The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)
Part 6
The whole life and being of womanhood must be held sacred from censure, exalted as it is by a kind of sentimental apotheosis that will not bear reasoning about, to something very near divinity. Even the follies of fashion must be exempt from both ridicule and rebuke, on the ground of man's utter ignorance of the merits of the question; for how should a poor male body know anything about trains or crinolines, or the pleasure that a woman feels in making herself ridiculous or indecent in appearance and a nuisance to her neighbours? while, for anything graver than the follies of fashion, it is in a manner high treason against the supremacy of the sex to assume that they deserve either ridicule or rebuke. Besides, it is indelicate. Women are made to be worshipped, not criticized; to be reverenced as something mystically holy and incomprehensible by the grosser masculine faculties; and it is indiscreet, to say the least of it, when vile man takes it on himself to test the idol by the hard mechanical tests of truth and common-sense, and to show the world how much alloy is mingled with the gold.
This is in ethics what the Oriental's reserve about his harem is in domestic life. The sacredness of a Mohammedan's womankind must be so complete that they are even nameless to the coarser sex; and not, 'How is your wife?' 'How are your daughters?' but, 'How is your house?' is the only accepted form of words by which Ali may ask Hassan about the health of his Fatimas and Zuliekas. In much the same way our women must be kept behind the close gilded gratings of affected perfectness, and, above all things, never publicly discussed--much less publicly condemned.
It is by no means a proof of wisdom, or of the power of logically reasoning out a position and its consequences, that women should thus demand to be treated as things superior to the faults and follies of humanity at large. They are clamouring loudly, and with some justice, for an equal share in the world's work and wages, and it is wonderfully stupid in them to stand on their womanly dignity and their quasi-sacredness, when told of their faults and measured according to their shortcomings, not their pretensions. If they come down into the arena to fight, they must fight subject to the conditions of the arena. They must not ask for special rules to be made in their behalf--for blunted weapons on the one side and impregnable defences on the other. If they demand either mystic reverence or chivalric homage they must be content with their own narrow but safe enclosure, where they have nothing to do but to look at the turmoil below, and accept with gratitude such portions of the good things fought for as the men to whom they belong see fit to bring them. They cannot at one and the same time have the good of both positions--the courtesy claimed by weakness and the honour paid to prowess. If they mingle in the _mêlée_ they must expect as hard knocks as the rest, and must submit to be bullied when they hit foul and to be struck home when they hit wide. If they do not like these conditions, let them keep out of the fray altogether; but if they choose to mingle in it, no hysterics of affronted womanhood, however loud the shrieks, will keep them safe from hard knocks and rough treatment.
Time out of mind women have been credited with all the graces and virtues possible in a world which 'the trail of the serpent' has defiled. To be sure they have been cursed as well, as the causes of most of the miseries of society from Eve's time to Helen's, and later still. _Teterrima causa._ But the praise alone sticks, so far as their own self-belief is concerned, and men, who create the curses, may arrange them to their own liking. The poet says they are 'ministering angels;' the very name of mother is to some men almost as holy as that of God, and the most solemn oath a Frenchman can take in a private way is not by his own honour, but by the name or the head or the life of his mother.
As wives--well, save in the old nursery doggrel which sets forth that they are made of 'all that's good if well understood'--as wives certainly they get not a few ungentle rubs. But then only a husband knows where the shoe pinches, and if he blasphemes during the wearing of it, on his own head be the guilt as is already the punishment. As maidens they are confessedly the most sacred manifestation of humanity, and to be approached with the reverence rightfully due to the holiest thing we know; while in the new spiritualistic world we are told to look for the time when the moral supremacy of woman shall be the recognized law of human life and the reign of violence and tears and all iniquity shall therefore be at an end. Thus the moral loveliness of collective womanhood is a dogma which men are taught from their boyhood as an article of faith if not a matter of experience, and women naturally keep them up to the mark--theoretically, at all events. Yet for all this lip-homage, of which so much account is made, women are often ill-used and brutalized, and in spite of their superior pretensions as often fall below men in every quality but that of patience. And patience is eminently the virtue of weakness, and therefore woman's cardinal grace; speaking broadly and allowing for exceptions. But what women do not see is that all this poetic flattery comes originally from the idealizing passion of men, and that, left to themselves, with only each other for critics and analyzers, they would soon find themselves stripped of their superfluous moral finery and reduced to the bare core of uncompromising truth. And this would be the best thing for them in the end. If they could but rise superior to the weakness of flattery, they would rise beyond the power of much that now degrades them. If they would but honestly consider the question of their own shortcomings when told where they fail, and what they cannot do, and what they will be sure to make a mess of if they attempt, they would prove their title to man's respect far more than they prove it now by the shrill cries and indignant remonstrances of affronted womanhood.
This is the day of trial for many things--among others, for the capacity of women for an enlarged sphere of action and more public exercise of power. Do women think they show their fitness for nobler duties than those already assigned them, by their impatience under censure, which is, after all, but one mode of teaching? Are they qualifying themselves to act in concert with men, by assuming an absolute moral supremacy which it is a kind of sacrilege to deny? If they think they are on the right road as at present followed, let them go on in heaven's name. When they have wandered sufficiently far perhaps they will have sense enough to turn back, and see for themselves what mistakes they have made and might have avoided, had they had the wisdom of self-knowledge in only a small degree. Certainly, so long as womanhood is held to confer, _per se_, a special and unassailable divinity, so long will women be rendered comparatively incapable of the best work through vanity, through ignorance, and through impatience of the teaching that comes by rebuke. Nothing is so damaging in the long run as exaggerated pretensions; for by-and-by, after a certain period of uncritical homage, the world is sure to believe that the silver veil which it has so long respected hides deformity, not divinity, and that what is too sacred for public use is too poor for public honour. If the faults of women are not to be discussed, nor their follies condemned, because womanhood is a sacred thing and a man naturally respects his mother and sisters, then women must be content to live in a moral harem, where they will be safe from both the gaze and the censure of the outside world; they must not come down into the battle-fields and the workshops, where they forfeit all claim to protection and have to accept the man's law of 'no favour.' It must be one thing or the other. Either their merits must be weighed and their capacity assayed in reference to the place they want to take--and in doing this their faults must be boldly and distinctly discussed--or they must be content with their present condition; and, with the mystic sanctity of their womanhood, they must accept also its moral seclusion--belonging, by their very nature, to things too sacred for criticism and too perfect for censure. It rests with themselves to decide which it is to be.
_FEMININE AFFECTATIONS._
The old form of feminine affectation used to be that of a die-away fine lady afflicted with a mysterious malady known by the name of the vapours, or one, no less obscure, called the spleen. Sometimes it was an etherealized being who had no capacity for homely things, but who passed her life in an atmosphere of poetry and music, for the most part expressing her vague ideas in halting rhymes which gave more satisfaction to herself than to her friends. She was probably an Italian scholar and could quote Petrarch and Tasso, and did quote them pretty often; she might even be a Della Cruscan by honourable election, with her own peculiar wreath of laurel and her own silver lyre; any way she was 'a sister of the Muses,' and had something to do with Apollo or Minerva, whom she was sure to call Phoebus or Pallas Athene, as being the more poetical name of the two. Probably she had dealings with Diana too--for this kind of woman does not in any age affect the 'seaborn,' save in a hazy sentimental way that bears no fruits--a neatly-turned sonnet or a clever bit of counterpoint being to her worth all the manly love or fireside home delights that the world can give. What is the touch of babies' dimpled fingers or the rosy kisses of babies' lips compared to the pleasures of being a sister of the Muses and one of the beloved of Apollo! The Della Cruscan of former days, or her modern avatar, will tell you that music and poetry are godlike and bear the soul away to heaven, but that the nursery is a prison and babies are no dearer gaolers than any other; and that household duties disgrace the aspiring soul mounting to the empyrean. This was the Ethereal Being of last generation--the Blue-stocking, as a poetess in white satin, with her eyes turned up to heaven and her hair in dishevelled cascades about her neck. She dropped her mantle as she finally departed; and we still have the Della Cruscan essence, if not in the precise form of earlier times. We still have ethereal beings who, as the practical outcome of their etherealization, rave about music and poetry and æsthetics and culture, and horribly neglect their babies and the weekly bills.
A favourite form of feminine affectation among certain opposers of the prevalent fast type is in an intense womanliness--an aggravating intensity of womanliness--that makes one long for a little roughness, just to take off the cloying excess of sweetness. This kind is generally found with large eyes, dark in the lids and hollow in the orbit, by which a certain spiritual expression is given to the face--a certain look of being consumed by the hidden fire of lofty thought, that is very effective. It does not destroy the effectiveness that the real cause of the darkened lids and cavernous orbits is most probably internal disease, when not antimony. Eyes of this sort stand for spirituality and loftiness of thought and intense womanliness of nature; and, as all men are neither chemists nor doctors, the simulation does quite as well as truth.
The main characteristic of these women is self-consciousness. They live before a moral mirror, and pass their time in attitudinizing to what they think the best advantage. They can do nothing simply, nothing spontaneously and without the fullest consciousness as to how they do it, and how they look while they are doing it. In every action of their lives they see themselves as pictures, as characters in a novel, as impersonations of poetic images or thoughts. If they give you a glass of water, or take your cup from you, they are Youth and Beauty ministering to Strength or Age, as the case may be; if they bring you a photographic album, they are Titian's Daughter carrying her casket, a trifle modernized; if they hold a child in their arms, they are Madonnas, and look unutterable maternal love though they never saw the little creature before, and care for it no more than for the puppy in the mews; if they do any small personal office, or attempt to do it--making believe to tie a shoestring, comb out a curl, fasten a button--they are Charities in graceful attitudes, and expect you to think them both charitable and graceful. Nine times out of ten they can neither tie the string nor fasten the button with ordinary deftness--for they have a trick of using only the ends of their fingers when they do anything with their hands, as being more graceful and fitting in better, than would a firmer grasp, with the delicate womanliness of the character; and the less sweet and more commonplace woman who does not attitudinize morally and never parades her womanliness, beats them out of the field for real helpfulness, and is the Charity which the other only plays at being.
This kind too affects, in theory, wonderful submissiveness to man. It upholds Griselda as the type of feminine perfection, and--still in theory--between independence and being tyrannized over, goes in for the tyranny. 'I would rather my husband beat me than let me do too much as I liked,' said one before she married, who, after she was married, managed to get entire possession of the domestic reins and took good care that her nominal lord should be her practical slave. For, notwithstanding the sweet submissiveness of her theory, the intensely womanly woman has the most astonishing knack of getting her own way and imposing her own will on others. The real tyrant among women is not the one who flounces and splutters and declares that nothing shall make her obey, but this soft-mannered, large-eyed, intensely womanly person who says that Griselda is her ideal and that the whole duty of woman lies in unquestioning obedience to man.
In contrast with this special affectation is the mannish woman--the woman who wears a double-breasted coat with big buttons, of which she flings back the lappels with an air, understanding the suggestiveness of a wide chest and the need of unchecked breathing; who wears unmistakeable shirt-fronts, linen collars, vests and plain ties, like a man; who folds her arms or sets them akimbo, like a man; who even nurses her feet and cradles her knees, in spite of her petticoats, and makes believe that the attitude is comfortable because it is manlike. If the excessively womanly woman is affected in her sickly sweetness, the mannish woman is affected in her breadth and roughness. She adores dogs and horses, which she places far above children of all ages. She boasts of how good a marksman she is--she does not call herself markswoman--and how she can hit right and left and bring down both birds flying. When she drinks wine she holds the stem of the glass between her first two fingers, hollows her underlip, and, throwing her head well back, tosses off the whole at a draught--she would disdain the lady-like sip or the closer gesture of ordinary women. She is great in cheese and bitter-beer, in claret-cup and still champagne, but she despises the puerilities of sweets or of effervescing wines. She rounds her elbows and turns her wrist outward, as men round their elbows and turn their wrists outward. She is fond of carpentry, she says, and boasts of her powers with the plane and saw. For charms to her watch-chain she wears a cork-screw, a gimlet, a big knife and a small foot-rule; and in contrast with the intensely womanly woman, who uses the tips of her fingers only, the mannish woman when she does anything uses the whole hand, and if she had to thread a needle would thread it as much by her palm as by her fingers. All of which is affectation--from first to last affectation; a mere assumption of virile fashions utterly inharmonious to the whole being, physical and mental, of a woman.
Then there is the affectation of the woman who has taken propriety and orthodoxy under her special protection, and who regards it as a personal insult when her friends and acquaintances go beyond the exact limits of her mental sphere. This is the woman who assumes to be the antiseptic element in society; who makes believe that without her the world and human nature would go to the dogs and plunge headlong into the abyss of sin and destruction forthwith; and that not all the grand heroism of man, not all his thought and energy and high endeavour and patient seeking after truth would serve his turn or the world's if she did not spread her own petty preserving nets, and mark out the boundary lines within which she would confine the range of thought and speculation. She knows that this assumption of spiritual beadledom is mere affectation, and that other minds have as much right to their own boundary lines as that which she claims for herself: but it seems to her pretty to assume that woman generally is the consecrated beadle of thought and morality, and that she, of all women, is most specially consecrated. As an offshoot of this kind stands the affectation of simplicity--the woman whose mental attitude is self-depreciation, and who poses herself as a mere nobody when the world is ringing with her praises. 'Is it possible that your Grace has ever heard of _me_?' said one of this class with prettily affected _naïveté_ at a time when all England was astir about her, and when colours and fashions went by her name to make them take with the public at large. No one knew better than the fair _ingénue_ in question how far and wide her fame had spread; but she thought it looked modest and simple to assume ignorance of her own value, and to declare that she was but a creeping worm when all the world knew that she was a soaring butterfly.
There is a certain like kind of affectation very common among pretty women; and this is the affectation of not knowing that they are pretty, and not recognizing the effect of their beauty on men. Take a woman with bewildering eyes, say, of a maddening size and shape and fringed with long lashes which distract you to look at; the creature knows that her eyes are bewildering, as well as she knows that fire burns and that ice melts; she knows the effect of that trick she has with them--the sudden uplifting of the heavy lid and the swift, full gaze that she gives right into a man's eyes. She has practised it often in the glass, and knows to a mathematical nicety the exact height to which the lid must be raised and the exact fixity of the gaze. She knows the whole meaning of the look and the stirring of men's blood that it creates; but if you speak to her of the effect of her trick, she puts on an air of extremest innocence, and protests her entire ignorance as to anything her eyes may say or mean; and if you press her hard she will look at you in the same way for your own benefit, and deny at the very moment of offence. Various other tricks has she with those bewildering eyes of hers--each more perilous than the other to men's peace; and all unsparingly employed, no matter what the result. For this is the woman who flirts to the extreme limits, then suddenly draws up and says she meant nothing. Step by step she has led you on, with looks and smiles and pretty doubtful phrases always susceptible of two meanings--the one for the ear by mere word, the other for the heart by the accompaniments of look and manner, which are intangible; step by step she has drawn you deeper and deeper into the maze where she has gone before as your decoy; then, when she has you safe, she raises her eyes for the last time, complains that you have mistaken her cruelly and that she has meant nothing more than any one else might mean; and what can she do to repair her mistake? Love you? marry you? No; she is engaged to your rival, who counts his thousands to your hundreds; and what a pity that you had not seen this all along and that you should have so misunderstood her! Besides, what is there about her that you or any one should love?
Of all the many affectations of women, this affectation of their own harmlessness when beautiful, and of their innocence of design when they practise their arts for the discomfiture of men, is the most dangerous and the most disastrous. But what can one say to them? The very fact that they are dangerous disarms a man's anger and blinds his perception until too late. That men love though they suffer is the woman's triumph, guilt and condonation; and so long as the trick succeeds it will be practised.
Another affectation of the same family is the extreme friendliness and familiarity which some women adopt in their manners towards men. Young girls affect an almost maternal tone to boys of their own age, or a year or so older; and they, too, when their wiser elders remonstrate, declare they mean nothing, and how hard it is that they may not be natural! This form of affectation, once begun, continues through life; being too convenient to be lightly discarded; and youthful matrons not long out of their teens assume a tone and ways that would befit middle age counselling giddy youth, and that might by chance be dangerous even then if the 'Indian summer' were specially bright and warm.
Then there is that affectation pure and simple which is the mere affectation of manner, such as is shown in the drawling voice, the mincing gait, the extreme gracefulness of attitude which by consciousness ceases to be grace, and the thousand little _minauderies_ and coquetries of the sex known to us all. And there is the affectation which people of a higher social sphere show when they condescend to those of low estate, and talk and look as if they are not quite certain of their company, and scarcely know if they are Christian or heathen, savage or civilized. And there is the affectation of the maternal passion with women who are never by any chance seen with their children, but who speak of them as if they were never out of their sight; the affectation of wifely adoration with women who are to be met about the world with every man of their acquaintance rather than with their lawful husbands; the affectation of asceticism in women who lead a self-enjoying life from end to end; and the affectation of political fervour in those who would not give up a ball or a new dress to save Europe from universal revolution.
Go where we will, the affectation of being something she is not meets us in woman, like a ghost we cannot lay, a mist we cannot sweep away. In the holiest and the most trivial things we find it penetrating everywhere--even in church and at her prayers, when the pretty penitent, rising from her lengthy orisons, lifts her eyes and furtively looks about to see who has noticed her self-abasement and to whom her picturesque piety has commended itself. All sorts and patterns of good girls and pleasant women are very dear and delightful; but the pearl of great price is the thoroughly natural and unaffected woman--that is, the woman who is truthful to her heart's core, and who would as little condescend to act a pretence as she would dare to tell a lie.
_INTERFERENCE._
About the strongest propensity in human nature, apart from the purely personal instincts, is the propensity to interfere. We do not mean tyranny; that is another matter--tyranny being active while interference is negative--the one standing as the masculine, the other as the feminine, form of the same principle. Besides, tyranny has generally some personal gain in view when it takes it in hand to force people to do what they dislike to do; while interference seeks no good for itself at all, but simply prevents the exercise of free-will for the mere pleasure to be had out of such prevention.