Chapter 19

So the door opened and closed again and Maria began the rather laborious task of coaxing the old man to bed. When once there, the medicine given, and the soup taken, which she could not but notice that he swallowed greedily, she seated herself before the fire, resolving that, if Amos did not feel better by nine o'clock, she would have Barney come over for the night, as of course she must return to be near the Infant.

As she sat there she pictured for the hundredth time how she would invest her little capital and rearrange her life, if Amos consented to sell her the farm,--how best to restore the home without elaborating the care of it, and take one or two people to live with her who had been ill or needed rest in cheerful surroundings. Not always the same two, for that is paralyzing after a time when the freshness of energetic influence wears off; but her experience among her friends told her that in a city's social life there was an endless supply of overwrought nerves and bodies.

The having a home was the motive, the guests the necessity. Then she closed her eyes again and saw the upper portion of the rich meadow land that had lain fallow so long turned into a flower farm wherein she would raise blossoms for a well-known city dealer who had, owing to his artistic skill, a market for his wares and decorative skill in all the cities of the eastern coast. She had consulted him and he approved her plan.

The meadow was so sheltered that it would easily have a two weeks' lead over the surrounding country, and the desirability of her crop should lie in its perfection rather than rarity. Single violets in frames, lilies-of-the-valley for Easter and spring weddings, sweet peas, in separate colours, peonies, Iris, Gladioli, asters, and Dahlias: three acres in all. Upon these was her hope built, for with a market waiting, what lay between her and success but work?

Yes, work and the farm. Then came the vision of human companionship, such as her cousin Bartram and Mary Penrose shared. Could flowers and a home make up for it? After all, what is home?

Her thoughts tangled and snapped abruptly, but of one thing she was sure. She could no longer endure teaching singing to assorted tone-deaf children, many of whom could no more keep on the key than a cow on the tight rope; and when she found a talented child and gave it appreciative attention, she was oftentimes officially accused of favouritism by some disgruntled parent with a political pull, for that was what contact with the public schools of a large city had taught her to expect.

A log snapped--she looked at the clock. It was exactly nine! Going to the window, she pulled back the curtain; the old moon, that has a fashion of working northward at this time, was rising from a location wholly new to her.

She looked at Amos; he was very still, evidently asleep, yet unnaturally so, for the regular breathing of unconsciousness was not there and the firelight shadows made him look pinched and strange. Suddenly she felt alone and panic stricken; she forgot the tests so well known to her of pulse taking, and all the countryside tales of strokes and seizures came back to her. She did not hesitate a moment; a man was in the same house and she felt entirely outside of the strength of her own will.

Going to the separating door, she found it locked, on which side she could not be sure; but seeing a long key hanging by the clock she tried it, on general principles. It turned hard, and the lock finally yielded with a percussive snap. Stepping into the hall, she saw a light in the front of the house, toward which she hurried. _The Man_ was seated by a table that was strewn with books, papers, and draughting instruments; he was not working, but in his turn gazing at the flames from a smouldering hearth fire, though his coat was off and the window open, for it was not cold but merely chilly.

Hearing her step, he started, turned, and, as he saw her upon the threshold, made a grab for his coat and swung it into place. It is strange, this instinct in civilized man of not appearing coatless before a woman he respects.

"Amos Opie is very ill, I'm afraid," she said gravely, without the least self-consciousness or thought of intrusion.

"Shall I go for the doctor?" said _The Man_, reaching for his hat and at the same time opening the long cupboard by the chimney, from which he took a leather-covered flask.

"No, not yet; please come and look at him. Yes, I want you very much!" This in answer to a questioning look in his eyes.

Standing together by the bed, they saw the old man's eyelids quiver and then open narrowly. _The Man_ poured whiskey from his flask into a glass, added water, and held it to Amos's lips, where it was quickly and completely absorbed!

Next he put a finger on Amos's pulse and after a minute closed his watch with a snap, but without comment.

"You feel better now, Opie?" he questioned presently in a tone that, to the old man at least, was significant.

"What gave you this turn? Is there anything on your mind? You might as well tell now, as you will have to sooner or later, and Miss Maxwell must go home presently. You'll have to put up with me for the rest of the night and a man isn't as cheerful a companion as a woman--is he, Amos?"

"No, yer right there, Mr. Blake, and it's the idee o' loneliness that's upsettin' me! Come down ter facts, Mr. Blake, it's the offers I've had fer the farm--yourn and hern--and my wishin' ter favour both and yet not give it up myself, and the whole's too much fer me!"

"Hers! Has Miss Maxwell made a bid for the farm? What do you want it for?" he said, turning quickly to Maria, who coloured and then replied quietly--"To live in! which is exactly what you said when I asked you a similar question a couple of months ago!"

"The p'int is," continued Amos, quickly growing more wide awake, and addressing the ceiling as a neutral and impartial listener, "that Mr. Blake has offered me five hundred more than Maria Maxwell, and though I want ter favour her (in buyin', property goes to the highest bidder; it's only contract work that's fetched by the lowest, and I never did work by contract--it's too darned frettin'), I can't throw away good money, and neither of 'em yet knows that whichsomever of 'em buys it has got ter give me a life right ter live in the summer kitchen and fetch my drinkin' water from the well in the porch! A lone widder man's a sight helplesser 'n a widder, but yet he don't get no sympathy!"

_The Man from Everywhere_ began to laugh, and catching Maria's eye she joined him heartily. "How do you mean to manage?" he asked in a way that barred all thought of intrusion.

"I'm going to have a flower farm and take in two invalids--no, not cranks or lunatics, but merely tired people," she added, a little catch coming in her voice.

"Then you had better begin with me, for I'm precious tired of taking care of myself, and here is Amos also applying, so I do not see but what your establishment is already complete!"

Then, as he saw by her face that the subject was not one for jest, he said, in his hearty way that Mary Penrose likes, "Why not let me buy the place, as mine was the first offer, put it in order, and then lease it to you for three years, with the privilege of buying if you find that your scheme succeeds? If the house is too small to allow two lone men a room each, I can add a lean-to to match Opie's summer kitchen, for you know sometimes a woman finds it comfortable to have a man in the house!"

Maria did not answer at first, but was looking at the one uncurtained window, where the firelight again made opals of the panes. Then turning, she said, "I will think over your offer, Mr. Blake, if everything may be upon a strictly business basis. But how about Amos? He seems better, and I ought to be going. I do not know why I should have been so foolish, but for a moment he did not seem to breathe, and I thought it was a stroke."

"I'm comin' too all in good time, now my mind's relieved," replied the old man, with a chuckle, "and I think I'll weather to-night fer the sake o' fixin' that deed termorrow, Mr. Blake, if you'll kindly give me jest a thimbleful more o' that old liquor o' yourn--I kin manage it fust rate without the water, thank 'ee!"

_The Man_ followed Maria to the door and out into the night. He did not ask her if he might go with her--he simply walked by her side for once unquestioned.

Maria spoke first, and rather more quickly and nervously than usual: "I suppose you think that my scheme in wishing the farm is a madcap one, but I'm sure I could not see why you should wish to own it!"

"Yes and no! I can well understand why you should desire a broader, freer life than your vocation allows, but--well, as for reading women's motives, I have given that up long since; it often leads to trouble though I have never lost my interest in them.

"I think Amos Opie will revive, now that his mind is settled" (if it had been sufficiently light, Maria would have seen an expression upon _The Man's_ face indicative of his belief that the recent attack of illness was not quite motiveless, even though he forgave the ruse). "In a few days, when the deeds are drawn, will you not, as my prospective tenant, come and look over the house by daylight and tell me what changes would best suit your purpose, so that I may make some plans? I imagine that Amos revived will be able to do much of the work himself with a good assistant.

"When would you like the lease to begin? In May? It is a pity that you could not be here in the interval to overlook it all, for the pasture should be ploughed at once for next year's gardening."

"May will be late; best put it at the first of March. As to overseeing, I shall not be far away. I'm thinking of accepting cousin Mary's offer to stay with her and teach the Infant and a couple of other children this winter, which may be well for superintending the work, as I suppose you are off again with the swallows, as usual."

"Oh, no, you forget the reservoir and the tunnelling of Three Brothers for the aqueduct to Bridgeton!"

"Then let it be March first!" said Maria, after hesitating a moment, during which she stood looking back at Opal Farm lying at peace in the moonlight; "only, in making the improvements, please do them as if for any one else, and remember that it is to be a strictly business affair!"

"And why should you think that I would deal otherwise by you?" _The Man_ said quickly, stepping close, where he could see the expression of her face.

Maria, feeling herself cornered, did not answer immediately, and half turned her face away,--only for a moment, however. Facing him, she said, "Because men of your stamp are always good to women,--always doing them kindnesses both big and little (ask Mary Penrose),--and sometimes kindness hurts!"

"Well, then, the lease and all pertaining to it shall be strictly in the line of business until you yourself ask for a modification,--but be careful, I may be a hard landlord!" Then, dropping his guard, he said suddenly, "Why is it that you and I--man and woman--temperamentally alike, both interested in the same things, and of an age to know what in life is worth while, should stand so aloof? Is there no more human basis upon which I can persuade you to come to Opal Farm when it is mine? Give me a month, three months,--lessen the distance you always keep between us, and give me leave to convince you! Why will you insist upon deliberately keeping up a barrier raised in the beginning when I was too stupidly at home in your cousin's house to see that I might embarrass you? Frankly, do you dislike me?"

Maria began two different sentences, stumbled, and stopped short; then drawing herself up and looking _The Man_ straight in the face, she said, "I have kept a barrier between us, and deliberately, as you say, but--" here she faltered--"it was because I found you too interesting; the barrier was to protect my own peace of mind more than to rebuff you."

"Then I may try to convince you that my plan is best?"

"Yes," said Maria, with a glint of her mischievous smile, "if you have plenty of time to spare."

"And you will give me no more encouragement than this? No good wish or omen?"

"Yes," said Maria again, "I wish that you may succeed--" here she slipped her hand in the belt of her gown and drew out a little chamois bag attached to her watch, "and for an omen, here is the opal you gave me--you give it a happy interpretation and one is very apt to lose an unset stone, you know!"

But as neither walls nor leaves have tongues, Mary Penrose never learned the real ins and outs of this matter.

XVIII

THE VALUE OF WHITE FLOWERS

(Barbara Campbell to Mary Penrose)

_Oaklands, September 29._ Michaelmas. The birthdays of our commuters are not far apart. This being Evan's festival, we have eaten the annual goose in his honour, together with several highly indigestible old-country dishes of Martha Corkle's construction, for she comes down from the cottage to preside over this annual feast. Now the boys have challenged Evan to a "golf walk" over the Bluffs and back again, the rough-and-ready course extending that distance, and I, being "o'er weel dined," have curled up in the garden-overlook window of my room to write to you.

It has been a good gardener's year, and I am sorry that the fall anemones and the blooming of the earliest chrysanthemums insist upon telling me that it is nearly over,--that is, as far as the reign of complete garden colour is concerned. And amid our vagrant summer wanderings among gardens of high or low degree, no one point has been so recurrent or interesting as the distribution of colour, and especially the dominance of white flowers in any landscape or garden in which they appear.

In your last letter you speak of the preponderance of white among the flowering shrubs as well as the early blossoms of spring. That this is the case is one of the strong points in the decorative value of shrubs, and in listing seeds for the hardy or summer beds or sorting the bushes for the rosary, great care should be taken to have a liberal sprinkling of white, for the white in the flower kingdom is what the diamond is in the mineral world, necessary as a setting for all other colours, as well as for its own intrinsic worth.

Look at a well-cut sapphire of flawless tint. It is beautiful surely, but in some way its depth of colour needs illumination. Surround it with evenly matched diamonds and at once life enters into it.

Fill a tall jar with spires of larkspur of the purest blue known to garden flowers. Unless the sun shines fully on them they seem to swallow light; mingle with them some stalks of white foxgloves, Canterbury bells, or surround them with Madonna lilies, a fringe of spirea, or the slender _Deutzia gracilis_, more frequently seen in florists' windows than in the garden, and a new meaning is given the blue flower; the black shadows disappear from its depth and sky reflections replace them.

The blue-fringed gentian, growing deep among the dark grasses of low meadows, may be passed over without enthusiasm as a dull purplish flower by one to whom its possibilities are unknown; but come upon it backgrounded by Michaelmas daisies or standing alone in a meadow thick strewn with the white stars of grass of Parnassus or wands of crystal ladies' tresses, and all at once it becomes,--

"Blue, blue, as if the sky let fall A flower from its cerulean wall!"

The same white setting enhances the brighter colours, though in a less degree than blue, which is, next to magenta, one of the most difficult colours to place in the garden. In view of this fact it is not strange that it is a comparatively unusual hue in the flower world and a very rare one among our neighbourly eastern birds, the only three that wear it conspicuously being the bluebird, indigo bird, and the bluejay.

It is this useful quality as a setting that gives value to many white flowers lacking intrinsic beauty, like sweet alyssum, candy-tuft, the yarrows, and the double feverfew. In buying seeds of flowers in mixed varieties, such as asters, verbenas, Sweet-William, pansies, or any flower in short that has a white variety, it is always safe to buy a single packet of the latter, because I have often noticed that the usual mixtures, for some reason, are generally shy not only of the white but often of the very lightest tints as well.

In selecting asters the average woman gardener may not be prepared to buy the eight or ten different types that please her fancy in as many separate colours; a mixture of each must suffice, but a packet of white of each type should be added if the best results are to be achieved.

The same applies to sweet peas when planted in mixture; at least six ounces of either pure white or very light, and therefore quasi-neutral tints harmonizing with all darker colours, should be added. For it is in the lighter tints of this flower that its butterfly characteristics are developed. Keats had not the heavy deep-hued or striped varieties in mind when he wrote of

"... Sweet Peas on tiptoe for a flight, With wings of gentle flush: o'er delicate white, And taper fingers catching at all things To bind them all about with tiny rings."

If you examine carefully the "flats" of pansies growing from mixed seed and sold in the market-places or at local florists', you will notice that in eight out of ten the majority of plants are of the darker colours.

There are white varieties of almost every garden flower that blooms between the last frost of spring and winter ice. The snowdrop of course is white and the tiny little single English violet of brief though unsurpassing fragrance; we have white crocuses, white hyacinths, narcissus, lilies-of-the-valley, Iris, white rock phlox, or moss-pink, Madonna and Japan lilies, gladiolus, white campanulas of many species, besides the well-known Canterbury bells, white hollyhocks, larkspurs, sweet Sultan, poppies, phloxes, and white annual as well as hardy chrysanthemums.

Almost all the bedding plants, like the geranium, begonia, ageratum, lobelia, etc., have white species. There are white pinks of all types, white roses, and wherever crimson rambler is seen Madame Plantier should be his bride; white stocks, hollyhocks, verbenas, zinnias, Japanese anemones, Arabis or rock cress, and white fraxinella; white Lupins, nicotiana, evening primroses, pentstemons, portulaca, primulas, vincas, and even a whitish nasturtium, though its flame-coloured partner salvia declines to have her ardour so modified.

Among vines we have the white wisteria, several white clematis, the moon-flower, and other Ipomeas, many climbing and trailing roses, the English polygonum, the star cucumber, etc., so that there is no lack of this harmonizing and modifying colour (that is not a colour after all) if we will but use it intelligently.

Aside from the setting of flower to flower, white has another and wider function. As applied to the broader landscape it is not only a maker of perspective, but it often indicates a picture and fairly pulls it from obscurity, giving the same lifelike roundness that the single white dot lends in portraiture to the correctly tinted but still lifeless eye.

Take for instance a wide field without groups of trees to divide and let it be covered only with grass, no matter how green and luxuriant, and there is a monotonous flatness, that disappears the moment the field is blooming with daisies or snowy wild asters.

Follow the meandering line of a brook through April meadows. Where does the eye pause with the greatest sense of pleasure and restfulness? On the gold of the marsh marigolds edging the water? or on the silver-white plumes of shad-bush that wave and beckon across the marshes, as they stray from moist ground toward the light woods? Could any gay colour whatsoever compete with the snow of May apple orchards?--the fact that the snow is often rose tinged only serving to accentuate the contrasting white.

In the landscape all light tints that at a distance have the value of white are equally to the purpose, and can be used for hedges, boundaries, or what may be called punctuation points. German or English Iris and peonies are two very useful plants for this purpose, flowering in May and June and for the rest of the season holding their substantial, well-set-up foliage. These two plants, if they receive even ordinary good treatment, may also be relied upon for masses of uniform bloom held well above the leaves; and while pure white peonies are a trifle monotonous and glaring unless blended with the blush, rose, salmon, and cream tints, there are any number of white iris both tall and dwarf with either self-toned flowers, or pencilled, feathered, or bordered with a variety of delicate tints, and others equally valuable of pale shades of lilac or yellow, the recurved falls being of a different tint.

Thus does Nature paint her pictures and give us hints to follow, and yet a certain art phase proclaims Nature's colour combinations crude and rudimentary forsooth!

Nature is never crude except through an unsuccessful human attempt to reproduce the uncopyable. Give one of these critics all the colour combinations of the evening sky and let him manipulate them with wires and what a scorched omelet he would make of the most simple and natural sunset!

While Nature does not locate the different colours on the palette to please the eye of man, but to carry out the various steps in the great plan of perpetuation, yet on that score it is all done with a sense of colour value, else why are the blossoms of deep woods, as well as the night-blooming flowers that must lure the moth and insect seekers through the gloom, white or light-coloured?

In speaking of white or pale flowers there is one low shrub with evergreen leaves and bluish-white flowers that I saw blooming in masses for the first time not far from Boston in early May. There was a slight hollow where the sun lay, that was well protected from the wind. This sloped gently upward toward some birches that margined a pond. The birches themselves were as yet but in tassel, the near-by grass was green in spots only, and yet here in the midst of the chill, reluctant promise of early spring was firmness of leaf and clustered flowers of almost hothouse texture and fragrance. Not a single spray or a dozen, but hundreds of them, covered the bushes.

This shrub is _Daphne cneorum_, a sturdier evergreen cousin of _Daphne mezereum_, that brave-hearted shrub that often by the south wall of my garden hangs its little pink flower clusters upon bare twigs as early as the tenth of March. Put it on your list of desirables, for aside from any other situation it will do admirably to edge laurels or rhododendrons and so bring early colour of the rosy family hue to brighten their dark glossy leaves, for the sight and the scent thereof made me resolve to cover a certain nook with it, where the sun lodges first every spring. I am planting mine this autumn, which is necessary with things of such early spring vitality.

Another garden point akin to colour value in that it makes or mars has, I may say, run itself into my vision quite sharply and painfully this summer, and many a time have I rubbed my eyes and looked again in wonder that such things could be. This is the spoiling of a well-thought-out garden by the obtrusive staking of its plants. Of course there are many tall and bushy flowers--hollyhocks, golden glow, cosmos--that have not sufficient strength of stem to stand alone when the weight of soaking rain is added to their flowers and the wind comes whirling to challenge them to a dizzy dance, which they cannot refuse, and it inevitably turns their heavy heads and leaves them prone.