Part 3

The Old San Hermano had been founded by the Conquistadores in the sixteenth century, a walled speck on the shores of an ocean, a fortress and a thatched church, a handful of flimsy huts. In a century, the thatched church became a proud, gloomy Cathedral; one of the walls was knocked down, and in its place was the cobbled Plaza de Fernando e Isabel. The Plaza was Spain in the New World; opening on to its cobbles stood the huge Moorish stone palaces designed by architects brought over from Seville, the palace of the Captains-General who served as colonial governors, the fortified mint, the Cathedral, the home of the Governor's elder brother, the Duke of La Runa. Enslaved Indians and later chained Negroes from the African coasts had carried on their backs the square stones Spanish masons cut and formed for the edifices of the Plaza, first the Cathedral, next the Governor's Palace and the Mint.

Then, in the days of Hidalgo, Bolivar, and San Martin, the ancient Plaza of the Conquistadores became the Plaza de la Republica, and for a few glorious hours the new nation was in tune with its century. But the great Liberators of the times were to die in embittered exile, far from the scenes of their brightest victories. For one swing of the pendulum the liberated lands teetered on the dizzy heights of freedom, and then the pendulum swung back and stopped swinging for a century. The land remained in the hands of the Spanish nobles, and they won their war against the Industrial Revolution, and all that remained of the hour of triumph was the name the Liberators had given the old Plaza and a hollow Republic controlled by the landowners.

In ways more subtle, but no less real than the old ways, the Republic became a colony again, except that the nation was no longer ruled by a crown but by new and even more potent symbols: the sign of the pound, the sign of the dollar, the sign of the franc. The new order brought a new San Hermano, a new Western city built around the rims of the old fortress seaport. It was a strange and often beautiful melange of French villas and British banks and American skyscrapers and German town houses.

The old Constitution of the Liberators gave way to a series of native dictators who waxed rich as the servants of the foreign owners of the metals and minerals discovered under the nation's soil, of the foreign business men who never saw San Hermano but built vast abattoirs near the wharves where skinny _Hermanitos_ earned a few pennies a day for slaughtering and then loading endless herds of native cattle in the dark holds of foreign ships.

They were ruthless men, the dictators who sat in San Hermano as pro-Consuls of the foreigners and the landowners, ruthless men who, for their share of the profits of the foreigners, of the endless rivers of pesetas the landowners sent to Spain, maintained armies of cutthroats to put down any attempt at rebellion against the new existing order.

The last of these dictators to sit in San Hermano was General Agusto Segura. More than a decade had passed since Segura had died in bed and a junta of professors and miners wrested the control of the nation from Segura's henchmen. There had been little bloodshed when the Junta took over; after thirty years, the Segura regime, or what was left of it, had just collapsed of its own rottenness.

Hall thought of Segura, and the state he had ruled, and then, again thinking about Tabio while he stared into the shadows of the darkened Plaza de la Republica, Hall remembered Tabio's quiet remark about his country's having been in the twentieth century for barely a decade. A slim decade, which began with a world in confusion and was now ending with a world in flames. But if the country weathered these flames, it would be because Tabio, instead of running for the Presidency after the revolution which swept out the remnants of Segurista power, had chosen to serve as Minister of Education for nearly ten years. Hall was willing to stake his life on this, ready to bet that the phenomenal free educational system Tabio had set up for children and adults would, in the final analysis, be one of the nation's chief bulwarks against fascism.

He changed his clothes and went out for a walk through the crooked streets of Old San Hermano before turning in. Many lights were burning in the fourth floor of the Presidencia, the floor on which the President had his apartment. Military guards were standing listlessly at the entrances to the gilded building.

Hall walked along the Plaza until he came to the Calle de Virtudes, which led to a little cafe on the street opposite the rear entrance of the Presidencia. It had no windows but giant shutters which were folded against the wall when the cafe was open for business. The cafe itself stood on a corner, the sidewalks on both sides of the place covered with tables and chairs. Wooden lattice fences, painted a bright orange, screened the tables from the pedestrian's section of the sidewalk. Inside, near the bar itself, two boys with guitars were playing and singing the tragi-comic peasant songs of the south.

He took a sidewalk table, ordered a meat pie and a bottle of beer, and then went to the small hotel next to the cafe to buy a sheet of paper, an envelope, and an air-mail stamp. He asked for a telephone book, looked up the names under Gomez, copied the address of one Juan Gomez, and returned to his table. There he bought a newspaper from a boy peddling the latest edition of the evening. The front page carried a story about Ansaldo: the distinguished visiting medico was to spend the next day conferring with local doctors who had been treating the President. In one of the back pages, under Arrivals, there was a line about the illustrious author and war correspondent Dr. M. Gall who reached San Hermano by Clipper; Dr. Gall was the noted author of _The Revenger_, even now being produced in Hollywood.

The paper was put aside for the meat pie. When he was done with the food, Hall pushed his plates away and spread his sheet of lined writing paper on the table before him. He called for some ink, filled his fountain pen, and wrote a letter in Spanish to a "Dear Pedro."

It was a rambling, innocuous letter which started out with family gossip about a forthcoming marriage of a cousin, the marriage prospects of the writer's eligible daughter, the letter received from Cousin Hernando who was happy on his new ranch and whose good wife was expecting another child soon. Then the letter went on to say that "I suppose you have read in the Havana papers that our President is ailing. Today there arrived in our city the distinguished Spanish doctor Varela Ansaldo. He is to treat the President. Perhaps I am very stupid, but is he not the surgeon who operated so well on the throat of your dear Uncle Carlos?" The letter then continued on for another page of family gossip and regards and requests that Pedro embrace a whole list of dear cousins and aunts. It was signed, simply, "Juanito."

Hall read the letter twice, sealed it, and addressed the envelope to Pedro de Aragon, Apartado 1724, La Habana, Cuba. Pedro de Aragon was a myth. Mail at this box was picked up by Santiago Iglesias, an officer of the Spanish Republican Army whom Hall had met again in Havana. Iglesias did at one time have an uncle named Carlos; the uncle had died on the Jarama front from a fascist bullet that tore through his throat and killed him instantly. Hall had arranged to write to Iglesias under names chosen from the phone books of different cities if the need arose. He scribbled the name and address of Juan Gomez on the back of the envelope, left some money on the table, and walked back to the Plaza. There he dropped the letter in a mailbox and continued on his way to the Bolivar.

There was a new clerk on duty when Hall reached the hotel, a wiry man of forty-odd whose yellow silk shirt clashed with both his black mohair jacket and his long, lined face. Hall asked for the key to Room 306 in Spanish.

The clerk cleared his throat and answered in English. "There was messages," he said, handing the key to Hall with a sheaf of slips. "And also this." From under the counter he drew a sealed letter written on heavy paper and bearing the neat blue imprint of the American Embassy at San Hermano on the envelope.

Hall frowned and tore open the envelope.

"Senorita the Ambassador's daughter telephoned twice," the clerk said.

"Thank you."

"It's on this slip, Mr. Hall."

"Thanks again." He read the few handwritten lines of the letter. It was an invitation from the Ambassador's daughter, Margaret Skidmore, to attend the Ambassador's party at the Embassy on the 5th. That was two nights off.

There was a message from Jerry Olmstead. She had phoned from her room to leave word that she had retired for the evening but would meet him in the dining room at ten for breakfast. Hall noticed that the clerk was watching him intently as he read the girl's message, but when he started to read the next slip the clerk interrupted him.

"It's from Mr. Roger Fielding," he said. "I took the message myself. He is a very nice person. An Englishman."

On the slip the clerk had written, "Mr. Fielding is very sorry you were not in because it is important. He will call you again."

"My name is Fernando Souza," the clerk said, extending his hand. "I am very happy to meet you."

Hall put the papers down on the desk and shook hands with the clerk. They had a meaningless chat about the rigors of wartime travel and the dimout in peaceful San Hermano and Hall learned that the Englishman Fielding was in the tall Lonja de Comercio building and very decent. "I have been at this desk for many years and in this position one meets many people," the clerk said, and he went on amiably chatting about what one could see on different one-day tours from the city.

"It is very sad about the President," Hall said, and then the clerk reddened and he forgot to speak English. "The Educator must live," Fernando Souza said. "If the Educator goes, the nation goes."

"I know," Hall said. "I admire Don Anibal greatly."

"_Momentico, Senor. El telefono._" After nine, the night clerk had to handle the switchboard at the Bolivar.

It was Fielding again. Hall picked up the phone on the marble counter. "Yes, Mr. Fielding," he said, "I'm sorry I missed your first call."

"Not at all, old man. Not at all. Damned decent of you to answer my call now, what with the hour and all that." The voice which came through Hall's receiver was the raspy, crotchety, bluff voice of a movie Britisher, the diction almost too good to be true. "I must say it was a good surprise, a good surprise. The paper tonight, I mean, even if they called you Dr. Gall. But what can they do if the H is silent in Spanish?"

"I've been called Gall before."

"Of course you have, of course you have." The man at the other end of the wire cleared his throat with a loud harumph. "What I'm calling about, Mr. Hall, is--well, damn it all, what with the war and all that I guess we have a right to keep a tired traveler from going to bed the second his plane reaches the end of his road. I think it rather urgent we have a bit of coffee and a bit of a chat tonight. Really, old man, I think it is urgent."

"At what time?" Hall asked.

"I'm at home now," Fielding said. "I can get to Old San Hermano in an hour. Souza can tell you how to get to my office. Nice chap, that Souza. Straight as a die."

"Good."

"The office is about ten minutes from the Bolivar by cab, if Souza can get you a cab. Suppose I ring you at the Bolivar when I reach the office?"

"That will be fine. See you soon." Hall put the phone down and turned to Souza. "He said you are straight as a die," he said.

"Mr. Fielding is a very decent Englishman," Souza said. He offered no further information about Roger Fielding, and Hall decided against asking any questions.

"If you are meeting him at his office, I had better get you a cab," Souza said, and then, sensing the hesitation in Hall's eyes, he quickly added, "it would be better. Walking at night is dangerous, especially in Old San Hermano, since the lights went out. There are many--accidents."

"O.K.," Hall said. "Look, I'm going upstairs to catch a little sleep. When Fielding calls back, get me that cab and send up a pot of coffee. And it's been good meeting you, even if Fielding does say you are straight as a die."

Souza did not get the joke, but he knew that Hall was trying to joke and he laughed.

Hall went to his room, took off his shoes and his suit, and fell across the bed. He dozed off wondering why he had agreed so readily to meet the man with the tailor-made British diction.

At ten-fifteen his phone rang. "Mr. Fielding called ten minutes ago. I have your cab ready now. He is a very reliable driver."

"Good. How about my coffee?"

Souza laughed. "The only waiter on duty is a _cabron_, Senor. Mr. Fielding will have much better coffee for you, anyway."

Hall chuckled as he washed the sleep out of his eyes with cold water and combed his hair. The waiter is a _cabron_! There was one for the book. Hall made up a song while he dressed, a song about yes we have no coffee today because the son of a gun is a dirty _cabron_ so we have no coffee today.

Souza slammed his palm down on the bell twice when the elevator let Hall into the lobby. "Pepito!" he shouted.

The biggest cab driver Hall had ever seen outside of the United States bounded into the lobby from the blackness of the San Hermano night. He advanced toward the desk in seven-league strides, wiping his right hand on the blouse of his pale-blue slack suit and taking off his white chauffeur's cap with the other hand. He hovered over Hall like a mother hen.

"Pepito," Souza said, "this is Senor Hall." This he said in Spanish. In English, he again told Hall that the man was a very reliable driver.

"_Con mucho gusto_, Senor 'All. _Me llamo_ Delgado." Sheepishly, the giant offered his hand to Hall.

"I am much pleased," Hall said. "Shall we start now?"

Pepito Delgado led Hall to a blue 1935 LaSalle parked in front of the Bolivar. "She is my own machine after I make the last payment next month," Delgado said. "I am glad you speak Spanish. It is the only language I know." He drove Hall to the ten-story Comercio building in a few minutes.

When Hall tried to pay him, Delgado shook his head happily. "You'll pay me later," he smiled. "I'll wait for you."

"But I may be hours," Hall protested.

Delgado called upon the Saints in a series of genially blasphemous exhortations. "Mother of God," he said, "it is bad luck not to make a round trip with the first American of the season. I'll wait and not charge you more than two pesos for the whole trip."

"I do not wish to rob you," Hall said. "Wait, and we shall make a fair price later."

He entered the Comercio building, but as the doors of the elevator closed and he started on his way up to the seventh floor Hall knew that Delgado was only playing the fool and was in fact no man's fool at all, and it bothered him. The right side of his face twitched slightly as he left the car and walked down to the bend in the hall leading to Room 719.

_Chapter three_

The frosted glass door of Room 719 bore the words, "Roger Fielding Y Cia." The anteroom was dark, but Hall could see the dim form of a man sitting in a lighted inner room. He knocked on the glass without trying the knob. In a moment, the light snapped on in the anteroom, and the man from the inner office opened the hall door.

"Mr. Hall?" he asked. "I'm Roger Fielding. Welcome to San Hermano. And please come inside."

Fielding fitted to the last detail the mental image Hall had conjured of the man on the phone. Genial, peppery, he not only talked like a Hollywood Englishman, he was a casting director's dream. Let the call go out for a man to play a retired India colonel, a British Ambassador, the Duke of Gretna Green, the popular professor of Chaldean Culture at Oxford, the Dean of Canterbury or the Chief of Scotland Yard, and Fielding was the man who could slip into the role without even changing from street clothes to costume. Fielding was the man, complete to the faintly grizzled face with the gaunt features, the dazzling plaid jacket, the thick-walled Dunhill pipe with the well-caked bowl.

He ushered Hall into the inner office, whose shades were all drawn to the sills. There was a large mahogany desk at the window; against the wall stood a long table bearing a row of glass coffee makers, a tray of demi-tasse cups, and a series of earthen canisters. On the wall above this table hung a large sepia-tinted photograph of London, taken about 1920. It faced a large print of a cottage and a brook in the Shakespeare country. This engraving hung over a row of four filing cabinets with steel locks. The walls were further decorated with framed certificates of Fielding's membership in coffee associations of San Hermano, Rio and New Orleans.

"Sit down, sit down," Fielding urged, pulling a comfortable leather chair to the side of his desk for Hall, and taking the swivel chair behind the desk for himself. The highly polished desk was bare, except for a calendar pad and a folded red-leather picture frame whose picture faced Fielding.

"I'm in coffee, you see."

Hall glanced up at the certificates and the long table. "I see," he said.

"How was your trip? Not too tiring, I hope? That's the sad thing about planes. Faster than ships, but rather confining."

"It was not too bad," Hall said. "Besides, I stole an hour's cat nap at the hotel while waiting for you to get to town."

"Good for you," Fielding said. "I like a man who can steal an hour's sleep when the spirit so moves him. May I make you some coffee to keep you awake, though?"

"If it's not too much trouble."

The Englishman was already at his coffee table. He took the pipe out of his mouth, pointed with the end of the curved stem at one of the canisters. "I guess we'll mix you a little of that Monte Azul with some of this light roast from the south," he said. "If that doesn't sit well, I have two dozen other roasts you can try."

Hall asked him how good a blend would result from the mixture of Monte Azul, Bogota, and the various Brazilian growths Androtten had described to the Brazilian on the plane.

"Ah," Fielding smiled, "so you know coffees, too?"

"Not at all. My education started on the plane." Hall described Androtten, and told Fielding of the Dutchman's experiences in Java and his theories of the perfect blend.

Fielding set some coffee and water into one of the vacuum makers, put a match to the alcohol burner. "Androtten," he mumbled. "I don't remember meeting him before. However, if it's the Monte Azul bean he's after, I'll venture he'll be in to see us before the week is over. Let me see, Androtten ..." He picked up his phone, asked for a local number. "Hello," he said into the phone. "Sorry to call so late, old man. About a chap named Androtten. A Hollander. Blitzed out of Java by the Nippos. Of course. In coffee. Came in tonight on the Clipper to buy Monte Azul for blending. Know him? I see. Well, thanks, anyway."

The Englishman put the phone away. "One of my countrymen," he explained. "He's not in Monte Azul and I'm not in southern crops. We help one another in a case like this. Incidentally, he never heard of your Androtten." He chatted aimlessly about the coffee business until the coffee in the vacuum maker was ready, then he poured it into a small jug and brought the jug and two demi-tasse cups to the desk. "Sugar?" he asked.

Hall had lost his taste for sugar in San Sebastian. "I have it black and pure," he said.

"That's the only way to enjoy real coffee, Mr. Hall." Fielding took a key from his pocket and went to the first filing cabinet. "However," he said, "it wasn't to talk about coffee that you were generous enough to come here tonight. Not to talk about coffee." He pulled a brown-paper portfolio out of the file and returned with it to the desk. He undid the strings that bound the portfolio, removed a manila folder.

"I think you had better pull your chair around and sit next to me here," Fielding said. "We have to look over some things in this file."

Hall moved both the chair and the jug of hot coffee. From his new position, he could see that the leather folding frame on the desk contained two photos of what was evidently one person. One photo showed a young man of twenty-odd standing near a stone wall in what was undoubtedly England; the other photo was the young man as a laughing child in a pony cart.

"I lost my boy," Fielding mumbled, absently. He tapped the ashes from his pipe out into an ash tray on the window sill, filled it again with new tobacco from a worn ostrich pouch. Hall could see a thin, rheumy film cover the Englishman's eyes.

"The war?" Hall asked, softly, but if Fielding heard him he gave no indication that he had.

Fielding held a lighted match over the filled bowl of his pipe, started it burning with deep, sucking draughts. "Ah, your book," he said, when the pipe was burning. "You are a man of courage, Hall. You showed real guts. The kind of guts our Nellie Chamberlain didn't have when England needed them most."

Hall poured fresh coffee into both his and Fielding's cups. "Thank you," he said. "I tried to do it justice." He told him what the British censor in Cairo had said when he saw the manuscript.

The grizzled Englishman took the pipe out of his mouth, looked at Hall with amazement and disgust. "British grit, my foot!" He bellowed. "The _Revenger_ was doomed the day Nellie Chamberlain decided to back Franco. I'm talking about your other book, Hall, _Behind Franco's Lines_. Any fool can get a battleship shot out from under him, but it takes a man ..." Suddenly he stopped, because both Hall and he were looking at the photos of the young man who was once a laughing boy in a canary-colored pony cart.

He opened the folder. A photostat of a multi-paged typewritten report lay on top of the neat pile of papers in the folder. "Now then, Hall, to get to the point. When I read that you had arrived in San Hermano, well, frankly, Hall, I thought it was the answer to my prayers. I know I'm a garrulous old man, but that comes from talking into the prevailing winds for so long that I just can't help myself."

"I know what you mean," Hall said. "Only I never thought of it in that way. I thought of it in terms of talking to a blank wall."

"Be it as it may, Hall, I don't think I'll be talking at a blank wall when I speak to you. As I said, there is a point to this meeting, and the point is brief. Hall, the Falange is in San Hermano, and it is up to much trouble."

"The Falange!"

"Oh, I know what you are thinking. Tabio made it illegal and it had to disband and all that. But Tabio's government never threw the whole Falange crowd into jail, where they belong, and they are still getting their orders from the Spanish Embassy."

Hall passed a hand in front of his smarting eyes. "Did you say they're up to trouble?" he asked.

"I said just that, Hall. Did you ever hear of the Cross and the Sword? Sounds like the name of a ha'penny thriller. Have you seen one of these since you arrived in San Hermano?" He handed Hall a gold lapel emblem; it was a sword with a blazing hilt, the letters ATN engraved across the cross piece of the hilt.

"The ATN stands for Accion Tradicionalista Nacional, but no one calls them that any more than they call the Nazis by their formal name. You know, National German Socialist something or other. It's a bad business, Hall, a very bad business. The Cross and Sword, alias the Falange Espanola."

"Are they very strong?"