Part 1

THE GILDED MAN

THE GILDED MAN A ROMANCE OF THE ANDES

BY CLIFFORD SMYTH

WITH AN INTRODUCTION BY RICHARD LE GALLIENNE

BONI AND LIVERIGHT NEW YORK 1918

Copyright, 1918 BY BONI & LIVERIGHT, INC.

TO BEATRIX

CONTENTS

_Page_ INTRODUCTION xi _Chapter_ I. IN WHICH COMET GOES LAME 1

II. IN UNA'S GARDEN 10

III. A CHAPTER ON GHOSTS 19

IV. THE GHOST OF THE FORGOTTEN 30

V. THE SEARCH FOR EL DORADO 41

VI. EMBOLADORES ON THE MARCH 55

VII. LA REINA DE LOS INDIOS 71

VIII. A RIVER INTERLUDE 89

IX. ON INDIAN TRAILS 105

X. AN OLD MYSTERY 125

XI. IN WHICH ANDREW IS FOUND 145

XII. A DEAD WALL 157

XIII. MRS. QUAYLE TAKES THE LEAD 170

XIV. THE BLACK MAGNET 189

XV. AT THE SIGN OF THE CONDOR 212

XVI. NARVA 230

XVII. A SONG AND ITS SEQUEL 251

XVIII. SUBTERRANEAN PHOTOGRAPHY 274

XIX. A QUEEN'S CONQUEST 293

XX. LEGEND AND REALITY 302

XXI. DREAMS 312

XXII. A PEOPLE'S DESTINY 325

XXIII. THE GILDED MAN 344

THE GILDED MAN

FOREWORD

Two dreams have persistently haunted the imagination of man since dreams began. You find them in all mythologies, and, perhaps most dramatically, in the Arabian Nights: the dream of the Water of Immortality, and the dream of the Golden City. Within recent times--that is, during the sixteenth century--both were lifted out of the region of fairy lore, and men as far from "dreamers," in the ordinary sense, as the "conquistador" Ponce de Leon and Sir Walter Raleigh raised them into the sphere of something like Elizabethan practical politics. Whether or not Ponce de Leon did actually discover the Fountain of Eternal Youth on the Bimini Islands concerns us but incidentally here. At all events, he seems to have died without drinking of it; as death on the scaffold was the penalty for Raleigh's failure to discover El Dorado. So practically had the courts of Elizabeth and James regarded the dream of the Golden City, and so firm had been Raleigh's own belief in it. Though Raleigh's name is most conspicuously and tragically connected with it, of course it had been Spanish adventurers for several generations before--exploring that "Spanish Main" which they had already, and in romance forever, made their own--who had given that dream its local habitation and its name. Martinez had been the first to tell how, having drifted on the coast of Guiana, he had been taken inland to a city called Manoa, whose king was in alliance with the Incas. Manoa, said he, to opened mouths and wondering eyes, on his return to Spain, was literally built, walls and roofs, houses big and little, of silver and gold. His tale, garnished with many other mysterious matters, soon speeded expedition after expedition, dreaming across those

"perilous seas In fairyland forlorn."

All came back with marvels on their tongues. All had caught glimpses of the gilded domes of the city, but that was all. Gonzales Ximinez de Quesada from Santa Fé de Bogotá was "warmest," perhaps; but he too failed. Many a daring sailor since has vainly gone on a like quest. Even in our prosaic times--in the true Elizabethan spirit, that, for all their romance, actually animated those enterprises of old time--when men sought real gold as now, not "faery-gold"--an enterprise, with a prospectus, shareholders, and those dreams now known as promised dividends, has made it its serious "incorporated" business to go in quest of El Dorado.

But, elaborate as all previous expeditions and enterprises have been, and dauntless as the courage of the individual explorer, one and all have failed--till now. Till now, I say--for at last El Dorado _has_ been discovered, and it is my proud privilege to announce, for the first time, the name of its discoverer--Dr. Clifford Smyth.

Dr. Smyth has chosen the medium of fiction for the publication of his discovery, like other such eminent discoverers as the authors of _Erewhon_ and _Utopia_, but that fact, I need hardly say, in nowise invalidates the authenticity and serious importance of his discovery. Though truth be stranger than fiction, it has but seldom its charm, and, to use the by-gone phrase, Dr. Smyth's relation of happenings which we never doubt for a rapt moment did happen "reads as entertainingly as a fiction." In fact, the present writer--who confesses to the idleness of keeping _au courant_ with the good and even merely advertised fiction of the day, recalls no fiction in some years that has seemed to him comparable in imaginative quality with _The Gilded Man_, or has given him, in any like degree, the special kind of delight which Dr. Smyth's narrative has given him. For any such thrill as the latter part of the book in particular holds, he finds that his memory must travel back, no difficult or lengthy journey, to Mr. Rider Haggard's _King Solomon's Mines_--a book which one sees more and more taking its place as one of the classics of fantastic romance, the kind of romance which combines adventure with poetic strangeness; though, at its publication, "superior persons," with the notable exception of that paradoxical most superior person, and man of genius, Andrew Lang, disdained it as a passing "thriller."

Perhaps it is not indiscreet to say that one circumstance of Dr. Smyth's life gave him exceptional opportunities for that dreaming on his special object which is found to be the invariable incubation, so to say, preceding all great discoveries. For some years Dr. Smyth was United States consul at Carthagena, that unspoiled haunted city of the Spanish Main, which, it may be recalled, furnishes a spirited chapter in the history of Roderick Random, Esquire, of His Majesty's Navy. He was, therefore, seated by the very door to that land of enchantment, which, as we have been saying, had drawn so many adventurous spirits under roaring canvas across the seas, in the spacious days. He was but a short mule-back journey from that table-land raised high in the upper Andes where Bogotá, the capital of Colombia, is situated, the region around which all those "superstitions" retailed by Indians to those early adventurers centre. Descendants of the same Indians still tell the same stories, and still the average prosaic mind laughs at them as "superstitions." El Dorado! as if any one could take it seriously nowadays! Has not the term long been a picturesque synonym for The City of Impossible Happiness, the Land of Heart's Desire, the Paradise of Fools, and all such cities and realms and destinations and states of being, as the yearning heart of man, finding nowhere on the earth he knows, imagines in the sun-tipped cloudland of his dreams, and toward which he pathetically turns his eyes, and stretches out his arms to the end?

But what if El Dorado were no such mere figment of man's aching fancy, after all; what if the El Dorado, so passionately believed in by those eminently practical Elizabethans, did all the time, as they surmised, exist upon this solid earth, and should still quite concretely exist there....

Is it not likely that such might be the musings of a man situated as was Dr. Smyth, in the very heart of the mystery, a man of affairs, touched with imagination, as all really capable men of affairs are; and, as he listened to the old Indian tales, and talked with miners, and all manner of folk acquainted with the _terrain_ of the legend, what could he do but fall under the same spell that had laid its ghostly hand on the mighty heart of Raleigh centuries before, and follow its beckoning, as the other inspired madmen before him?

But, as we have seen, his doom was to be different. For so long generations of dead men had come crying, like those three old horsemen in Morris's _Glittering Plain_: "Is this the Land? Is this the Land?" to turn broken-hearted away; but from him, of all men born, throughout the generations, was to be heard at last the joyous, ringing cry: "This _is_ the Land! This _is_ the Land!"

Pause for one moment more and think what El Dorado has meant to mankind, think with all your might; and then think what must have been the feelings of the man who stood looking upon it, and knew that he--that _he_--had found it. In such moments of transfiguring realization men often lose their reason, and, as we say, it is not a little surprising that Dr. Smyth is alive to tell the tale. The lovely knowledge might well have struck him as by lightning, and the secret once more have been buried in oblivion.

I have all along taken it for granted that Dr. Smyth's _The Gilded Man_ is a genuine narrative, the true story of a wonderful happening. If any one should come to me and tell me that I am simple-minded, that it is no such thing, and that, as the children say, Dr. Smyth "made it up all out of his own head," I should still need a lot of convincing, and, were conviction at last forced upon me, I could only answer that Dr. Smyth must then possess a power of creating illusion such as few romancers have possessed. For there is a plausibility, a particularity, a concreteness about all the scenes and personages in _The Gilded Man_ that make it impossible not to believe them true and actual, however removed from common experience they may seem. I should like very much to be more particular, but I cannot very well be so without betraying the story--or "true and veracious history," whichever it may turn out to be. Still I can hint at one or two matters without betraying too much. The mysterious queen, Sajipona, for example, seems not only real, but she and her love-story make one of the loveliest idylls in what, for want of a better word, one may call "supernatural" romance that has ever been written. And all the dream-like happenings in the great cave, though of the veritable "stuff that dreams are made of," are endowed with as near and moving a sense of reality as though they were enacted on Broadway.

Of the cave itself, which may be said to be the Presiding Personage of the book, it seems to me impossible to speak with too great admiration. It is, without exaggeration, an astonishing piece of invention; I refer not merely to the ingenuity of its mechanical devices, though I might well do that, for they are not merely devised with an exceeding cleverness, but the cleverness is of a kind that thrills one with a romantic dread, the kind of awe-inspiring devices that we shudder at when we try to picture the mysteries of the temples of Moloch. Dr. Smyth's invention here is of no machine-made, puzzle-constructed order. We feel that he has not so much invented these devices, but dreamed them--seen them himself with a thrill of fear and wonder in a dream. And the great device of them all, that by which the cave is lighted so radiantly and yet so mystically, outsoars ingenuity, and is nothing short of a high poetic inspiration. But all these details, each in itself of a distinguished originality, gain an added value of impressiveness from the atmosphere of noble poetic imagination which enfolds them all, that atmosphere which always distinguishes a work of creation from one of mere invention. I do not wish to seem to speak in superlatives, but, in my opinion, Dr. Smyth's cave of The Gilded Man belongs with the great caves of literature. I thought of _Vathek_ as I read it, though it is not the least the same, except in that quality of imaginative atmosphere.

With the purely "human" interest of the book, the daylight scenes and doings, he is no less successful. His plot is constructed with great skill and is full of surprises. The manner in which he "winds" into it is particularly original. Then, too, his characters are immediately alive, and there is some good comedy naturally befallen. General Herran and Doctor Miranda are delightfully drawn South American characters, and the atmosphere of a little South American republic convincingly conveyed, evidently from sympathetic experience. Nor must the absurd Mrs. Quayle be forgotten, and particularly her jewels, which play such an eccentric part in the story--one of Dr. Smyth's quaintest pieces of cleverness.

But it is time I ended my proud rôle of showman, and allowed the show to begin. So this and no more: If Dr. Smyth has, as I personally believe from the convincing manner of his book, discovered El Dorado, he is to be congratulated alike on the discovery and his striking method of publishing forth the news; but if he has merely dreamed it for our benefit, then I say that a man whom we have long respected as a wise and generous critic of other men's books, should lose no time in writing more books of his own.

RICHARD LE GALLIENNE.

THE GILDED MAN

I

IN WHICH COMET GOES LAME

When, one evening in the late Autumn, David Meudon reached the entrance to Stoneleigh Garden, where Una Leighton awaited him, it was evident something unusual had happened.

"You are late," she said, as he clasped the slender hand extended to him in welcome.

"I could ride no faster. Comet is lame."

The tired bay, belying his name, stood dejectedly, one white foreleg slightly bent, as if seeking relief from a weight it was weary of bearing. By the friendly way in which he stretched forth his muzzle to touch the girl's proffered fingers, Comet was evidently not a stranger to her endearments.

"Poor Comet! Why didn't you take better care of him?"

"I was too impatient at the start, and that got him into trouble. After that, of course, we had to go slowly. I hated the delay. I hated having to listen to my own thoughts for so long."

Her gray eyes fixed questioningly upon the bronzed, sharp-featured man, she noted his restless gaze, his riding-whip's irritable tattoo on polished boot-top as he stood at her side. Then, flinging her arms about his neck, her face, flushed with pleasure and expressive of a mingled tenderness and anxiety, turned expectantly to his.

"David, you are here!" she said impulsively. "You are glad, aren't you? Say that your thoughts aren't gloomy any more."

"What need to say it--Una!"

Silently the two lovers threaded the box-bordered path leading to the great stone mansion beyond, pausing to admire the flowers that still bloomed in a straggling sort of way, or marking the loss of those whose gay colors and delicate fragrance had formed a part of their own joyous companionship a month ago. But this evening, as if reflecting Nature's autumn mood, there was something of melancholy--restraint, where restraint had never been before--in David's bearing; while with Una there was an affectionate solicitude that strove to soothe an unspoken trouble.

"You must stay to-night," she said; "it would be cruel to ride Comet back."

"But your Uncle--will he care to have me here?"

"What a question! Of course he will."

"Are you sure? He was in town the other day to see me. Did he tell you?"

"No. But then, Uncle Harold seldom tells what he has been doing."

"He was in one of his grim moods; cordial enough outwardly; but, inside, I felt a curious sort of malevolence. That's an ugly word--but it seemed just that."

"Uncle Harold malevolent! That isn't very nice of you to say."

"He asked me if I thought our marriage should take place."

"And you said----?"

"Nothing."

"David!"

"I am unworthy of you, Una--I feel it. There are men, you know, who have in their past things that make them unworthy the woman they love. I confess, there are dark shadows, haunting things in my past. I can't explain them, even to myself. I don't altogether know what they are--queer as that sounds! But--some day they might come between us. When I rode over just now, I made up my mind to try to tell you. You ought to know----"

"David," she interrupted, "I don't want to know. I love you as you are to-day. If you were different in the past, before I knew you, I don't care to hear about it."

In spite of his self-depreciation, in the eyes of the world David Meudon would be regarded in every way a worthy suitor for the hand of Una Leighton. Clean of stock, so far as the gifts of blood and social station go, he had inherited besides a fortune that would be considered large even in a nation of millionaires. This inheritance, coming to him through the death of his father and mother in the middle of his college course, had not proved a snare to him. After completing his education, he had traveled extensively, not through an idle curiosity to see the world, but from a wish to perfect himself in certain studies calling for a wider knowledge than could be gathered from books or tutors.

It was during his travels abroad, after he had left his eccentric schoolmate, Raoul Arthur, in India, that David first met Una Leighton, who was spending a winter in England with her uncle. The meeting ripened into an intimacy that survived the distractions of European travel, and drew David, a constant visitor, to the picturesque old mansion, Una's home, on the outskirts of the little Connecticut village of Rysdale.

There followed those memorable experiences of youth--courtship and betrothal. David loved with all the fervor of a mature passion, a passion that quite overshadowed all his former interests. Love for him was an idyl of dreams and delicious fantasies, a paradise where he and Una delighted in all the harmless exaggerations of poetry and romance. No cloud dimmed their happiness. The brightest kind of future seemed to stretch indefinitely before them.

All the world--the world of Rysdale--knew of their love and discussed it eagerly. Their daylong wanderings together, their absorption in each other, appealed to the sensible farmers and their wives, who watched with tireless interest the development of this romance in their midst. There was something, besides the rumors of his great wealth, in the personality of David that would easily account for this interest. As a result of his long years of solitary travel he had acquired an indefinable air of reserve that was emphasized by features almost Indian in their clean-cut sharpness and immobility. His whole appearance, indeed, was of the kind traditionally suggesting mystery--a mystery that inevitably arouses curiosity in those who come within its influence.

Had Una been a stranger, spending a summer, as so many strangers did, in the little mountain hamlet, her intimacy with David might have passed unheeded. But she belonged very much to the place. Generations ago her ancestors had settled here. At that initial epoch in local history, Stoneleigh was the only building of any importance in or near Rysdale--and from that period to this Stoneleigh had been the home of the Leightons. Before they bought the gray-gabled mansion (St. Maur's House it was then called) it was occupied by a small congregation of Benedictines, who came from France to establish themselves in this quiet corner of the new world. When the House passed from the monks into the hands of that stout Scotch pioneer, John Leighton, it was a desolate sort of ruin. But its walls were well built, and the thrift of its new owners gradually added the wings and the square, central tower needed for the family comfort.

Leighton was thus one of the oldest names in the neighborhood. The family bearing it had always prospered. Years ago their income, what with careful saving and shrewd investment, was sufficient to let them give up farming. This they did, and settled down to the dignified ease that, in an English community, belongs to the household of a county "squire," or to a "lord of the manor."

Harold Leighton, the present owner of Stoneleigh, was more of a recluse than any of his predecessors. To the gossips of Rysdale, indeed, who knew something of the history of the place, it seemed as if the cowl of the monkish founder of the House had fallen upon the shoulders of this gray-haired old man. He was looked upon as a student of unprofitable matters, lacking in the canny enterprise distinguishing the Leightons before him, and that had built up the family fortunes. By some he was liked; by others--and these were in the majority--the satirical smile, the cool reserve, the assumption of superiority with which he met the social advances of his neighbors, were set down as indications of a character to be watched with suspicion, and that were certainly not of the right Rysdale stamp.

Una, however, was different. The villagers did not regard her with the hostility that they had for her uncle. Orphaned at an early age, she had easily captured and held the affection of those who knew her. The tawny-haired girl, bubbling over with friendly prattle, her gray eyes--bluer then, as with the sky-tint of a clear dawn--sparkling with youthful enthusiasms, had a host of comrades and admirers long before she reached her teens. With equal grace and favor this radiant little creature accepted the tribute of farmer and farm-hand, and when it came to playmates was decidedly more at ease with the village maidens than with the decorous young ladies who were occasionally brought to Stoneleigh on a visit of state from the city. As Una grew older, this choice of associates, unchecked and even encouraged by her uncle and Elizabeth Quayle, the worthy but not over-astute matron who looked after Leighton's household, had its drawbacks. The girl's beauty, which was of no ordinary kind, inevitably touched with its flame victims who were not socially intended for this kind of conflagration. Una sometimes shared in their subsequent misery; but she was unable to lighten their woes in the only way they could be lightened. And when she discovered that the refusal of their offers usually meant the breaking up of a treasured friendship, she had been known to weep bitterly and form all kinds of self-denying resolutions for the future.

The climax to her griefs in this respect, a climax partly responsible for her flight to Europe, came through the weakness (so his indignant aunt called it) of the district schoolmaster, Andrew Parmelee. Andrew was a solitary dreamer, a friendless, inoffensive sort of person, absorbed in books, oblivious to the world around him. Learning, such wisps and strays of it as lodged in his mind as a result of his omnivorous reading, he was quite incapable of imparting. The use of the ferule, also, was an enigma to him. Hence, there were those unkind enough to whisper that the Rysdale school, under his management, was not what it should be. But every one liked him, in a tolerant sort of way; and with Una he was in particular favor. Andrew didn't know this, at least for some time. When he did find it out, that is, when, quite by accident, as it seemed, Una tripped into his school one day to pay him a visit, it had quite a disastrous effect on him. Before that, women, in general and in particular, were utterly unknown to him, creatures to be shunned, to be feared. He was familiar, of course, with the eccentricities of his aunt, Hepzibah Armitage. She looked after his wardrobe, fed him, warned him of the various pitfalls of youth, stopped his spending the money allowed him by the village trustees on the ancient histories for which he had an insatiable appetite. She ruled with a rod of iron, and the rod wasn't always pleasant. But for all that, he felt that life without Aunt Hepzibah, although it might give him one mad, rapturous day of freedom, was too bewildering, too dangerous to contemplate as a steady form of existence. Aunt Hepzibah was an institution; she was not a woman. He had heard of men falling in love with women. Such an accident, involving his Aunt Hepzibah, was unthinkable--unless, indeed, something like the conquest of the Scythians by the Amazons, of which he had read in his Herodotus, should be repeated in Rysdale.