Art

The French Impressionists (1860-1900)

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Chapters

1. Chapter 1

Note: Project Gutenberg also has an HTML version of this file which includes the lovely original illustrations. See 14056-h.htm or 14056-h.zip: (https://www.gutenberg.org/dirs/1...

2. Chapter 2

To conclude, the very name "Impressionism" is due to Claude Monet. There has been much serious arguing upon this famous word which has given rise to all sorts of definitions and...

3. Chapter 3

Manet was, in their midst, the personality marked out at the same time by their admiration, and by the attacks of the critics for the post of standard-bearer. A little older tha...

4. Chapter 4

Degas is beyond all a draughtsman of the first order. His spirit is quite classical. He commenced by making admirable copies of the Italian Primitives, notably of Fra Angelico,...

5. Chapter 5

Monet paints these series from nature. He is said to take with him in a carriage at sunrise some twenty canvases which he changes from hour to hour, taking them up again the nex...

6. Chapter 6

Of these personalities the most considerable is certainly that of M. Camille Pissarro. He painted according to some wise and somewhat timid formulas, when Manet's example won hi...

7. Chapter 7

But if the Impressionists themselves have neglected actively to assist the interesting school of modern illustration, a whole legion of draughtsmen have immediately been inspire...

8. Chapter 8

The beginnings of the movement designated under the name of Neo-Impressionism can be traced back to about 1880. The movement is a direct offshoot of the first Impressionism, ori...

9. Chapter 9

It has exercised a very appreciable influence upon foreign painting. Among the principal painters attracted by its ideas and research, we must mention, in Germany, Max Lieberman...