The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)
Part 12
Half a dozen ordinary men advocating 'emancipation' doctrines would do more towards leavening the whole bulk of womankind than any number of first-class women. Where these do stand by each other it is from instinctive or personal affection rather than from class solidarity. And this is one of the most striking distinctions of sex, and one cause, among others, why men have the upper hand, and why they are able to keep it. Certainly there are reasons, sufficiently good, why women do not more readily coalesce; and one is the immense difference between the two extremes--the silly being too silly to appreciate the wise, and the weak too weak to bear the armour of the strong. There is more difference between outsiders among women than there is among men; the feminine characteristic of exaggeration making a gap which the medium or average man fills. The ways of women with each other more than all else show the great difference between their _morale_ and that of men. They flatter and coax as men could not do, but they are also more rude to each other than any man would be to his fellow. It is amazing to see the things they can do and will bear--things which no man would dream of standing and which no man would dare to attempt. This is because they are not taught to respect each other, and because they have no fear of consequences. If one woman is insulted by another, she cannot demand satisfaction nor knock the offender down; and it is unladylike to swear and call names. She must bear what she can repay only in kind; but, to do her justice, she repays in a manner undeniably effective and to the point.
There is nothing very pronounced about the feminine modes of aggression and retaliation; and yet each is eloquent and sufficient for its purpose. It may be only a stare, a shrug, a toss of the head; but women can throw an intensity of disdain into the simplest gesture which answers the end perfectly. The unabashed serenity and unflinching constancy with which one woman can stare down another is in itself an art that requires a certain amount of natural genius, as well as careful cultivation. She puts up her eyeglass--not being shortsighted--and surveys the enemy standing two feet from her, with a sublime contempt for her whole condition, or with a still more sublime ignoring of her sentient existence, that no words could give. If the enemy be sensitive and unused to the kind of thing, she is absolutely crushed, destroyed for the time, and reduced to the most pitiable state of self-abasement. If she be of a tougher fibre, and has had some experience of feminine warfare, she returns the stare with a corresponding amount of contempt or of obliviousness; and from that moment a contest is begun which never ceases and which continually gains in bitterness. The stare is the weapon of offence most in use among women, and is specially favoured by the experienced against the younger and less seasoned. It is one of the instinctive arms native to the sex; and we have only to watch the introduction of two girls to each other to see this, and to learn how even in youth is begun the exercise which time and use raise to such deadly perfection.
In the conversations of women with each other we again meet with examples of their peculiar amenities to their own sex. They never refrain from showing how much they are bored; they contradict flatly, without the flimsiest veil of apology to hide their rudeness; and they interrupt ruthlessly, whatever the subject in hand may be. One lady was giving another a minute account of how the bride looked yesterday when she was married to Mr. A., of somewhat formidable boudoir repute, with whom her listener had had sundry tender passages which made the mention of his marriage a notoriously sore subject. 'Ah! I see _you_ have taken that old silk which Madame Josephine wanted to palm off on me last year,' said the tortured listener brusquely breaking into the narrative without a lead of any kind. And the speaker was silenced. In this case it was the interchange of doubtful courtesies, wherein neither deserved pity; but to make a disparaging remark about a gown, in revenge for turning the knife in a wound, was a thoroughly feminine manner of retaliation, and one that would not have touched a man. Such shafts fall blunted against the rugged skin of the coarser creature; and the date or pattern of a bit of cloth would not have told much against the loss of a lover. But as most women passionately care for dress, their toilet is one of their most vulnerable parts. Ashamed to be unfashionable, they tolerate anything in each other rather than shabbiness or eccentricity, even when picturesque; hence a sarcastic allusion to the age of a few yards of silk as a set-off against a grossly cruel stab was a return wound of considerable depth cleverly given.
The introduction of the womankind belonging to a favourite male acquaintance of somewhat lower social condition affords a splendid opportunity for the display of feminine amenity. The presentation cannot be refused, yet it is resented as an intrusion. 'Another daughter, Mr. C.! You must have a dozen daughters surely,' a peeress said disdainfully to a commoner whom personally she liked, but whose family she did not want to know. The poor man had but two; and this was the introduction of the second.
Very painful to a high-spirited gentlewoman must be the way in which a superior creature of this kind receives her, if not of the same set as herself. The husband of the inferior creature may be adored, as men are adored by fashionable women who love only themselves, and care only for their own pleasures. Artist, man of letters, _beau sabreur_, he is the passing idol, the temporary toy, of a certain circle; and his wife has to be tolerated for his sake, and because she is a lady and fit to be presented, though an outsider. So they patronize her till the poor woman's blood is on fire; or they snub her till she has no moral consistency left in her, and is reduced to a mere mass of pulp. They keep her in another room while they talk to her husband with their other intimates; or they admit her into their circle, where she is made to feel like a Gentile among the faithful, for either they leave her unnoticed altogether or else speak to her on subjects quite apart from the general conversation, as if she were incapable of understanding them on their own ground. They ask her to dinner without her husband, and take care that there is no one to meet her whom she would like to see; but they ask him when they are at their grandest, and express their deep regret that his wife (uninvited) cannot accompany him. They know every turn and twist that can humiliate her if she has pretensions which they choose to demolish. They praise her toilet for its good taste in simplicity, when she thinks she is one of the finest on an occasion on which no one can be too fine. They tell her that pattern of hers is perfect, and made just like the dear duchess's famous dress last season, when she believes that she has Madame Josephine's last, freshly imported from Paris. They celebrate her dinner as the very perfection of a refined family dinner without parade or cost, though it has all been had from the crack confectioner's, and though the bill for the entertainment will cause many a day of family pinching. These are the things which women say to one another when they wish to pain and humiliate; things which pain and humiliate some more than would a positive disgrace. For some women are distressingly sensitive about these little matters. Their lives are made up of trifles, and a failure in a trifle is a failure in their object of life.
Women can do each other no end of despite in a small way in society, not to speak of mischief of a graver kind. A hostess who has a grudge against one of her more famous lady-guests can always ensure her a disappointing evening under cover of doing her supreme honour and paying her extra attention. If she sees the enemy engaged in a pleasant conversation with one of the male stars, down she swoops, and in the sweetest manner possible carries her off to another part of the room, to introduce her to some school-girl who can only say yes or no in the wrong places--'who is dying for the honour of talking to you, my dear;' or to some unfledged stripling who blushes and grows hot and cannot stammer out two consecutive sentences, but who is presented as a rising genius and to be treated with the consideration due to his future. As her persecution is done under the guise of extra friendliness, the poor victim cannot cry out, nor yet resist; but she knows that whenever she goes to Mrs. So and So's she will be seated next the stupidest man at table, and prevented from talking to any one she likes in the evening; and that every visit to that lady is made in some occult manner unpleasant to her. And yet what has she to complain of? She cannot complain in that her hostess trusts to her for help in the success of her entertainment, and moves her about the room as a perambulating attraction which she has to dispense fairly among her guests, lest some should be jealous of the others. She may know that the meaning is to annoy; but who can act on meaning as against manner? How crooked soever the first may be, if the last is straight the case falls to the ground, and there is no room for remonstrance.
Often women flirt as much to annoy other women as to attract men or amuse themselves. If a wife has crossed swords with a friend, and the husband is in any way endurable, let her look out for retaliation. The woman she has offended will take her revenge by flirting more or less openly with the husband, all the while loading the enemy with flattery if she be afraid of her, or snubbing her without much disguise if she feel herself the stronger. The wife cannot help herself, unless things go too far for public patience. A jealous woman without proof is the butt of her society, and brings the whole world of women like a nest of wasps about her ears. If wise, she will ignore what she cannot laugh at; if sensitive, she will fret; if vindictive, she will repay. Nine times out of ten she does the last, and, may be, with interest; and so goes on the duel, though all the time the fighters appear to be intimate friends and on the best possible terms together.
But the range of these feminine amenities is not confined to women; it includes men as well; and women continually take advantage of their position to insult the stronger sex by saying to them things which can be neither answered nor resented. A woman can with the quietest face and the gentlest voice imaginable insinuate that you have just cheated at cards; she can give you the lie direct as coolly as if she were correcting a misprint; and you cannot defend yourself. To brawl with her would be unpardonable; to contradict her is useless; and the sense of society does not allow you to show her any active displeasure. In this instance the weaker creature is the stronger, and the more defenceless is the safer. You have only the rather questionable consolation of knowing that you are not singular in your discomfiture, and that when she has made an end of you she will probably have a turn with your betters, and make them too, dance to her piping, whether they like the tune or not. At all events, if she humiliates you she humiliates her sisters still more; and with the knowledge that, hardly handled as you have been, others are yet more severely dealt with, you must learn to be content, and to practise as much of that grim kind of patience, which suffers keenly and bears silently, as your nature will permit.
_GRIM FEMALES._
Almost all histories and mythologies embody the idea of a race of grim females. Whether as fabulous and complex monsters, like the Sphinx and the Harpies, or in the more human forms of the Fates and the Furies, unsexed women have been universally recognized as forming part of the system of nature and to be accepted among the stranger manifestations of human life. Yet it is hard to understand why they should exist at all. As moral 'sports,' they are so far interesting to the psychologists; but, as women with definite duties and fixed functions, nothing can be less admirable. They are even worse than effeminate men--which is saying everything.
The grim female must be carefully distinguished from the masculine woman; for they are by no means essentially the same, though the types may run into each other, and sometimes do. But the masculine woman, if not grim but only Amazonian, has often much that is fine and beautiful in her, as we see in her great prototype Pallas Athene; but the grim female _pur sang_ is never noble, never beautiful; and the only meaning of her existence--the only mission she seems sent into the world to fulfil--is that of serving as a warning to the young what to avoid.
The grim female is not necessarily an old maid, as would appear likely at first sight. We find her of all conditions indifferently--as maid, wife, widow, as mother and childless alike--and we do not find that her condition in any way affects her character. If born grim, she remains grim to the end; and neither marriage nor motherhood modifies her. The grim female of novelists is generally an old maid; but she is a caricature, painted in the broadest lines and copied from the outsides of things. She is emphatically an odd woman; odd in her dress, her mode, her state. She wears a flapping cap, skimpy skirts and rusty brown mittens on her bony hands. She has a passionate aversion against men and matrimony; and she lives queerly behind a barricaded house-door, with a small slavey, or an elderly female afflicted with deafness, to do her work and bear the brunt of her temper. But she is always odd, unmarried, unfashionable and unlike everybody else, and could never be mistaken for an ordinary woman from the first phrase which stamps her personality on the page to the last paragraph of her fictitious existence.
Now the grim female of real life may be one of the most conventional of her sex, and in fact, she generally is one of the most conventional of her sex. She is one who rules her household with a rod of iron carefully wrought after the pattern of her neighbours' rods, and to whom a dish set awry, or the second-best china instead of the best, counts for as great a moral delinquency in her servants as a breach of all the Ten Commandments together. She is a woman who regards being out of the fashion, or being foremost in the fashion, as equally reprehensible, and to whom dress is among the most important matters of life. Wherefore she is notorious for a certain grim grandeur of style, as one who respects herself by her clothes, and is known among other women as possessing handsome lace and costly velvet in profusion. Are not lace and velvet _de rigueur_ for women of condition? and what is the grim female but the embodiment of the 'rigour of the game' in all matters? Therefore she clothes herself sumptuously, without elegance or taste; and would as soon be seen abroad in her dressing-gown and slippers as without her characteristic heavy velvet or rustling silk. But the artist's little wife, in her fresh muslin and nice admixture of colours, sails round her for grace and beauty at about one-twentieth part of what the grim female's stately ugliness has cost.
One characteristic of the grim female is her want of womanly passion for children. She may have so much maternal instinct, perverted, as to be on friendly terms with a dog or two, a cat, or may be a cockatoo; but she has no real affection for children, no comprehension of child-nature, and the 'sublime nonsense' of the nursery is a thing unknown to her from first to last. If she have children of her own, she treats them in a hard wooden way that has nothing of the ideal mother about it. She generally sees that they are properly cared for, because she is a disciplinarian; but, though she is inexorable on the score of cold baths and 'no trash,' she never condescends to the weakness of love. If her little ones are sick, they are set aside and dosed until they are well; if they are naughty, they are punished; but they never know those moments of tender indulgence which help them over a period of indisposition not severe enough for actual doctoring, yet throwing them out of gear and inducing a spell of what ignorance calls naughtiness. Rhadamanthus was a weakling compared to the grim female in the nursery; and what she is in her nursery she continues to be in the schoolroom, and the drawing-room to follow. Her children are always causes of annoyance to the grim female, and the first stirrings of individuality, the first half-unconscious trials of their young strength, are offences she cannot away with. Children and inferiors are they in her eyes, even when grown up and married; and she exacts from them the humility and deference of their lower condition. Hence she is one to whom the present generation is undeniably worse than the past; one who groans over the follies and shortcomings of the times and who thinks that good conduct died out with her own youth, and that it is not likely, by the look of things, to be restored. In fact, youth itself is the root and basis of offence; and if she coerces children, she tyrannizes over girls and snubs young men, with inexorable impartiality.
The grim female is not necessarily a strong-minded woman, nor a learned woman, like those who wear spectacles, go to scientific meetings and are great in the classics and the 'ologies. She may be of the emancipated class; it all depends on chance; and a grim female, when of the emancipated, is a very formidable person indeed. But she is not necessarily one of these. On the contrary, part of her very grimness comes from her intense conservatism and uncompromising conventionality. Nothing is so abhorrent to her as innovation or novelty in any shape. She does not hold with any one out of the narrowest groove of respectable belief, in what direction soever the diverging line may go. A Romanist or a Baptist, a Jew or an infidel, it is all one to her; each is equally dreadful to her, and each is eternally foredoomed. She is of the orthodox Church without fal-lals; as far removed from Ritualism as she is from ranting, and demanding for herself that infallibity of judgment and absolute possession of the truth which she denies to the Pope and all his Cardinals. Beware how you broach new doctrines in her presence. She has been known before now to abjure her nearest relations for no greater moral lapse than a weak belief in globules; while, as for anything like graver aberrations, say on the ape theory or on the plurality of races, on development in religions or on a republican form of government, she has no toleration whatever. If the Smithfield fires existed at the present day, the grim female would be the first to light the faggots. It is all the same if she belongs to any Dissenting persuasion; part of her grimness coming from her intolerance, and her own beliefs being simply the springboard on which she stands.
Many causes produce the grim female. It may be that she is grim from social pride as well as from natural hardness. If she has been used to live with people whom, rightly or wrongly, she considers her inferiors, she will probably queen it over them in a very unmistakeable manner. The prelatic blood is renowned for this sort of thing; and a bishop's daughter, or an archbishop's grand-daughter, or Mrs. Proudie, prelatic by marriage only, if of the grim class, is one of the grimmest of her class. The halo of sanctity round the mitre and the crozier will be greater in her eyes than even the glitter of the strawberry leaves; and she holds herself consecrated by her birth or marriage to the understanding of every moral question, and specially to the final settlement of every tough theological position. Or she may be grim because of her isolation and meagre intercourse with the world at large; such as she is found in the remoter districts. This kind comes into the exceptional or novelist's class, and is often more masculine than grim. These are the women who hunt and fish and shoot like men, and who may be found in all weathers wandering alone about the mountains in short petticoats and spatterdashes--women who affect to be essentially mannish in person, habits and attire, and who may be quite jolly easy-going fellows in their own way, or else grim and trenchant, as nature or the fit takes them. This is a kind not at all uncommon in country places among the higher class of resident ladies--ladies who are so highly placed locally that they can afford to disregard public opinion, and who are so independent by disposition that they naturally go off to the manly side, and make themselves bad imitations, as the best they can do.
The grim female tries her strength with all newcomers. She is like one of the giants or black knights of old romance, who lived in castles or caves, whence they pounced on all passers-by, and either wrung their necks if they conquered or retreated howling if discomfited. This is what the grim female does in her degree. She dashes on all who are presented to her, and has a passage of arms as the first act of the new drama. If her opponents yield out of timidity or good-breeding, or perhaps from not understanding the warlike nature of the encounter, she puts her foot on them forthwith, and ignominiously crushes them; if they defy her, and give her back blow for blow, ten to one she cuts them and becomes their enemy for ever after. For she has not breadth enough to be magnanimous, and the one thing she never forgives is successful opposition. Very grim is she in the presence of human weakness, moral and physical. Woe to that unhappy maid of hers who has slipped on the narrow path of prudence! She will be turned out to perish with no more compunction than if she were a black-beetle to be swept out of the way.
As a nurse the grim female is precise, punctual, obedient to orders, but inexorable. She would give the patient a fit of nervous hysterics which would throw him back for a week, rather than allow him five minutes' grace in the matter of a painful operation or a nauseous draught. Without variableness or weakness herself, she cannot endure it in others, and whosoever comes under her hand must be content to remain in shape, and to keep himself well braced up to the utmost rigidity of duty. If she had to lose an arm or a leg, she would go to her trouble like a Trojan; and why not others? She would merely tighten her lips and hold her breath, and then would sit down to let herself be hacked and mangled without a groan or a word. To judge by the notice given of her in her sister's life, Emily Brontë was of the grim class, and about the grimmest for her age and state that could well be found. Had she lived, and lived unsoftened, she would have been one unbroken mass of iron and granite, without a soft spot anywhere. Her very love was fiercer than other women's hate; her strength was more terrible than a man's anger; her passions were as fiery as furnace flames. Of all the examples we could cite, she seems about the fittest for our model.
A grim female has no mercy. She may be just, but if so, it is in a hard uncompromizing way that makes her justice worse than others' partiality. For justice can be sympathetic, even if unwavering; and the grim female is never sympathetic, how painful soever the work on hand and the sentence to be executed. Neither is she gay; for she is not plastic enough to be either one or the other. She is run into an iron mould, where her nature is compressed as in a vice; and she allows of no expansion, no lipping over, no bursting of bonds anyhow.