Part 4

In the social life of the old city she was a leading and popular figure. Samuel G. Goodrich in his "Recollections of a Life Time" describing Hartford in the second decade of the nineteenth century says of Mrs. Sigourney, then Miss Huntley: "Noiselessly and gracefully she glided into our social circle and ere long was its presiding genius. . . . Mingling in the gayeties of our social gatherings and in no respect clouding their festivity, she led us all toward intellectual pursuits and amusements. We had even a literary cotery under her inspiration, its first meetings being held at Mr. Wadsworth's." Before the writer lie a half dozen of Mrs. Sigourney's letters written in her distinct and regular handwriting. They relate to business matters, to social engagements, and a few are letters of consolation. Perhaps they seem a little stilted and formal, but in all the personal notes there is evident a very genuine and very charming spirit of sympathy and kindliness.

The other trait that has been largely forgotten is that she was a natural teacher of youth. In her early days in Hartford she conducted a school for girls on singularly successful and somewhat original lines. This she relinquished on her marriage, but for nearly half a century those of her old pupils who lived never failed to meet annually with her in remembrance of their early association. Clearly, she inspired in them all an ardent and lasting affection.

On the writer's desk, among her letters, lies an ancient school copy-book containing the transcript of an address she made to her old scholars August 17, 1822, "on their meeting to form a Charitable and Literary Society." It is characteristic that the greater part of this composition is concerned with affectionate and what now seem rather pathetic sketches of the five young girls of her flock who had died. The address confirms what we know from other sources--that her school was started in 1814, soon after she came from Norwich to Hartford.

The old manuscript abounds in unimpeachable moral aphorisms. One may, perhaps, smile at the carefully balanced phraseology of this: "Some sciences are more attractive to ambition, more congenial with fame, more omnipotent over wealth, but I know of none so closely connected with happiness as the science of doing good." Yet most of us would be better men and women if we applied that maxim in our lives as constantly as did this gentle "lady of old years." In her teaching "the science of doing good" was not a theoretical matter alone. It was directed to practical ends. "During a period of somewhat less than two years and a half," she says, "you completed for the poor 160 garments of different descriptions, many of which were carefully altered and repaired from your own--among them 35 pairs of stockings, knit without sacrifice of time during the afternoon reading and recitation of history. You likewise contributed ten dollars to the Asylum for the Deaf and Dumb, five dollars to the schools then established among the Cherokees, and distributed religious books to an amount exceeding ten dollars, among the children of poverty and ignorance. . . . Some of you were accustomed to gain time for these extra employments by rising an hour earlier in the morning."

Had Mrs. Sigourney continued her school it is not by any means preposterous to believe that her fame as an educator might have outlasted her reputation in literature, and that she might have shared with Miss Beecher of the old Hartford Female Seminary a certain degree of distinction in connection with the early education of women in this country.

_IV: Whom the Gods Love_

IN the year 1822 there drifted into the friendly social life of the old town a short, odd looking young man who, it developed, had come to take editorial charge of "The Connecticut Mirror," a weekly newspaper, strongly federal in politics, which had been established in 1809 by Charles Hosmer and which, at this time, had just been bought by Messrs. Goodsell and Wells, whose place of business was at the corner of Main and Asylum streets.

The name of this young man was John Gardiner Calkins Brainard and he was twenty-six years old. Those who inquired about him learned that he was a native of New London and the son of Judge Jeremiah G. Brainard of the Superior Court. In 1815 he had been graduated at Yale--a classmate of that strange genius James Gates Percival, poet, physician, geologist. After studying law in his brother's office he had practiced for a time in Middletown, but it was rumored that his tastes were literary rather than legal, and that the law had not proved very successful.

In spite of his rather uncouth appearance this newcomer soon became a favorite among the young people. He was clever--any one could see that. His frequent witty and amusing sayings gathered an arresting emphasis from their contrast with intervals of quietness and even of apparent depression. Perhaps this hint of an underlying seriousness had its especial charm for the young ladies. Remember that in those days Byron was in fashion. But there was something about this young man that attracted also friends of his own sex. "The first time I ever saw him," says a writer in the "Boston Statesman," quoted by Whittier in his memoir of Brainard, "I met him in a gay and fashionable circle. He was pointed out to me as the poet Brainard--a plain, ordinary looking individual, careless in his dress, and apparently without the least claim to the attention of those who value such advantages(?). But there was no person there so much or so flatteringly attended to. . . . He was evidently the idol, not only of the poetry-loving and gentler sex--but also of the young men who were about him. . . ."

We can picture young Mr. Brainard as one of the leading figures in that "literary cotery," which Goodrich describes and which was presided over by Mrs. Sigourney. It was in a room adjoining Goodrich's at Ripley's Tavern that Brainard soon took up his abode and the two became fast friends.

The discovery was soon made that young Mr. Brainard was by way of being a poet--if, indeed, the fact was not already known. Verses, obviously from his pen, appeared constantly in his newspaper. Indeed some of the paper's readers may have recognized the new editor's hand through their familiarity with the verse he had sometimes written for the "Mirror" before his official connection with that journal. His first contribution to the paper in his new capacity appeared in the issue for February 25, 1822, in which the change of ownership and the new editor were announced. This contribution was in the form of a poem "On the Birthday of Washington."--"Behold the moss'd cornerstone dropp'd from the wall," ran the first line. It was not a great poem, but it sounded a sincere, patriotic note, had a genuine poetic touch and far excelled most newspaper verse of the day.

And so this original young man, with his light brown hair, rather pale face, large eyes and obvious "temperament" began to acquire the character and reputation of a poet. We fancy that this reputation was somewhat limited until on a sudden impulse he wrote "The Fall of Niagara." This piece of blank verse, though now largely forgotten in the lapse of years, had in its time a tremendous vogue. It was copied far and wide, took its place in school readers and for years was declaimed by youthful orators before committees and admiring parents at school exhibitions.

We do not know the exact date of its composition, but it must have been before 1825, for it appeared in the author's first collection of verse published in that year. It was written one raw March evening in an emergency, to make copy for the next morning's paper. Goodrich tells the story. Brainard was half ill with a cold and Goodrich went over with him to the "Mirror" office and started a fire in the Franklin stove, while his companion, miserable and depressed, talked at random, abhorring the compulsion that made writing a necessity and his procrastination that had postponed his work, till the last moment.

"Some time passed," says Goodrich, "in similar talk, when at last Brainard turned suddenly, took up his pen and began to write. I sat apart and left him to his work. Some twenty minutes passed, when, with a radiant smile on his face, he got up, approached the fire, and, taking the candle to light his paper, he read as follows:

THE FALL OF NIAGARA.

'The thoughts are strange that crowd into my brain, While I look upward to thee. It would seem As if God pour'd thee from his 'hollow hand.' And hung his bow upon thy awful front; And spoke in that loud voice, which seem'd to him Who dwelt in Patmos for his Saviour's sake, 'The sound of many waters'; and had bade Thy flood to chronicle the ages back. And notch his cent'ries in the eternal rocks.'

"He had hardly done reading when the [printer's] boy came. Brainard handed him the lines--on a small scrap of rather coarse paper--and told him to come again in half an hour. Before this time had elapsed, he had finished, read me the following stanza:

'Deep calleth unto deep. And what are we, That hear the question of that voice sublime? Oh, what are all the notes that ever rung From war's vain trumpet by thy thundering side? Yea, what is all the riot man can make, In his short life, to thy unceasing roar? And yet, bold babbler, what art thou to Him Who drown'd a world, and heap'd the waters far Above its loftiest mountains?--a light wave, That breathes and whispers of its Maker's might.'

"These lines having been furnished, Brainard left his office and we returned to Miss Lucy's parlor. He seemed utterly unconscious of what he had done. . . . The lines went forth and produced a sensation of delight over the whole country."

It is not too much to say that Niagara brought Brainard fame. To the modern ear inured to free verse its lines may sound perhaps a trifle over sonorous and formal. But it has real poetic eloquence and inspiration. Brainard had never been within less than five hundred miles of the great falls.

The Niagara is the first poem in that collection of the poet's verses published in 1825, alluded to above. Before the writer at the moment lies a copy of this rather rare volume. Goodrich arranged for its publication with Bliss and White of New York and with difficulty persuaded Brainard to do the necessary work of collection and revision. It was the only collection of his verses that was published during the poet's life. Two others were issued after his death--one in 1832, with a memoir by Whittier, and one, with a prefatory sketch by the Rev. Dr. Robbins, in 1842. The copy of the first collection, now on the writer's desk, bears on the fly-leaf this inscription in the author's handwriting:

The thin little book has the title, "Occasional Pieces of Poetry," which is peculiarly appropriate, for most of Brainard's poems were suggested by incidents of daily life that came to his attention. For example, the stage coach from Hartford to New Haven falls through a bridge and two lives are lost--the occurrence prompts him to write the "Lines on a Melancholy Accident;" the visit of Lafayette to this country in 1824 occasions some verses to "the only surviving general of the Revolution;" the death of two persons who were struck by lightning during a religious service in Montville suggests "The Thunder Storm;" the humorous verses entitled "The Captain" result from the genuinely amusing situation that arose in New London harbor when the wreck of the Norwich Methodist meeting house, that had come down the river in a freshet, collided with an anchored schooner.

The fact that the poet took many every-day affairs as the immediate occasion for his versifying accounts for the trivial character of some of his work. On the other hand it illustrates the theory he held of the need of a genuine American literature. Though he read eagerly Byron and Scott, he deprecated in the columns of the "Mirror" the imitation of foreign writers by American men of letters, holding that our own history, traditions and environment gave inspiration enough.

He welcomed the appearance of Cooper with enthusiasm, and a story which ran in the "Mirror" under the title of "Letters from Fort Braddock" and which was largely in the Cooper manner was written by him though published anonymously. Indeed a great part of his work dealt with local matters. "Matchit Moodus" expresses a fantastic legend of the "Moodus noises." "The Black Fox of Salmon River" embodies in verse another grim local tradition. "The Shad Spirit" and "Lines to the Connecticut River" are other similar examples of his use of the folk-lore of the Connecticut valley.

Professor Beers of Yale cites the exquisite little lyric beginning "The dead leaves strew the forest walk," as about the best example of his work. Goodrich says it was written after the departure from Hartford of a young lady from Savannah to whom the poet had been devoted during her visit. Very attractive, too, are the lines on "Indian Summer." The blank verse entitled "The Invalid on the East End of Long Island," has a melancholy note but deserves remembrance. It was there that Brainard spent the few weeks just before the end.

He was too sensitive and unaggressive a soul both for the law and for the political wrangling which attended the newspaper controversies of the day. In the practical life of his country and his time, which had small place for artistic aspiration or expression, he was an anomaly simply because he was a real poet. To this situation may be attributed no doubt in large measure the sense of failure, unquestionably exaggerated, which he often expressed. "Don't expect too much of me," he said to Goodrich at their first meeting, "I never succeeded in anything yet. I could never draw a mug of cider without spilling more than half of it."

His frequent depression, however, was not all temperament--it had a physical basis. In the spring of 1827 incipient tuberculosis compelled him to give up his work on the "Mirror," and on September 26, 1828, a month before his thirty-second birthday, he died at his home in New London.

His death called forth the customary poetic obituary from his friend Mrs. Sigourney--one of the best she ever wrote--voicing a sincere and generous appreciation. Whittier, with other poets of the day, added his word of memory and praise. Perhaps a line from Snelling best expresses in a few words the whole story--

"The falchion's temper ate the scabbard through."

_V: An Eccentric Visitor_

WE may be permitted to take a certain pride in the fact that most strangers who sojourn for a time among us express admiration and liking for the town. There has been, however, one historic and notable exception. A young man named Percival who visited us in 1815, the year of his graduation from Yale College, did not care for Hartford at all and, moreover, did not hesitate to proclaim his distaste in some of the verses he was then engaged in writing. However, poor Percival did not like any spot very well. It is with a sense of faint amusement or, when we know his history, of compassion, rather than with any shade of resentment, that we now read the stanzas in which he published his sentiments to an unappreciative world:

"Ismir! Fare thee well forever! From thy walls with joy I go, Every tie I freely sever, Flying from thy den of woe.

* * * *

Ismir! Land of cursed deceivers, Where the sons of darkness dwell Hope, the cherub's base bereavers,-- Hateful city! Fare thee well."

When he wrote this James Gates Percival was twenty years old. Some of the emotion of these lines arose simply from uncurbed youthful reaction from disappointment. Most of it, however, was individual and characteristic temperament--the same uncomfortable mental constitution that seemed to make it impossible for him to withhold the vitriolic verses he wrote and printed on the character of a clergyman who had objected to Percival's suit for his daughter's hand.

The young poet had come to Hartford on the invitation of his classmate, Horace Hooker, who later entered the ministry and whose wife wrote for the young a number of very instructive and very pious stories which in their day attained a considerable popularity. It was hoped that in the literary atmosphere which at that time existed in Hartford this odd young man, with his undoubted poetic strain and his dreamy and contemplative nature, would find a congenial milieu.

The visit, however, was a failure. Young Percival was not popular. "He was too shy and modest," says his biographer, "to adapt himself to different circles. He wanted confidence, and at social gatherings [in Hartford] he talked at great length on single subjects, but in so low a tone that people could not hear him. He was not treated as he expected to be; it seemed to him that he was not appreciated, and he came away in disgust."

This charge against us of lack of appreciation finds some mitigation in the fact that the poet departed from many places in the same frame of mind and for the same reason. Percival was one of those pathetic spirits who find the world an unhappy abiding place. His constitutional wretchedness was in fact so extreme that he is said in early life to have attempted self-destruction and one of his best poems, as well as one of the gloomiest in the language, reflects his moods at this period under the title of "The Suicide."

Fortune aggravated the disadvantage of one unfitted at the best to cope with the world by allotting to him a life of penury. For many years he lived as a recluse in the State Hospital Building in New Haven where he was allowed the use of three rooms which he never permitted visitors to enter--on one occasion even refusing to admit Henry Wadsworth Longfellow. It is related that at another time a somewhat pompous gentleman, accompanied by two ladies, was visiting the building and, learning that the poet lived there, rapped at his door and then stood waiting, a lady on each side of him. The door opened a crack and Percival's face appeared. "I am extremely happy and rejoiced," began the visitor, with a great deal of manner, "that I have the honor of addressing the poet Percival--" But he got no further, for Percival instantly ejaculated "Boo!" and slammed the door. This seems to have been his customary manner of excusing himself to callers.

Percival's lack of means was in a way his own fault--or at least it was the result of his peculiar disposition which, in its sensitiveness to purely imaginary slights and its impossibility of concession or adaptation, worked constantly against his prosperity. His friends were faithful and long-suffering and often came to the rescue. In spite of his oddities there seems to have been a singular charm about the man like the charm of an unexpectedly original child. When the bane of an intense bashfulness was removed and he was alone with one or two intimates, his talk is said to have been delightful. He became absolutely absorbed in any topic in which he was interested and brought to bear upon it a wealth of allusion and comment of which few minds were capable.

As a poet he is now forgotten, yet it is a suggestive and significant fact that in 1828, when a project was in hand to publish a group picture of nine living American poets, Percival was to occupy the center of the stage, while such minor lights as Bryant, Irving and Halleck, with others, were to surround him.

But the fame he longed for and, with an almost childlike naïveté, claimed as his due, was short-lived. It barely touched him and passed him by. Yet he deserves remembrance, if only for his versatility. While it is chiefly as a poet that mention is made of him in encyclopedias and other books of reference, he was capable, but for his temperamental disabilities, of shining in many lines and in one pursuit other than poetry he has left a lasting memorial. He studied law, was admitted to the bar and never practiced. He served his medical apprenticeship under his good friend Dr. Eli Ives of New Haven, took his degree, practiced a little and, though he was always afterward known as "Doctor," abandoned the profession--except that later in life he was post surgeon at Boston till his abhorrence of examining recruits compelled him to relinquish the work. At one time he thought of entering the ministry and he was always an authority on theology and dogma. He gave up his appointment as a professor of chemistry at the Military Academy at West Point because in going to his quarters he had to use the same hallway with other officers. He was a learned botanist and a linguist of rare attainments. In 1827 he carried through successfully the immense task of correcting the proofs and supervising the publication of Webster's unabridged dictionary--and seems to have been happier in this work of enormous detail than at any other time of his life.

But it was as a geologist that his most valuable practical work was done. His "Report on the Geology of Connecticut," published in 1842, was the result of five years of arduous labor and is a sufficient monument for any man.

"While engaged in this survey," he wrote, "I can confidently say that I have been laborious and diligent. While traveling, it was my practice to rise early, in the longer days generally at dawn; in the shorter generally I got my breakfast and was on my way by daybreak, I continued, scarcely with any relaxation, as long as I had daylight and then was generally obliged to sit up till midnight, not unfrequently till one o'clock A. M. in order to complete my notes and arrange my specimens. This was continued, not only week after week, but month after month, almost without cessation."

Under the law Percival could not be paid till his report had been approved by the governor. It is characteristic of the whimsical geologist that he refused to submit to this approval by one whom he considered incompetent to pass upon his labors and it was only by the ruse of a friend who got possession of the report and presented it to the governor, who at once approved it, that Percival secured his pay.

This work brought Percival a high reputation as a geologist. He was engaged by the American Mining Company to investigate the lead deposits in Wisconsin and this in turn resulted in his employment by that state to make a geological survey similar to that of Connecticut. He had made his first report and was engaged upon his second when he became ill and in May, 1856, he died and was buried in Hazel Green, Wisconsin. "Eminent as a Poet," runs his epitaph, "rarely accomplished as a Linguist, learned and acute in Science, a Man without Guile."

During his employment in Wisconsin his friends had bought a lot and built a house for him in New Haven. It was a queer structure, built after the poet's own plans, with the entrance at the rear, blind windows at the front, and of only one story in height. He was looking forward to spending here his last years, close to his college, with his few intimate friends, surrounded by his books. During an interval in his Wisconsin employment he came to New Haven to inspect his future home and is said to have broken down completely as he was compelled to leave by the duty that called him westward.