Chapter 6

The bottom was reached in safety after the usual doleful crunching and creaking of the timber, and Paul sat down on the bottom step, with his candle, to rest and quiet himself, before proceeding with his work upon the door. A dead stillness reigned all about him, broken only by the occasional resettling of the steps above his head, but which, to his excited brain, was like the report of a pistol; still even this ceased in a few minutes, and the silence was undisturbed. He now made a careful examination of the door. It was very heavy, and solid. Holding his candle close against the crack, he could see, to his surprise, that it was bolted upon the inside. Placing his ear close against the keyhole, he listened, but it was silent as a tomb within; and how the door became fastened upon the inside was inexplicable, unless indeed there was another outlet, which from his examination of the building had seemed improbable. Then, taking out his knife, he stuck it into the wood in various directions to ascertain the condition of its preservation. The door itself was in an excellent state; but in examining the lintel, the blade of his knife suddenly sank into the rotten wood up to the handle. Here, then, was the place to begin operations, and fortunately it was on the side from which the door opened. Henley had soon dug away a great segment of decayed wood, exposing the bolt clearly to view. Then taking the hinge which he had brought with him, and slipping the small end between the bolt and the frame of the door, he used it as a lever to pry against the bolt within. The iron was so old and rusty, and his purchase so poor, that he only succeeded in making a rasping sound where the two metals scraped against each other, and so stopped, discouraged. Presently he bethought him of his handkerchief, which he wrapped carefully around the end of the hinge, and thus not only gained a better purchase, increasing his leverage, but was able to operate without the slightest sound. It was a long time before the bolt moved, but to his intense gratification it did move at last, and Henley took a fresh grip upon his hinge. Backward and forward he worked his lever, and with each turn the old bolt slipped back a little. At last he could see the end of it, and then it was clear of the frame entirely. He had expected no difficulty in opening the door when the hinge was once slipped, but to his surprise it was still immovable. He pulled and tugged and pushed, but it would not budge; then suddenly, just as he was about to give up, it came tumbling down upon him, so that he was barely able to save it from falling against the stairs with a terrible crash, but fortunately caught it upon his shoulder, and lowered it to the floor without a sound. Imagine his surprise in going to what he now believed to be the open portal, to find that the doorway had been bricked up from within, and that the door itself had simply been the back of a solid wall. Naturally, he was disappointed at finding himself no nearer the inner chamber than before. A careful examination of the masonry showed that the work of bricking up the entrance had undoubtedly been done from the other side, and after the door had been closed and bolted. This was evidenced from the fact that there was no mortar next the door, against the smooth inner surface of which the bricks had been closely laid. Henley worked his hinge between some of the looser joints, and found, just as he expected, that the mortar had been laid from within. By degrees he managed to wedge one of the bricks out of its place, and then pulled it bodily from the wall. The inner surface was plastered over. He tried another, which he got out more easily, and it told the same tale. Then he went to work in earnest, and had soon dug a hole large enough to admit his body. Leaning over into the aperture, with his candle at arm's length, the place looked dark and empty, with faint masses of lighter shadow. Then, with a certain indescribable awe, Henley commenced crawling through the breach. Stepping upon an earthern floor, he found himself in a vault-like chamber--damp, mouldy, and foul of atmosphere. He glanced hurriedly about, and then turned to examine the wall through which he had come. Just as he had surmised, the bricks had been laid from the inner side, and plastered over within. The person who had done the work must have had some other means of escape. This set him to wondering where the other entrance could be, and to a careful search around the wall; but there was no door, no window, nor opening of any kind. How had the work been done? While he was wondering, he stumbled over something in the floor, and, recovering, threw back his head, holding his candle high above it. He was startled by the sight of what appeared to be four shadowy human faces, looking directly at him from above. Instinctively he sought his revolver, but before drawing it perceived that what he had taken for living people were simply four portraits, of the most remarkable character he had ever beheld. Paul stared in bewilderment at the sight before him. The pictures were so old, their canvases so rotten and mildewed and stained with the accumulated fungi of time and darkness that it was only by degrees that the intention of the artist became manifest. In the hall and other apartments of the old house, Henley thought he had seen the most original and inexplicable pictures ever painted; but here, buried forever from the sight of human eyes, were the most dreadful countenances ever transcribed from life or the imagination of man. Torture was clearly depicted upon each face; but not torture alone, for horror, fright, and mental agony were strangely blended in each. Not a face that looked down upon him from those antiquated frames but bore that agonized, heart-broken, terrified expression. Paul was paralyzed; a kind of mesmeric spell held him to the spot, so that he could not remove his eyes from the uncanny scene before him. Then a wild desire to be rid of the place forever seized him, and he stepped backward. At the same minute he observed for the first time what looked like some faded letters painted upon the wall directly beneath the four mysterious portraits. Examining these with his candle, he saw that they formed the words:

“_The last of the Guirs_.”

“No wonder Dorothy said that she was afraid of them,” Paul reflected; “their portraits alone would drive me mad.” He took another long searching look; and as his eyes grew accustomed to the faded coloring, he observed how cleverly the work had been done. Evidently the pictures had been painted from life, though under what circumstances Henley could never imagine. The faces were all those of a feminine type; they were of young women, apparently but little more than girls, and each with this life-like, though dreadful expression. As Paul stood marveling and wondering, a new interest seized him. At first he could not quite understand what it was, but it became stronger and better defined, he knew, for he recognized one of the faces. Yes, there could be no mistake about it; the picture on the left was a _portrait of Dorothy herself_. Henley rubbed his eyes, and looked again and again; he could not believe their evidence, but they had not deceived him. He tried to make himself believe that it was the likeness of some ancestor, to whom she had a strange resemblance; but, despite the look of pain, it could be no other than Dorothy, and indeed this very expression helped to heighten the likeness, for had he not seen a similar expression at the breakfast table? The longer he gazed at it, the more convinced he became that this was a portrait of Miss Guir. At last, thoroughly mystified, he turned away, intending to leave this grewsome chamber of horrors forever; but now for the first time the heap of rubbish in the center of the floor engaged his attention. Taking his hinge, he stirred up the mass; some shreds of cloth, which fell to pieces on being touched, and beneath them some human bones. This was all, but it was enough; and overwhelmed with horror, Henley rushed out of the room, bounding through the aperture he had made in the wall, and up the rickety stairs into his own bed chamber. He carefully closed the scuttle, heaped some firewood upon it, shut the closet door and fastened it securely from without. He then built up a roaring fire, lit another candle, and sat meditating over what he had seen until the dawn of day. When the light of the sun came streaming into his room, he undressed and went to bed.

Whatever may have been Mr. Henley's suspicions concerning the implication of the Guirs with the crime which he could no longer doubt had been committed in their house, they were promptly dispelled, so far as the young lady was concerned, upon meeting Dorothy at the breakfast table. Her innocent though serious face was a direct rebuke to any distrust he might have entertained; and he even doubted if she had any knowledge of the state of things he had discovered in the vault. This, of course, only added to the mystery; nor was Mr. Henley's self-esteem fortified by the memory of how unscrupulously he had become the guest of these people, and of how equivocal had been his treatment of their hospitality. All this, however, related to the past, and, as he felt, could not be now undone. He must act to the best of his ability in the extraordinary position in which he found himself.

After breakfast they walked again into the garden, and while Paul smoked his cigarette, meditatively, Dorothy gathered flowers for the house. There was an earnestness in everything that she did, quite unusual in a girl of her age, and at times her manner was grave and sad, but strangely attractive, nevertheless. When she had completed her labors in the garden, she came and seated herself beside him.

“Some day, Paul, we'll have a cheerier home than this; won't we?” she said, looking wistfully up at the quaint old pile before them.

“I don't think we could have a more romantic one,” he answered; and then, hoping to elicit an explanatory answer, added, “but why should Guir House not seem cheerful to you?”

“I don't know; it has always been gloomy; don't you think so?”

“Not having known it always, Dorothy, I am not in a position to judge; but it will always be the sweetest place on earth to me, because I met you here for the first time.”

“Yes, I know; but you must not forget your promise.”

She seemed nervous and anxious concerning his fulfillment of it.

“And do you suppose that I could ever forget anything you asked me? No, Dorothy, while you will it, I am your slave; but, as I told you before, you exert such a strange power over me that you could make me hate and fear you. I don't know why this should be so, but I feel it!”

“Hush!” she said, extending her outstretched hand toward his mouth; “do not talk in that way; you frighten me; for, O Paul! I was just beginning to hope that in you I had found a friend who would never shrink away from me. Do not tell me that you will ever become afraid of me like the others. I could not bear it.”

“I shrink! God forbid,” he answered, “but tell me why are other people afraid of you? You mystify me.”

“Because I am different--so different from them!”

“I'm quite sure of that,” he replied, “else I should never have come to love you within an hour of meeting you.”

She did not smile; she did not even look up at him, but sat gazing at nothing, with countenance as solemn and imperturbable as that of a Sphinx.

“How am I ever to understand you, Dorothy, you seem such a riddle?” said Paul presently.

“You will never understand me,” she answered with a sigh, “No one ever has understood me, and you will be just like the rest!”

“But you will never let me be afraid of you, like the others, will you?” he exclaimed half in earnest.

“I don't know; others are; why should not you be?”

She was still staring into vacancy, with her hands clasped, and Paul thought he detected a little, just a little, of the same expression he had seen in the portrait. He started, and Dorothy saw him.

“What is the matter?” she inquired, looking around at him for the first time.

“Nothing; only you looked so dreadfully in earnest, you startled me.”

“But surely you would not be startled by so simple a thing as that!”

“Why not? I am only human,” he answered.

“Yes, but I am sure there was something else. Now tell me, was there not?”

“Why, how strangely you talk!” he replied, searching her face for an explanation. “Of course there wasn't; why should there be?”

She leaned back, apparently still in doubt as to his assertion, while her countenance grew even more grave than before. Henley was puzzled, and while Dorothy had not ceased to charm him, he was conscious of a very slight uneasiness in her presence. This, however, wore off a little later when they went together for a stroll in the forest. The girl's extreme delicacy of appearance, her abstracted, melancholy manner, and sincerity of expression, both attracted and perplexed Paul, and kept him constantly at work endeavoring to solve her character and form some conception of the mystery of her life. He had not yet had even the courage to ask her if Ah Ben were her father, dreading to expose himself as an impostor and be ordered from the place, which, despite his discovery of the previous night, he could only regard as an unmitigated hardship in the present state of his feelings; and so he had let the hours slip by, constantly hoping that something would occur to explain the whole situation to him. And yet nothing had occurred, and now upon the third day he was as grossly ignorant of the causes which had produced his strange environment as at the moment of his arrival.

“One thing I do not understand,” Paul observed, as they wandered over the vari-colored leaves, side by side; “it is why you should be so anxious to leave this ideal spot.”

“Have I not told you that it is because I am out of my element; because I am avoided; because I have not a friend far nor near! Oh, Paul, you do not know what it is to be alone in the world!”

“And do you believe that a simple change of locality would alter all this?” he asked.

She paused for a moment before answering, and then, looking down upon the ground, said as if with some effort:

“No, not that alone.”

“What then, Dorothy?” he asked with solicitude.

“I have already told you,” she replied without looking up. “Oh, Paul, what a short memory you must have!”

“Of course I understand that we are to be married,” he responded hastily, “but how can that alter the situation? Dorothy, if we have not found congenial friends in that position in life in which God or nature has placed us, how can we hope to make them in another? Do you not think there may be some deeper reason than simple locality and single blessedness? Would it not be natural to look for the cause in the individual?”

“Undoubtedly you are right,” she answered, “but your premises do not apply to my case, for neither God nor nature ever intended that I should live this life. Oh, Paul, believe me when I tell you that I know whereof I speak. Do not judge me as you would another; some day you may know, but I can not tell you now.”

She spoke pleadingly, as imploring to be released from some awful incubus which it was impossible to explain. Paul listened in deep perplexity, and swore that the powers of heaven and earth should never come between them. So different was she from any girl that he had ever seen, that her very eccentricity bound him to her with a magic spell. When he had again asked her if Ah Ben would oppose their marriage, or indeed if any one else would, she declared that no human being would raise a voice against it.

“Then what is to hinder us?” he asked; “I am poor, but I can support you; not perhaps in such luxury as you are accustomed to, but I can give you a home; and if you are so unhappy here, why submit to unnecessary delay?”

He had become impassioned and enthused by the girl's strange influence over him.

“True, Paul, there are none to hinder us,” she replied seriously, “that is, no one but--but--”

She paused, not knowing how to proceed.

“Then there is some one,” cried Paul earnestly. “I thought as much. Who might the gentleman be?”

“Yourself!” exclaimed Dorothy, her eyes still fixed upon the ground.

“Myself!” shouted he in amazement. “Do you mean to say that I should oppose my own marriage with the girl I love?”

“You might,” she answered demurely, casting a side glance up at him, and allowing the very faintest, saddest kind of smile to rest for an instant upon her face.

“Well!” said Paul, “I do not suppose you will explain what you mean, but it would be only natural that I should like to know.”

“I only mean,” she replied, resuming her meditative attitude, “that you do not know me; that you neither know who nor what I am. If I did not love you, I might deceive and entrap you, but not under the circumstances.”

Later they returned to the house.

7

It was not until Mr. Henley had made another and longer visit to the dark room that he became convinced beyond all doubt that the work of sealing up the place had been done from within, and that there was, and had been, no other outlet but that through which he had entered. To suppose that the main wall of the house had been closed in at a later period would be preposterous, and for manifest reasons. His examination of the room's interior had been most thorough and exhaustive. The place was smoothly plastered upon the inside, and even the mason's trowel had been found upon the floor within, so that it became at once evident that those who had done the work had been self-immured. Although the reason for such an act was utterly beyond his comprehension, Paul felt a certain satisfaction in having reached this conclusion, as it showed the impossibility of Dorothy's being in any way implicated in the affair. It seemed even possible that she was ignorant of it. But this discovery in no wise lessened the mystery; it rather increased it.

A few evenings after Paul's decision regarding the self-immurement of those discovered in the vault, he and Ah Ben were again enjoying their pipes by the great fireplace in the hall. The elder man was generally disposed to conversation at this hour; and after Dorothy had retired, Paul alluded to the strange scene he had witnessed through the chimney, and expressed a desire to learn something of occultism. Taking his long-stemmed pipe from his lips, the old man gazed earnestly into the fire. He seemed to be thinking of what to say, and to be drawing inspiration from the glowing embers and dancing flames before him. At last he spoke:

“Occultism, Mr. Henley, is difficult--nay, almost impossible--to explain to a layman; or if explained, remains incomprehensible; and yet a child may acquire its secrets by its individual efforts. Spiritual power comes to those who seek it in proper mood, but, injudiciously exercised, may cause insanity.”

“Nevertheless,” urged Paul, “if you won't consider me a trifler, I should like to see a further manifestation of the power.”

Ah Ben looked at him compassionately.

“Pardon me, Mr. Henley,” he said, “but it is not always well to gratify our curiosity upon such a subject; but if you seriously wish it, and can believe in me as an honest and honorable custodian of the power, and will prepare yourself for a serious mental shock, I will show you something.”

“Before proceeding,” said Paul, “I should like to ask you a question. Was the room I saw through the chimney a real room? I mean had it any material existence upon earth?”

“Most assuredly. It was a scene in my early childhood, and originated in the Valley of the Jhelum, in the Punjab. The officer and lady were my parents. It was the last time I ever saw them. I was the boy.”

“May I ask how it is possible to reproduce a scene so long passed out of existence, and which took place so many thousand miles away?”

“Easily told, but not so easily understood by one whose mind has never been trained to think in these occult channels,” answered the elder man; “for to understand the thing at all, you must first divest your mind of time and space as outside entities, for these are in reality but modes of thought, and have only such value as we give them. India, doubtless, seems very far to you, but to one whose powers of will have been sufficiently developed, it is no farther than the wall of this room. So it is with time. How can we see that which no longer exists? But a little reflection will show us that even on the physical plane we see that which does not exist every day of our lives. Look at the stars. The light by which some of them are recognized has been millions of years in transit, so that we do not behold them as they are tonight, but as they were at that remote period of time; meanwhile they may have been wrecked and scattered in meteoric dust.”

“But that is hardly an explanation of the scene referred to,” answered Paul. “Whenever I direct my eyes in the right quarter, the stars are visible; whether they be actually there or not, they are there to me; but not so with the vision of the room. In my normal condition there is no room there, while in my normal condition the stars are always there.”

“True, and because your normal condition is sympathetically attuned to the vibrations of starlight. Your consciousness is located in your brain, and so long as those vibrations continue to strike with sufficient force upon the optic nerve, you will be conscious of the light. But suppose the machinery of your body were finer--suppose your senses were absolutely in accord with those vibratory movements, instead of only partially so--do you not know that the starlight would reveal far more than it now does? Then you would see not only the light, but the scenes that are carried in the light, but which by reason of their obtuseness can not penetrate your senses. Were this improvement in men really achieved, our conceptions of time and space would be modified, and the condition of other worlds as plainly seen as our own.”

“Yes,” said Paul, determined to follow up the original question, “but what of a scene that occurred in this world some years ago, and whose light vibrations would require but the fraction of a second to reach our point of consciousness--no matter where situated on earth--and which vibrations have long since passed beyond the reach of man, and been lost in infinite space?”

“Nothing is ever lost, and infinite space is but a phase of infinite mind. All that is necessary to review such a picture is to change our point of consciousness from the brain to a point in space or _mind_, where the vibratory movement is still in progress. In other words, to overtake the scene by transposing our consciousness. Granted these powers, which are born of the soul, and we may behold any event in history with the clearness of its original force. Man is mind, and mind is one; but all mind is not self-conscious. The consciousness of mind is in spots, as it were, and here its consciousness is fixed in a spot called brain, where with most men it remains until the will, or some abnormal condition or the event called death, liberates it from its prison. You believe that with your God, the scenes of yesterday, to-day, and forever are alike visible?”

“Even admitting all that you say,” answered Paul, “I can not see how it was that I, who have no such power, could see clearly an event in your life.”

“Again the power of sympathetic vibration. The scene was reflected from my mind to yours.”

“But you just now said there was but one mind.”