Part 19

The flatteries of men to women, and those of women to men, are very different in kind and direction. Men flatter women for what they are--for their beauty, their grace, their sweetness, their charmingness in general; while a woman will flatter a man for what he does--for his speech in the House last night, of which she understands little; for his book, of which she understands less; or for his pleading, of which she understands nothing at all. Not that this signifies much on either side. The most unintellectual little woman in the world has brains enough to look up in your face sweetly, and breathe out something that sounds like 'beautiful--charming--so clever,' vaguely sketching the outline of a hymn of praise to which your own vanity supplies the versicles. For you must have an exceptionally strong head if you can rate the sketch at its real value and see for yourself how utterly meaningless it is.

You may be the most mystical poet of the day, suggesting to your acutest readers grave doubts as to your own power of comprehending yourself; or you may be the most subtle metaphysician, to follow whom in your labyrinth of reasoning requires perhaps the rarest order of brains to be met with; but you will nevertheless believe any narrow-browed, small-headed woman who tells you in a low sweet voice, with a gentle uplifting of her eyes and a suggestive curve of her lip, that she has found you both intelligible and charming, and that she quite agrees with you and shares your every sentiment. If she further tells you that all her life long she has thought in exactly the same way but was wholly unable to express herself, and that you have now supplied her want and translated into words her vague ideas, and if she says this with a reverential kind of effusiveness, you are done for, so far as your critical power goes; and should some candid friend, whom she has not flattered, tell you with brutal frankness that your bewitching little flatterer has neither the brains nor the education to understand you, you will set him down as a slanderer, spiteful and malignant, and call his candour envy because he has not been so lucky as yourself.

The most subtle form of flattery is that which asks your advice with the pretence of needing it--your advice, particularly--yours above that of all other persons, as the wisest, best, most useful to be obtained. This too is a form that belongs rather to women in their relations with men than the converse; though sometimes men will pretend to want a woman's advice about their love affairs, and will perhaps make-believe to be guided by it. Not unfrequently, however, asking one woman's opinion and advice about another is a masked manner of love-making on its own account; though sometimes it may be done for flattery only, when there are reasons. Of course not all advice-asking is flattery; but when intended only to please and not meant to be genuine, it is perhaps one of the most potent instruments of the art to be met with.

But if seeking advice be the most subtle form of flattery, the most intoxicating is that which pretends to moral elevation or reform by your influence. The reformation of a rake is a work which no woman alive could be found to resist if the rake offered it to her as his last chance of salvation; and to lead a pretty sinner back to the ways of picturesque virtue by his own influence only is a temptation to self-reliance which no man could refuse--a flattery which not Diogenes nor Zeno himself could see through. The pretensions of any one else would be laughed at cruelly enough; but this is one of the things where personal experience and critical judgment never go in harness together--one of the manifestations of flattery which would overcome the calmest and bewilder the wisest.

Priests of all denominations are especially open to this kind of flattery; not only from pretty sinners who have gone openly out of the right line, but from quite comely and respectable maids and matrons who have lived blamelessly so far as the broad moral distinctions go, yet who have not lived the Awakened Life until roused thereunto by this peculiarly favoured minister. It is a tremendous trial of a man's discernment when such flattery is offered to him. How much of this pretended awakening is real? How much of this sudden spiritual insight is true, and not a mere phrasing, artfully adopted for pleasantness only? These are the cases where we most want that famous spear of Ithuriel to help us to a right estimate, for they are beyond the power of any ordinary man to determine.

But if priests are subject to these delusions of flattery on the one hand, they know how to practise them on the other. Take away the flattery which, mingled with occasional rebuke, forms the great ministerial spur, and both Revivalism and Ritualism would flag like flowers without 'the gentle dews.' Scolded for their faults in dress, for their vanity, extravagance and other feminine vices, are not women also flattered as the favourites of heaven and of the Church? Are they not told that they are the lilies of the ecclesiastical garden? the divinely appointed missionaries for the preservation of virtue and godly truth in the world? without whom the coarser race of men would be given over to inconceivable spiritual evil, to infidelity and all immorality. We may be very sure of this, that if humanity, and especially feminine humanity, were not flattered as well as chastened, clerical influence would not last for a day.

There is one kind of flattery which is common to both men and women, and that is the expressed preference of sex. Thus, when men want to flatter women, they say how infinitely they prefer their society to that of their own sex; and women will say the same to men. Or, if they do not say it, they will act it. See a set of women congregated together without the light of a manly countenance among them. They may talk to each other certainly; and one or two will sit away together and discuss their private affairs with animation; but the great mass of them are only half vitalized while waiting the advent of the men to rouse them into life and the desire to please. No man who goes up first from the dinner-table, and earlier than he was expected, can fail to see the change which comes over those wearied, limp, indifferent-looking faces and figures so soon as he enters the room. He is like the prince whose kiss woke up the Sleeping Beauty and all her court; and can any one say that this is not flattery of the most delightful kind? To be the Pygmalion even for a moment, and for the weakest order of soul-giving, is about the greatest pleasure that a man can know, if he be susceptible to the finer kinds of flattery.

Some women indeed, not only show their preference for men, but openly confess it, and confess at the same time to a lofty contempt or abhorrence for the society of women. These are generally women who are, or have been, beauties; or who have literary and intellectual pretensions; or who despise babies and contemn housekeeping, and profess themselves unable to talk to other women because of their narrowness and stupidity. But for the most part they are women who, by their beauty or their position, have been used to receive extra attention from men; and thus their preference is not flattery so much as _exigence_. Women who have been in India, or wherever else they are in the minority in society, are of this kind; and nothing is more amazing to them when they first come home than the attentions which a certain style of Englishwoman pays to men, instead of demanding and receiving attentions from them.

There are also those sweet, humble, caressing women who flatter you with every word and look, but whose flattery is nothing but a pretty dress put on for show and taken off when the show is done with. Anything serves for an occasion with these people. Why, the way in which certain unmarried women will caress a child before you is an implied flattery; and they know it. If only they would be careful to carry these pretty ante-nuptial ways into the home where nothing is to be gained by them but a humdrum husband's happiness! But too often the woman whose whole attitude was one of flattering devotion before her end was gained, gives up every shred of that which she had in such profusion, when she has attained her object, and lets the home go bare of that which was so beautiful and seductive in the ball-room and the flirting corner.

Some men however, want more home flattery to keep them tolerably happy and up to the mark than any woman with a soul to be saved by truth can give. Poets and artists are of this kind--men who literally live on praise, without which they droop and can do nothing. With them it is absolutely necessary that the people with whom they are associated should be of appreciative and sympathetic natures; but the burden comes heavy when they want, as they generally do, so much more than this. For, in truth, they want flattery in excess of sympathy; and if they do not get it they hold themselves as the victims of an unkind fate, and fill the world with the echo of their woes. This is nine-tenths of the cause why great geniuses are so often unhappy in married life. They demand more incessant flattery than can be kept up by one woman, unless she has not only an exceptional power of love but also an exceptional power of self-suppression. They think that by virtue of their genius they are entitled to a Benjamin's mess of devotion double that given to other men; and when they get only Judah's share, they cry out that they are ill-used, and make the world think them ill-used as well.

But though a little home flattery helps the home life immeasurably, and greases the creaking domestic wheels more than anything else can, a great deal is just the most pernicious thing that can be offered. The belief prevalent in some families that all the very small and commonplace members thereof are the world's wonders and greater than any one else--that no one is so clever as Harry, no one so pretty as Julia, that Amy's red hair is of a more brilliant gold than can be found elsewhere, and Edward's mathematical abilities about equal to Newton's--this belief, nourished and acted on, is sure to turn out an insufferable collection of prigs and self-conceited damsels who have to be brought down innumerable pegs before they find their own level. But we often see this; especially in country places where there is not much society to give a standard for comparative measurement; and we know that those fond parents and doting relations are blindly and diligently sowing seeds of bitterness for a future harvest of sorrow for their darlings. These young people must be made to suffer if they are to be of any good whatever in the world; and finding their level, after the exalted position which they have been supposed to fill so long, and being pelted with the unsavoury missiles of truth in exchange for all the incense of flattery to which they have been used, will be suffering enough. But it has to be gone through; this being one of the penalties to which the unwisdom of love so often subjects its objects.

The flattery met with in society is not often very harmful save to coarse or specially simple natures. You must be either one or the other to be able to believe it. Lady Morgan was perhaps the most unblushing and excessive of the tribe of social flatterers; but that was her engine, the ladder by which she did a good part of her climbing. We must not confound with this kind of flattery the impulsive expression of praise or love which certain outspoken people indulge in to the last. You may as well try to dam up Niagara as to make some folks reticent of their thoughts and feelings. And when one of this kind sees anything that he or she likes, the praise has to come out, with superlatives if the creature be prone to exaggeration. But this is not flattery; it is merely a certain childlike expansiveness which lasts with some into quite old age. Unfortunately, very few understand this childlike expansiveness when they see it. Hence it subjects its possessor to misrepresentation and unfriendly jibes, so soon as his or her back is turned, and the explosion of exaggerated but perfectly sincere praise is discussed critically by the uninterested part of the audience.

_LA FEMME PASSÉE._

Without doubt it is a time of trial to all women, more or less painful according to individual disposition, when they first begin to grow old and lose their good looks. Youth and beauty make up so much of their personal value, so much of their natural final cause, that when these are gone many feel as if their whole career were at an end, and as if nothing were left to them now that they are no longer young enough to be loved as girls are loved, or pretty enough to be admired as mature sirens are admired. For women of a certain position have so little wholesome occupation, and so little ambition for anything save indeed that miserable thing called 'getting on in society,' that they cannot change their way of life with advancing years. Hence they do not attempt to find interest in things outside themselves, and independent of the personal attractiveness which in youth constituted their whole pleasure of existence.

This is essentially the case with fashionable women, who have staked their all on appearance, and to whom good looks are of more account than noble deeds; and, accordingly, the struggle to remain young is a frantic one with them, and as degrading as it is frantic.

With the ideal woman of middle age--that pleasant She with her calm face and soft manner, who unites the charms of both epochs, retaining the ready responsiveness of youth while adding the wider sympathies of experience--with her there has been no such struggle to make herself an anachronism. Consequently she remains beautiful to the last--far more beautiful than all the pastes and washes in Madame Rachel's shop could make her. Sometimes, if rarely in these latter days, we meet her in society, where she carries with her an atmosphere of her own--an atmosphere of honest, wholesome truth and love, which makes every one who enters it better and purer for the time. All children and all young persons love her, because she understands and loves them. For she is essentially a mother--that is, a woman who can forget herself; who can give without asking to receive; and who, without losing any of the individualism which belongs to self-respect, can yet live for and in the lives of others, and find her best joy in the well-being of those about her. There is no exaggerated sacrifice in this; it is simply the fulfilment of woman's highest duty--the expression of that grand maternal instinct which need not necessarily include the fact of personal maternity, but which, with all women worthy of the name, must find utterance in some line of unselfish action.

The ideal woman of middle age understands the young because she has lived with them. If a mother, she has performed her maternal duties with cheerfulness and love. There has been no giving up her nursery to the care of a hired servant who is expected to do for so many pounds a year things which the tremendous instinct of a mother's love could not find strength to do. When she had children, she attended to them in great part herself, and learnt all about their tempers, their maladies, and the best methods of management. As they grew up she was still the best friend they had--the Providence of their young lives who gave them both care and justice, both love and guidance. Such a manner of life has forced her to forget herself. When her child lay ill, perhaps dying, she had no heart and no time to think of her own appearance, and whether this dressing-gown was more becoming than that: and what did the doctor think of her with her hair pushed back from her face?--and what a fright she must have looked in the morning light after her sleepless night of watching! The world and all its petty pleasures and paltry pains faded away in the presence of the stern tragedy of the hour; and not the finest ball of the season seemed to be worth a thought compared to the all-absorbing question of whether her child slept after his draught and whether he ate his food with better appetite. And such a life, in spite of all its cares, has kept her young as well as unselfish; we should rather say, young because unselfish. As she comes into the room with her daughters, her kindly face unpolluted by paint, her dress picturesque or fashionable according to her taste, but decent in form and consistent in tone with her age, it is often remarked that she looks more like the sister than the mother of her girls. This is because she is in harmony with her age, and has not therefore put herself in rivalry with them; and harmony is the very keystone of beauty. Her hair is thickly streaked with white; the girlish firmness and transparency of her skin have gone; the pearly clearness of her eye is clouded; the slender grace of line is lost--but for all that she is beautiful, and she is intrinsically young. What she has lost in outside material charm--in that mere _beauté du diable_ of youth--she has gained in character and expression; and by not attempting to simulate the attractiveness of a girl, she keeps what nature gave her--the attractiveness of middle age. And as every epoch has its own beauty--if women would but learn that truth--she is as beautiful now as a matron of fifty, because in harmony with her years, as she was when a maiden of sixteen.

This is the ideal woman of middle age, met with even yet at times in society--the woman whom all men respect; whom all women envy, and wonder how she does it; and whom all the young adore, and wish they had for an elder sister or an aunt. And the secret of it all lies in truth, in love, in purity, and in unselfishness.

Standing far apart from this sweet and wholesome idealization is _la femme passée_ of to-day--the reality as we meet with it at balls and fêtes and afternoon At Homes, ever foremost in the mad chase after pleasure, for which alone she seems to think she has been sent into the world. Dressed in the extreme of youthful fashion; her thinning hair dyed and crimped and fired till it is more like red-brown tow than hair; her flaccid cheeks ruddled; her throat whitened; her bust displayed with unflinching generosity--as if beauty is to be measured by cubic inches; her lustreless eyes blackened round the lids, to give the semblance of limpidity to the tarnished whites; perhaps the pupils dilated by belladonna; perhaps a false and fatal brilliancy for the moment given by opium, or by eau de cologne, of which she has a store in her carriage, and drinks as she passes from ball to ball; no kindly drapery of lace nor of gauze to conceal the breadth of her robust maturity, to soften the dreadful shadows of her leanness--there she stands, the wretched creature who will not consent to grow old, and who still affects to be a fresh coquettish girl when she is nothing but _la femme passée--la femme passée et ridicule_ into the bargain.

There is not a folly for which even the thoughtlessness of youth is but a poor excuse into which she, in all the plenitude of her abundant experience, does not plunge. Wife and mother as she may be, she flirts and makes love as if an honourable issue were as open to her as to her young daughter; or as if she did not know to what end flirting and making love lead in all ages. If we watch the career of such a woman, we see how, by slow but very sure degrees, she is obliged to lower the standard of her adorers, and to take up at last with men of inferior social position, who are content to buy her patronage by their devotion. To the best men of her own class she can give nothing that they value; so she barters with snobs, who go into the transaction with their eyes open, and take the whole affair as a matter of exchange, and _quid pro quo_ rigidly exacted. Or she does really dazzle some very young and low-born man who is weak as well as ambitious, and who thinks the fugitive regard of a middle-aged woman of high rank something to be proud of and boasted about. That she is as old as his own mother--at this moment selling tapes behind a village counter, or gathering up the eggs in a country farm--tells nothing against the association with him; and the woman who began her career of flirtation with the son of a duke ends it with the son of a shopkeeper, having between these two terms spanned all the several degrees of degradation which lie between giving and buying. She cannot help herself; for it is part of the insignia of her artificial youth to have the reputation of a love-affair, or the pretence of one, even if the reality be a mere delusion. When such a woman as this is one of the matrons, and consequently one of the leaders of society, what can we expect from the girls? What worse example could be given to the young? When we see her with her own daughters we feel instinctively that she is the most disastrous adviser they could have; and when in the company of girls or young married women not belonging to her, we doubt whether we ought not to warn their natural guardians against allowing such association, for all that her standing in society is undeniable, and not a door is shut against her.

What good in life does this kind of woman do? All her time is taken up, first in trying to make herself look twenty or thirty years younger than she is, and then in trying to make others believe the same. She has neither thought nor energy to spare from this, to her, far more important work than is feeding the hungry or nursing the sick, rescuing the fallen or soothing the sorrowful. The final cause of her existence seems to be the impetus she has given to a certain branch of trade manufacture--unless we add to this, the corruption of society. For whom, but for her, are the 'little secrets' which are continually being advertised as woman's social salvation--regardless of grammar? The 'eaux noire, brun, et châtain, which dyes the hair any shade in one minute;' the 'kohl for the eyelids;' the 'blanc de perle,' and 'rouge de Lubin'--which does not wash off; the 'bleu pour les veines;' the 'rouge of eight shades,' and 'the sympathetic blush,' which are cynically offered for the use and adoption of our mothers and daughters, find their chief patroness in the _femme passée_ who makes herself up--the middle-aged matron engaged in her frantic struggle against time, and obstinately refusing to grow old in spite of all that nature may say or do. Bad as the Girl of the Period is, this horrible travesty of her vices in the modern matron is even worse. Indeed, were it not for her, the girls would never have gone to such lengths as those to which they have gone; for elder women naturally have immense influence over younger ones, and if mothers were resolutely to set their faces against the follies of the day, daughters would and must give in. As it is, some go even ahead of the young, and, by example on the one hand and rivalry on the other, sow the curse of corruption broadcast where they were meant to have only a pure influence and to set a wise example. Were it not for those who still remain faithful--women who regard themselves as the trustees for humanity and virtue--the world would go to ruin forthwith; but so long as the five righteous are left we have hope and a certain amount of security for the future, when the present disgraceful madness of society shall have passed away.

_SPOILT WOMEN._