Chapter 9
"Well, the consequence of this fall in temperature is that the convalescent's mind turns toward thoughts of suicide. Then is the time he should be watched by his friends. Then was the time Mr. Barrie Kipson's friends did _not_ watch him. You remember the 21st, of course. No? It was a most depressing day. Fog all around and mud under foot. Very good. He resolves on suicide. He wishes to be unidentified, if possible but forgets his season ticket. My experience is that a man about to commit a crime always forgets something."
"But how do you account for the disappearance of the money?"
"The money has nothing to do with the matter. If he was a deep man, and knew the stupidness of Scotland Yard, he probably sent the notes to an enemy. If not, they may have been given to a friend. Nothing is more calculated to prepare the mind for self-destruction than the prospect of a night ride on the Scotch Express, and the view from the windows of the train as it passes through the northern part of London is particularly conducive to thoughts of annihilation."
"What became of the weapon?"
"That is just the point on which I wish to satisfy myself. Excuse me for a moment."
Mr. Sherlaw Kombs drew down the window on the right hand side, and examined the top of the casing minutely with a magnifying glass. Presently he heaved a sigh of relief, and drew up the sash.
"Just as I expected," he remarked, speaking more to himself than to me. "There is a slight dent on the top of the window-frame. It is of such a nature as to be made only by the trigger of a pistol falling from the nerveless hand of a suicide. He intended to throw the weapon far out of the window, but had not the strength. It might have fallen into the carriage. As a matter of fact, it bounced away from the line and lies among the grass about ten feet six inches from the outside rail. The only question that now remains is where the deed was committed, and the exact present position of the pistol reckoned in miles from London, but that, fortunately, is too simple to even need explanation."
"Great heavens, Sherlaw!" I cried. "How can you call that simple? It seems to me impossible to compute."
We were now flying over Northern London, and the great detective leaned back with every sign of _ennui_, closing his eyes. At last he spoke wearily:
"It is really too elementary, Whatson, but I am always willing to oblige a friend. I shall be relieved, however, when you are able to work out the A B C of detection for yourself, although I shall never object to helping you with the words of more than three syllables. Having made up his mind to commit suicide, Kipson naturally intended to do it before he reached Brewster, because tickets are again examined at that point. When the train began to stop at the signal near Pegram, he came to the false conclusion that it was stopping at Brewster. The fact that the shot was not heard is accounted for by the screech of the air- brake, added to the noise of the train. Probably the whistle was also sounding at the same moment. The train being a fast express would stop as near the signal as possible. The air-brake will stop a train in twice its own length. Call it three times in this case. Very well. At three times the length of this train from the signalpost towards London, deducting half the length of the train, as this carriage is in the middle, you will find the pistol."
"Wonderful!" I exclaimed.
"Commonplace," he murmured.
At this moment the whistle sounded shrilly, and we felt the grind of the air-brakes.
"The Pegram signal again," cried Kombs, with something almost like enthusiasm. "This is indeed luck. We will get out here, Whatson, and test the matter."
As the train stopped, we got out on the right-hand side of the line. The engine stood panting impatiently under the red light, which changed to green as I looked at it. As the train moved on with increasing speed, the detective counted the carriages, and noted down the number. It was now dark, with the thin crescent of the moon hanging in the western sky throwing a weird half-light on the shining metals. The rear lamps of the train disappeared around a curve, and the signal stood at baleful red again. The black magic of the lonesome night in that strange place impressed me, but the detective was a most practical man. He placed his back against the signal-post, and paced up the line with even strides, counting his steps. I walked along the permanent way beside him silently. At last he stopped, and took a tapeline from his pocket. He ran it out until the ten feet six inches were unrolled, scanning the figures in the wan light of the new moon. Giving me the end, he placed his knuckles on the metals, motioning me to proceed down the embankment. I stretched out the line, and then sank my hand in the damp grass to mark the spot.
"Good God!" I cried, aghast, "what is this?"
"It is the pistol," said Kombs quietly.
It was!!
* * * * *
Journalistic London will not soon forget the sensation that was caused by the record of the investigations of Sherlaw Kombs, as printed at length in the next day's _Evening Blade_. Would that my story ended here. Alas! Kombs contemptuously turned over the pistol to Scotland Yard. The meddlesome officials, actuated, as I always hold, by jealousy, found the name of the seller upon it. They investigated. The seller testified that it had never been in the possession of Mr. Kipson, as far as he knew. It was sold to a man whose description tallied with that of a criminal long watched by the police. He was arrested, and turned Queen's evidence in the hope of hanging his pal. It seemed that Mr. Kipson, who was a gloomy, taciturn man, and usually came home in a compartment by himself, thus escaping observation, had been murdered in the lane leading to his house. After robbing him, the miscreants turned their thoughts towards the disposal of the body--a subject that always occupies a first-class criminal mind before the deed is done. They agreed to place it on the line, and have it mangled by the Scotch Express, then nearly due. Before they got the body half- way up the embankment the express came along and stopped. The guard got out and walked along the other side to speak with the engineer. The thought of putting the body into an empty first-class carriage instantly occurred to the murderers. They opened the door with the deceased's key. It is supposed that the pistol dropped when they were hoisting the body in the carriage.
The Queen's evidence dodge didn't work, and Scotland Yard ignobly insulted my friend Sherlaw Kombs by sending him a pass to see the villains hanged.
DEATH COMETH SOON OR LATE.
It was Alick Robbins who named the invalid the Living Skeleton, and probably remorse for having thus given him a title so descriptively accurate, caused him to make friends with the Living Skeleton, a man who seemed to have no friends.
Robbins never forgot their first conversation. It happened in this way. It was the habit of the Living Skeleton to leave his hotel every morning promptly at ten o'clock, if the sun was shining, and to shuffle rather than walk down the gravel street to the avenue of palms. There, picking out a seat on which the sun shone, the Living Skeleton would sit down and seem to wait patiently for someone who never came. He wore a shawl around his neck and a soft cloth cap on his skull. Every bone in his face stood out against the skin, for there seemed to be no flesh, and his clothes hung as loosely upon him as they would have upon a skeleton. It required no second glance at the Living Skeleton to know that the remainder of his life was numbered by days or hours, and not by weeks or months. He didn't seem to have energy enough even to read, and so it was that Robbins sat down one day on the bench beside him, and said sympathetically:--
"I hope you are feeling better to-day."
The Skeleton turned towards him, laughed a low, noiseless, mirthless laugh for a moment, and then said, in a hollow, far-away voice that had no lungs behind it: "I am done with feeling either better or worse."
"Oh, I trust it is not so bad as that," said Robbins; "the climate is doing you good down here, is it not?"
Again the Skeleton laughed silently, and Robbins began to feel uneasy. The Skeleton's eyes were large and bright, and they fastened themselves upon Robbins in a way that increased that gentleman's uneasiness, and made him think that perhaps the Skeleton knew he had so named him.
"I have no more interest in climate," said the Skeleton. "I merely seem to live because I have been in the habit of living for some years; I presume that is it, because my lungs are entirely gone. Why I can talk or why I can breathe is a mystery to me. You are perfectly certain you can hear me?"
"Oh, I hear you quite distinctly," said Robbins.
"Well, if it wasn't that people tell me that they can hear me, I wouldn't believe I was really speaking, because, you see, I have nothing to speak with. Isn't it Shakespeare who says something about when the brains are out the man is dead? Well, I have seen some men who make me think Shakespeare was wrong in his diagnosis, but it is generally supposed that when the lungs are gone a man is dead. To tell the truth, I _am_ dead, practically. You know the old American story about the man who walked around to save funeral expenses; well, it isn't quite that way with me, but I can appreciate how the man felt. Still I take a keen interest in life, although you might not think so. You see, I haven't much time left; I am going to die at eight o'clock on the 30th of April. Eight o'clock at night, not in the morning, just after _table d'hote_."
"You are going to _what_!" cried Robbins in astonishment.
"I'm going to die that day. You see I have got things to such a fine point, that I can die any time I want to. I could die right here, now, if I wished. If you have any mortal interest in the matter I'll do it, and show you what I say is true. I don't mind much, you know, although I had fixed April the 30th as the limit. It wouldn't matter a bit for me to go off now, if it would be of any interest to you."
"I beg you," said Robbins, very much alarmed, "not to try any experiments on my account. I am quite willing to believe anything you say about the matter--of course you ought to know."
"Yes, I do know." answered the Living Skeleton sadly. "Of course I have had my struggle with hope and fear, but that is all past now, as you may well understand. The reason that I have fixed the date for April 30th is this: you see I have only a certain amount of money--I do not know why I should make any secret of it. I have exactly 240 francs today, over and above another 100 francs which I have set aside for another purpose. I am paying 8 francs a day at the Golden Dragon; that will keep me just thirty days, and then I intend to die."
The Skeleton laughed again, without sound, and Robbins moved uneasily on the seat.
"I don't see," he said finally, "what there is to laugh about in that condition of affairs."
"I don't suppose there is very much; but there is something else that I consider very laughable, and that I will tell you if you will keep it a secret. You see, the Golden Dragon himself--I always call our innkeeper the Golden Dragon, just as you call me, the Living Skeleton."
"Oh, I--I--beg your pardon," stammered Robbins, "I----."
"It really doesn't matter at all. You are perfectly right, and I think it a very apt term. Well, the old Golden Dragon makes a great deal of his money by robbing the dead. You didn't know that, did you? You thought it was the living who supported him, and goodness knows he robs _them_ when he has a chance. Well, you are very much mistaken. When a man dies in the Golden Dragon, he, or his friends rather, have to pay very sweetly for it. The Dragon charges them for re-furnishing the room. Every stick of furniture is charged for, all the wall-paper, and so on. I suppose it is perfectly right to charge something, but the Dragon is not content with what is right. He knows he has finally lost a customer, and so he makes all he can out of him. The furniture so paid for, is not re-placed, and the walls are not papered again, but the Dragon doesn't abate a penny of his bill on that account. Now, I have inquired of the furnishing man, on the street back of the hotel, and he has written on his card just the cost of mattress, sheets, pillows, and all that sort of thing, and the amount comes to about 50 francs. I have put in an envelope a 50-franc note, and with it the card of the furniture man. I have written a letter to the hotel-keeper, telling him just what the things will cost that he needs, and have referred the Dragon to the card of the furniture man who has given me the figures. This envelope I have addressed to the Dragon, and he will find it when I am dead. This is the joke that old man Death and myself have put up on our host, and my only regret is that I shall not be able to enjoy a look at the Dragon's countenance as he reads my last letter to him. Another sum of money I have put away, in good hands where he won't have a chance to get it, for my funeral expenses, and then you see I am through with the world. I have nobody to leave that I need worry about, or who would either take care of me or feel sorry for me if I needed care or sympathy, which I do not. So that is why I laugh, and that is why I come down and sit upon this bench, in the sunshine, and enjoy the posthumous joke."
Robbins did not appear to see the humor of the situation quite as strongly as the Living Skeleton did. At different times after, when they met he had offered the Skeleton more money if he wanted it, so that he might prolong his life a little, but the Skeleton always refused.
A sort of friendship sprang up between Robbins and the Living Skeleton, at least, as much of a friendship as can exist between the living and the dead, for Robbins was a muscular young fellow who did not need to live at the Riviera on account of his health, but merely because he detested an English winter. Besides this, it may be added, although it really is nobody's business, that a Nice Girl and her parents lived in this particular part of the South of France.
One day Robbins took a little excursion in a carriage to Toulon. He had invited the Nice Girl to go with him, but on that particular day she could not go. There was some big charity function on hand, and one necessary part of the affair was the wheedling of money out of people's pockets, so the Nice Girl had undertaken to do part of the wheedling.
She was very good at it, and she rather prided herself upon it, but then she was a very nice girl, pretty as well, and so people found it difficult to refuse her. On the evening of the day there was to be a ball at the principal hotel of the place, also in connection with this very desirable charity. Robbins had reluctantly gone to Toulon alone, but you may depend upon it he was back in time for the ball.
"Well," he said to the Nice Girl when he met her, "what luck collecting, to-day?"
"Oh, the greatest luck," she replied enthusiastically, "and whom do you think I got the most money from?"
"I am sure I haven't the slightest idea--that old English Duke, he certainly has money enough."
"No, not from him at all; the very last person you would expect it from--your friend, the Living Skeleton."
"What!" cried Robbins, in alarm.
"Oh, I found him on the bench where he usually sits, in the avenue of the palms. I told him all about the charity and how useful it was, and how necessary, and how we all ought to give as much as we could towards it, and he smiled and smiled at me in that curious way of his. 'Yes,' he said in a whisper, 'I believe the charity should be supported by everyone; I will give you eighty francs.' Now, wasn't that very generous of him? Eighty francs, that was ten times what the Duke gave, and as he handed me the money he looked up at me and said in that awful whisper of his: 'Count this over carefully when you get home and see if you can find out what else I have given you. There is more than eighty francs there.' Then, after I got home, I----"
But here the Nice Girl paused, when she looked at the face of Robbins, to whom she was talking. That face was ghastly pale and his eyes were staring at her but not seeing her.
"Eighty francs," he was whispering to himself, and he seemed to be making a mental calculation. Then noticing the Nice Girl's amazed look at him, he said:
"Did you take the money?"
"Of course I took it," she said, "why shouldn't I?"
"Great Heavens!" gasped Robbins, and without a word he turned and fled, leaving the Nice Girl transfixed with astonishment and staring after him with a frown on her pretty brow.
"What does he mean by such conduct?" she asked herself. But Robbins disappeared from the gathering throng in the large room of the hotel, dashed down the steps, and hurried along the narrow pavements toward the "Golden Dragon." The proprietor was standing in the hallway with his hands behind him, a usual attitude with the Dragon.
"Where," gasped Robbins, "is Mr.--Mr.----" and then he remembered he didn't know the name. "Where is the Living Skeleton?"
"He has gone to his room," answered the Dragon, "he went early to- night, he wasn't feeling well, I think."
"What is the number of his room?"
"No. 40," and the proprietor rang a loud, jangling bell, whereupon one of the chambermaids appeared. "Show this gentleman to No. 40."
The girl preceded Robbins up the stairs. Once she looked over her shoulder, and said in a whisper, "Is he worse?"
"I don't know," answered Robbins, "that's what I have come to see."
At No. 40 the girl paused, and rapped lightly on the door panel. There was no response. She rapped again, this time louder. There was still no response.
"Try the door," said Robbins.
"I am afraid to," said the girl.
"Why?"
"Because he said if he were asleep the door would be locked, and if he were dead the door would be open."
"When did he say that?"
"He said it several times, sir; about a week ago the last time."
Robbins turned the handle of the door; it was not locked. A dim light was in the room, but a screen before the door hid it from sight. When he passed round the screen he saw, upon the square marble-topped arrangement at the head of the bed, a candle burning, and its light shone on the dead face of the Skeleton, which had a grim smile on its thin lips, while in its clenched hand was a letter addressed to the proprietor of the hotel.
The Living Skeleton had given more than the eighty francs to that deserving charity.
HIGH STAKES.
The snow was gently sifting down through the white glare of the electric light when Pony Rowell buttoned his overcoat around him and left the Metropolitan Hotel, which was his home. He was a young man, not more than thirty, and his face was a striking one. It was clean cut and clean shaven. It might have been the face of an actor or the face of a statesman. An actor's face has a certain mobility of expression resulting from the habit of assuming characters differing widely. Rowell's face, when you came to look at it closely, showed that it had been accustomed to repress expression rather than to show emotion of any kind. A casual look at Pony Rowell made you think his face would tell you something; a closer scrutiny showed you that it would tell you nothing. His eyes were of a piercing steely gray that seemed to read the thoughts of others, while they effectually concealed his own. Pony Rowell was known as a man who never went back on his word. He was a professional gambler.
On this particular evening he strolled up the avenue with the easy carriage of a man of infinite leisure. He hesitated for a moment at an illy-lighted passage-way in the middle of a large building on a side street, then went in and mounted a stair. He rapped lightly at a door. A slide was shoved back and a man inside peered out at him for a moment. Instantly the door was opened, for Pony's face was good for admittance at any of the gambling rooms in the city. There was still another guarded door to pass, for an honest gambling-house keeper can never tell what streak of sudden morality may strike the police, and it is well to have a few moments' time in which to conceal the paraphernalia of the business. Of course, Mellish's gambling rooms were as well known to the police as to Pony Rowell, but unless some fuss was made by the public, Mellish knew he would be free from molestation.
Mellish was a careful man, and a visitor had to be well vouched for, before he gained admission. There never was any trouble in Mellish's rooms. He was often known to advise a player to quit when he knew the young gambler could not afford to lose, and instances were cited where he had been the banker of some man in despair. Everybody liked Mellish, for his generosity was unbounded, and he told a good story well.
Inside the room that Pony Rowell had penetrated, a roulette table was at its whirling work and faro was going on in another spot. At small tables various visitors were enjoying the game of poker.
"Hello, Pony," cried Bert Ragstock, "are you going to give me my revenge to-night?"
"I'm always willing to give anyone his revenge." answered Pony imperturbably, lighting a fresh cigarette.
"All right then; come and sit down here."
"I'm not going to play just yet. I want to look on for a while."
"Nonsense. I've been waiting for you ever so long already. Sit down."
"You ought to know by this time, Bert, that when I say a thing I mean it. I won't touch a card till the clock begins to strike 12. Then I'm wid ye."
"Pshaw, Pony, you ought to be above that sort of thing. That's superstition, Rowell. You're too cool a man to mind when you touch a card. Come on."
"That's all right. At midnight, I said to myself, and at midnight it shall be or not at all."
The old gamblers in the place nodded approval of this resolution. It was all right enough for Bert Ragstock to sneer at superstition, because he was not a real gambler. He merely came to Mellish's rooms in the evening because the Stock Exchange did not keep open all night. Strange to say Ragstock was a good business man as well as a cool gambler. He bemoaned the fate that made him so rich that gambling had not the exhilarating effect on him which it would have had if he had been playing in desperation.
When the clock began to chime midnight Pony Rowell took up the pack and began to shuffle.
"Now, old man," he said, "I'm going in to win. I'm after big game to- night."
"Right you are." cried Bert, with enthusiasm. "I'll stand by you as long as the spots stay on the cards."
In the gray morning, when most of the others had left and even Mellish himself was yawning, they were still at it. The professional gambler had won a large sum of money; the largest sum he ever possessed. Yet there was no gleam of triumph in his keen eyes. Bert might have been winning for all the emotion his face showed. They were a well matched pair, and they enjoyed playing with each other.
"There," cried Pony at last, "haven't you had enough? Luck's against you. I wouldn't run my head any longer against a brick wall, if I were you."
"My dear Pony, how often have I told you there is no such thing as luck. But to tell the truth I'm tired and I'm going home. The revenge is postponed. When do I meet the enemy again?"
Pony Rowell shuffled the cards idly for a few moments without replying or raising his eyes. At last he said:
"The next time I play you, Bert, it will be for high stakes."
"Good heavens, aren't you satisfied with the stakes we played for to- night?"
"No. I want to play you for a stake that will make even your hair stand on end. Will you do it?"
"Certainly. When?"
"That I can't tell just yet. I have a big scheme on hand. I am to see a man to-day about it. All I want to know is that you promise to play."