Chapter 9
The _citoyenne_ Thévenin, an innkeeper's daughter herself, was in her element; not satisfied with the way the farm-girl had washed the plates and dishes, she gave an extra wipe to the crockery and glass, an extra polish to the knives and forks. While the _citoyenne_ Poitrine was attending to the soup, which she tasted from time to time as a good cook should, Élodie was cutting up into slices a four-pound loaf hot from the oven. Gamelin, when he saw what she was doing, addressed her:
"A few days ago I read a book written by a young German whose name I have forgotten, and which has been very well translated into French. In it you have a beautiful young girl named Charlotte, who, like you, Élodie, was cutting bread and butter, and like you, cutting it gracefully, and so prettily that at the sight the young Werther fell in love with her."
"And it ended in their marrying?" asked Élodie.
"No," replied Évariste; "it ended in Werther's death by violence."
They dined well, they were all very hungry; but the fare was indifferent. Jean Blaise complained bitterly; he was a great trencherman and made it a rule of conduct to feed well; and no doubt what urged him to elaborate his gluttony into a system was the general scarcity. In every household the Revolution had overturned the cooking pot. The common run of citizens had nothing to chew upon. Clever folks like Jean Blaise, who made big profits amid the general wretchedness, went to the cookshop where they showed their astuteness by stuffing themselves to repletion. As for Brotteaux who, in this year II of liberty, was living on chestnuts and bread-crusts, he could remember having supped at Grimod de la Reynière's at the near end of the Champs Élysées. Eager to win the repute of an accomplished gourmand he reeled off, sitting there before Dame Poitrine's bacon and cabbages, a string of artful kitchen recipes and wise gastronomic maxims. Presently, when Gamelin protested that a Republican scorns the pleasures of the table, the old financier, always a lover of antiquity, gave the young Spartan the true recipe for the famous black broth.
After dinner, Jean Blaise, who never forgot business, set his itinerant academy to make studies and sketches of the inn, which struck him as quite romantic in its dilapidation. While Philippe Desmahis and Philippe Dubois were drawing the cow-houses the girl Tronche came out to feed the pigs. The _citoyen_ Pelleport, officer of health, who at the same moment appeared at the door of the farm kitchen where he had been bestowing his professional services on the Poitrine baby, stepped up to the artists and after complimenting them on their talents, which were an honour to the whole nation, pointed to the Tronche girl in the middle of her porkers:
"You see that creature," he said, "it is not one girl, it is two girls. I speak by the letter, understand that. I was amazed at the extraordinary massiveness of her bony framework and I examined her, to discover she had most of the bones in duplicate--in each thigh two femurs welded together, in each shoulder a double humerus. Some of her muscles are likewise in duplicate. It is a case, in my view, of a pair of twins associated or rather confounded together. It is an interesting phenomenon. I notified Monsieur Saint-Hilaire of the facts, and he thanked me. It is a monster you see before you, _citoyens_. The people here call her 'the girl Tronche'; they should say 'the girls Tronches,' for there are two of them. Nature has these freaks.... Good evening, _citoyens_; we shall have a storm to-night...."
After supper by candle-light, the Academy Blaise adjourned to the courtyard where they were joined by a son and daughter of the house in a game of blindman's-buff, in which the young folks, both men and women, displayed a feverish energy sufficiently accounted for by the high spirits proper to their age without seeking an explanation in the wild and precarious times in which they lived. When it was quite dark, Jean Blaise proposed children's games in the farm kitchen. Élodie suggested the game of "hunt my heart," and this was agreed to unanimously. Under the girl's direction Philippe Desmahis traced in chalk, on different pieces of furniture, on doors and walls, seven hearts, that is to say one less than there were players, for old Brotteaux had obligingly joined the rest. They danced round in a ring singing "La Tour, prends garde!" and at a signal from Élodie, each ran to put a hand on a heart. Gamelin in his absent-minded clumsiness was too late to find one vacant, and had to pay a forfeit, the little knife he had bought for six sous at the fair of Saint-Germain and with which he had cut the loaf for his mother in her poverty. The game went on, and one after the other Blaise, Élodie, Brotteaux and Rose Thévenin failed to touch a heart; each paid a forfeit in turn--a ring, a reticule, a little morocco-bound book, a bracelet. Then the forfeits were raffled on Élodie's lap, and each player had to redeem his property by showing his society accomplishments--singing a song or reciting a poem. Brotteaux chose the speech of the patron saint of France in the first canto of the _Pucelle_:
"Je suis Denis et saint de mon métier, J'aime la Gaule,..."[2]
The _citoyen_ Blaise, though a far less well-read man, replied without hesitation with Richemond's ripost:
"Monsieur le Saint, ce n'était pas la peine D'abandonner le céleste domaine...."[3]
At that time everybody was reading and re-reading with delight the masterpiece of the French Ariosto; the most serious of men smiled over the loves of Jeanne and Dunois, the adventures of Agnès and Monrose and the exploits of the winged ass. Every man of cultivation knew by heart the choice passages of this diverting and philosophical poem. Évariste Gamelin himself, stern-tempered as he was, when he recovered his twopenny knife from Élodie's lap, recited the going down of Grisbourdon into hell, with a good deal of spirit. The _citoyenne_ Thévenin sang without accompaniment Nina's ballad:
"_Quand le bien-aimé reviendra._"
Desmahis sang to the tune of _La Faridondaine_:
"Quelques-uns prirent le cochon De ce bon saint Antoine, Et lui mettant un capuchon, Ils en firent un moine. Il n'en coûtait que la façon...."[4]
All the same Desmahis was in a pensive mood. For the moment he was ardently in love with all the three women with whom he was playing forfeits, and was casting burning looks of soft appeal at each in turn. He loved Rose Thévenin for her grace, her supple figure, her clever acting, her roving glances, and her voice that went straight to a man's heart; he loved Élodie, because he recognized instinctively her rich endowment of temperament and her kind, complaisant humour; he loved Julienne Hasard, despite her colourless hair, her pale eyelashes, her freckles and her thin bust, because, like Dunois in Voltaire's _Pucelle_, he was always ready, in his generosity, to give the least engaging a token of love--and the more so in this instance because she appeared to be for the moment the most neglected, and therefore the most amenable to his attentions. Without a trace of vanity, he was never sure of these being agreeable; nor yet was he ever sure of their not being. So he never omitted to offer them on the chance. Taking advantage of the opportunities offered by the game of forfeits, he made some tender speeches to Rose Thévenin, who showed no displeasure, but could hardly say much in return under the jealous eyes of the _citoyen_ Jean Blaise. He spoke more warmly still to the _citoyenne_ Élodie, whom he knew to be pledged to Gamelin, but he was not so exacting as to want a heart all to himself. Élodie could never care for him; but she thought him a handsome fellow and did not altogether succeed in hiding the fact from him. Finally, he whispered his most ardent vows in the ear of the _citoyenne_ Hasard, which she received with an air of bewildered stupefaction that might equally express abject submission or chill indifference. And Desmahis did not believe she was indifferent to him.
The inn contained only two bedrooms, both on the first floor and opening on the same landing. That to the left, the better of the two, boasted a flowered paper and a looking-glass the size of a man's hand, the gilt frame of which had been blackened by generations of flies since the days when Louis XIV was a child. In it, under sprigged muslin curtains, stood two beds with down pillows, coverlets and counterpanes. This room was reserved for the three _citoyennes_.
When the time came to retire, Desmahis and the _citoyenne_ Hasard, each holding a bedroom candlestick, wished each other good-night on the landing. The amorous engraver quickly passed a note to the colourman's daughter, beseeching her to come to him, when everybody was asleep, in the garret, which was over the _citoyennes'_ chamber.
With judicious foresight, he had taken care in the course of the day to study the lie of the land and explore the garret in question, which was full of strings of onions, apples and pears left there to ripen with a swarm of wasps crawling over them, chests and old trunks. He had even noticed an old bed of sacking, decrepit and now disused, as far as he could see, and a palliasse, all ripped up and jumping with fleas.
Facing the _citoyennes'_ room was another of very modest dimensions containing three beds, where the men of the party were to sleep, in such comfort as they might. But Brotteaux, who was a Sybarite, betook himself to the barn to sleep among the hay. As for Jean Blaise, _he_ had disappeared. Dubois and Gamelin were soon asleep. Desmahis went to bed; but no sooner had the silence of night, like a stagnant pool, enveloped the house, than the engraver got up and climbed the wooden staircase, which creaked under his bare feet. The door of the garret stood ajar. From within came a breath of stifling hot air, mingled with the acrid smell of rotting fruit. On the broken-down bed of sacking lay the girl Tronche, fast asleep with her mouth open.
* * * * * * * * * * * * * * * * * * * *
Desmahis returned to his room, where he slept soundly and peacefully till daybreak.
On the morrow, after a last day's work, the itinerant Academy took the road back to Paris. When Jean Blaise paid mine host in assignats, the _citoyen_ Poitrine complained bitterly that he never saw what he called "square money" nowadays, and promised a fine candle to the beggar who'd bring back the "yellow boys" again.
He offered the _citoyennes_ their pick of flowers. At his orders, the girl Tronche mounted on a ladder in her sabots and kilted skirts, giving a full view of her noble, much-bespattered calves, and was indefatigable in cutting blossoms from the climbing roses that covered the wall. From her huge hands the flowers fell in showers, in torrents, in avalanches, into the laps of Élodie, Julienne, and Rose Thévenin, who held out their skirts to catch them. The carriage was full of them. The whole party, when they got back at nightfall, carried armfuls home, and their sleeping and waking were perfumed with their fragrance.
FOOTNOTES:
[2]
"I am Denis, and sainthood is my trade, I love the land of Gaul,... etc."
[3]
"Well, well, sir Saint, 'twas hardly worth your pains Thus to forsake the heavenly domains...."
[4]
"Some ribalds took the pig, Of the good St. Anthony, And clapping a cowl on's head, They made the brute a monk. 'Twas all a matter of dress...."
XI
In the forenoon of the 7th September the _citoyenne_ Rochemaure, on her way to visit Gamelin, the new juror, whose interest she wished to solicit on behalf of an acquaintance, who had been denounced as a suspect, encountered on the landing the _ci-devant_ Brotteaux des Ilettes, who had been her lover in the old happy days. Brotteaux was just starting to deliver a gross of dancing-dolls of his manufacture to the toy-merchant in the Rue de la Loi; for their more convenient carriage he had hit on the idea of tying them at the end of a pole, as the street hawkers do with their commodities. His manners were always chivalrous towards women, even to those whose fascination for him had been blunted by long familiarity, as could hardly fail to be the case with Madame de Rochemaure,--unless indeed he found her appetizing with the added seasoning of betrayal, absence, unfaithfulness and fat. Be this as it may, he now greeted her on the sordid stairs with their cracked tiles as courteously as he had ever done on the steps before the entrance-door of Les Ilettes, and begged her to do him the honour of entering his garret. She climbed the ladder nimbly enough and found herself under a timbering, the sloping beams of which supported a tiled roof pierced with a skylight. It was impossible to stand upright. She sat down on the only chair there was in the wretched place; after a brief glance at the broken tiling, she asked in a tone of surprise and sorrow:
"Is this where you live, Maurice? You need have little fear of intruders. One must be an imp or a cat to find you here."
"I am cramped for space," returned the _ci-devant_ millionaire; "and I do not deny the fact that sometimes it rains on my pallet. It is a trifling inconvenience. And on fine nights I can see the moon, symbol and confidant of men's loves. For the moon, Madame, since the world began, has been apostrophized by lovers, and at her full, with her pale round face, she recalls to the fond swain's mind the object of his desires."
"I know," sighed the _citoyenne_.
"When their time comes the cats make a fine pandemonium in the rain gutter yonder. But we must forgive love if it makes them caterwaul and swear on the tiles, seeing how it fills the lives of men with torments and villanies."
Both had had the tact to greet each other as friends who had parted the night before to take their night's rest, and though grown strangers to each other, they conversed with a good grace and on a footing of friendliness.
At the same time Madame de Rochemaure seemed pensive. The Revolution, which had for a long while been pleasant and profitable to her, was now a source of anxiety and disquietude; her suppers were growing less brilliant and less merry. The notes of her harp no longer charmed the cloud from sombre faces. Her play-tables were forsaken by the most lavish punters. Many of her cronies, now numbered among the suspects, were in hiding; her lover, Morhardt the financier, was under arrest, and it was on his behalf she had come to sound the juror Gamelin. She was suspect herself. A posse of National Guards had made a search at her house, had turned out the drawers of her cabinets, prised up boards in her floor, thrust their bayonets into her mattresses. They had found nothing, had made their apologies and drunk her wine. But they had come very near lighting on her correspondence with an _émigré_, Monsieur d'Expilly. Certain friends he had among the Jacobins had warned her that Henry, her handsome favourite, was beginning to compromise his party by his violent language, which was too extravagant to be sincere.
Elbows on knees and head on fist, she sat buried in thought; then turning to her old lover sitting on the palliasse, she asked:
"What do you think of it all, Maurice?"
"I think these good gentry give a philosopher and an amateur of the shows of life abundant matter for reflection and amusement; but that it would be better for you, my dear, if you were out of France."
"Maurice, where will it land us?"
"That is what you asked me, Louise, one day we were driving on the banks of the Cher, on the road to Les Ilettes; the horse, you remember, had taken the bit in his teeth and was galloping off with us at a frantic pace. How inquisitive women are! to-day, for the second time, you want to know where we are going to. Ask the fortune-tellers. I am not a wizard, sweetheart. And philosophy, even the soundest, is of small help for revealing the future. These things will have an end; everything has. One may foresee divers issues. The triumph of the Coalition and the entry of the allies into Paris. They are not far off; yet I doubt if they will get there. These soldiers of the Republic take their beatings with a zest nothing can extinguish. It may be Robespierre will marry Madame Royale and have himself proclaimed Protector of the Kingdom during the minority of Louis XVII."
"You think so!" exclaimed the _citoyenne_, agog to have a hand in so promising an intrigue.
"Again it may be," Brotteaux went on, "that La Vendée will win the day and the rule of the priests be set up again over heaps of ruins and piles of corpses. You cannot conceive, dear heart, the empire the clergy still wields over the masses of the foolish,... I beg pardon, I meant to say,--of 'the Faithful'; it was a slip of the tongue. The most likely thing, in my poor opinion, is that the Revolutionary Tribunal will bring about the destruction of the régime it has established; it is a menace over too many heads. Those it terrifies are without number; they will unite together, and to destroy it they will destroy the whole system of government. I think you have got our young friend Gamelin posted to this court. He is virtuous; he will be implacable. The more I think of it, fair friend, the more convinced I am that this Tribunal, set up to save the Republic, will destroy it. The Convention has resolved to have, like Royalty, its _Grands Jours_,[5] its _Chambre Ardente_, and to provide for its security by means of magistrates appointed by itself and by it kept in subjection. But how inferior are the Convention's _Grands Jours_ to those of the Monarchy, and its _Chambre Ardente_ to that of Louis XIV! The Revolutionary Tribunal is dominated by a sentiment of mean-spirited justice and common equality that will quickly make it odious and ridiculous and will disgust everybody. Do you know, Louise, that this tribunal, which is about to cite to its bar the Queen of France and twenty-one legislators, yesterday condemned a servant-girl convicted of crying: 'Vive le Roi!' with malicious intent and in the hope of destroying the Republic? Our judges, with their black hats and plumes, are working on the model of that William Shakespeare, so dear to the heart of Englishmen, who drags in coarse buffooneries in the middle of his most tragic scenes."
"Ah, well! Maurice," asked the _citoyenne_, "are you still as fortunate as ever with women?"
"Alas!" replied Brotteaux, "the doves flock to the bright new dovecote and light no more on the ruined tower."
"You have not changed.... Good-bye, dear friend,--till we meet again."
* * * * *
The same evening the dragoon Henry, paying a visit uninvited at Madame de Rochemaure's, found her in the act of sealing a letter on which he read the address of the _citoyen_ Rauline at Vernon. The letter, he knew, was for England. Rauline used to receive Madame de Rochemaure's communications by a postilion of the posting-service and send them on to Dieppe by the hands of a fishwife. The master of a fishing-smack delivered them under cover of night to a British ship cruising off the coast; an _émigré_, Monsieur d'Expilly, received them in London and passed them on, if he thought it advisable, to the Cabinet of Saint James's.
Henry was young and good looking; Achilles was not such a paragon of grace and vigour when he donned the armour Ulysses offered him. But the _citoyenne_ Rochemaure, once so enraptured by the charms of the young hero of the Commune, now looked askance at him; her mood had changed since the day she was told how the young soldier had been denounced at the Jacobins as one whose zeal outran discretion and that he might compromise and ruin her. Henry thought it might not break his heart perhaps to leave off loving Madame de Rochemaure; but he was piqued to have fallen in her good graces. He counted on her to meet sundry expenses in which the service of the Republic had involved him. Last but not least, remembering to what extremities women will proceed and how they go in a flash from the most ardent tenderness to the coldest indifference, and how easy they find it to sacrifice what once they held dear and destroy what once they adored, he began to suspect that some day his fascinating mistress might have him thrown into prison to get rid of him. Common prudence urged him to regain his lost ascendancy and to this end he had come armed with all his fascinations. He came near, drew away, came near again, hovered round her, ran from her, in the approved fashion of seduction in the ballet. Then he threw himself in an armchair and in his irresistible voice, his voice that went straight to women's hearts, he extolled the charms of nature and solitude and with a lovelorn sigh proposed an expedition to Ermenonville.
Meanwhile she was striking chords on her harp and looking about her with an expression of impatience and boredom. Suddenly Henry got up with a gesture of gloomy resolution and informed her that he was starting for the army and in a few days would be before Maubeuge.
Without a sign either of scepticism or surprise she nodded her approval.
"You congratulate me on my decision?"
"I do indeed."
She was expecting a new admirer who was infinitely to her taste and from whom she hoped to reap great advantages,--a contrast in every way to the old, a Mirabeau come to life again, a Danton rehabilitated and turned army-contractor, a lion who talked of pitching every patriot into the Seine. She was on tenter-hooks, thinking to hear the bell ring at any moment.
To hasten Henry's departure, she fell silent, yawned, fingered a score, and yawned again. Seeing he made no move to go, she told him she had to go out and withdrew into her dressing-room.
He called to her in a broken voice:
"Farewell, Louise!... Shall I ever see you again?"--and his hands were busy fumbling in the open writing-desk.
When he reached the street, he opened the letter addressed to the _citoyen_ Rauline and read it with absorbed attention. Indeed it drew a curious picture of the state of public feeling in France. It spoke of the Queen, of the actress Rose Thévenin, of the Revolutionary Tribunal and a host of confidential remarks emanating from that worthy, Brotteaux des Ilettes, were repeated in it.
Having read to the end and restored the missive to his pocket, he stood hesitating a few moments; then, like a man who has made up his mind and says to himself "the sooner the better," he turned his steps to the Tuileries and found his way into the antechamber of the Committee of General Security.
* * * * *