Chapter 5

His partner began examining the puppets, and watching how Killian played them, with more attention; and presently he knew that there was more in it than met the eye. 'It is the puppets who are the marvel, not the man,' he said to himself. 'I could work them better myself, if I had practice.'

Soon after this he proposed that they should set off for another town; it was the chief town of all, where they hoped at last to be allowed to show their plays to the queen herself. 'It must be a real play this time,' said the partner, 'a tragedy; but it wants a third person. You must make another puppet, while I write the play!'

So Killian set to work. But he had no love for the third puppet, which was neither himself nor Grendel, and he put no heart inside it, and no little drop of blood. So the new marionette was but limbs, and a head drawn on wires.

'Soon,' thought Killian, 'I shall be rich enough to go home and marry Grendel. Then I will throw this stupid third one away; but the other two we will always keep close to the niche with the statue of Saint Lady, to help to make us thankful for the good things God gives us in this world.'

It was beautiful late spring weather when he and his companion set out for the capital. On the way Killian's partner told him the play that would have to be played before the queen, and said, 'In case three should be too much for you to manage, you had better teach me also to handle the strings.' So Killian began to teach him, with the two little marionettes alone, the first play which he had brought down with him from the mountains,--that being the easiest of all to learn, and the one he loved best to teach.

The partner was surprised to find how wonderfully the puppets followed the leading-strings; in spite of his clumsiness the story acted itself to perfection.

Simple-hearted Killian was charmed. 'Ah! you clever townsman,' said he, 'see how at first trial you equal poor me, who have been at it for months! It had better be you, after all, to do the play when it is called for at the court.' And this Killian proposed truly out of pure modesty, but also because he did not like the play his partner had made for him. 'It is too cruel a one!' he said. 'After they have played it together so long, I feel as if my two puppets can do nothing else so well as love each other, and live happily.'

'Ah, but,' said his partner, 'the queen would find that very dull!' Killian could not see why, but he believed that the townsman was wiser than himself, and gave in. All he wanted now was to get money enough to run back home with, and throw himself into his dear Grendel's arms for life.

So they journeyed on, and at last, one day, they came in sight of the capital. But it had been such a long way to come that when they reached the gates they found them shut.

The night was warm, and a high moon was overhead. 'Come,' said Killian, 'and let us lie down in one of these orchards that are outside the walls!' So they left the high-road, and went and lay down.

First they ate some food that they carried with them. Then Killian opened the case in which lay the two marionettes, and looked them over to see that they were in working order. His partner took up the odd number, and began practising it; but Killian's attention all went to the little king cow-herd and his queen.

He fondled them gently with his hands, and as he looked at them his heart went up into the mountains to pray for his dear Grendel.

Presently he began dreaming to himself like Jacob, only his dream was just of the simple things of earth. Down the great green uplands came troops of white cattle; but to him they seemed to be bridesmaids coming to Grendel's wedding day, and the ringing of the cow-bells was as sweet to him as the songs of angels. Before he was fast asleep the two marionettes had slipped off his knee and lay in the deep grass looking up at the sky.

* * * * *

They had never seen so beautiful a sight before, for never had they spent a night in the sweet open air till now. Over their heads swung dusky clusters of blossom, that would look white by day; and over them the moon went kissing its way from star to star.

Now and then single blossoms dropped as if they had something to say to the little cow-herd and his queen, lying there in the cool grass.

But the marionettes said nothing; their hearts were very full; now, at last, they found their old happiness return to them. Their prayers, that they used to say to each other so tenderly, had been going wrong for quite a long time; sudden starts and tremblings of fear had taken hold of their light-hearted deceptions of each other; and every day things had been going worse. But now they felt like entering upon a long rest.

As they lay, their hands met together. The little cow-herd could count her fingers across the palm of his hand, and never once did she pretend to be drawing them away. How good it all seemed!

Close by them the odd man was strutting in stiff, ungainly attitudes, cricking his neck and elbows, and tossing up his toes. How foolish he seemed to them in their innocent wisdom! They knew he was nothing to them, for he had no heart; he was nothing but a trick on springs. Yet they wished he would go away, and give them room to be alone, while the moon was making a white dream over their lives.

* * * * *

The partner grumbled to himself at the awkward ways of the new puppet. Instead of obeying, it kicked at the leading strings, and did everything like a stick, all angles and corners. Presently he put it back into its box; and then he saw the little king and queen lying together on the damp grass. He picked them up, growling at Killian as a simpleton, for leaving them there to get rusty with the dew. Then he put them also away, and curled himself up to dream about the success of his play on the morrow.

Quite early in the morning he and Killian went into the city, and set up their stage in a corner of the marketplace. The wonderful acting of the little king and queen, compared with the ungainly hobblings and jerkings of the odd man, threw the townspeople into ecstasies of laughter. They declared they had never seen so funny a sight in their lives as the beautiful nervous acting of the pair, side by side with the stiff-jointed awkwardness of the other.

Presently, sure enough, the queen heard tell of this new form of entertainment, and sent word for the mummers to appear at the palace.

Killian said to his partner: 'There is something the matter with the puppets to-day; they want careful handling. I am glad we settled that you are to do the new play; for, before the queen and her great ladies, I am likely to lose my head.'

All the court was gathered together to watch the puppet-play, while behind the scenes the partner took all the leading strings into his own hands.

* * * * *

The two marionettes opened their eyes, and saw daylight; they began moving to and fro softly; every now and then they put their faces together and kissed. The stupid odd man seemed to have gone; they were so glad to be left alone.

Soon the little king lay down, pretending to be tired, but it was only that he might put his head in the queen's lap. She bent over him, and laid her fingers on his eyes, seeming to say, 'Go to sleep, then! I will shut your eyes for you.' How pretty it was of her!

Then she covered his face over with her handkerchief; and all at once in came the odd man, walking on the points of his toes. The little king, now that the handkerchief was over his face, opened his eyes, and looked through it, to see what his dear queen would be doing now. The odd man had his arms round her neck, and was kissing her, and the queen looked as if she were going to kiss him back; but all at once she had pushed away the odd man so hard that he fell down with his heels in the air; and then she snatched the handkerchief from the king's face, and began trembling, and kissing him.

The whole of the court shouted, first with laughter at the odd man's fall, and then with admiration at the wonderful acting of the little queen.

Behind the scenes the partner began grumbling to Killian: 'They are going all wrong! It's all your doing, leaving them to lie in the damp grass last night!'

But still the whole court shouted and applauded. So the play went on; and now, more and more, the showman had cause to grumble. Whenever he came to a part where the play required that the queen should turn from her own cow-herd to the ugly odd man, everything went wrong. 'Very well,' thought he at last, 'she may be as innocent as Desdemona but it will all come to the same at the last!'

And so, still more, as the play went on, the little marionettes trembled and shook with fear. They wished the silly odd man would go away, and not come interrupting their prayers; and all the while they loved each other so! No idea of jealousy ever entered the little king's head; and as for the queen, if the odd man came and put his arms round her neck and kissed her, could she help it? All she could do was to run and put her arms round her own lover when he reappeared; and how the court shouted and applauded, when she went so quick from one to the other.

At last the final act was begun; the king came running in with a sword in his hand, why, he did not know, until he saw his poor little queen struggling in the arms of the odd man. 'Ah,' thought he, 'it is to drive him away! Then we shall be by ourselves again, and happy.'

No one ever fought so wonderfully on a stage before as the little cow-herd. All the court started to their feet, shouting; and still, while they shouted, they laughed to see the impossible odd man scooping about with his sword, and jerking head over heels, and high up into the air, to get away from the little king's sword-play. The partner had to keep snatching him up out of harm's way, for fear of a wrong ending. Then, suddenly he let him come down with a jump on the little king's head. And at that the king fell back upon the ground, and felt a sharp pain go through his heart.

The odd man drew out his sword and laughed; on the end of it was a tiny drop of blood. The poor little queen ran up, and bent down to look in her lover's face, to know if he were really hurt. And then a terrible thing happened.

Three times the little king raised his sword and pointed it at her heart, and dropped it again. And all the time the partner was tugging at the strings, and swearing by all the worst things he knew.

The little king felt himself growing weak; he was very frightened. He felt as if he were going away altogether, and leaving her to think he did not love her any more. And still his arm went up and down, pointing the sword at her heart.

The showman tugged angrily; then there was the sound of a wire that snapped--the king had thrown away his sword.

He reached up his two arms, and laid them fast round the queen's neck. 'Now at last she knows that I have not left off loving her.' He felt her drawing herself away, he held her more and more tightly to his breast; and now her little face lay close against his. Nothing should take her away from him now!

The showman pulled violently with all his might, to get her away; there was a snapping of strings, and then--the queen reached out two weak little hands, and laid them under her lover's head.

They lay quite still, quite still for a long time, and never moved. 'The play is over!' said the showman, disgusted and angry at the wreck of his plot.

Suddenly the whole stage became showered with gold; the great queen and all her court threw out showers of it like rain. It fell all over the two marionettes, covering them where they lay, just as the babes in the wood when they died were covered over with leaves.

Killian dropped his head on to the boards of the little stage, and sobbed. The partner let down the curtain, and began gathering up the gold.

And still, from without, the queen and her court clapped, and cried their applause; and still within lay Killian with his head upon the stage, sobbing for the two little marionettes, lying still with all the springs and strings of their bodies quite broken. Inside, though he could not see them, their hearts were broken also. 'Now,' he thought, 'I must go back to Grendel, or I too shall die!'

That night, in the middle of the night, the partner went away, carrying with him all the gold that the little marionettes had earned by their deaths. And these, indeed, he left, seeing that they were useless any more. But to Killian, when he woke the next morning, they were the only things left him in the world, to take back to Grendel.

He took them just as they were, locked in each other's arms, and went back all the long way to Grendel, up into the hills of his home, as poor in money as when he first started.

But Grendel saw that he had come back rich; for his face was grown tender and wise. And for five years they waited very patiently together, till by cow-keeping he had earned enough for them to keep some cows of their own, and to live in married happiness.

The little marionettes they put on a shelf, beneath the cross, and the statue of our Lady; and there, locked in each other's arms, those two disciples and martyrs of love lie at peace, feeling no pain any more in their broken hearts.