Chapter 3

"A regenerated People," he declared, "must repudiate all the legacies of servitude, bad taste, bad outline, bad drawing. Watteau, Boucher, Fragonard worked for tyrants and for slaves. Their works show no feeling for good style or purity of line, no love of nature or truth. Masks, dolls, fripperies, monkey-tricks,--nothing else! Posterity will despise their frivolous productions. In a hundred years all Watteau's pictures will be banished to the garrets and falling to pieces from neglect; in 1893 struggling painters will be daubing their studies over Boucher's canvases. David has opened the way; he approaches the Antique, but he has not yet reached true simplicity, true grandeur, bare and unadorned. Our artists have many secrets still to learn from the friezes of Herculaneum, the Roman bas-reliefs, the Etruscan vases."

He dilated at length on antique beauty, then came back to Fragonard, whom he abused with inexhaustible venom:

"Do you know him, _citoyenne_?"

Élodie nodded.

"You likewise know good old Greuze, who is ridiculous enough, to be sure, with his scarlet coat and his sword. But he looks like a wise man of Greece beside Fragonard. I met him, a while ago, the miserable old man, trotting by under the arcades of the Palais-Égalité, powdered, genteel, sprightly, spruce, hideous. At sight of him, I longed that, failing Apollo, some sturdy friend of the arts might hang him up to a tree and flay him alive like Marsyas as an everlasting warning to bad painters."

Élodie gave him a long look out of her dancing, wanton eyes.

"You know how to hate, Monsieur Gamelin, are we to conclude you know also how to lo...?"

"Is that you, Gamelin?" broke in a tenor voice; it was the _citoyen_ Blaise just come back to his shop. He advanced, boots creaking, charms rattling, coat-skirts flying, an enormous black cocked hat on his head, the corners of which touched his shoulders.

Élodie, picking up her work-basket, retreated to her chamber.

"Well, Gamelin!" inquired the _citoyen_ Blaise, "have you brought me anything new?"

"May be," declared the painter,--and proceeded to expound his ideas.

"Our playing cards present a grievous and startling contrast with our present ways of thinking. The names of knave and king offend the ears of a patriot. I have designed and executed a reformed, Revolutionary pack in which for kings, queens, and knaves are substituted Liberties, Equalities, Fraternities; the aces in a border of fasces, are called Laws.... You call Liberty of clubs, Equality of spades, Fraternity of diamonds, Law of hearts. I venture to think my cards are drawn with some spirit; I propose to have them engraved on copper by Desmahis, and to take out letters of patent."

So saying and extracting from his portfolio some finished designs in water-colour, the artist handed them to the printseller.

The _citoyen_ Blaise declined to take them, and turning away:

"My lad," he sneered, "take 'em to the Convention; they will perhaps accord you a vote of thanks. But never think to make a _sol_ by your new invention which is not new at all. You're a day behind the fair. Your Revolutionary pack of cards is the third I've had brought me. Your comrade Dugourc offered me last week a picquet set with four Geniuses of the People, four Liberties, four Equalities. Another was suggested, with Sages and Heroes, Cato, Rousseau, Hannibal,--I don't know what all!... And these cards had the advantage over yours, my friend, in being coarsely drawn and cut on wood blocks--with a penknife. How little you know the world to dream that players will use cards designed in the taste of David and engraved à la Bartolozzi! And then again, what a strange mistake to think it needs all this to-do to suit the old packs to the new ideas. Out of their own heads, the good sansculottes can find a corrective for what offends them, saying, instead of 'king'--'The Tyrant!' or just 'The fat pig!' They go on using the same old filthy cards and never buy new ones. The great market for playing-cards is the gaming-hells of the Palais-Égalité; well, I advise you to go there and offer the croupiers and punters there your Liberties, your Equalities, your ... what d'ye call 'em?... Laws of hearts ... and come back and tell me what sort of a reception they gave you!"

The _citoyen_ Blaise sat down on the counter, filliped away sundry grains of snuff from his nankeen breeches and looking at Gamelin with an air of gentle pity:

"Let me give you a bit of advice, _citoyen_; if you want to make your living, drop your patriotic packs of cards, leave your revolutionary symbols alone, have done with your Hercules, your hydras, your Furies pursuing guilt, your Geniuses of Liberty, and paint me pretty girls. The people's ardour for regeneration grows lukewarm with time, but men will always love women. Paint me women, all pink and white, with little feet and tiny hands. And get this into your thick skull that nobody cares a fig about the Revolution or wants to hear another word about it."

But Évariste drew himself up in indignant protest:

"What! not hear another word of the Revolution!... But, why surely, the restoration of liberty, the victories of our armies, the chastisement of tyrants are events that will startle the most remote posterity. How could we not be struck by such portents?... What! the sect of the _sansculotte_ Jesus has lasted well-nigh eighteen centuries, and the religion of Liberty is to be abolished after barely four years of existence!"

But Jean Blaise resumed in a tone of superiority:

"You walk in a dream; _I_ see life as it is. Believe me, friend, the Revolution is a bore; it lasts over long. Five years of enthusiasm, five years of fraternal embraces, of massacres, of fine speeches, of _Marseillaises_, of tocsins, of 'hang up the aristocrats,' of heads promenaded on pikes, of women mounted astride of cannon, of trees of Liberty crowned with the red cap, of white-robed maidens and old men drawn about the streets in flower-wreathed cars; of imprisonments and guillotinings, of proclamations, and short commons, of cockades and plumes, swords and _carmagnoles_--it grows tedious! And then folk are beginning to lose the hang of it all. We have gone through too much, we have seen too many of the great men and noble patriots whom you have led in triumph to the Capitol only to hurl them afterwards from the Tarpeian rock,--Necker, Mirabeau, La Fayette, Bailly, Pétion, Manuel, and how many others! How can we be sure you are not preparing the same fate for your new heroes?... Men have lost all count."

"Their names, _citoyen_ Blaise; name them, these heroes we are making ready to sacrifice!" cried Gamelin in a tone that recalled the print-dealer to a sense of prudence.

"I am a Republican and a patriot," he replied, clapping his hand on his heart. "I am as good a Republican as you, as ardent a patriot as you, _citoyen_ Gamelin. I do not suspect your zeal nor accuse you of any backsliding. But remember that my zeal and my devotion to the State are attested by numerous acts. Here you have my principles: I give my confidence to every individual competent to serve the Nation. Before the men whom the general voice elects to the perilous honour of the Legislative office, such as Marat, such as Robespierre, I bow my head; I am ready to support them to the measure of my poor ability and offer them the humble co-operation of a good citizen. The Committees can bear witness to my ardour and self-sacrifice. In conjunction with true patriots, I have furnished oats and fodder to our gallant cavalry, boots for our soldiers. This very day I am despatching from Vernon a convoy of sixty oxen to the Army of the South through a country infested with brigands and patrolled by the emissaries of Pitt and Condé. I do not talk; I act."

Gamelin calmly put back his sketches in his portfolio, the strings of which he tied and then slipped it under his arm.

"It is a strange contradiction," he said through his clenched teeth, "to see men help our soldiers to carry through the world the liberty they betray in their own homes by sowing discontent and alarm in the soul of its defenders.... Greeting and farewell, _citoyen_ Blaise."

Before turning down the alley that runs alongside the Oratoire, Gamelin, his heart big with love and anger, wheeled round for a last look at the red carnations blossoming on a certain window-sill.

He did not despair; the fatherland would yet be saved. Against Jean Blaise's unpatriotic speeches he set his faith in the Revolution. Still he was bound to recognize that the tradesman had some show of reason when he asserted that the people of Paris had lost its old interest in public events. Alas! it was but too manifest that to the enthusiasm of the early days had little by little succeeded a widespread indifference, that never again would be seen the mighty crowds, unanimous in their ardour, of '89, never again the millions, one in heart and soul, that in '90 thronged round the altar of the _fédérés_. Well, good citizens must show double zeal and courage, must rouse the people from its apathy, bidding it choose between liberty and death.

Such were Gamelin's thoughts, and the memory of Élodie was a spur to his confidence.

Coming to the Quais, he saw the sun setting in the distant west behind lowering clouds that were like mountains of glowing lava; the roofs of the city were bathed in a golden light; the windows flashed back a thousand dazzling reflections. And Gamelin pictured the Titans forging out of the molten fragments of by-gone worlds Diké, the city of brass.

Not having a morsel of bread for his mother or himself, he was dreaming of a place at the limitless board that should have all the world for guests and welcome regenerated humanity to the feast. Meantime, he tried to persuade himself that the fatherland, as a good mother should, would feed her faithful child. Shutting his mind against the gibes of the printseller, he forced himself to believe that his notion of a Revolutionary pack of cards was a novel one and a good one, and that with these happily conceived sketches of his he held a fortune in the portfolio under his arm. "Desmahis," he told himself, "shall engrave them. We will publish for ourselves the new patriotic toy and we are sure to sell ten thousand packs in a month, at twenty _sols_ apiece."

In his impatience to realize the project, he strode off at once for the Quai de la Ferraille, where Desmahis lived over a glazier's shop.

The entrance was through the shop. The glazier's wife informed Gamelin that the _citoyen_ Desmahis was not in, a fact that in no wise surprised the painter, who knew his friend was of a vagabond and dissipated humour and who marvelled that a man could engrave so much and so well as he did while showing so little perseverance. Gamelin made up his mind to wait a while for his return and the woman offered him a chair. She was in a black mood and began to grumble at the badness of trade, though she had always been told that the Revolution, by breaking windows, was making the glaziers' fortunes.

Night was falling; so abandoning his idea of waiting for his comrade, Gamelin took his leave of his hostess of the moment. As he was crossing the Pont-Neuf, he saw a detachment of National Guards debouch from the Quai des Morfondus. They were mounted and carried torches. They were driving back the crowd, and amid a mighty clatter of sabres escorting a cart driving slowly on its way to the guillotine with a man whose name no one knew, a _ci-devant_ noble, the first prisoner condemned by the newly constituted Revolutionary Tribunal. He could be seen by glimpses between the guardsmen's hats, sitting with hands tied behind his back, his head bared and swaying from side to side, his face to the cart's tail. The headsman stood beside him lolling against the rail. The passers-by had stopped to look and were telling each other it was likely one of the fellows who starved the people, and staring with eyes of indifference. Gamelin, coming closer, caught sight of Desmahis among the spectators; he was struggling to push a way through the press and cut across the line of march. He called out to him and clapped a hand on his shoulder,--and Desmahis turned his head. He was a young man with a handsome face and a stalwart person. In former days, at the Academy, they used to say he had the head of Bacchus on the torso of Hercules. His friends nicknamed him "Barbaroux" because of his likeness to that representative of the people.

"Come here," Gamelin said to him, "I have something of importance to say to you, Desmahis."

"Leave me alone," the latter answered peevishly, muttering some half-heard explanation, looking out as he spoke for a chance of darting across:

"I was following a divine creature, in a straw hat, a milliner's wench, with her flaxen hair down her back; that cursed cart has blocked my way.... She has gone on ahead, she is at the other end of the bridge by now!"

Gamelin endeavoured to hold him back by his coat skirts, swearing his business was urgent.

But Desmahis had already slipped away between horses, guards, swords and torches, and was in hot pursuit of the milliner's girl.

IV

It was ten o'clock in the forenoon. The April sun bathed the tender leafage of the trees in light. A storm had cleared the air during the night and it was deliciously fresh and sweet. At long intervals a horseman passing along the Allée des Veuves broke the silence and solitude. On the outskirts of the shady avenue, over against a rustic cottage known as _La Belle Lilloise_, Évariste sat on a wooden bench waiting for Élodie. Since the day their fingers had met over the embroidery and their breaths had mingled, he had never been back to the _Amour peintre_. For a whole week his proud stoicism and his timidity, which grew more extreme every day, had kept him away from Élodie. He had written her a letter conceived in a key of gravity, at once sombre and ardent, in which, explaining the grievance he had against the _citoyen_ Blaise, but saying no word of his love and concealing his chagrin, he announced his intention of never returning to her father's shop, and was now showing greater steadfastness in keeping this resolution than a woman in love was quite likely to approve.

A born fighter whose bent was to defend her property under all circumstances, Élodie instantly turned her mind to the task of winning back her lover. At first she thought of going to see him at the studio in the Place de Thionville. But knowing his touchy temper and judging from his letter that he was sick and sore, she feared he might come to regard daughter and father with the same angry displeasure and make a point of never seeing her again; so she deemed it wiser to invite him to a sentimental, romantic rendezvous which he could not well decline, where she would have ample time to cajole and charm him and where solitude would be her ally to fascinate his senses and overcome his scruples.

At this period, in all the English gardens and all the fashionable promenades, rustic cottages were to be found, built by clever architects, whose aim it was to flatter the taste of the city folk for a country life. The _Belle Lilloise_ was occupied as a house of light refreshment; its exterior bore a look of poverty that was part of the _mise en scène_ and it stood on the fragments, artistically imitated, of a fallen tower, so as to unite with the charm of rusticity the melancholy appeal of a ruined castle. Moreover, as though a peasant's cot and a shattered donjon were not enough to stir the sensibilities of his customers, the owner had raised a tomb beneath a weeping-willow,--a column surmounted by a funeral urn and bearing the inscription: "Cléonice to her faithful Azor." Rustic cots, ruined keeps, imitation tombs,--on the eve of being swept away, the aristocracy had erected in its ancestral parks these symbols of poverty, of decadence and of death. And now the patriot citizen found his delight in drinking, dancing, making love in sham hovels, under the broken vaults, a sham in their very ruin, of sham cloisters and surrounded by a sham graveyard; for was not he too, like his betters, a lover of nature, a disciple of Jean-Jacques? was not his heart stuffed as full as theirs with sensibility and the philosophy of humanity?

Reaching the rendezvous before the appointed time, Évariste waited, measuring the minutes by the beating of his heart as by the pendulum of a clock. A patrol passed, guarding a convoy of prisoners. Ten minutes after a woman dressed all in pink, carrying a bouquet as the fashion was, escorted by a gentleman in a three-cornered hat, red coat, striped waistcoat and breeches, slipped into the cottage, both so very like the gallants and dames of the ancien régime one was bound to think with the _citoyen_ Blaise that mankind possesses characteristics Revolutions cannot change.

A few minutes later, coming from Rueil or Saint-Cloud, an old woman carrying a cylindrical box, painted in brilliant colours, arrived and sat down beside Gamelin, on his bench. She put down her box in front of her, and he saw that the lid had a turning needle fixed on it; the poor woman's trade was to hold a lottery in the public gardens for the children to try their luck at. She also dealt in "ladies' pleasures," an old-fashioned sweetmeat which she sold under a new name; whether because the time-honoured title of "forget-me-nots" called up inappropriate ideas of unhappiness and retribution or that folks had just got tired of it in course of time, "forget-me-nots" were now yclept "ladies' pleasures."

The old dame wiped the sweat from her forehead with a corner of her apron and broke out into railings against heaven, upbraiding God for injustice when he made life so hard for his creatures. Her husband kept a tavern on the river-bank at Saint-Cloud, while she came in every day to the Champs Élysées, sounding her rattle and crying: "_Ladies' pleasures_, come buy, come buy!" And with all this toil the old couple could not scrape enough together to end their days in comfort.

Seeing the young man beside her disposed to commiserate with her, she expounded at great length the origin of her misfortunes. It was all the Republic; by robbing the rich, it was taking the bread out of poor people's mouths. And there was no hoping for a better state of affairs. Things would only go from bad to worse,--she knew that from many tokens. At Nanterre a woman had had a baby born with a serpent's head; the lightning had struck the church at Rueil and melted the cross on the steeple; a were-wolf had been seen in the woods of Chaville. Masked men were poisoning the springs and throwing plague powders in the air to cause diseases....

Évariste saw Élodie spring from a carriage and run forward. The girl's eyes flashed in the clear shadow cast by her straw hat; her lips, as red as the carnations she held in her hand, were wreathed in smiles. A scarf of black silk, crossed over the bosom, was knotted behind the back. Her yellow gown displayed the quick movements of the knees and showed a pair of low-heeled shoes below the hem. The hips were almost entirely unconfined; the Revolution had enfranchised the waists of its _citoyennes_. For all that, the skirts, still puffed out below the loins, marked the curves by exaggerating them and veiled the reality beneath an artificial amplitude of outline.

He tried to speak but could not find his voice, and was chagrined at his failure, which Élodie preferred to the most eloquent greeting. She noticed also and looked upon it as a good omen, that he had tied his cravat with more than usual pains.

She gave him her hand.

"I wanted to see you," she began, "and talk to you. I did not answer your letter; I did not like it and I did not think it worthy of you. It would have been more to my taste if it had been more outspoken. It would be to malign your character and common sense to suppose you do not mean to return to the _Amour peintre_ because you had a trifling altercation there about politics with a man many years your senior. Rest assured you have no cause to fear my father will receive you ill whenever you come to see us again. You do not know him; he has forgotten both what he said to you and what you said in reply. I do not say there is any great bond of sympathy between you two; but he bears no malice; I tell you frankly he pays no great heed to you ... nor to me. He thinks only of his own affairs and his own pleasures."

She stepped towards the shrubberies surrounding the _Belle Lilloise_, and he followed her with something of repugnance, knowing it to be the trysting-place of mercenary lovers and amours of a day. She selected the table furthest out of sight.

"How many things I have to tell you, Évariste. Friendship has its rights; you do not forbid me to exercise them? I have much to say about you ... and something about myself, if you will let me."

The landlord having brought a carafe of lemonade, she filled their glasses herself with the air of a careful housewife; then she began to tell him about her childhood, described her mother's beauty, which she loved to dilate upon both as a tribute to the latter's memory and as the source of her own good looks, and boasted of her grandparents' sturdy vigour, for she was proud of her bourgeois blood. She related how at sixteen she had lost this mother she adored and had entered on a life without anyone to love or rely upon. She painted herself as she was, a vehement, passionate nature, full of sensibility and courage, and concluded:

"Oh, Évariste, my girlhood was so sad and lonely I cannot but know what a prize is a heart like yours, and I will not surrender, I give you fair warning, of my own free will and without an effort to retain it, a sympathy on which I trusted I might count and which I held dear."

Évariste gazed at her tenderly.

"Can it be, Élodie, that I am not indifferent to you? Can I really think...?"

He broke off, fearing to say too much and thereby betray so trusting a friendliness.

She gave him a little confiding hand that half-peeped out of the long narrow sleeve with its lace frillings. Her bosom rose and fell in long-drawn sighs.

"Credit me, Évariste, with all the sentiments you would have me feel for you, and you will not be mistaken in the dispositions of my heart."

"Élodie, Élodie, you say that? will you still say it when you know ..."--he hesitated.

She dropped her eyes; and he finished the sentence in a whisper:

"... when you know I love you?"

As she heard the declaration, she blushed,--with pleasure. Yet, while her eyes still spoke of a tender ecstasy, a quizzical smile flickered in spite of herself about one corner of her lips. She was thinking:

"And he imagines he proposed first!... and he is afraid perhaps of offending me!..."

Then she said to him fondly:

"So you had never seen, dear heart, that I loved you?"

They seemed to themselves to be alone, the only two beings in the universe. In his exaltation, Évariste raised his eyes to the firmament flashing with blue and gold:

"See, the sky is looking down at us! It is benign; it is adorable, as you are, beloved; it has your brightness, your gentleness, your smile."

He felt himself one with all nature, it formed part and parcel of his joy and triumph. To his eyes, it was to celebrate his betrothal that the chestnut blossoms lit their flaming candles, the poplars burned aloft like giant torches.