The German Classics Of The Nineteenth And Twentieth Centuries V
Chapter 106
_The same, without_ WILLIAM. SOPHY _and_ MARY _in front of the stage busied with the lamp. The_ FORESTER _sometimes seated in the rear, sometimes walking up and down past the table to the window_.
SOPHY (_having waited till_ WILLIAM _is out_).
Suppose you find out what Robert has been writing.
MARY.
You mean I should open the letter, mother?
SOPHY.
Perhaps everything can still be arranged, and Robert writes us how. If you will not open it, give me the letter. If I do it, you have nothing to reproach yourself for.
[_Opens it_.]
If I only could read by lamp-light. If I put on my spectacles, he would notice it. Read it to me, Mary.
MARY.
You want me to read it, mother?
SOPHY.
If I give you permission, you may surely do so. Put it there next to the Bible. And if he comes near, or his attention is attracted, you read from the Bible.
MARY.
But what?
SOPHY.
Whatever your eyes light upon. If I cough, you read from the Bible. First the letter.
MARY (_reads_).
"Dear Mary. I have so much to--
SOPHY.
He is getting up again from his chair. Read from the Bible till he is at the window.
MARY.
"Breach for breach, eye for eye, tooth for tooth: as he hath caused a blemish in a man, so shall it be done to him again."
[FORESTER _drums on the window_.]
SOPHY (_constantly watching him_).
Now the letter, Mary. Till I cough.
MARY.
"I have so much to tell you. Sometime during the evening or the night come to the Dell by the spring under the willows. There I shall wait for you. Come, Mary. Tomorrow morning I am going out into the world to win happiness for you and for me. If you do not come, I know what you mean, and you will never see me again."
SOPHY.
He intends to go? Out into the world? Forever, if you do not go? Then everything would be lost!
MARY.
"You will never again see your Robert."
SOPHY (_coughs, just as the_ FORESTER _is turning away from the window_).
From the Bible, Mary.
MARY.
"As he hath caused a blemish in a man, so it shall be done to him again. Ye shall have one manner of law, as well for the stranger as for one of your own country: for I am the Lord, your God."
FORESTER (_has become attentive; stops_).
What is that there about law?
MARY.
"Ye shall have one manner of law--"
FORESTER.
"Ye shall have one manner"--Where is that?
MARY.
Here, father. Up there at the left.
FORESTER.
Put a mark there where that begins, what you have read there about the law. Do you see now that I am right? Even if I have to put up with injustice? That my old heart here is no liar? "Ye shall have one manner of law"--not a special one for officials of the State. At that time the Law was still sound; then it did not live in dusty, moldy offices. It was administered under the gates in the open air, as we read there. If I had my way, the courts ought to have sessions in the forest; in the forest man's heart remains sound; there one knows what is right and what is wrong without Ifs and Buts. With their secret tricks they have put a string of Ifs and Buts to it; in their dusty, moldy offices it has become sick and blunt and withered, so that they can turn and twist it as they like. And now what is right must be put in writing and have a seal to it, otherwise it is not to be recognized as right. Now they have deprived a man's word of all value and degraded it, since one is only bound by what one has sworn to, what one has under seal and in writing. Out of the good old right they have made a turn-coat, so that an old man, whose honor was never sullied by the slightest blemish, must stand as a rascal before men--because they in their offices have two rights instead of one.
[_Sits down and drinks_.]
SOPHY.
The night is advancing further and further, and Andrew does not come. And with such talk one becomes doubly frightened. If you went to Robert--
MARY.
To Robert? What, in the world, are you thinking of, mother?
SOPHY.
That it is God's finger--that letter of Robert's.
MARY.
I am to go to Robert? Now? To the Dell?
SOPHY.
What is to prevent it? You are not afraid.
MARY.
The idea of being afraid!
[_Proudly_.]
Ulrich's daughter!
SOPHY.
How often have you not been out at a more advanced hour of the night!
MARY.
But then father knew it. If I have father's permission and yours, I know that an angel stands behind every tree. And father said: "If I am mistaken in Mary"--
SOPHY.
I cannot slip away, without his noticing it, as well as you can. The matter might still have taken a favorable turn, but it was not to be. And your dream? You felt so light, the sky became so blue--you see, in the Dell by the spring under the willows, there the sorrow that weighs on you and on us all is to end.
MARY (_shaking her head_).
Do you really think so, mother?
SOPHY.
If you would go. We might then remain with father, Robert would try once more to persuade his father, uncle Wilkens also would yield, and when you wear the bridal wreath a second time it would be even more becoming to you.
MARY.
I am to deceive my father, mother? In that case I believe no good could ever come to me again in this world.
SOPHY.
You would have the satisfaction of knowing that you went for his sake. Perhaps if, tomorrow, he must go forth into misery, or if they confine him in the tower, or if something still worse happens--
MARY.
To father?
SOPHY.
Yes. Then you will think, perhaps too late: "Had I only gone!"
MARY.
But mother, if I were in the forest, and father should meet me? Or if he should find us together?
SOPHY.
We must ask him, whether he is going to stay home.
MARY.
I cannot look at him without feeling as if my heart were bursting.
SOPHY.
Ask him on account of the soup.
MARY.
I shall ask him at once.
[_She approaches the_ FORESTER _timidly, stands next to him without his noticing her_.]
SOPHY (_encouraging her_).
Don't be a child.
MARY (_softly_).
Father!
[_She bends over him, beside herself with pity_.]
Father, poor father!
[_Is going to embrace him_.]
FORESTER (_looking about, roughly_).
What's the matter? No lamentations!
SOPHY (_as_ MARY _stands disconcerted_).
Mary--
MARY (_controls herself_).
Are you again going into the forest tonight?
FORESTER.
Why?
MARY.
Because--
SOPHY (_interrupts, for fear_ MARY _might tell the truth_).
Because of the soup; she wants to know whether she is to warm it.
FORESTER.
No. And what are you waiting for, you silly wench?
[_Turns away. As_ MARY _hesitates, calls out roughly_.]
Do you hear?
MARY (_goes back to_ SOPHY).
Mother, he has been crying! I saw a tear hanging on his eye-lash, mother! And I am about to deceive him!
SOPHY.
He is crying because in his old age he has to go forth into misery.--And as to you--why, you are not obliged to go.
MARY.
If you speak in that way, mother!--I am going.
SOPHY.
Then say good-night to him. It is time. Afterward I shall help you climb out of the window. At this moment Robert is already waiting. You can be back soon.
MARY.
Yes, mother, I will go. But not for Robert's sake, mother, nor for mine; only for father's sake. I will tell him: "Robert," I will say to him, "you will yet find a girl, more beautiful and better than myself, but my father will not find another child, if I leave him." I will tell him: "Robert," I will say to him, "I will forget you! God will give me strength that I may be able to forget you. Remain away from me, so that I may not see you again." God will help me, mother, will he not? He will, for I did love Robert so much.
SOPHY.
Now go. Say good-night and don't betray yourself.
[MARY _stands by the_ FORESTER.]
SOPHY.
Mary wants to say good-night to you.
FORESTER.
Can't you say it yourself, silly thing?
MARY (_mastering her emotion_).
Good-night, father.
FORESTER.
Good-night. You need not wait for me tomorrow when you are going to your uncle. Perhaps I shall have gone out by that time. I have an errand; don't know whether I shall come back tomorrow. And take Nero along--and whatever else is there; take everything along. I no longer need anything--but my tools, my short rifle and--powder and bullets. The other rifles you may sell. Go to Wilkens, you poor thing, he perhaps will get Robert for you yet--after I have gone; after people have once forgotten that your father was a dismissed man.
MARY.
Good-night.
[_Beside herself_.]
Good-night, father!
FORESTER.
Wench, that is a good-night as if forever.--You are right, Mary. Such a stain as I am upon your good reputation must be removed. Go, Mary. Do you hear, Mary?
MARY.
You shall remain, father. And if you go, I go with you.
FORESTER.
The way I have to go one goes alone. Go, Mary.
SOPHY.
Go to bed, Mary.
FORESTER.
Good-night. And now it's enough. You know I cannot bear lamentations.
MARY.
You are not going without me, father. You cannot live without me, father. Father, I now feel that in my heart.
FORESTER (_protesting_).
Yes, I can. What doesn't such a greenhorn feel!
MARY.
You turn away, father, so that I should not see you crying. Father, pretend you are ferocious, as much as you like--
FORESTER (_wants to disengage himself_).
Silly thing there--
MARY.
I am going with you. You insist upon your right, and I upon mine, and that is, that I must not leave you. Father, I feel now for the first time that I love no one in the world as much as you. Tomorrow we go together--if you must go. I am going to put on William's clothes. There are still green forests in the world. And surely you shall not hear me complaining. Don't be afraid of that. Why, I can cry during the nights, when you don't see it. But then you will see it by my eyes in the daytime. Why, I must not cry at all! I will only laugh and skip along before you and sing--the beautiful hunting songs.--You see, father, this is the last tear for Robert! And it is already dried, do you see? I am sure that we shall still find happiness in this world--if you must go, father. And if it is not to be, we will thank God and pray, if He only keeps us honest. Then we will think: It is asking too much, if we also wish to be happy. Have I not you? Have not you your good conscience and your Mary? What more do we need?
[_Hanging on his neck_.]
FORESTER (_who has been warding her off constantly, almost furious, because he can scarcely control his emotion_).
Indeed, indeed! Stupid thing!
[_More calmly_.]
And a "table--spread--thyself," a "gold--mule--stretch-thyself," and the fairy-story is complete. Now go to bed, Mary.
[_Roughly_.]
Do you hear?
SOPHY.
Come, Mary.
MARY (_at the door of her room she looks around, and runs again to him; embracing him, beside herself_).
Good-night, good-night!
[_She hurries to her room;_ SOPHY _follows_.]
FORESTER (_looking after her_).
My girl, my poor girl! It must not be here that I make an end of myself!--Confound it. Shame on you, old--