch. When the corn is dressed in all the huts, a plate of it is put into the hands of the Great Sun, who presents it to the four quarters of the world, and then says to the chief of war, ‘Eat’; upon this signal the warriors begin to eat in all the huts; after them the boys of whatever age, excepting those who are on the breast; and last of all the women. When the warriors have finished their repast, they form themselves into two choirs before the huts, and sing war songs for half an hour; after which the chief of war, and all the warriors in succession, recount their brave exploits, and mention, in a boasting manner, the number of enemies they have slain. The youths are next allowed to harangue, and each tells in the best manner he can, not what he has done, but what he intends to do; and if his discourse merits approbation, he is answered by a general _hoo_; if not, the warriors hang down their heads and are silent.

(M64) “This great solemnity is concluded with a general dance by torch-light. Upwards of two hundred torches of dried canes, each of the thickness of a child, are lighted round the place, where the men and women often continue dancing till daylight; and the following is the disposition of their dance. A man places himself on the ground with a pot covered with a deer-skin, in the manner of a drum, to beat time to the dancers; round him the women form themselves into a circle, not joining hands, but at some distance from each other; and they are inclosed by the men in another circle, who have in each hand a chichicois, or calabash, with a stick thrust through it to serve for a handle. When the dance begins, the women move round the men in the centre, from left to right, and the men contrariwise from right to left, and they sometimes narrow and sometimes widen their circles. In this manner the dance continues without intermission the whole night, new performers successively taking the place of those who are wearied and fatigued.

(M65) “Next morning no person is seen abroad before the Great Sun comes out of his hut, which is generally about nine o’clock, and then upon a signal made by the drum, the warriors make their appearance distinguished into two troops, by the feathers which they wear on their heads. One of these troops is headed by the Great Sun, and the other by the chief of war, who begin a new diversion by tossing a ball of deer-skin stuffed with Spanish beard from the one to the other. The warriors quickly take part in the sport, and a violent contest ensues which of the two parties shall drive the ball to the hut of the opposite chief. The diversion generally lasts two hours, and the victors are allowed to wear the feathers of superiority till the following year, or till the next time they play at the ball. After this the warriors perform the war dance; and last of all they go and bathe; an exercise which they are very fond of when they are heated or fatigued.

“The rest of that day is employed as the preceding; for the feast holds as long as any of the corn remains. When it is all eat up, the Great Sun is carried back in his litter, and they all return to the village, after which he sends the warriors to hunt both for themselves and him.”(225)

(M66) Even tribes which do not till the ground sometimes observe analogous ceremonies when they gather the first wild fruits or dig the first roots of the season. Thus among the Salish and Tinneh Indians of North-West America, “before the young people eat the first berries or roots of the season, they always addressed the fruit or plant, and begged for its favour and aid. In some tribes regular First-fruit ceremonies were annually held at the time of picking the wild fruit or gathering the roots, and also among the salmon-eating tribes when the run of the ‘sockeye’ salmon began. These ceremonies were not so much thanksgivings, as performances to ensure a plentiful crop or supply of the particular object desired, for if they were not properly and reverently carried out there was danger of giving offence to the ‘spirits’ of the objects, and being deprived of them.” For example, these Indians are fond of the young shoots or suckers of the wild raspberry, and they observe the following ceremony at gathering the first of them in season. “When the shoots are ready to pick, that is, when they are about six or eight inches above the ground, the chief, or directing elder of the community, instructs his wife or his daughters to pluck a small bundle of these and prepare them for eating. This they do, using a new pot or kettle for cooking them in. In the meantime all the settlement comes together to take part in the ceremony. They stand in a great circle, the presiding chief, elder, or medicine-man as the case may be, and his assistants being in their midst. Whoever is conducting the ceremony now silently invokes the spirit of the plants, the tenor of his prayer being that it will be propitious to them and grant them a good supply of the suckers. While the invocation is being made all in the circle must keep their eyes reverently closed, this being an essential part in all such ceremonies, the non-observance of which would anger the spirits and cause them to withhold the favours sought. To ensure this being strictly done, the assisting elders are armed with long wands with which they strike any person found opening his eyes during the prayer. After this part of the ceremony is over the cooked suckers are handed to the presiding officer in a newly carved dish, and a small portion is given to each person present, who reverently and decorously eats it. This brings the ceremony to a close. Later, when the berries of this plant are ripe, a second and similar ceremony takes place.”(226)

(M67) The Thompson Indians of British Columbia cook and eat the sunflower root (_Balsamorrhiza sagittata_, Nutt.), but they used to regard it as a mysterious being, and observed a number of taboos in connexion with it; for example, women who were engaged in digging or cooking the root must practise continence, and no man might come near the oven where the women were baking the root. When young people ate the first berries, roots, or other products of the season, they addressed a prayer to the Sunflower-Root as follows: “I inform thee that I intend to eat thee. Mayest thou always help me to ascend, so that I may always be able to reach the tops of mountains, and may I never be clumsy! I ask this from thee, Sunflower-Root. Thou art the greatest of all in mystery.” To omit this prayer would make the eater lazy and cause him to sleep long in the morning. Again, when the first tobacco of the season was gathered and smoked for the first time, the inhabitants of each lodge among the Thompson Indians observed the following ceremony. An elderly man assembled all the inmates, often outside the lodge and generally after sunset, and caused all the adult men and women, who were in the habit of smoking, to sit down in a circle, while he stood in the middle. Sometimes he made a long speech to the people, but as a rule he simply said, “Be it known to you that we will cut up the chief,” meaning by the chief the tobacco. So saying he cut up some of the tobacco, and after mixing it with bear-berry leaves he filled a large pipe, lighted it, and handed it to each person, following the sun’s course. Everybody took one whiff, and holding up his or her hands, the palms close together, blew the smoke downwards between the fingers and over the breast; and as the smoke descended, he crossed his hands on his breast, and rubbing his chest and shoulders with both hands, as if he were rubbing the smoke in, he prayed: “Lengthen my breath, chief, so that I may never be sick, and so that I may not die for a long time to come.” By the chief he meant the tobacco. When every one had had his whiff, the tobacco was cut up small and a piece given to each person.(227)

(M68) These customs of the Thompson and other Indian tribes of North-West America are instructive, because they clearly indicate the motive, or at least one of the motives, which underlies the ceremonies observed at eating the first fruits of the season. That motive in the case of these Indians is simply a belief that the plant itself is animated by a conscious and more or less powerful spirit, who must be propitiated before the people can safely partake of the fruits or roots which are supposed to be part of his body. Now if this is true of wild fruits and roots, we may infer with some probability that it is also true of cultivated fruits and roots, such as yams, and in particular that it holds good of the cereals, such as wheat, barley, oats, rice, and maize. In all cases it seems reasonable to infer that the scruples which savages manifest at eating the first fruits of any crop, and the ceremonies which they observe before they overcome their scruples, are due at least in large measure to a notion that the plant or tree is animated by a spirit or even a deity, whose leave must be obtained, or whose favour must be sought before it is possible to partake with safety of the new crop. This indeed is plainly affirmed of the Aino: they call the millet “the divine cereal,” “the cereal deity,” and they pray to and worship him before they will eat of the cakes made from the new millet.(228) And even where the indwelling divinity of the first fruits is not expressly affirmed, it appears to be implied both by the solemn preparations made for eating them and by the danger supposed to be incurred by persons who venture to partake of them without observing the prescribed ritual. In all such cases, accordingly, we may not improperly describe the eating of the new fruits as a sacrament or communion with a deity, or at all events with a powerful spirit.

(M69) Among the usages which point to this conclusion are the custom of employing either new or specially reserved vessels to hold the new fruits,(229) and the practice of purifying the persons of the communicants and even the houses and streets of the whole town, before it is lawful to engage in the solemn act of communion with the divinity.(230) Of all the modes of purification adopted on these occasions none perhaps brings out the sacramental virtue of the rite so clearly as the Creek and Seminole practice of taking a purgative before swallowing the new corn. The intention is thereby to prevent the sacred food from being polluted by contact with common food in the stomach of the eater. For the same reason Catholics partake of the Eucharist fasting; and among the pastoral Masai of Eastern Africa the young warriors, who live on meat and milk exclusively, are obliged to eat nothing but milk for so many days and then nothing but meat for so many more, and before they pass from the one food to the other they must make sure that none of the old food remains in their stomachs; this they do by swallowing a very powerful purgative and emetic.(231) Similarly, among the Suk, a tribe of British East Africa, no one may partake of meat and milk on the same day, and if he has chewed raw millet he is forbidden to drink milk for seven days.(232) Among the Wataturu, another people of Eastern Africa akin to the Masai, a warrior who had eaten antelope’s flesh might not drink of milk on the same day.(233) Similarly among the Central Esquimaux the rules prohibiting contact between venison and the flesh of marine animals are very strict. The Esquimaux themselves say that the goddess Sedna dislikes the deer, and therefore they may not bring that animal into contact with her favourites, the sea beasts. Hence the meat of the whale, the seal, or the walrus may not be eaten on the same day with venison. Both sorts of meat may not even lie on the floor of the hut or behind the lamps at the same time. If a man who has eaten venison in the morning happens to enter a hut in which the flesh of seal is being cooked, he is allowed to eat venison on the bed, but it must be wrapt up before being carried into the hut, and he must take care to keep clear of the floor. Before changing from one food to the other the Esquimaux must wash themselves.(234) Again, just as the Esquimaux think that their goddess would be offended if venison met seal or whale or walrus meat in the eater’s stomach, so the Melanesians of Florida, one of the Solomon Islands, believe that if a man who has eaten pork or fish or shell-fish or the flesh of a certain sort of cuscus were to enter a garden immediately afterwards, the ghosts who preside over the garden and cause the fruits to grow would be angry and the crop would consequently suffer; but three or four days after partaking of such victuals, when the food has quite left his stomach, he may enter the garden without offence to the ghosts or injury to the crop.(235) In like manner the ancient Greeks, of whose intellectual kinship with savages like the Esquimaux and the Melanesians we have already met with many proofs, laid it down as a rule that a man who had partaken of the black ram offered to Pelops at Olympia might not enter into the temple of Zeus, and that persons who had sacrificed to Telephus at Pergamus might not go up to the temple of Aesculapius until they had washed themselves,(236) just as the Esquimaux who have eaten venison must wash before they may partake of seal or whale or walrus meat. Again, at Lindus in Rhodes there was a sanctuary of some god or hero unknown into which no one who had partaken of goat’s flesh or peas-pudding might enter for three days, and no one who had eaten cheese might enter for one day.(237) The prescribed interval was probably calculated to allow the obnoxious food to pass out of the body of the eater before he entered into the presence of the deity, who for some reason or other cherished an antipathy to these particular viands. At Castabus in the Carian Chersonese there was a sanctuary of Hemithea, which no one might approach who had either eaten pork or touched a pig.(238)

(M70) In some of the festivals which we have examined, as in the Cheremiss, Buru, Cham, Ewe, and Creek ceremonies, the sacrament of first-fruits is combined with a sacrifice or presentation of them to gods or spirits,(239) and in course of time the sacrifice of first-fruits tends to throw the sacrament into the shade, if not to supersede it. The mere fact of offering the first-fruits to the gods or spirits comes now to be thought a sufficient preparation for eating the new corn; the higher powers having received their share, man is free to enjoy the rest. This mode of viewing the new fruits implies that they are regarded no longer as themselves instinct with divine life, but merely as a gift bestowed by the gods upon man, who is bound to express his gratitude and homage to his divine benefactors by returning to them a portion of their bounty. More examples of the sacrifice, as distinct from sacrament, of first-fruits will be given presently.(240)

§ 2. Eating the God among the Aztecs.

(M71) The custom of eating bread sacramentally as the body of a god was practised by the Aztecs before the discovery and conquest of Mexico by the Spaniards. Twice a year, in May and December, an image of the great Mexican god Huitzilopochtli or Vitzilipuztli was made of dough, then broken in pieces, and solemnly eaten by his worshippers. The May ceremony is thus described by the historian Acosta: “The Mexicans in the month of May made their principal feast to their god Vitzilipuztli, and two days before this feast, the virgins whereof I have spoken (the which were shut up and secluded in the same temple and were as it were religious women) did mingle a quantity of the seed of beets with roasted maize, and then they did mould it with honey, making an idol of that paste in bigness like to that of wood, putting instead of eyes grains of green glass, of blue or white; and for teeth grains of maize set forth with all the ornament and furniture that I have said. This being finished, all the noblemen came and brought it an exquisite and rich garment, like unto that of the idol, wherewith they did attire it. Being thus clad and deckt, they did set it in an azured chair and in a litter to carry it on their shoulders. The morning of this feast being come, an hour before day all the maidens came forth attired in white, with new ornaments, the which that day were called the Sisters of their god Vitzilipuztli, they came crowned with garlands of maize roasted and parched, being like unto azahar or the flower of orange; and about their necks they had great chains of the same, which went bauldrickwise under their left arm. Their cheeks were dyed with vermilion, their arms from the elbow to the wrist were covered with red parrots’ feathers.” Young men, dressed in red robes and crowned like the virgins with maize, then carried the idol in its litter to the foot of the great pyramid-shaped temple, up the steep and narrow steps of which it was drawn to the music of flutes, trumpets, cornets, and drums. “While they mounted up the idol all the people stood in the court with much reverence and fear. Being mounted to the top, and that they had placed it in a little lodge of roses which they held ready, presently came the young men, which strewed many flowers of sundry kinds, wherewith they filled the temple both within and without. This done, all the virgins came out of their convent, bringing pieces of paste compounded of beets and roasted maize, which was of the same paste whereof their idol was made and compounded, and they were of the fashion of great bones. They delivered them to the young men, who carried them up and laid them at the idol’s feet, wherewith they filled the whole place that it could receive no more. They called these morsels of paste the flesh and bones of Vitzilipuztli. Having laid abroad these bones, presently came all the ancients of the temple, priests, Levites, and all the rest of the ministers, according to their dignities and antiquities (for herein there was a strict order amongst them) one after another, with their veils of diverse colours and works, every one according to his dignity and office, having garlands upon their heads and chains of flowers about their necks; after them came their gods and goddesses whom they worshipped, of diverse figures, attired in the same livery; then putting themselves in order about those morsels and pieces of paste, they used certain ceremonies with singing and dancing. By means whereof they were blessed and consecrated for the flesh and bones of this idol. This ceremony and blessing (whereby they were taken for the flesh and bones of the idol) being ended, they honoured those pieces in the same sort as their god.

(M72) “Then come forth the sacrificers, who began the sacrifice of men in the manner as hath been spoken, and that day they did sacrifice a greater number than at any other time, for that it was the most solemn feast they observed. The sacrifices being ended, all the young men and maids came out of the temple attired as before, and being placed in order and rank, one directly against another, they danced by drums, the which sounded in praise of the feast, and of the idol which they did celebrate. To which song all the most ancient and greatest noblemen did answer dancing about them, making a great circle, as their use is, the young men and maids remaining always in the midst. All the city came to this goodly spectacle, and there was a commandment very strictly observed throughout all the land, that the day of the feast of the idol of Vitzilipuztli they should eat no other meat but this paste, with honey, whereof the idol was made. And this should be eaten at the point of day, and they should drink no water nor any other thing till after noon: they held it for an ill sign, yea, for sacrilege to do the contrary: but after the ceremonies ended, it was lawful for them to eat anything. During the time of this ceremony they hid the water from their little children, admonishing all such as had the use of reason not to drink any water; which, if they did, the anger of God would come upon them, and they should die, which they did observe very carefully and strictly. The ceremonies, dancing, and sacrifice ended, they went to unclothe themselves, and the priests and superiors of the temple took the idol of paste, which they spoiled of all the ornaments it had, and made many pieces, as well of the idol itself as of the truncheons which they consecrated, and then they gave them to the people in manner of a communion, beginning with the greater, and continuing unto the rest, both men, women, and little children, who received it with such tears, fear, and reverence as it was an admirable thing, saying that they did eat the flesh and bones of God, wherewith they were grieved. Such as had any sick folks demanded thereof for them, and carried it with great reverence and veneration.”(241)

(M73) From this interesting passage we learn that the ancient Mexicans, even before the arrival of Christian missionaries, were fully acquainted with the theological doctrine of transubstantiation and acted upon it in the solemn rites of their religion. They believed that by consecrating bread their priests could turn it into the very body of their god, so that all who thereupon partook of the consecrated bread entered into a mystic communion with the deity by receiving a portion of his divine substance into themselves. The doctrine of transubstantiation, or the magical conversion of bread into flesh, was also familiar to the Aryans of ancient India long before the spread and even the rise of Christianity. The Brahmans taught that the rice-cakes offered in sacrifice were substitutes for human beings, and that they were actually converted into the real bodies of men by the manipulation of the priest. We read that “when it (the rice-cake) still consists of rice-meal, it is the hair. When he pours water on it, it becomes skin. When he mixes it, it becomes flesh: for then it becomes consistent; and consistent also is the flesh. When it is baked, it becomes bone: for then it becomes somewhat hard; and hard is the bone. And when he is about to take it off (the fire) and sprinkles it with butter, he changes it into marrow. This is the completeness which they call the fivefold animal sacrifice.”(242) These remarkable transformations, daily wrought by the priest, on the rice-wafer, were, however, nothing at all to those which the gods themselves accomplished when they first instituted the rite. For the horse and the ox which they sacrificed became a _bos gaurus_ and a gayal respectively; the sheep was turned into a camel; and the goat was converted into a remarkable species of deer, enriched with eight legs, which slew lions and elephants.(243) On the whole it would seem that neither the ancient Hindoos nor the ancient Mexicans had much to learn from the most refined mysteries of Catholic theology.

(M74) Now, too, we can perfectly understand why on the day of their solemn communion with the deity the Mexicans refused to eat any other food than the consecrated bread which they revered as the very flesh and bones of their God, and why up till noon they might drink nothing at all, not even water. They feared no doubt to defile the portion of God in their stomachs by contact with common things. A similar pious fear led the Creek and Seminole Indians, as we saw, to adopt the more thoroughgoing expedient of rinsing out their insides by a strong purgative before they dared to partake of the sacrament of first-fruits.(244) We can now also conjecture the reason why Zulu boys, after eating the flesh of the black bull at the feast of first-fruits, are forbidden to drink anything till the next day.(245)

(M75) At the festival of the winter solstice in December the Aztecs killed their god Huitzilopochtli in effigy first and ate him afterwards. As a preparation for this solemn ceremony an image of the deity in the likeness of a man was fashioned out of seeds of various sorts, which were kneaded into a dough with the blood of children. The bones of the god were represented by pieces of acacia wood. This image was placed on the chief altar of the temple, and on the day of the festival the king offered incense to it. Early next day it was taken down and set on its feet in a great hall. Then a priest, who bore the name and acted the part of the god Quetzalcoatl, took a flint-tipped dart and hurled it into the breast of the dough-image, piercing it through and through. This was called “killing the god Huitzilopochtli so that his body might be eaten.” One of the priests cut out the heart of the image and gave it to the king to eat. The rest of the image was divided into minute pieces, of which every man great and small, down to the male children in the cradle, received one to eat. But no woman might taste a morsel. The ceremony was called _teoqualo_, that is, “god is eaten.”(246)

(M76) At another festival the Mexicans made little images like men, which stood for the cloud-capped mountains. These images were moulded of a paste of various seeds and were dressed in paper ornaments. Some people fashioned five, others ten, others as many as fifteen of them. Having been made, they were placed in the oratory of each house and worshipped. Four times in the course of the night offerings of food were brought to them in tiny vessels; and people sang and played the flute before them through all the hours of darkness. At break of day the priests stabbed the images with a weaver’s instrument, cut off their heads, and tore out their hearts, which they presented to the master of the house on a green saucer. The bodies of the images were then eaten by all the family, especially by the servants, “in order that by eating them they might be preserved from certain distempers, to which those persons who were negligent of worship to those deities conceived themselves to be subject.”(247) In some cities of Mexico, as in Tlacopan and Coyohuacan, an idol was fashioned out of grains of various kinds, and the warriors ate it in the belief that the sacred food would increase their forces fourfold when they marched to the fight.(248) At certain festivals held thrice a year in Nicaragua all the men, beginning with the priests and chiefs, drew blood from their tongues and genital organs with sharp knives of flint, allowed it to drip on some sheaves of maize, and then ate the bloody grain as a blessed food.(249)

(M77) But the Mexicans did not always content themselves with eating their gods in the outward and visible shape of bread or grain; it was not even enough that this material vehicle of the divine life should be kneaded and fortified with human blood. They craved, as it seems, after a closer union with the living god, and attained it by devouring the flesh of a real man, who, after he had paraded for a time in the trappings and received the honours of a god, was slaughtered and eaten by his cannibal worshippers. The deity thus consumed in effigy was Tetzcatlipoca, and the man chosen to represent him and die in his stead was a young captive of handsome person and illustrious birth. During his captivity the youth thus doomed to play the fatal part of divinity was allowed to range the streets of Mexico freely, escorted by a distinguished train, who paid him as much respect as if he had been indeed the god himself instead of only his living image. Twenty days before the festival at which the tragic mockery was to end, that he might taste all the joys of this transient world to which he must soon bid farewell, he received in marriage four women, from whom he parted only when he took his place in the last solemn procession. Arrived at the foot of the sacred pyramid on the top of which he was to die, the sacrificers saluted him and led him up the long staircase. On the summit five of them seized him and held him down on his back upon the sacrificial stone, while the high priest, after bowing to the god he was about to kill, cut open his breast and tore out the throbbing heart with the accustomed rites. But instead of being kicked down the staircase and sent rolling from step to step like the corpses of common victims, the body of the dead god was carried respectfully down, and his flesh, chopped up small, was distributed among the priests and nobles as a blessed food. The head, being severed from the trunk, was preserved in a sacred place along with the white and grinning skulls of all the other victims who had lived and died in the character of the god Tetzcatlipoca.(250)

(M78) The custom of entering into communion with a god by eating of his effigy survived till lately among the Huichol Indians of Mexico. In a narrow valley, at the foot of a beetling crag of red rock, they have a small thatched temple of the God of fire, and here down to recent years stood a small image of the deity in human form roughly carved out of solidified volcanic ash. The idol was very dirty and smeared with blood, and in his right side was a hole, which owed its existence to the piety and devotion of his worshippers. For they believed that the power of healing and a knowledge of mysteries could be acquired by eating a little of the god’s holy body, and accordingly shamans, or medicine-men, who desired to lay in a stock of these accomplishments, so useful in the exercise of their profession, were wont to repair to the temple, where, having deposited an offering of food or a votive bowl, they scraped off with their finger-nails some particles of the god’s body and swallowed them. After engaging in this form of communion with the deity they had to abstain from salt and from all carnal converse with their wives for five months.(251) Again, the Malas, a caste of pariahs in Southern India, communicate with the goddess Sunkalamma by eating her effigy. The communion takes place at marriage. An image of the goddess in the form of a truncated cone is made out of rice and green grain cooked together, and it is decorated with a nose jewel, garlands, and other religious symbols. Offerings of rice, frankincense, camphor, and a coco-nut are then made to the image, and a ram or he-goat is sacrificed. After the sacrifice has been presented, all the persons assembled prostrate themselves in silence before the image, then they break it in pieces, and distributing the pieces among themselves they swallow them. In this way they are, no doubt, believed to absorb the divine essence of the goddess whose broken body has just passed into their stomachs.(252) In Europe the Catholic Church has resorted to similar means for enabling the pious to enjoy the ineffable privilege of eating the persons of the Infant God and his Mother. For this purpose images of the Madonna are printed on some soluble and harmless substance and sold in sheets like postage stamps. The worshipper buys as many of these sacred emblems as he has occasion for, and affixing one or more of them to his food swallows the bolus. The practice is not confined to the poor and ignorant. In his youth Count von Hoensbroech and his devout mother used thus to consume portions of God and his Mother with their meals.(253)

§ 3. Many Manii at Aricia.

(M79) We are now able to suggest an explanation of the proverb “There are many Manii at Aricia.”(254) Certain loaves made in the shape of men were called by the Romans _maniae_, and it appears that this kind of loaf was especially made at Aricia.(255) Now, Mania, the name of one of these loaves, was also the name of the Mother or Grandmother of Ghosts,(256) to whom woollen effigies of men and women were dedicated at the festival of the Compitalia. These effigies were hung at the doors of all the houses in Rome; one effigy was hung up for every free person in the house, and one effigy, of a different kind, for every slave. The reason was that on this day the ghosts of the dead were believed to be going about, and it was hoped that, either out of good nature or through simple inadvertence, they would carry off the effigies at the door instead of the living people in the house. According to tradition, these woollen figures were substitutes for a former custom of sacrificing human beings.(257) Upon data so fragmentary and uncertain, it is impossible to build with confidence; but it seems worth suggesting that the loaves in human form, which appear to have been baked at Aricia, were sacramental bread, and that in the old days, when the divine King of the Wood was annually slain, loaves were made in his image, like the paste figures of the gods in Mexico, India, and Europe, and were eaten sacramentally by his worshippers.(258) The Mexican sacraments in honour of Huitzilopochtli were also accompanied by the sacrifice of human victims. The tradition that the founder of the sacred grove at Aricia was a man named Manius, from whom many Manii were descended, would thus be an etymological myth invented to explain the name _maniae_ as applied to these sacramental loaves. A dim recollection of the original connexion of the loaves with human sacrifices may perhaps be traced in the story that the effigies dedicated to Mania at the Compitalia were substitutes for human victims. The story itself, however, is probably devoid of foundation, since the practice of putting up dummies to divert the attention of ghosts or demons from living people is not uncommon. As the practice is both widely spread and very characteristic of the manner of thought of primitive man, who tries in a thousand ways to outwit the malice of spiritual beings, I may be pardoned for devoting a few pages to its illustration, even though in doing so I diverge somewhat from the strict line of argument. I would ask the reader to observe that the vicarious use of images, with which we are here concerned, differs wholly in principle from the sympathetic use of them which we examined before;(259) and that while the sympathetic use belongs purely to magic, the vicarious use falls within the domain of religion.

(M80) The Tibetans stand in fear of innumerable earth-demons, all of whom are under the authority of Old Mother Khön-ma. This goddess, who may be compared to the Roman Mania, the Mother or Grandmother of Ghosts, is dressed in golden-yellow robes, holds a golden noose in her hand, and rides on a ram. In order to bar the dwelling-house against the foul fiends, of whom Old Mother Khön-ma is mistress, an elaborate structure somewhat resembling a chandelier is fixed above the door on the outside of the house. It contains a ram’s skull, a variety of precious objects such as gold-leaf, silver, and turquoise, also some dry food, such as rice, wheat, and pulse, and finally images or pictures of a man, a woman, and a house. “The object of these figures of a man, wife, and house is to deceive the demons should they still come in spite of this offering, and to mislead them into the belief that the foregoing pictures are the inmates of the house, so that they may wreak their wrath on these bits of wood and so save the real human occupants.” When all is ready, a priest prays to Old Mother Khön-ma that she would be pleased to accept these dainty offerings and to close the open doors of the earth, in order that the demons may not come forth to infest and injure the household.(260)

(M81) Further, it is often supposed that the spirits of persons who have recently departed this life are apt to carry off with them to the world of the dead the souls of their surviving relations. Hence the savage resorts to the device of making up of dummies or effigies which he puts in the way of the ghost, hoping that the dull-witted spirit will mistake them for real people and so leave the survivors in peace. Hence in Tahiti the priest who performed the funeral rites used to lay some slips of plantain leaf-stalk on the breast and under the arms of the corpse, saying, “There are your family, there is your child, there is your wife, there is your father, and there is your mother. Be satisfied yonder (that is, in the world of spirits). Look not towards those who are left in the world.” This ceremony, we are told, was designed “to impart contentment to the departed, and to prevent the spirit from repairing to the places of his former resort, and so distressing the survivors.”(261) When the Galelareese bury a corpse, they bury with it the stem of a banana-tree for company, in order that the dead person may not seek a companion among the living. Just as the coffin is being lowered into the earth, one of the bystanders steps up and throws a young banana-tree into the grave, saying, “Friend, you must miss your companions of this earth; here, take this as a comrade.”(262) In the Banks Islands, Melanesia, the ghost of a woman who has died in childbed cannot go away to Panoi or ghost-land if her child lives, for she cannot leave the baby behind. Hence to bilk her ghost they tie up a piece of banana-trunk loosely in leaves and lay it on her bosom in the grave. So away she goes, thinking she has her baby with her, and as she goes the banana-stalk keeps slipping about in the leaves, and she fancies it is the child stirring at her breast. Thus she is happy, till she comes to ghost-land and finds she has been deceived; for a baby of banana-stalk cannot pass muster among the ghosts. So back she comes tearing in grief and rage to look for the child; but meantime the infant has been artfully removed to another house, where the dead mother cannot find it, though she looks for it everywhere.(263) In the Pelew Islands, when a woman has died in childbed, her spirit comes and cries, “Give me the child!” So to beguile her they bury the stem of a young banana-tree with her body, cutting it short and laying it between her right arm and her breast.(264) The same device is adopted for the same purpose in the island of Timor.(265) In like circumstances negroes of the Niger Delta force a piece of the stem of a plantain into the womb of the dead mother, in order to make her think that she has her babe with her and so to prevent her spirit from coming back to claim the living child.(266) Among the Yorubas of West Africa, when one of twins dies, the mother carries about, along with the surviving child, a small wooden figure roughly fashioned in human shape and of the sex of the dead twin. This figure is intended not merely to keep the live child from pining for its lost comrade, but also to give the spirit of the dead child something into which it can enter without disturbing its little brother or sister.(267) Among the Tschwi of West Africa a lady observed a sickly child with an image beside it which she took for a doll. But it was no doll, it was an effigy of the child’s dead twin which was being kept near the survivor as a habitation for the little ghost, lest it should wander homeless and, feeling lonely, call its companion away after it along the dark road of death.(268)

(M82) At Onitsha, a town on the left bank of the Niger, a missionary once met a funeral procession which he describes as very singular. The real body had already been buried in the house, but a piece of wood in the form of a sofa and covered up was being borne by two persons on their heads, attended by a procession of six men and six women. The men carried cutlasses and the women clapped their hands as they passed along each street, crying, “This is the dead body of him that is dead, and is gone into the world of spirits.” Meantime the rest of the villagers had to keep indoors.(269) The sham corpse was probably intended as a lure to draw away prowling demons from the real body. So among the Angoni, who inhabit the western bank of Lake Nyassa, there is a common belief that demons hover about the dying and dead before burial in order to snatch away their souls to join their own evil order. Guns are fired and drums are beaten to repel these spiritual foes, but a surer way of baulking their machinations is to have a mock funeral and so mislead and confound them. A sham corpse is made up out of anything that comes to hand, and it is treated exactly as if it were what it pretends to be. This lay figure is then carried some distance to a grave, followed by a great crowd weeping and wailing as if their hearts would break, while the rub-a-dub of drums and the discharge of guns add to the uproar. Meantime the real corpse is being interred as quietly and stealthily as possible near the house. Thus the demons are baffled; for when the dummy corpse has been laid in the earth with every mark of respect, and the noisy crowd has dispersed, the fiends swoop down on the mock grave only to find a bundle of rushes or some such trash in it; but the true grave they do not know and cannot find.(270) Similarly among the Bakundu of the Cameroons two graves are always made, one in the hut of the deceased and another somewhere else, and no one knows where the corpse is really buried. The custom is apparently intended to guard the knowledge of the real grave from demons, who might make an ill use of the body, if not of the soul, of the departed.(271) In like manner the Kamilaroi tribe of Australia are reported to make two graves, a real one and an empty one, for the purpose of cheating a malevolent spirit called Krooben.(272) So, too, some of the Nagas of Assam dig two graves, a sham grave made conspicuous on purpose to attract the notice of the evil spirits, and the real grave made inconspicuous to escape their attention: a figure is set up over the false grave.(273) Isis is said to have made many false graves of the dead Osiris in Egypt in order that his foe Typhon might not be able to find the true one.(274) In Bombay, if a person dies on an unlucky day, a dough figure of a man is carried on the bier with him and burnt with his corpse. This is supposed to hinder a second death from occurring in the family,(275) probably because the demons are thought to take the dough figure instead of a real person.

(M83) Again, effigies are often employed as a means of preventing or curing sickness; the demons of disease either mistake the effigies for living people or are persuaded or compelled to enter them, leaving the real men and women well and whole.(276) Thus the Alfoors of Minahassa, in Celebes, will sometimes transport a sick man to another house, while they leave on his bed a dummy made up of a pillow and clothes. This dummy the demon is supposed to mistake for the sick man, who consequently recovers.(277) Cure or prevention of this sort seems to find especial favour with the Dyaks of Borneo. Thus, when an epidemic is raging among them, the Dyaks of the Katoengouw river set up wooden images at their doors in the hope that the demons of the plague may be deluded into carrying off the effigies instead of the people.(278) Among the Oloh Ngadju of Borneo, when a sick man is supposed to be suffering from the assaults of a ghost, puppets of dough or rice-meal are made and thrown under the house as substitutes for the patient, who thus rids himself of the ghost. So if a man has been attacked by a crocodile and has contrived to escape, he makes a puppet of dough or meal and casts it into the water as a vicarious offering; otherwise the water-god, who is conceived in the shape of a crocodile, might be angry.(279) In certain of the western districts of Borneo if a man is taken suddenly and violently sick, the physician, who in this part of the world is generally an old woman, fashions a wooden image and brings it seven times into contact with the sufferer’s head, while she says: “This image serves to take the place of the sick man; sickness, pass over into the image.” Then, with some rice, salt, and tobacco in a little basket, the substitute is carried to the spot where the evil spirit is supposed to have entered into the man. There it is set upright on the ground, after the physician has invoked the spirit as follows: “O devil, here is an image which stands instead of the sick man. Release the soul of the sick man and plague the image, for it is indeed prettier and better than he.” Similar substitutes are used almost daily by these Dyaks for the purpose of drawing off evil influences from anybody’s person. Thus, when an Ot Danom baby will not stop squalling, its maternal grandmother takes a large leaf, fashions it into a puppet to represent the child, and presses it against the infant’s body. Having thus decanted the spirit, so to speak, from the baby into the puppet, she pierces the effigy with little arrows from a blow-gun, thereby killing the spirit that had vexed her child.(280) Similarly in the island of Dama, between New Guinea and Celebes, where sickness is ascribed to the agency of demons, the doctor makes a doll of palm-leaf and lays it, together with some betel, rice, and half of an empty eggshell, on the patient’s head. Lured by this bait the demon quits the sufferer’s body and enters the palm-leaf doll, which the wily doctor thereupon promptly decapitates. This may reasonably be supposed to make an end of the demon and of the sickness together.(281) A Dyak sorcerer, being called in to prescribe for a little boy who suffered from a disorder of the stomach, constructed two effigies of the boy and his mother out of bundles of clothes and offered them, together with some of the parents’ finery, to the devil who was plaguing the child; it was hoped that the demon would take the effigies and leave the boy.(282) Batta magicians can conjure the demon of disease out of the patient’s body into an image made out of a banana-tree with a human face and wrapt up in magic herbs; the image is then hurriedly removed and thrown away or buried beyond the boundaries of the village.(283) Sometimes the image, dressed as a man or a woman according to the sex of the patient, is deposited at a cross-road or other thoroughfare, in the hope that some passer-by, seeing it, may start and cry out, “Ah! So-and-So is dead”; for such an exclamation is supposed to delude the demon of disease into a belief that he has accomplished his fell purpose, so he takes himself off and leaves the sufferer to get well.(284) The Mai Darat, a Sakai tribe of the Malay Peninsula, attribute all kinds of diseases to the agency of spirits which they call _nyani_; fortunately, however, the magician can induce these maleficent beings to come out of the sick person and take up their abode in rude figures of grass, which are hung up outside the houses in little bell-shaped shrines decorated with peeled sticks.(285)

(M84) In the island of Nias people fear that the spirits of murdered infants may come and cause women with child to miscarry. To divert the unwelcome attention of these sprites from a pregnant woman an elaborate mechanism has been contrived. A potent idol called Fangola is set up beside her bed to guard her slumbers during the hours of darkness from the evil things that might harm her; another idol, connected with the first by a chain of palm-leaves, is erected in the large room of the house; and lastly a small banana-tree is planted in front of the second idol. The notion is that the sprites, scared away by the watchful Fangola from the sleeping woman, will scramble along the chain of palm-leaves to the other idol, and then, beholding the banana-tree, will mistake it for the woman they were looking for, and so pounce upon it instead of her.(286) In Bhutan, when the Lamas make noisy music to drive away the demon who is causing disease, little models of animals are fashioned of flour and butter and the evil spirit is implored to enter these models, which are then burnt.(287) So in Tibet, when a man is very ill and all other remedies have failed, his friends will sometimes, as a last resort, offer an image of him with some of his clothes to the Lord of Death, beseeching that august personage to accept the image and spare the man.(288) A Burmese mode of curing a sick man is to bury a small effigy of him in a tiny coffin, after which he ought certainly to recover.(289) In Siam, when a person is dangerously ill, the magician models a small image of him in clay and carrying it away to a solitary place recites charms over it which compel the malady to pass from the sick man into the image. The sorcerer then buries the image, and the sufferer is made whole.(290) So, too, in Cambodia the doctor fashions a rude effigy of his patient in clay and deposits it in some lonely spot, where the ghost or demon takes it instead of the man.(291) The same ideas and the same practices prevail much further to the north among the tribes on the lower course of the River Amoor. When a Goldi or a Gilyak shaman has cast out the devil that caused disease, an abode has to be provided for the homeless devil, and this is done by making a wooden idol in human form of which the ejected demon takes possession.(292)

(M85) The Chinese of Amoy make great use of cheap effigies as means of diverting ghostly and other evil influence from people. These effigies are kept in stock and sold in the shops which purvey counterfeit paper money and other spurious wares for the use of simple-minded ghosts and gods, who accept them in all good faith instead of the genuine articles. Nothing could well be cruder than the puppets that are employed to relieve sufferers from the many ills which flesh is heir to. They are composed of two bamboo splinters fastened together crosswise with a piece of paper pasted on one side to represent a human body. Two other shreds of paper, supposed to stand for boots, distinguish the effigy of a man from the effigy of a woman. Armed with one of these “substitutes for a person,” as they are called, you may set fortune at defiance. If a member of your family, for example, is ailing, or has suffered any evil whatever, or even is merely threatened by misfortune, all that you have to do is to send for one of these puppets, pass it all over his body while you recite an appropriate spell, and then burn the puppet. The maleficent influence is thus elicited from the person of the sufferer and destroyed once for all. If your child has tumbled into one of those open sewers which yawn for the unwary in the streets, you need only fish him out, pass the puppet over his filthy little body, and say: “This contact (of the substitute) with the front of the body brings purity and prosperity, and the contact with the back gives power to eat till an old, old, old age; the contact with the left side establishes well-being for years and years, and the contact with the right side bestows longevity; happy fate, come! ill fate, be transferred to the substitute!” So saying you burn the substitute, by choice near the unsavoury spot where the accident happened; and if you are a careful man you will fetch a pail of water and wash the ashes away. Moreover, the child’s head should be shaven quite clean; but if the sufferer was an adult, it is enough to lay bare with the razor a small patch on his scalp to let out the evil influence.(293) In Corea effigies are employed on much the same principle for the purpose of prolonging life. On the fourteenth and the fifteenth day of the first month all men and women born under the Jen or “Man” star make certain straw images dressed in clothes and containing a number of the copper cash which form the currency of the country. Strictly speaking, there should be as many cash in the image as the person whom it represents has lived years; but the rule is not strictly observed. These images are placed on the path outside the house, and the poor people seize them and tear them up in order to get the cash which they contain. The destruction of the image is supposed to save the person represented from death for ten years. Accordingly the ceremony need only be performed once in ten years, though some people from excess of caution appear to observe it annually.(294)

(M86) The Abchases of the Caucasus believe that sickness is sometimes caused by Mother Earth. So in order to appease her and redeem the life of the sick man, an innocent maiden will make a puppet in human form, richly clad, and bury it in the earth, saying, “Instead of the sick man, play and delight yourself with this.”(295) The Ewe negroes of Togoland, in West Africa, think that the spirits of all living people come from heaven, where they live in the intervals between their incarnations. Life in Amedzowe, as they call that heavenly region, which lies a little to the east of the town of Ho, is very like life on earth. There are fields there and wildernesses and forests. Also there are all kinds of food, such as yams and maize and likewise stock-yams, not to speak of cotton; in fact, all these things came from heaven just as men themselves did. Moreover, everybody has his spiritual mother in heaven and his spiritual aunt, also his spiritual uncle, his spiritual grandfather, and so on, just as on earth. Now the spirits in heaven are apt to resent it when one of their number quits them to go and be born as a child on earth; and sometimes they will pursue the truant and carry him back to the celestial country, and that is what we call death. Little children are most commonly fetched away by their mother in heaven; for she wearies for them and comes and lays an invisible hand on the child, and it sickens and dies. If you hear a child whimpering of nights, you may be sure that its mother from heaven has laid her hand on it and is drawing it away to herself. If the child grows very sick and its earthly mother fears that it will die, she will mould two figures of clay, a man and a woman, and offer them in exchange to the heavenly mother, saying, “O thou bearer and mother of children! instead of the child that has gone away from thee we bring thee here in exchange these clay men. Take them and withdraw thy hand from the child in this visible world.” Grown-up people also, when they fall sick, will sometimes make images of clay and offer them as substitutes to the messengers who have come from heaven to fetch them away. These images are deposited with other offerings, such as cowry-shells and a musket, by the roadside; and if the messengers accept them instead of the sick man, he recovers.(296) During an epidemic of small-pox the Ewe negroes will sometimes clear a space outside of the town, where they erect a number of low mounds and cover them with as many little clay figures as there are people in the place. Pots of food and water are also set out for the refreshment of the spirit of small-pox who, it is hoped, will take the clay figures and spare the living folk; and to make assurance doubly sure the road into the town is barricaded against him.(297)

(M87) Among the Nishga Indians of British Columbia when a medicine-man dreams a dream which portends death to somebody, he informs the person whose life is threatened, and together they concert measures to avert the evil omen. The man whose life is at stake has a small wooden figure called a _shigigiadsqu_ made as like himself as the skill of the wood-carver will allow, and this he hangs round his neck by a string so that the figure lies exactly over his heart. In this position he wears it long enough to allow the heat of his body to be imparted to it, generally for about four days. On the fourth day the medicine-man comes to the house, arrayed in his bearskin and other insignia of office and bringing with him a wisp of teased bark and a toy canoe made of cedar-bark. Thus equipped, he sings a doleful ditty, the death-song of the tribe. Then he washes the man over the region of the heart with the wisp of bark dipped in water, places the wisp, together with the wooden image, in the canoe, and after again singing the death-chant, commits image, wisp, and canoe to the flames, where they are all consumed. The death-chant is now changed to a song of joy, and the man who was lately in fear of his life joins in. He may well be gay, for has he not given death the slip by devoting to destruction, not merely a wisp saturated with the dangerous defilement of his body, but also a substitute made in his own likeness and impregnated with his very heart’s warmth?(298)

(M88) With these examples before us we may fairly conclude that the woollen effigies, which at the festival of the Compitalia might be seen hanging at the doors of all the houses in ancient Rome, were not substitutes for human victims who had formerly been sacrificed at this season, but rather vicarious offerings presented to the Mother or Grandmother of Ghosts, in the hope that on her rounds through the city she would accept or mistake the effigies for the inmates of the house and so spare the living for another year. It is possible that the puppets made of rushes, which in the month of May the pontiffs and Vestal Virgins annually threw into the Tiber from the old Sublician bridge at Rome,(299) had originally the same significance; that is, they may have been designed to purge the city from demoniac influence by diverting the attention of the demons from human beings to the puppets and then toppling the whole uncanny crew, neck and crop, into the river, which would soon sweep them far out to sea. In precisely the same way the natives of Old Calabar used periodically to rid their town of the devils which infested it by luring the unwary demons into a number of lamentable scarecrows, which they afterwards flung into the river.(300) This interpretation of the Roman custom is supported to some extent by the evidence of Plutarch, who speaks of the ceremony as “the greatest of purifications.”(301) However, other explanations of the rite have been proposed: indeed these puppets of rushes have been a standing puzzle to Roman antiquaries in ancient and modern times.