Chapter 10

Millard took charge of the convoy and succeeded in landing the party on shady seats at the lower end of the Mall, where the colossal Walter Scott is asking his distinguished countryman Robert Burns, just opposite, if all poets engaged in the agonizing work of poetic composition fall into such contortions as Burns does in this perpetual brass.

After a while Agatha grew as restless as the poet seems in the statue. She had brought money enough to take her party about the Park in the regular coaches, and spending-money unspent always made Agatha unhappy. She now broached the subject of taking a coach, and remembered that it was a free day at the Art Museum. Millard proposed to go to the Fifth Avenue gate and get a carriage for the party. This extravagance the prudent Mrs. Callender would not consent to, and so Millard conducted the ladies to the place where Shakspere, a little weak in the knees, has long been doing his best, according to his ability, to learn a part in a new play. The first coach that came by had but two vacancies. Millard hailed it, and said promptly:

"Now, Miss Agatha, we shall not find four places in one coach to-day. You and Mrs. Callender get into this one, and take stop-over checks at the Museum. Miss Callender and I will join you there in the next coach or on foot."

There was no time for debate, and before Mrs. Callender could muster her wits to decide what was best to be done about this, Charley's gloved hands had gently helped her into the coach, put Agatha in beside her, and handed a half-dollar to the driver for the fare. Just as Mrs. Callender was beginning to protest against this last act the coach rolled away, and Agatha saw Millard and Phillida face about without waiting for another coach and return toward Shakspere and the Mall.

"I oughtn't to have let him pay for us," murmured Mrs. Callender.

"Oh, you needn't feel under any obligations," whispered Agatha; "he just wanted to be alone with Phillida."

But now that Millard had seized the advantage of an unchaperoned stroll with Phillida, he found himself without the courage to use it. The very suddenness with which they had been left to themselves made Phillida feel that a crisis was imminent, and this served to give her an air of confusion and restraint. In presence of this reserve Millard drew back.

The two strolled along the Mall, admiring the wide, elm-shaded triple avenue, and talking of uninteresting subjects. They were involved once more in the evergrowing holiday crowd, and Millard saw with vexation that his opportunity was slipping away from him. When they had traversed the length of the Mall and were approaching the bust of Beethoven, Phillida said suddenly:

"There is Mina Schulenberg in a wheel-chair. I wonder how she contrived to get one."

She pushed forward toward the invalid, but Millard hung back a little, and Phillida suspected that he was probably ashamed to be seen talking with Mina, who was wheeled by her brother, a stalwart young man of twenty, in his Sunday clothes.

"O Miss Callender, is it you? Do you see my chair already? It must have been you who managed to get it for me."

"No, Wilhelmina; indeed I knew nothing about it till I saw you in it this moment."

"Then I don't know what to think," said the invalid. "It was sent up from a place down in Grand street already, with my name on a ticket and the word 'Paid' marked on the ticket. I wish I could thank the one that gave it to me wunst already, for I don't feel like it belonged to me till I do."

Phillida turned about and looked at Millard, who still lurked behind her. When he met her penetrating gaze he colored as though he had been caught doing wrong.

"Miss Schulenberg, this is Mr. Millard," said Phillida. "I don't know who sent you this chair; but if you thank him the person who paid for your chair will hear about it, I feel sure."

Mina looked at Millard. The faultlessness of his dress and the perfection of style in his carriage abashed her. But she presently reached her emaciated hand to him, while tears stood in her eyes. Millard trembled as he took the semi-translucent fingers in his hand: they looked brittle, and he could feel the joints through his gloves as though it were a skeleton that thus joined hands with him.

"You gave me my chair!" she said. "Yesterday I was out in it for the first time already--in Tompkins Square. But to-day Rudolph here--he is such a good fellow--he wanted to give me a big treat wunst, and so he brought me all the way up here already to see this beautiful Park. It's the--the first time--" but shadowy people like Wilhelmina hover always on the verge of hysteria, and her feelings choked her utterance at this point.

Millard could not bear the sight of her emotion. He said hastily, "Never mind, Miss Schulenberg; never mind. Good-morning. I hope you will enjoy your day."

Then as he and Phillida went up the stairs that lead out of the Mall at the north of the arbor by the Casino, Millard made use of his handkerchief, explaining that he must have taken a slight cold. He half halted, intending to ask Phillida to sit down with him on a seat partly screened by a bush at each end; but there were many people passing, and the two went on and mounted the steps to the circular asphalted space at the top of the knoll. Phillida, shy of what she felt must come, began to ask about the great buildings in view, and he named for her the lofty Dakota Flats rising from a rather naked plain to the westward, the low southern facade of the Art Museum to the northward, to the east the somber front of the Lenox Library,--as forbidding as the countenance of a rich collector is to him who would borrow,--and the columnar gable chimneys of the Tiffany house.

Millard now guided Phillida to a descending path on the side of the hill opposite to that by which they had come up, and which perversely turned southeastward for a while, it having been constructed on the theory that a park walk should describe the longest distance between any two points. Here he found a seat shaded by the horizontal limbs of an exotic tree and confronted by a thicket that shut out at this season almost all but little glimpses of the Tiffany house and the frowning Lenox. He asked Phillida to sit down, and he sat beside her. The momentary silence that followed was unendurable to Phillida's excited nerves, so she said:

"Mr. Millard, it was a splendid thing to do."

"What?"

"To give that chair to Mina Schulenberg, and all so quietly."

"Miss Callender--Phillida--may I call you Phillida?"

A tone of entreaty in this inquiry went to her heart and set her thoughts in a whirl. It was not possible to say "No." She did not lift her eyes from the asphalt, which she was pushing with the ferrule of her parasol, but she said "Yes," filled with she knew not what pleasure at having Millard use this familiarity.

"Phillida, you have taught me a great deal. It is to you that the poor girl owes her ride to-day, and to you that I owe the pleasure of seeing her enjoy it. I'm not so good as you are. I am a rather--a rather useless person, I'm afraid. But I am learning. And I want to ask you before I go away whether you _could_ love me?"

Phillida kept trying to bore into the pavement with her parasol, but she did not reply.

After a pause Millard went on. "I know you don't decide such things by mere passion. But you've had reason to think that I loved you for a good while. Haven't you?"

"I--I think I have." This was said with difficulty after a pause of some seconds.

"And you must have thought about it, and turned it over in the light of duty. Haven't you--Phillida?"

This address by her Christian name startled her. It was almost like a caress. But presently she said, "Yes; I have." She remembered that her prayer this very morning had been that before she should be called upon to decide the question of marrying Millard she might have some sign to guide her, and now the happy face of Wilhelmina seemed the very omen she had sought.

"And you haven't made up your mind to reject me?" said Millard.

The answer this time was longer than ever in coming.

"No; no, Mr. Millard."

Millard paused before putting the next question. "I'm going away, you know, on Saturday. May I get out of that last answer all that I wish to, Phillida?"

The parasol trembled in her hand, and perceiving that it betrayed her she ceased to push the ground and let go of the staff, grasping the edge of the seat instead. Millard could see her frame tremble, and in his eagerness he scarcely breathed. With visible effort she at length slowly raised her flushed face until her gaze encountered his. But utterance died on her lips. Either from some inclination of the head or from some assent in her eyes Millard understood her unuttered answer to be in the affirmative. He lifted her hand from the seat beside him and gently kissed it. And then as he held it he presently felt her fingers grasp his hand ever so lightly. It was answer enough. A noisy party was coming down the steps toward them.

"Now, Phillida dear, we must go," he said, rising. "Your mother will not know what has detained us."

Phillida looked up playfully as they walked away, and said, her voice still husky with feeling:

"Agatha will be sure to guess."

XII.

PHILIP.

Philip Gouverneur, passing the Graydon on his return from a dinner-party, thought to make a farewell call on Millard. He encountered Charley in the elevator, just coming home from an evening with Phillida, his face aglow with pleasure.

"Fancied I should find you packing," Philip said. "I thought as you would cross the Alps for the first time I'd come and give you a few points. If I were not so lazy and inefficient I believe I should go with you and 'personally conduct' you."

"That would be jolly. Come over in three or four weeks and I'll be quits with London. We'll engage a traveled English valet together, and journey in comfort. I will follow your lead and go anywhere."

"No; I shall not get over this year."

They entered Millard's rooms, where things were in a state of upheaval, but orderly even in their upheaval. Seating themselves for half an hour by the open windows they talked of things to be seen in Europe. Then Philip, remembering that his friend had much to do, rose to go, and Millard said with an effort:

"Well, Phil, I'm going to be kin to you. Congratulate me."

The color fled from Philip's face as he said:

"How's that?"

"Phillida Callender and I are engaged."

"You and Phillida?" said Philip, struggling to collect his wits. "I expected it." He spoke low and as though some calamity had befallen him. A moment he stood trying to muster his forces to utter some phrase proper to the occasion, and then he abruptly said:

"Good-night; don't come out"; and walked away toward the elevator like a somnambulist doing what he is compelled to by preconception without making note of his environment. And Millard wondered as he looked after him.

The next morning Philip came to breakfast so late that even his indulgent mother had forsaken the table after leaving directions to "have things kept hot for Mr. Philip, and some fresh coffee made for him."

When he had eaten a rather slender meal he sought his mother's sitting-room.

"Aunt Callender called last night, I hear. She must have had something to say, or she would hardly have persuaded herself to leave her sewing so long."

"She came to tell me of Phillida's engagement," said Mrs. Gouverneur, looking at Philip furtively as she spoke.

"I supposed that was it."

"Did you know it, then?"

"Oh, Charley Millard told me last night. These lucky fellows always take it for granted that you'll rejoice in all their good fortune; they air their luck before you as though it were your own." He was looking out of the window at the limited landscape of Washington Square.

"I'm sorry you feel bad about it," said his mother.

Philip was silent.

"I never dreamed that you had any special attachment for Phillida," said Mrs. Gouverneur.

"What did you think I was made of?" said Philip, turning toward his mother. "Since she came from Siam I have seen her about every week. Now consider what a woman she is, and do you wonder that I like her?"

"Why didn't you tell her so?"

"I might if I'd had Charley's brass. But what is there about a critical, inefficient young man like me, chiefly celebrated for piquant talk and sarcasm--what is there to recommend me to such a woman as Phillida? If I'd had Charley's physique--I suppose even Phillida isn't insensible to his appearance--but look at me. It might have recommended me to her, though, that in one respect I do resemble St. Paul--my bodily presence is weak." And he smiled at his joke. "No, mother, I am jealous of Charley, but I am not disappointed. I never had any hopes. I'd about as soon have thought of making love to any beatified saint in glory as to Phillida. But Charley's refined audacity is equal to anything."

The mother said nothing. She felt her son's bitterness too deeply to try to comfort him.

"I hate it most of all for Phillida's sake," Philip went on. "It can not be a happy marriage. Here they've gone and engaged themselves without reflection, and a catastrophe is sure to follow."

"Oh, maybe not," said Mrs. Gouverneur, who could not help feeling that Philip partly blamed her for the engagement.

"Why, just look at it. They haven't really kept company. He has been going to dinner and dancing parties this spring, and she to Mackerelville Mission and Mrs. Frankland's Bible Readings. If they should discover their incompatibility before marriage it wouldn't be so bad; but he's off to Europe for the summer, and then they'll be married in the autumn, probably, and then what? Phillida will never spend her time dancing germans with Charley; and he would make a pretty fist running a class of urchins in Mackerelville. I tell you it only means misery for both of them." And with this prediction Philip mounted to his own room.

Millard was too busy with the packing of trunks, the arrangement of business, and farewell visits to Phillida, to give much thought to Philip's curious behavior; but it troubled him nevertheless. And when, on the deck of the steamer _Arcadia_, he bade good-by to a large circle of friends, including Mr. Hilbrough, who brought a bouquet from his wife, and Mrs. Callender and her daughters, he looked about in vain for Philip. He could no longer doubt that for some reason Philip disliked his engagement. But when the last adieus had been waved to diminishing and no longer distinguishable friends on the pier-end, and the great city had shrunk into the background and passed from view as the vessel glided steadily forward into the Narrows, Millard entered his cabin and found a package of guide-books and a note from Philip excusing his absence on the ground of a headache, but hoping that his friend would have a pleasant voyage and expressing hearty good wishes for his future with Phillida. It was all very curious and unlike Philip. But the truth below dawned upon Charley, and it gave him sorrow that his great joy might be Philip's disappointment.

When September had come Philip sat one day in a wide wicker chair on the piazza of the old-fashioned cottage of the Gouverneurs at Newport. This plain but ample cottage had once held up its head stoutly as one of the best. But now that the age of the Newport cliff-dwellers had come, in which great architects are employed to expend unsparingly all the ideas they have ever borrowed, on cottages costlier than kings' palaces, the Gouverneur house had been overshadowed, and, after the manner of age outstripped by youth, had taken refuge in the inexpugnable advantage of priority. Like the family that dwelt within, it maintained a certain dignity of repose that could well afford to despise decoration and garniture, and look with contempt on newness. The very althaeas, and lilacs, and clambering jasmines in the dooryard and the large trees that lent shade to a lawn alongside, bespoke the chronological superiority of the place. There was no spruceness of biweekly mowing about the lawn, no ambitious spick-and-spanness about the old, white, wooden, green-blinded cottage itself, but rather a restful mossiness of ancient respectability.

Here Philip watched out the lazy September days, as he had watched them since he was a lad. This was a Newport afternoon, not cloudy, but touched by a certain marine mistiness which took the edge off the hard outlines of things and put the world into tone with sweet do-nothingness. Half-sitting, half-lying, in the wide piazza chair, clearly not made to measure for him, Philip had remained for two hours, reading a little at intervals, sometimes smoking, but mostly with head drawn down between his shoulders while he gazed off at the familiar trees and houses, and noted the passing of white-capped maids with their infant convoys, and the infrequent carriages that rolled by. His mother, with her fingers busy at something of no consequence, sat near him. Each was fond of the other's presence, neither cared much for conversation. Gouverneur, the father, was enjoying a fine day in his fashion, asleep on a lounge in the library.

"It's just as I expected, mother," said Philip, coming out of a prolonged reverie. "Charley and Phillida will marry without ever getting acquainted, and then will come the blow-out."

"What do you mean by the blow-out?" said Mrs. Gouverneur. "They are neither of them quarrelsome."

"No; but they are both sensitive. Aunt Callender's sickness took Phillida to the Catskills before he got home, and she's been there ever since. I suppose he has gone up once or twice on a Saturday. But what chance has either of them to know the other's tastes? What do you suppose they talk about? Does Phillida explain her high ideals, or tell him the shabby epics of lame beggars and blind old German women in Mackerelville? Or does he explain to her how to adjust a cravat, or tell her the amusing incidents of a private ball? They can't go on always billing and cooing, and what will they talk about on rainy Sundays after they are married? I'd like to see him persuade Phillida to wear an ultra-fashionable evening dress and spend six evenings a week at entertainments and the opera. Maybe it'll be the other way; she may coax him to teach a workingmen's class in the Mission. By George! It would be a comedy to see Charley try it once." And Philip indulged in a gentle laugh.

"You don't know how much they have seen of each other, Philip. Phillida is a friend of the Hilbroughs, and Mr. Millard once brought her to our house on Sunday afternoon from the Mission or somewhere over there."

"That's so?" said Philip. "They may be better acquainted than I think. But they'll never get on."

Perceiving that this line of talk was making his mother uncomfortable, he said:

"Nature has got the soft pedal down to-day. Come, mother, it's a good day for a drive. Will you go?"

And he went himself to call the coachman.

XIII.

MRS. FRANKLAND.

Mrs. Frankland, the Bible reader, was a natural orator--a person with plenty of blood for her brain, ample breathing space in her chest, a rich-toned voice responsive to her feelings, and a mind not exactly intellectual, but felicitous in vocabulation and ingenious in the construction of sentences. Her emotions were mettlesome horses well-bitted--quick and powerful, but firmly held. Though her exegesis was second-hand and commonplace, yet upon the familiar chords of traditional and superficial interpretation of the Bible she knew how to play many emotional variations, and her hearers, who were all women, were caught up into a state of religious exaltation under her instruction. A buoyant and joyous spirit and a genial good-fellowship of manner added greatly to her personal charms.

She was the wife of a lawyer of moderate abilities and great trustworthiness, whose modesty, rather than his mediocrity, had confined him to a small practice in the quieter walks of the profession. Mrs. Frankland had been bred a Friend, but there was a taste for magnificence in her that argued an un-Quaker strain in her pedigree. On her marriage she had with alacrity transferred her allegiance from no-ceremony Quakerism to liturgical Episcopalianism, the religion of her husband. She gave herself credit for having in this made some sacrifice to wifely duty, though her husband would have been willing to join the orthodox Friends with her, for the simplicity and stillness of the Quakers consorted well with his constitution. Mrs. Frankland did not relinquish certain notions derived from the Friends concerning the liberty of women to speak when moved thereto. No doubt her tenacity in this particular was due to her own consciousness of possessing a gift for swaying human sympathies. Such a gift the Anglican communion, from time immemorial, has delighted to bury in a napkin--in a tablecloth, if a napkin should prove insufficient. But Mrs. Frankland was not a person to allow her talent to be buried even in the most richly dight altar-cloth. In her, as in most of the world's shining lights, zeal for a cause was indistinguishably blended with personal aspirations--honest desire to be serviceable with an unconscious desire to be known. It is only healthy and normal that any human being possessed of native power should wish to show his credentials by turning possibility into fact accomplished.

Mrs. Frankland's temperament inclined her to live like a city set on a hill, but the earlier years of her married life had been too constantly engrossed by domestic cares for her to undertake public duties. It had often been out of the question for the Franklands to keep a servant, and they had never kept more than one in a family of four children. At first this ambitious wife sought to spur her timid and precise husband to achievements that were quite impossible to him. But when the children grew larger, so that the elder ones could be of assistance in the care of the house, Mrs. Frankland's opportunity came. The fame of such women as Mrs. Livermore, Miss Willard, and Mrs. Bottome had long been a spur to her aspiration. She did not set up as a reformer. Denunciation and contention were not proper to her temperament. She was, above all, pathetic and sympathetic. She took charge of a Bible class of young ladies in the Sunday-school, and these were soon deeply moved by her talks to them as a class, and profoundly attracted to her by a way she had of gathering each one of them under the hen-mother wings of her sympathies. That she and they exaggerated the degree of her personal feeling for her individual listeners is probable; the oratorical temperament enlarges the image of a sentiment as naturally as a magic lantern magnifies a picture. In later days beloved Maggies and Matildas of the class, who had believed themselves special favorites of Mrs. Frankland--their images graven on her heart of hearts--were amazed to find that they had been quite forgotten when they had been out of sight a year or two.

The Bible-class room in the Church of St. James the Less soon became uncomfortably crowded. This was what Mrs. Frankland had long desired. She thereupon availed herself of the hospitality of a disciple of hers who had a rather large parlor, and in this she opened a Bible reading on Friday afternoons. Eloquent talk, and especially pathetic talk and vivid illustrations by means of incidents and similes, were as natural to her as melodious whistling is to a brown thrush, and the parlors were easily filled, though out of deference to church authorities men were excluded.