The Girls' Book of Famous Queens

Part 5

Chapter 54,000 wordsPublic domain

“A sacred serpent of Melite had priests and ministers, a table, and a bowl. It was kept in a tower, and fed by the priests with cakes made of flour and of honey, which they placed there in the bowl. Having done this, they retired. The next day, on returning to the apartment, the food was found to be eaten, and the same quantity was again put into the bowl, for it was not lawful for any one to see the sacred reptile. On one occasion, one of the priests being anxious to behold it, went in alone, and having deposited the cake, withdrew, until the moment when he supposed the serpent had come forth to its repast. He then entered, throwing open the door with great violence, upon which the serpent withdrew in evident indignation, and the priest shortly after became frantic, and having confessed his crime, expired.”

The Egyptian asp is a species of cobra de capello, and is still very common in Egypt. As our story of Cleopatra is connected with the asp, the following facts will be interesting. It is called Nashir, a word signifying “spreading,” from its dilating its breast when angry. The snake-players of modern days use this same serpent in their juggling tricks, taking care first to extract its fangs, or to burn out the poison-bag with a hot iron. The asp is generally about three or four feet long; they are easily tamed; their food consists of mice, frogs, and other reptiles. They are accustomed to live in gardens during the warm weather, where they are of great use. It is supposed that the asp employed by Cleopatra was a kind of poisonous snake much smaller than the common variety; and the name, like that of viper, may have been applied to venomous serpents of different species. Mummies of the asp have been discovered in Thebes.

We have not space to describe the marvellous monuments and pyramids of ancient Egypt, and will only give one statement of Herodotus in connection with them. Herodotus says, that each of the two great pyramids near Memphis required twenty years in building; and that one hundred thousand men were unceasingly employed on the work, who were relieved every three months; and that only sixteen hundred talents of silver were spent on the radishes, onions, and garlic for the workmen, which was probably their only pay, making about eighteen pence a year of our money, for each man.

A slight sketch of an Egyptian house and dinner party will aid us in obtaining a more definite idea of the manners and customs of those times. The apartments appropriated to the reception of guests in Egyptian houses were sometimes on the ground floor, sometimes in the first story; though from the size, beauty, and arrangement of their gardens it is supposed that they often entertained their friends in the cool and shady retreats there. These reception rooms were provided with handsome chairs, fauteuils, stools, and low seats. While conversing, they did not recline on divans or couches, though ottomans and richly covered couches formed part of the furniture in Egyptian apartments of state. Egyptian tables were round, square, or oblong; the common people sat cross-legged or crouched on the ground. Little is known of the furniture of their bedrooms, but numerous wooden pillows have been found with grooved places for the head. Those for the rich were made of alabaster. In their entertainments they made lavish display and provided various amusements. Songs, music, dancing, buffoonery, feats of agility, and games of chance were introduced. The guests arrived in chariots or in palanquins borne by their servants on foot. Sometimes their attendants held over them parasols to protect them from the sun, and one slave carried a stool to enable his master to alight with ease, while another bore his writing-tablet, or whatever article of apparel he might need. To those who arrived from a journey, water was brought in a golden ewer to wash their feet before entering the reception-room. It was also customary for each guest to be anointed with ointment by a servant, as he seated himself; then a lotus flower was presented to each visitor, who held it in his hand during the entertainment. Servants also brought necklaces of the same or other flowers, and hung them around the neck of each person, and placed garlands of flowers on their heads with a single lotus bud so arranged that it would fall over the forehead. Wreaths and other devices of flowers were laid around the room on stands, while servants constantly brought fresh blossoms from the gardens to replace those which had faded. After the floral decorations, wine was offered to the guests. While the dinner was being prepared, the company were entertained by music by a band of musicians, who performed upon the harp, lyre, guitar, tambourine, double and single pipe, flute, and other instruments. The Egyptians paid great attention to the study of music. The father of Cleopatra received the name of Auletes from his skill in playing on the flute. Long before the lyre was known in Greece the Egyptians had attained great perfection in the form of their stringed instruments, and Greek sages visited Egypt to study music among the other sciences for which it was renowned. Harps of fourteen, and lyres of seventeen, strings are found to have been used by ordinary Egyptian musicians 1570 B.C. The strings of the Egyptian harp were of catgut, and some discovered at Thebes in 1823 were so well preserved that they emitted a sound on being touched. Apollodorus relates the following story of the supposed invention of the lyre:—

“The Nile having overflowed the whole country of Egypt, when it returned within its natural bounds, left on the shore a great number of animals of various kinds, and among the rest a tortoise, the flesh of which being dried and wasted by the sun, nothing remained within the shell but nerves and cartilages, and these being braced and contracted by the drying heat became sonorous. Mercury, walking along the banks of the river, happened to strike his foot against this shell, and was so pleased with the sound produced that the idea of a lyre presented itself to his imagination. He therefore constructed the instrument in the form of a tortoise and strung it with the dried sinews of dead animals.”

It was not customary for the upper classes of the Egyptians to indulge in dancing, and hired dancers were employed on all festive occasions. Grace in posture and movement was the chief object of those skilled in the dance. Many of their postures and steps resembled those of the modern ballet; and the _pirouette_ enlivened an Egyptian party more than thirty-five hundred years ago.

Having given this outline of the manners and customs of ancient Egypt, we will take up the more immediate history of Cleopatra. It will be remembered that Alexander the Great, after his conquest of Egypt, founded the magnificent city of Alexandria situated at the mouth of the river Nile. One of the most expensive and famous of all edifices erected by the Ptolemies was the light-house on the island of Pharos, opposite to the city, and at some distance from it a pier was subsequently built connecting the island with the mainland. This light-house was a lofty tower constructed of white marble. This great edifice was erected by Ptolemy Philadelphus, the second monarch in that line. It was regarded as one of the seven wonders of the world. The architect of this light-house was a man named Sostratus. Ptolemy ordered that a marble tablet should be placed in the wall of the tower, bearing his name as the builder of this wonder. Sostratus seemingly obeyed, but he outwitted the haughty monarch. Sostratus secretly engraved his own name upon the marble tablet, and then covered it with an artificial cement similar in appearance to the marble. On this outer surface he cut the name of the king, and the tablet was placed in the wall without detection. In process of time the cement mouldered away as the architect had calculated upon, and the king’s name disappeared, while that of Sostratus remained as long as the building endured.

The city of Alexandria was also world-renowned for its immense library and museum established by the Ptolemies. The museum was not a collection of curiosities, but an institution of learning where sages congregated to devote their time to the study of philosophy and science. The institution was richly endowed, and very magnificent buildings were erected for its use. The most valuable books from all parts of the world were collected here, the king buying, borrowing, or even stealing, these rare treasures, when they could not be otherwise obtained from neighboring nations; and scribes were kept constantly employed in copying these works on parchment by handwriting, as printing was then unknown, so far as can be discovered; though it is hardly safe to assert that any thing was unknown to those ancient Egyptians, for new discoveries amongst the remains of their ruined cities are continually revealing some hitherto unimagined fact regarding the knowledge and civilization of that strange and powerful nation. After copies were made of all these valuable volumes, or scrolls, the original was always kept in the Alexandrine museum and library, while the copy was graciously returned to the owners, whether individuals or nations. At length the library collected in the museum increased to four hundred thousand volumes. No more could be stored in the museum, and so a wonderful temple, called the Serapion, situated in another part of the city, was used as a depository for additional volumes. Three hundred thousand volumes were afterwards accumulated in this temple. The strange history of this Serapion must not be omitted. One of the ancient gods of the Egyptians was a deity named Serapis. He was the particular divinity of seamen. A statue of this god existed in the town of Sinope, in Asia Minor. The Ptolemy kings of Egypt were desirous of making Alexandria the most important seaport and naval station in the world, and they thought this could not be accomplished without the presence of this sacred statue of the god Serapis, as his worship would bring to their city all the seamen who made pilgrimages to the shrine of their god. The king of Sinope was unwilling to part with the statue, and refused all offers of the Egyptian king to purchase this venerated image of the deity. At length, however, a famine fell upon the land of Sinope, and the people in their distress were forced to part with their sacred idol in order to obtain corn from the Egyptians, who would furnish none without this condition. The statue of the god Serapis was accordingly brought to Alexandria, where a magnificent temple was erected to contain the idol. This temple was called the Serapion.

It was owing to the desire of the Ptolemies to make the Alexandrine library the wonder of the world, that the Old Testament of the Scriptures came to be translated into Greek, which had previously been written only in the Hebrew language, and was known only to the Jews. This King Ptolemy having learned that the Jews at Jerusalem possessed sacred writings which were guarded in their synagogue there, was very anxious to obtain a copy of them. As the Egyptians then held many of the Jews in slavery, who had been taken prisoners in war, Ptolemy rightly imagined that it would be difficult to accomplish his purpose. He accordingly first bought all the Jewish captives from their masters, at a cost of six hundred thousand dollars, and sent the liberated Jews home to Jerusalem. Deeming that he could now make his request of the Jewish authorities with some hopes of success after this generous treatment of their countrymen, Ptolemy sent a splendid embassage to Jerusalem, with respectful letters to the high-priest, and very magnificent presents. The request of Ptolemy was granted. The Jewish priests made very fine copies of their sacred writings, illuminating them with letters of gold. These were presented to Ptolemy, and seventy-two learned Jews were chosen from the twelve tribes and sent to Alexandria; and there they translated the Hebrew Scriptures into Greek. This translation is called the Septuagint, from the Latin words, _septuaginta duo_, meaning “seventy-two.” A copy of the Septuagint Bible may now be obtained for two days’ wages of a common laborer; but to secure the original translation the Egyptian king expended, it is said, over a million of dollars. Thus an Egyptian king gave to the world the first Greek translation of the Old Testament.

Having given this glimpse of Egyptian history as a background to our picture, we will confine the remainder of this sketch to the immediate history of Cleopatra and her family. Having shown the bright side of the picture of the reign of the Ptolemies, we are forced to look for a moment upon dark and bloody scenes. The early sovereigns in the line of the Ptolemies were distinguished for wise government and the advancement of their people in arts, sciences, and literature. The first Ptolemy was Ptolemy Soter, who, together with his son and successor, Ptolemy Philadelphus, were the most illustrious of the line. So greatly was Ptolemy Soter, the founder of the dynasty, venerated by his subjects, that divine honors were paid to his memory after his death. But the succeeding Ptolemies grew more and more vicious, weak, and sensuous, until the great-grandfather of Cleopatra stands forth in history merely as a horrid monster of all vice and crime. He was Ptolemy Physcon, the seventh in the line. The name Physcon was given him in derision, on account of his grotesque appearance. Being very small of stature, his gluttony and dissipation had increased his rotundity of figure to enormous proportions, making him more of a monster than man in appearance. His brother, who was king before him, dying, left a wife, who was also his sister, named Cleopatra, this name being common in the family of the Ptolemies. Queen Cleopatra had a little son, and a daughter, also called Cleopatra, a beautiful girl of about fifteen years of age. The son of this queen was really heir to the throne; but the friends of Physcon succeeded in persuading Queen Cleopatra to marry him, under the conditions that he should be king, but that Cleopatra’s son, the child of Physcon’s brother, should be heir to the throne. Physcon agreed to this; but no sooner had he married the queen, who was also his sister, when he brutally killed her son, while in her own arms, and upon the very bridal day. This inhuman monster then fell in love with the young Cleopatra, his niece, and soon divorced the queen and married her daughter. But so great were his cruelties and crimes that the people rose against him, and he was forced to flee for his life. He took with him a beautiful boy, who was his own son, and also the child of the Queen Cleopatra whom he had divorced. The people then reinstated Queen Cleopatra upon the throne. When the queen’s birthday arrived, it was celebrated with great magnificence, and many guests were assembled at the palace; at which time a large box was brought in as a present to the queen. It was opened in the presence of the guests, as all supposed that some neighboring monarch had sent some costly gift. As the cover was lifted, what was the horror of the queen and her friends to behold the head and hands of her beautiful boy, whom Physcon had taken with him! These bloody relics were placed amid a heap of the fragments of the body in such manner that the mother might recognize her son, and the fiend-like monster, in sending this ghastly gift, had commanded that it should be presented to his former wife as a birthday token, and that it should only be opened in the presence of her guests. Such were some of the shocking deeds performed by members of the family of the famous Cleopatra. No wonder that her nature, inherited from such inhuman monsters, was not free from barbarous instincts.

The father of the illustrious Cleopatra was little better than his revolting predecessors. Blood, murder, and intrigue, and all crimes and vices formed his inheritance, handed down by his grandfather, the fiendish Physcon. The younger Cleopatra, whom Physcon married for his second wife, became such an inhuman being of atrocity and crime that she was put to death by one of her sons, whose destruction she had planned in order to seize the throne. The mother of Auletes, the father of the great Cleopatra, was merciless and wicked, like the rest of the line, disregarding every virtuous principle and family tie. Her daughters were worthy followers of her atrocious example, and at length one murdered the other in jealous hate. Such was the bloody and shocking family record which the world-renowned Cleopatra inherited, together with the throne of one of the most powerful and remarkable nations of the earth. Her father followed in the same bloody footsteps. Having been dethroned by his subjects, who hated him on account of his atrocious vices,—for this Ptolemy Auletes was one of the most dissipated and corrupt of all the sovereigns of that dynasty,—he fled to Rome to obtain aid to recover his throne. The Egyptian people, meanwhile, had made his eldest daughter, Berenice, queen. Auletes, having at length raised an army with the help of Pompey, the Roman general, who espoused his cause, returned to Alexandria, defeated the Egyptians, and recovered his throne; and immediately thereupon put his eldest daughter, Berenice, to death. When Cleopatra was about eighteen years of age, her father died, having left a will by which the throne of Egypt was to be held by Cleopatra and her younger brother Ptolemy, who were to marry each other and reign conjointly.

This terrible deed, which is regarded with just abhorrence as a dreadful and revolting crime in our days, was a customary practice among Egyptian monarchs; and in their mythology their gods and goddesses were also represented as marrying brothers and sisters. As both Cleopatra and her brother were too young to govern Egypt, they only reigned in name, while the government was administered by two ministers, named Pothinus and Achillas. As these statesmen, one of whom was also general-in-chief of the army, desired to obtain complete control of the empire, they espoused the cause of Ptolemy, Cleopatra’s brother and so-called husband, who was so young that they imagined they could manage him as they wished. They accordingly deposed Cleopatra, placing Ptolemy alone on the throne; though in reality they were the sovereigns themselves.

Cleopatra, who early displayed a dauntless courage and a resistless self-reliance, fled to Syria to raise troops, that she might secure by force her rightful inheritance. Cleopatra obtained an army, and commenced her march back into Egypt. Pothinus and Achillas went forth to meet her, accompanied by a large body of troops, taking the young Ptolemy with them as the nominal sovereign. The two armies encamped near Pelusium. But no battle was fought, owing to unexpected circumstances.

It was at this time that the conflict was waging in Rome between Julius Cæsar and Pompey. As Pompey had given aid to Ptolemy Auletes, the father of Cleopatra, in recovering his throne, Pompey fled to Egypt, hoping to find succor there. But he was treacherously invited to land by the Egyptian ministers, Pothinus and Achillas, and then barbarously murdered while stepping on shore. Julius Cæsar soon after arrived at Alexandria; and when this news reached the camps of the Egyptian armies, the two ministers, with the young king, Ptolemy, hastily returned to Alexandria; and, hoping to propitiate Cæsar, they sent to him the head of the murdered Pompey. Cæsar, far from being pleased, was greatly shocked, and ordered the head of his late enemy to be buried with imposing ceremonies.

Cæsar had landed at Alexandria with only a few troops, and had established himself in the royal palace. He demanded the six thousand talents which Ptolemy Auletes had promised for securing the alliance of Rome, which had never been entirely paid. Cæsar also claimed that, by the will of Auletes, the Roman people had been made his executors; and he declared that, as consul of the Roman people, it was for him to decide the dispute between Cleopatra and her brother Ptolemy.

While matters were in this state, Cleopatra determined to use stratagem in gaining her own cause.

She therefore sent a message to Cæsar, asking permission to appear before him. Cæsar thereupon urged her to come.

Cleopatra then took a single boat, and with but few attendants left the army secretly; and arriving at Alexandria, she waited until nightfall, and then advanced with a single servant to the wall of the citadel. This servant, named Apollodorus, at the bidding of Cleopatra, rolled her up in a bundle of carpeting, and, covering the package in such a manner as to resemble a bale of merchandise, he lifted it over his shoulder and carried it into the city, and arrived unmolested at the palace. In answer to the questions of the guards stationed at the gates of the palace, he replied that he carried a present to Cæsar. Whereupon he obtained access to Cæsar’s apartments; and when his mysterious bundle was unrolled, even the stern Roman general was fascinated by the vision of loveliness which met his wondering gaze. Cleopatra was at this time about twenty-one years of age. She was of slender and graceful form, and renowned, not so much for her regularity of features, as for an indescribable charm and witchery of manner and expression. As she pleaded her cause before the great conqueror, with lively intelligence and quick wit and winning sweetness, the conqueror became the conquered; and Julius Cæsar’s heart became a toy in the hands of this fair young girl, and her wishes became his law. He who had conquered the known world was led captive by the charms of this wilful, fascinating, star-eyed beauty of the Nile.

Cæsar immediately espoused Cleopatra’s cause with great fervor. He sent for the young king, Ptolemy, and urged upon him the expediency of restoring Cleopatra to her rights as joint sovereign with himself. But the young Ptolemy had now arrived at the age of wilfulness, and refused to give his sister her place as queen. He was, moreover, very much vexed that Cleopatra had delivered herself into the power of Cæsar. He left the palace in a rage, tearing the diadem from his head, in his indignation, and declaring to the people that he was betrayed.

Ptolemy and his officers did not have a large body of troops in the city of Alexandria; for the main army was still stationed at Pelusium, where Cleopatra’s army was also encamped.

The populace were so inflamed by the representations of Ptolemy and his ministers, who declared that Cæsar had seized and imprisoned Cleopatra, that the excited people rushed to make an attack upon the palace. Cæsar had but a small force to guard the palace; but he boldly sent out a detachment of his soldiers, with orders to seize Ptolemy, and bring him as a prisoner. This was accomplished, to the great astonishment of the people at such unheard-of daring. Then Cæsar mounted to a high window in the tower, and made signs to the mob below that he wished to speak with them. Quiet being restored, Cæsar told the people that, as he was a representative of the Roman nation, whom Auletes had made the executors of his will, he would endeavor to decide justly the questions concerning Cleopatra and Ptolemy; and he recommended them to retire without further riot. Accordingly the mob dispersed, and Ptolemy and Cleopatra remained under Cæsar’s guardianship.