vv. 1 and 4 as different, and render the former "those who return

(Delitzsch) or "the returned" (Perowne).

Sudden and great revolutions for the better have for their first effect bewilderment and a sense of unreality. Most men have some supreme moment of blessedness in their memories with which they were stunned; but, alas! it is oftener the rush of unexpected miseries that makes them wonder whether they are awake or dreaming. It is not lack of faith, but slowness in accommodating oneself to surprising new conditions, which makes these seem unreal at first. "The sober certainty of waking bliss" is sweeter than the first raptures. It is good to have had such experience of walking, as it were, on air; but it is better to plant firm feet on firm ground.

The mood of the first part of this little psalm is momentary; but the steadfast toil amid discouragements, not uncheered by happy confidence, which is pictured in the second part, should be the permanent temper of those who have once tasted the brief emotion. The jubilant laughter and ringing cries with which the exiles streamed forth from bondage, and made the desert echo as they marched, witnessed to the nations that Jehovah had magnified His dealings with them. Their extorted acknowledgment is caught up triumphantly by the singer. He, as it were, thanks the Gentiles for teaching him that word. There is a world of restrained feeling, all the more impressive for the simplicity of the expression, in that quiet "We became glad." When the heathen attested the reality of the deliverance, Israel became calmly conscious of it. These exclamations of envious onlookers sufficed to convince the returning exiles that it was no dream befooling them. Tumultuous feeling steadied itself into conscious joy. There is no need to say more. The night of weeping was past, and Joy was their companion in the fresh morning light.

But the work was but partly done. Difficulties and hardships were not abolished from the world, as Israel had half expected in the first flush of joy. We all are apt to think so, when some long wished and faintly hoped-for good is ours at last. But not such is the Divine purpose for any life here. He gives moments of untroubled joy, when no cloud stains the blue and all the winds are still, in order to prepare us for toil amid tempests and gloomy skies. So the second half of the psalm breathes petitions for the completion of the Restoration, and animates the returned exiles with assurances that, whatever may be their toils, and however rough the weather in which they have to sow the seed, and however heavy the hearts with which they do it, "the slow result of winter showers" is sure. Lessons of persevering toil, of contented doing of preparatory work, of confidence that no such labour can fail to be profitable to the doer and to the world, have been drawn for centuries from the sweet words of this psalm. Who can tell how many hearts they have braced, how much patient toil they have inspired? The psalmist was sowing seed, the fruit of which he little dreamed of, when he wrote them, and his sheaves will be an exceeding weight indeed.

The metaphor in ver. 4 brings before the imagination the dried torrent-beds in the arid Negeb, or Southland, which runs out into the Arabian desert. Dreary and desolate as these dried wadies lie bleaching in the sunshine, so disconsolate and lonely had the land been without inhabitants. The psalmist would fain see, not the thin trickle of a streamlet, to which the returned captives might be compared, but a full, great rush of rejoicing fellow-countrymen coming back, like the torrents that fill the silent watercourses with flashing life.

He prays, and he also prophesies. "They who sow with tears" are the pioneers of the return, to whom he belonged. Vv. 6, 7, merely expand the figure of ver. 5 with the substitution of the image of a single husbandman for the less vivid, clear-cut plural. The expression rendered "handful of seed" means literally a "draught of seed"--_i.e._, the quantity taken out of the basket or cloth at one grasp, in order to be sown. It is difficult to convey the force of the infinitives in combination with participles and the finite verb in ver. 6. But the first half of the verse seems to express repeated actions on the part of the husbandman, who often goes forth to sow, and weeps as he goes; while the second half expresses the certainty of his glad coming in with his arms full of sheaves. The meaning of the figure needs no illustration. It gives assurances fitted to animate to toil in the face of dangers without, and in spite of a heavy heart--namely, that no seed sown and watered with tears is lost; and further, that, though it often seems to be the law for earth that one soweth and another reapeth, in deepest truth "every man shall receive his own reward, according to his own labour," inasmuch as, hereafter, if not now, whatsoever of faith and toil and holy endeavour a man soweth, trusting to God to bless the springing thereof, that shall he also reap. In the highest sense and in the last result the prophet's great words are ever true: "They shall not plant, and another eat ... for My chosen shall long enjoy the work of their hands" (Isa. lxv. 22).

PSALM CXXVII.

1 If Jehovah build not a house, Vainly do its builders toil upon it; If Jehovah keeps not a city, Vainly wakes the keeper. 2 Vain is it for you, ye that make early [your] rising and your sitting down late, That eat the bread of painful toil; Even so He gives [it] to His beloved while in sleep.

3 Behold, sons are an heritage from Jehovah, The fruit of the womb is [His] reward. 4 Like arrows in the hand of a mighty man, So are sons of [a father's] youth. 5 Happy the man who has filled his quiver with them, They shall not be ashamed When they speak with enemies in the gate.

This pure expression of conscious dependence on God's blessing for all well-being may possibly have special reference to the Israel of the Restoration. The instances of vain human effort and care would then have special force, when the ruins of many generations had to be rebuilt and the city to be guarded. But there is no need to seek for specific occasion, so general is this psalm. It sings in a spirit of happy trust the commonplace of all true religion, that God's blessing prospers all things, and that effort is vain without it. There is no sweeter utterance of that truth anywhere, till we come to our Lord's parallel teaching, lovelier still than that of our psalm, when He points us to the flowers of the field and the fowls of the air, as our teachers of the joyous, fair lives that can be lived, when no carking care mars their beauty.

In ver. 1 the examples chosen by the singer are naturally connected. The house when built is one in the many that make the city. The owner's troubles are not over when it is built, since it has to be watched. It is as hard to keep as to acquire earthly goods. The psalmist uses the past tenses in describing the vanity of building and watching unblessed by God. "They" have built in vain, and watched in vain. He, as it were, places us at the point of time when the failure is developed,--the half-built house a ruin, the city sacked and in flames.

Ver. 2 deals with domestic life within the built house and guarded city. It is vain to eke out the laborious day by early beginning and late ending. Long hours do not mean prosperous work. The evening meal may be put off till a late hour; and when the toil-worn man sits down to it, he may eat bread made bitter by labour. But all is in vain without God's blessing. The last clause of the verse must be taken as presenting a contrast to the futile labour reprehended in the former clauses; and therefore the beautiful rendering of the A.V. must be abandoned, though it has given many sweet thoughts to trustful souls, and none sweeter than in Mrs. Browning's pathetic lines. But clearly the contrast is between labour which effects nothing, but is like spinning ropes out of sea-sand, and God's gift of the good which the vain toil had aimed at, and which He gives to His beloved in their sleep. "So" seems here to be equivalent to "Even so," and the thought intended is probably that God's gift to His beloved secures to them the same result as is ineffectually sought by godless struggles.

This is no preaching of laziness masquerading as religious trust. The psalmist insists on one side of the truth. Not work, but self-torturing care and work, without seeking God's blessing, are pronounced vanity.

The remainder of the psalm dwells on one special instance of God's gifts, that of a numerous family, which, in accordance with the Hebrew sentiment, is regarded as a special blessing. But the psalmist is carried beyond his immediate purpose of pointing out that that chief earthly blessing, as he and his contemporaries accounted it, is God's gift, and he lingers on the picture of a father surrounded in his old age by a band of stalwart sons born unto him in his vigorous youth, and so now able to surround him with a ring of strong protectors of his declining days. "They shall speak with their enemies in the gate." Probably "they" refers to the whole band, the father in the midst and his sons about him. The gate was the place where justice was administered, and where was the chief place of concourse. It is therefore improbable that actual warfare is meant: rather, in the disputes which might arise with neighbours, and in the intercourse of city life, which would breed enmities enough, the man with his sons about him could hold his own. And such blessing is God's gift.

The lesson of the psalm is one that needs to be ever repeated. It is so obvious that it is unseen by many, and apt to be unnoticed by all. There are two ways of going to work in reference to earthly good. One is that of struggling and toiling, pushing and snatching, fighting and envying, and that way comes to no successful issue; for if it gets what it has wriggled and wrestled for, it generally gets in some way or other an incapacity to enjoy the good won, which makes it far less than the good pursued. The other way is the way of looking to God and doing the appointed tasks with quiet dependence on Him, and that way always succeeds; for, with its modest or large outward results, there is given likewise a quiet heart set on God, and therefore capable of finding water in the desert and extracting honey from the rock. The one way is that of "young lions," who, for all their claws and strength, "do lack and suffer hunger"; the other is that of "them that seek the Lord," who "shall not want any good."

PSALM CXXVIII.

1 Happy is every one that fears Jehovah, That walks in His ways. 2 The labour of thy hands shalt thou surely eat,-- Happy art thou, and it is well with thee. 3 Thy wife [shall be] like a fruitful vine in the inmost chambers of thy house, Thy children like young olive plants round thy table. 4 Behold, that thus shall the man be blessed Who fears Jehovah.

5 Jehovah bless thee out of Zion! And mayest thou look on the prosperity of Jerusalem All the days of thy life, 6 And see children to thy children! Peace be upon Israel!

The preceding psalm traced all prosperity and domestic felicity to God's giving hand. It painted in its close the picture of a father surrounded by his sons able to defend him. This psalm presents the same blessings as the result of a devout life, in which the fear of Jehovah leads to obedience and diligence in labour. It presents the inner side of domestic happiness. It thus doubly supplements the former, lest any should think that God's gift superseded man's work, or that the only blessedness of fatherhood was that it supplied a corps of sturdy defenders. The first four verses describe the peaceful, happy life of the God-fearing man, and the last two invoke on him the blessing which alone makes such a life his. Blended with the sweet domesticity of the psalm is glowing love for Zion. However blessed the home, it is not to weaken the sense of belonging to the nation.

No purer, fairer idyll was ever penned than this miniature picture of a happy home life. But its calm, simple beauty has deep foundations. The poet sets forth the basis of all noble, as of all tranquil, life when he begins with the fear of Jehovah, and thence advances to practical conformity with His will, manifested by walking in the paths which He traces for men. Thence the transition is easy to the mention of diligent labour, and the singer is sure that such toil done on such principles and from such a motive cannot go unblessed. Outward prosperity does not follow good men's work so surely as the letter of the psalm teaches, but the best fruits of such work are not those which can be stored in barns or enjoyed by sense; and the labourer who does his work "heartily, as to the Lord," will certainly reap a harvest in character and power and communion with God, whatever transitory gain may be attained or missed.

The sweet little sketch of a joyous home in ver. 3 is touched with true grace and feeling. The wife is happy in her motherhood, and ready, in the inner chambers (literally _sides_) of the house, where she does her share of work, to welcome her husband returning from the field. The family gathers for the meal won and sweetened by his toil; the children are in vigorous health, and growing up like young "layered" olive plants. It may be noted that this verse exhibits a home in the earlier stages of married life, and reflects the happy hopes associated with youthful children, all still gathered under the father's roof; while, in the latter part of the psalm, a later stage is in view, when the father sits as a spectator rather than a worker, and sees children born to his children. Ver. 4 emphatically dwells once more on the foundation of all as laid in the fear of Jehovah. Happy a nation whose poets have such ideals and sing of such themes! How wide the gulf separating this "undisturbed song" of pure home joys from the foul ideals which baser songs try to adorn! Happy the man whose ambition is bounded by its limits, and whose life is

"True to the kindred points of heaven and home"!

Israel first taught the world how sacred the family is; and Christianity recognises "a church in the house" of every wedded pair whose love is hallowed by the fear of Jehovah.

In vv. 5, 6, petitions take the place of assurances, for the singer knows that none of the good which he has been promising will come without that blessing of which the preceding psalm had spoken. All the beautiful and calm joys just described must flow from God, and be communicated from that place which is the seat of His self-revelation. The word rendered above "mayest thou look" is in the imperative form, which seems here to be intended to blend promise, wish, and command. It is the duty of the happiest husband and father not to let himself be so absorbed in the sweets of home as to have his heart beat languidly for the public weal. The subtle selfishness which is but too commonly the accompaniment of such blessings is to be resisted. From his cheerful hearth the eyes of a lover of Zion are to look out, and be gladdened when they see prosperity smiling on Zion. Many a Christian is so happy in his household that his duties to the Church, the nation, and the world are neglected. This ancient singer had a truer conception of the obligations flowing from personal and domestic blessings. He teaches us that it is not enough to "see children's children," unless we have eyes to look for the prosperity of Jerusalem, and tongues which pray not only for those in our homes, but for "peace upon Israel."

PSALM CXXIX.

1 Sorely have they oppressed me from my youth, Let Israel now say, 2 Sorely have they oppressed me from my youth, But they have not also prevailed against me. 3 On my back the ploughers ploughed, They made their furrows long. 4 Jehovah the righteous Has cut the cord of the wicked.

5 Let them be shamed and turned back, All they who hate Zion. 6 Let them be as the grass of the housetops, Which, before it shoots forth, withers: 7 With which the mower fills not his hand, Nor the sheaf-binder his bosom; 8 And the passers-by say not, "The blessing of Jehovah be to you!" "We bless you in the name of Jehovah!"

The point of view here is the same as in Psalm cxxiv., with which the present psalm has much similarity both in subject and in expression. It is a retrospect of Israel's past, in which the poet sees a uniform exemplification of two standing facts--sore affliction and wonderful deliverance. The bush burned, _nec tamen consumebatur_. "Cast down, but not destroyed," is the summary of the Church's history. No doubt the recent deliverance from captivity underlies this, as most of the pilgrim psalms. The second part (vv. 5-8) blends confidence and wish, founded on the experience recorded in the first part, and prophesies and desires the overthrow of Israel's foes. The right use of retrospect is to make it the ground of hope. They who have passed unscathed through such afflictions may well be sure that any to-morrow shall be as the yesterdays were, and that all future assaults will fail as all past ones have failed.

The words which Israel is called upon to say twice with triumphant remembrance are the motto of the _Ecclesia pressa_ in all ages. Ever there is antagonism; never is there overthrow. Israel's "youth" was far back in the days of Egyptian bondage; and many an affliction has he since met, but he lives still, and his existence proves that "they have not prevailed against" him. Therefore the backward look is gladsome, though it sees so many trials. Survived sorrows yield joy and hope, as gashes in trees exude precious gums.

Ver. 3 expresses Israel's oppressions by a strong metaphor, in which two figures are blended--a slave under the lash, and a field furrowed by ploughing. Cruel lords had laid on the whip, till the victim's back was scored with long wounds, straight and parallel, like the work of a ploughman. The Divine deliverance follows in ver. 4. The first words of the verse do not stand in the usual order, if rendered "Jehovah is righteous," and are probably to be taken as above; "righteous" standing in apposition to "Jehovah," and expressing the Divine characteristic which guaranteed and, in due time, accomplished Israel's deliverance. God could not but be true to His covenant obligations. Therefore He cut the "cord of the wicked." The figure is here changed to one occasioned by the former. Israel is now the draught ox harnessed to the plough; and thus both sides of his bondage are expressed--cruel treatment by the former, and hard toil by the latter, figure. The same act which, in the parallel 124th Psalm, is described as breaking the fowler's snare, is in view here; and the restoration from Babylon suits the circumstances completely.

The story of past futile attempts against Israel animates the confidence and vindicates the wish breathed in the latter half of the psalm. To hate Zion, which Jehovah so manifestly loves and guards, must be suicidal. It is something far nobler than selfish vengeance which desires and foresees the certain failure of attempts against it. The psalmist is still under the influence of his earlier metaphor of the ploughed field, but now has come to think of the harvest. The graphic image of the grass on flat housetops of clay, which springs quickly because it has no depth of earth, and withers as it springs, vividly describes the short-lived success and rapid extinction of plots against Zion and of the plotters. The word rendered above "shoots forth" is by some translated "is plucked up," and that meaning is defensible, but grass on the housetops would scarcely be worth plucking, and the word is used elsewhere for unsheathing a sword. It may, therefore, be taken here to refer to the shooting out of the spikelets from their covering. The psalmist dilates upon his metaphor in ver. 7, which expresses the fruitlessness of assaults on God's chosen. No harvest is to be reaped from such sowing. The enemies may plot and toil, and before their plans have had time to bud they are smitten into brown dust; and when the contrivers come expecting success, there is nothing to mow or gather. "They look for much, and behold little." So it has been; so it shall be; so it should be; so may it be, wishes the psalmist; and true hearts will say Amen to his aspiration.

Such reapers have no joy in harvest, and no man can invoke Jehovah's blessing on their bad work. Ver. 8 brings up a lovely little picture of a harvest field, where passers-by shout their good wishes to the glad toilers, and are answered by these with like salutations. It is doubtful whether ver. 8_c_ is spoken by the passers-by or is the reapers' responsive greeting. The latter explanation gives animation to the scene. But in any case the verse suggests by contrast the gloomy silence of Israel's would-be destroyers, who find, as all who set themselves against Jehovah's purposes do find, that He blasts their plans with His breath, and makes their "harvest an heap in the day of grief and desperate sorrow."

PSALM CXXX.

1 Out of the depths have I cried to Thee, Jehovah. 2 Lord, hearken to my voice, Be Thine ears attent To the voice of my supplications.

3 If Thou, Jah, shouldest mark iniquities, Lord, who could stand?-- 4 For with Thee is forgiveness, That Thou mayest be feared.

5 I have waited for Jehovah, And in His word have I hoped. 6 My soul [hopes] for the Lord More than watchers for the morning, --Watchers for the morning.

7 Let Israel hope in Jehovah, For with Jehovah is loving-kindness, And in abundance with Him is redemption. 8 And He--He will redeem Israel From all his iniquities.

In a very emphatic sense this is a song of ascents, for it climbs steadily from the abyss of penitence to the summits of hope. It falls into two divisions of four verses each, of which the former breathes the prayer of a soul penetrated by the consciousness of sin, and the latter the peaceful expectance of one that has tasted God's forgiving mercy. These two parts are again divided into two groups of two verses, so that there are four stages in the psalmist's progress from the depths to the sunny heights.

In the first group we have the psalmist's cry. He has called, and still calls. He reiterates in ver. 2 the prayer that he had long offered and still presents. It is not only quotation, but is the cry of present need. What are these "depths" from which his voice sounds, as that of a man fallen into a pit and sending up a faint call? The expression does not merely refer to his creatural lowliness, nor even to his troubles, nor even to his depression of spirit. There are deeper pits than these--those into which the spirit feels itself going down, sick and giddy, when it realises its sinfulness. Unless a man has been down in that black abyss, he has scarcely cried to God as he should do. The beginning of true personal religion is the sense of personal sin. A slight conception of the gravity of that fact underlies inadequate conceptions of Christ's nature and work, and is the mother of heresies in creed and superficialities and deadnesses in practice. A religion that sits lightly upon its professor, impelling to no acts of devotion, flashing out in no heroisms, rising to no heights of communion--that is to say, the average Christianity of great masses of so-called Christians--bears proof, in its languor, that the man knows nothing about the depths, and has never cried to God from them. Further, if out of the depths we cry, we shall cry ourselves out of the depths. What can a man do who finds himself at the foot of a beetling cliff, the sea in front, the wall of rock at his back, without foothold for a mouse, between the tide at the bottom and the grass at the top? He can do but one thing: he can shout, and perhaps may be heard, and a rope may come dangling down that he can spring at and clutch. For sinful men in the miry pit the rope is already let down, and their grasping it is the same act as the psalmist's cry. God has let down His forgiving love in Christ, and we need but the faith which accepts while it asks, and then we are swung up into the light, and our feet set on a rock.

Vv. 3, 4, are the second stage. A dark fear shadows the singer's soul, and is swept away by a joyful assurance. The word rendered above "mark" is literally _keep_ or _watch_, as in ver. 6, and here seems to mean to _take account of_, or _retain_ in remembrance, in order to punish. If God should take man's sin into account in His dispositions and dealings, "O Lord, who shall stand?" No man could sustain that righteous judgment. He must go down before it like a flimsy hut before a whirlwind, or a weak enemy before a fierce charge. That thought comes to the psalmist like a blast of icy air from the north, and threatens to chill his hope to death and to blow his cry back into his throat. But its very hypothetical form holds a negation concealed in it. Such an implied negative is needed in order to explain the "for" of ver. 4. The singer springs, as it were, to that confidence by a rebound from the other darker thought. We must have tremblingly entertained the contrary dread possibility, before we can experience the relief and gladness of its counter-truth. The word rendered "forgiveness" is a late form, being found only in two other late passages (Neh. ix. 17; Dan. ix. 9). It literally means _cutting off_, and so suggests the merciful surgery by which the cancerous tumour is taken out of the soul. Such forgiveness is "with God," inherent in His nature. And that forgiveness lies at the root of true godliness. No man reverences, loves, and draws near to God so rapturously and so humbly as he who has made experience of His pardoning mercy, lifting a soul from its abysses of sin and misery. Therefore the psalmist, taught by what pardon has done for him in drawing him lovingly near to God, declares that its great purpose is "that Thou mayest be feared," and that not only by the recipient, but by beholders. Strangely enough, many commentators have found a difficulty in this idea, which seems sun-clear to those whose own history explains it to them. Grätz, for instance, calls it "completely unintelligible." It has been very intelligible to many a penitent who has been by pardon transformed into a reverent lover of God.

The next stage in the ascent from the depths is in vv. 5, 6, which breathe peaceful, patient hope. It may be doubtful whether the psalmist means to represent that attitude of expectance as prior to and securing forgiveness or as consequent upon it. The latter seems the more probable. A soul which has received God's forgiveness is thereby led into tranquil, continuous, ever-rewarded waiting on Him, and hope of new gifts springs ever fresh in it. Such a soul sits quietly at His feet, trusting to His love, and looking for light and all else needed, to flow from Him. The singleness of the object of devout hope, the yearning which is not impatience, characterising that hope at its noblest, are beautifully painted in the simile of the watchers for morning. As they who have outwatched the long night look eagerly to the flush that creeps up in the east, telling that their vigil is past, and heralding the stir and life of a new day with its wakening birds and fresh morning airs, so this singer's eyes had turned to God, and to Him only. Ver. 6 does not absolutely require the supplement "hopes." It may read simply "My soul is towards Jehovah"; and that translation gives still more emphatically the notion of complete turning of the whole being to God. Consciousness of sin was as a dark night; forgiveness flushed the Eastern heaven with prophetic twilight. So the psalmist waits for the light, and his soul is one aspiration towards God.

In vv. 7, 8, the psalmist becomes an evangelist, inviting Israel to unite in his hope, that they may share in his pardon. In the depths he was alone, and felt as if the only beings in the universe were God and himself. The consciousness of sin isolates, and the sense of forgiveness unites. Whoever has known that "with Jehovah is pardon" is impelled thereby to invite others to learn the same lesson in the same sweet way. The psalmist has a broad gospel to preach, the generalisation of his own history. He had said in ver. 4 that "with Jehovah is forgiveness" (lit. _the_ forgiveness, possibly meaning _the needed forgiveness_), and he thereby had animated his own hope. Now he repeats the form of expression, only that he substitutes for "forgiveness" the loving-kindness which is its spring, and the redemption which is its result; and these he presses upon his fellows as reasons and encouragements for their hope. It is "abundant redemption," or "multiplied," as the word might be rendered. "Seventy times seven"--the perfect numbers seven and ten being multiplied together and their sum increased sevenfold--make a numerical symbol for the unfailing pardons which we are to bestow; and the sum of the Divine pardon is surely greater than that of the human. God's forgiving grace is mightier than all sins, and able to conquer them all.

"He will redeem Israel from all his iniquities"; not only from their consequences in punishment, but from their power, as well as from their guilt and their penalty. The psalmist means something a great deal deeper than deliverance from calamities which conscience declared to be the chastisement of sin. He speaks New Testament language. He was sure that God would redeem from all iniquity; but he lived in the twilight dawn, and had to watch for the morning. The sun is risen for us; but the light is the same in quality, though more in degree: "Thou shalt call His name Jesus, for He shall save His people from their sins."

PSALM CXXXI.

1 Jehovah, not haughty is my heart, And not lofty are mine eyes; And I go not into great things, Nor things too wonderful for me. 2 I have calmed and quieted my soul, Like a weaned child with its mother, Like the weaned child is my soul with me.

3 Let Israel hope in Jehovah, From now, even for evermore.

A quiet, because self-quieted, heart speaks here in quiet accents, not unlike the "crooning" of the peaceful child on its mother's bosom, to which the sweet singer likens his soul. The psalm is the most perfect expression of the child-like spirit, which, as Christ has taught, is characteristic of the subjects of the kingdom of heaven. It follows a psalm of penitence, in which a contrite soul waited on Jehovah for pardon, and, finding it, exhorted Israel to hope in His redemption from all iniquity. Consciousness of sin and conscious reception of redemption therefrom precede true lowliness, and such lowliness should follow such consciousness.

The psalmist does not pray; still less does he contradict his lowliness in the very act of declaring it, by pluming himself on it. He speaks in that serene and happy mood, sometimes granted to lowly souls, when fruition is more present than desire, and the child, folded to the Divine heart, feels its blessedness so satisfyingly that fears and hopes, wishes and dreams, are still. Simple words best speak tranquil joys. One note only is sounded in this psalm, which might almost be called a lullaby. How many hearts it has helped to hush!

The haughtiness which the psalmist disclaims has its seat in the heart and its manifestation in supercilious glances. The lowly heart looks higher than the proud one does, for it lifts its eyes to the hills, and fixes them on Jehovah, as a slave on his lord. Lofty thoughts of self naturally breed ambitions which seek great spheres and would intermeddle with things above reach. The singer does not refer to questions beyond solution by human faculty, but to worldly ambitions aiming at prominence and position. He aims low, as far as earth is concerned; but he aims high, for his mark is in the heavens.

Shaking off such ambitions and loftiness of spirit, he has found repose, as all do who clear their hearts of that perilous stuff. But it is to be noted that the calm which he enjoys is the fruit of his own self-control, by which his dominant self has smoothed and stilled the sensitive nature with its desires and passions. It is not the tranquillity of a calm nature which speaks here, but that into which the speaker has entered, by vigorous mastery of disturbing elements. How hard the struggle had been, how much bitter crying and petulant resistance there had been before the calm was won, is told by the lovely image of the weaned child. While being weaned it sobs and struggles, and all its little life is perturbed. So no man comes to have a quiet heart without much resolute self-suppression. But the figure tells of ultimate repose, even more plainly than of preceding struggle. For, once the process is accomplished, the child nestles satisfied on the mother's warm bosom, and wishes nothing more than to lie there. So the man who has manfully taken in hand his own weaker and more yearning nature, and directed its desires away from earth by fixing them on God, is freed from the misery of hot desire, and passes into calm. He that ceases from his own works enters into rest. If a man thus compels his "soul" to cease its cravings for what earth can give, he will have to disregard its struggles and cries, but these will give place to quietness; and the fruition of the blessedness of setting all desires on God will be the best defence against the recurrence of longings once silenced.

The psalmist would fain have all Israel share in his quietness of heart, and closes his tender snatch of song with a call to them to hope in Jehovah, whereby they, too, may enter into peace. The preceding psalm ended with the same call; but there God's mercy in dealing with sin was principally in question, while here His sufficiency for all a soul's wants is implied. The one secret of forgiveness and deliverance from iniquity is also the secret of rest from tyrannous longings and disturbing desires. Hope in Jehovah brings pardon, purity, and peace.

PSALM CXXXII.

1 Remember, Jehovah, to David All the pains he took 2 Who swore to Jehovah, [And] vowed to the Mighty One of Jacob, 3 "I will not go into the tent of my house, I will not go up to the bed of my couch, 4 I will not give sleep to mine eyes, To mine eyelids slumber, 5 Till I find a place for Jehovah, A habitation for the Mighty One of Jacob."

6 Behold, we heard [of] it at Ephrathah, We found it in the Fields of the Wood. 7 Let us come to His habitation, Let us bow ourselves at His footstool.

8 Arise, Jehovah, to Thy rest, Thou and the Ark of Thy strength. 9 Let Thy priests be clothed with righteousness, And Thy favoured ones utter shrill cries of joy. 10 For the sake of David Thy servant, Turn not away the face of Thine anointed.

11 Jehovah has sworn to David, It is truth--He will not go back from it-- "Of the fruit of thy body will I set on thy throne. 12 If thy sons keep My covenant And My testimonies which I will teach them, Their sons also for ever and aye Shall sit on thy throne."

13 For Jehovah has chosen Zion, He has desired it for His dwelling. 14 "This is My rest for ever and aye, Here will I abide, for I have desired it. 15 Her provision blessing I will bless, Her poor will I satisfy with bread. 16 Her priests also will I clothe with salvation, And her favoured ones uttering will utter shrill cries of joy. 17 There will I cause a horn to sprout for David, I have trimmed a lamp for Mine anointed. 18 His enemies will I clothe with shame, But upon himself shall his crown glitter."

The continuance of "the sure mercies of David" to his descendants for his sake is first besought from God, and is then promised, for his sake, by God Himself, speaking in the singer's spirit. The special blessing sought for is Jehovah's dwelling in His house, which is here contemplated as reared after long toil. Expositors differ, as usual, in regard to the date and occasion of this psalm. Its place among the pilgrim psalms raises a presumption in favour of a post-exilic date, and one class of commentators refers it confidently to the period of the rebuilding of the Temple. But the mention of the Ark (which disappeared after the destruction of Solomon's Temple) can be reconciled with that supposed date only by a somewhat violent expedient. Nor is it easy to suppose that the repeated references to David's descendants as reigning in accordance with God's promise could have been written at a time when there was no king in Israel. Zerubbabel has, indeed, been suggested as "the anointed" of this psalm; but he was not king, and neither in fact nor in idea was he anointed. And could a singer in Israel, in the post-exilic period, have recalled the ancient promises without some passing sigh for their apparent falsification in the present? Psalm lxxxix. is often referred to as the "twin" of this psalm. Its wailings over the vanished glories of the Davidic monarchy have nothing corresponding to them here. These considerations are against a post-exilic date, for which the chief argument is the inclusion of the psalm in the collection of pilgrim songs.

If, on the other hand, we disregard its place in the Psalter and look at its contents, it must be admitted that they perfectly harmonise with the supposition that its occasion was the completion of Solomon's Temple. The remembrance of David's long-cherished purpose to build the House, of the many wanderings of the Ark, the glad summons to enter the courts to worship, the Divine promises to David, which were connected with his design of building a Temple, all fit in with this view of the occasion of the psalm. Singularly enough, some advocates of later dates than even the building of the second Temple catch in the psalm tones of depression, and see indications of its having been written when the glowing promises which it quotes appeared to have failed. It is not in reference to "Nature" only that "we receive but what we give." To other ears, with perhaps equal though opposite bias, glad confidence in a promise, of which the incipient fulfilment was being experienced, sounds in the psalm. To some it is plain that it was written when Ark and king had been swept away; to others it is equally clear that it presupposes the existence of both. The latter view is to the present writer the more probable.

The psalm is not divided into regular strophes. There is, however, a broad division into two parts, of which vv. 1-10 form the first, the pleading of Israel with Jehovah; and vv. 11-18 the second, the answer of Jehovah to Israel. The first part is further divided into two: vv. 1-5 setting forth David's vow; vv. 6-10 the congregation's glad summons to enter the completed sanctuary, and its prayer for blessings on the worshipping nation with its priests and king. The second part is Jehovah's renewed promises, which take up and surpass the people's prayer. It is broken by a single verse (13), which is an interjected utterance of Israel's.

"One remembers anything to another, when one requites him for what he has done, or when one performs for him what one has promised him" (Delitzsch). David's earnest longing to find a fixed place for the Ark, his long-continued and generous amassing of treasure for the purpose of building the Temple, are regarded as a plea with God. The solidarity of the family, which was so vividly realised in old times, reaches its highest expression in the thought that blessings to David's descendants are as if given to him, sleeping in the royal tomb. Beautifully and humbly the singer, as representing the nation, has nothing to say of the toil of the actual builders. Not the hand which executes, but the heart and mind which conceived and cherished the plan, are its true author. The psalmist gives a poetic version of David's words in 2 Sam. vii. 2. "See now, I dwell in an house of cedar, but the Ark of God dwelleth in curtains," contains in germ all which the psalmist here draws out of it. He, the aged king, was almost ashamed of his own ease. "God gave him rest from his enemies," but he will not "give sleep to his eyes" till he finds out a place for Jehovah. Wearied with a stormy life, he might well have left it to others to care for the work which the prophet had told him that he was not to be permitted to begin. But not so does a true man reason. Rather, he will consecrate to God his leisure and his old age, and will rejoice to originate work which he cannot hope to see completed, and even to gather materials which happier natures and times may turn to account. He will put his own comfort second, God's service first.

Such devotedness does make a plea with God. The psalmist's prayer goes on that supposition, and God's answer endorses it as valid. He does not require perfect faithfulness in His servants ere He prospers their work with His smile. Stained offerings, in which much of the leaven of earthly motives may be fermenting, are not therefore rejected.

Vv. 6-10 are the petitions grounded on the preceding plea, and asking that Jehovah would dwell in the sanctuary and bless the worshippers. Ver. 6 offers great difficulties. It seems clear, however, that it and the next verse are to be taken as very closely connected (note the "we" and "us" occurring in them for the only time in the psalm). They seem to describe continuous actions, of which the climax is entrance into the sanctuary. The first question as to ver. 6 is what the "it" is, which is spoken of in both clauses; and the most natural answer is--the Ark, alluded to here by anticipation, though not mentioned till ver. 8. The irregularity is slight and not unexampled. The interpretation of the verse mainly depends on the meaning of the two designations of locality, "Ephrathah" and "the fields of the Wood." Usually the former is part of the name of Bethlehem, but the Ark in all its wanderings is never said to have been there. Most probably Shiloh, in which the Ark did remain for a time, is intended. But why should Shiloh be called Ephrathah? The answer usually given, but not altogether satisfactory, is that Shiloh lay in the territory of Ephraim, and that we have instances in which an Ephraimite is called an "Ephrathite" (Judg. xii. 5; 1 Sam. i. 1; 1 Kings xi. 26), and therefore it may be presumed that the territory of Ephraim was called Ephrathah. "The fields of the Wood," on the other hand, is taken to be a free poetic variation of the name of Kirjath-jearim (the city of the woods), where the Ark long lay, and whence it was brought up to Jerusalem by David. In this understanding of the verse, the two places where it remained longest are brought together, and the meaning of the whole verse is, "We heard that it lay long at Shiloh, but we found it in Kirjath-jearim." Delitzsch, followed by Cheyne, takes a different view, regarding "Ephrathah" as a name for the district in which Kirjath-jearim lay. He founds this explanation on the genealogies in 1 Chron. ii. 19, 50, according to which Caleb's wife, Ephrath, was the mother of Hur, the ancestor of the Bethlehemites, and whose son Shobal was the ancestor of the people of Kirjath-jearim; Ephrathah was thus a fitting name for the whole district, which included both Bethlehem and Kirjath-jearim. In this understanding of the names, the verse means, "We heard that the Ark was at Kirjath-jearim, and there we found it."

Ver. 7 must be taken as immediately connected with the preceding. If the same persons who found the Ark still speak, the "tabernacle" into which they encourage each other to enter must be the tent within which, as David said, it dwelt "in curtains"; and the joyful utterance of an earlier age will then be quoted by the still happier generation who, at the moment while they sing, see the sacred symbol of the Divine Presence enshrined within the Holy Place of the Temple. At all events, the petitions which follow are most naturally regarded as chanted forth at that supreme moment, though it is possible that the same feeling of the solidity of the nation in all generations, which, as applied to the reigning family, is seen in ver. 1, may account for the worshippers in the new Temple identifying themselves with the earlier ones who brought up the Ark to Zion. The Church remains the same, while its individual members change.

The first of the petitions is partly taken from the invocation in Numb. x. 35, when "the Ark set forward"; but there it was a prayer for guidance on the march; here, for Jehovah's continuance in His fixed abode. It had wandered far and long. It had been planted in Shiloh, but had deserted that sanctuary which He had once loved. It had tarried for a while at Mizpeh and at Bethel. It had been lost on the field of Aphek, been borne in triumph through Philistine cities, and sent back thence in terror. It had lain for three months in the house of Obed-edom, and for twenty years been hidden at Kirjath-jearim. It had been set with glad acclaim in the tabernacle provided by David, and now it stands in the Temple. There may it abide and go no more out! Solomon and Hiram and all their workmen may have done their best, and the result of their toils may stand gleaming in the sunlight in its fresh beauty; but something more is needed. Not till the Ark is in the Shrine does the Glory fill the house. The lesson is for all ages. Our organisations and works are incomplete without that quickening Presence. It will surely be given if we desire it. When His Church prays, "Arise, O Lord, into Thy rest, Thou and the Ark of Thy strength," His answer is swift and sure, "Lo, I am with you always."

From this petition all the others flow. If "the Ark of Thy strength" dwells with us, we too shall be strong, and have that Might for our inspiration as well as our shield. "Let Thy priests be clothed with righteousness." The pure vestments of the priests were symbols of stainless character, befitting the ministers of a holy God. The psalmist prays that the symbol may truly represent the inner reality. He distinguishes between priests and the mass of the people; but in the Church to-day, as indeed in the original constitution of Israel, all are priests, and must be clothed in a righteousness which they receive from above. They do not weave that robe, but they must "put on" the garment which Christ gives them. Righteousness is no hazy, theological virtue, having little to do with every-day life and small resemblance to secular morality. To be good, gentle, and just, self-forgetting and self-ruling, to practise the virtues which all men call "lovely and of good report," and to consecrate them all by reference to Him in whom they dwell united and complete, is to be righteous; and that righteousness is the garb required of, and given by God to, all those who seek it and minister in His Temple.

"Let Thy favoured ones utter shrill cries of joy." Surely, if they dwell in the Temple, gladness will not fail them. True religion is joyful. If a man has only to lift his eyes to see the Ark, what but averted eyes should make him sad? True, there are enemies, but we are close to the fountain of strength. True, there are sins, but we can receive the garment of righteousness. True, there are wants, but the sacrifice whereof "the meek shall eat and be satisfied" is at hand. There is much unreached as yet, but there is a present God. So we may "walk all the day in the light of His countenance," and realise the truth of the paradox of always rejoicing, though sometimes we sorrow.

The final petition is for the anointed king, that his prayers may be heard. To "turn away the face" is a graphic expression, drawn from the attitude of one who refuses to listen to a suppliant. It is harsh in the extreme to suppose that the king referred to is David himself, though Hupfeld and others take that view. The reference to Solomon is natural.

Such are the psalmist's petitions. The answers follow in the remainder of the psalm, which, as already noticed, is parted in two by an interjected verse (ver. 13), breaking the continuity of the Divine Voice. The shape of the responses is determined by the form of the desires, and in every case the answer is larger than the prayer. The Divine utterance begins with a parallel between the oath of David and that of God. David "sware to Jehovah." Yes, but "Jehovah has sworn to David." That is grander and deeper. With this may be connected the similar parallel in vv. 13 and 14 with ver. 5. David had sought to "find a habitation" for Jehovah. But He Himself had chosen His habitation long ago. He is throned there now, not because of David's choice or Solomon's work, but because His will had settled the place of His feet. These correspondences of expression point to the great truth that God is His own all-sufficient reason. He is not won to dwell with men by their importunity, but in the depths of His unchangeable love lies the reason why He abides with us unthankful. The promise given in ver. 12, which has respect to the closing petition of the preceding part, is substantially that contained in 2 Sam. vii. Similar references to that fundamental promise to David are found in Psalm lxxxix., with which this psalm is sometimes taken to be parallel; but that psalm comes from a time when the faithful promise seemed to have failed for evermore, and breathes a sadness which is alien to the spirit of this song.

Ver. 13 appears to be spoken by the people. It breaks the stream of promises. God has been speaking, but now, for a moment, He is spoken of. His choice of Zion for His dwelling is the glad fact, which the congregation feels so borne in on its consciousness that it breaks forth into speech. The "For" at the beginning of the verse gives a striking sequence, assigning, as it does, the Divine selection of Zion for His abode, as the reason for the establishment of the Davidic monarchy. If the throne was set up in Jerusalem, because there God would dwell, how solemn the obligation thereby laid on its occupant to rule as God's viceroy, and how secure each in turn might feel, if he discharged the obligations of his office, that God would grant to the kingdom an equal date with the duration of His own abode! Throne and Temple are indissolubly connected.

With ver. 14 the Divine Voice resumes, and echoes the petitions of the earlier part. The psalmist asked God to arise into His rest, and He answers by granting the request with the added promise of perpetuity: "Here will I dwell _for ever_." He adds a promise which had not been asked--abundance for all, and bread to fill even the poor. The psalmist asked that the priests might be clothed in righteousness, and the answer promises robes of _salvation_, which is the perfecting and most glorious issue of righteousness. The psalmist asked that God's favoured ones might utter shrill cries of joy, and God replies with an emphatic reduplication of the word, which implies the exuberance and continuance of the gladness. The psalmist asked for favour to the anointed, and God replies by expanded and magnificent promises. The "horn" is an emblem of power. It shall continually "sprout"--_i.e._, the might of the royal house shall continually increase. The "lamp for Mine anointed" may be simply a metaphor for enduring prosperity and happiness, but many expositors take it to be a symbol of the continuance of the Davidic house, as in 1 Kings xv. 4, where, however, the word employed is not the same as that used here, though closely connected with it. The promise of perpetuity to the house of David does not fit into the context as well as that of splendour and joy, and it has already been given in ver. 12. Victory will attend the living representative of David, his foes being clothed by Jehovah with shame--_i.e._, being foiled in their hostile attempts--while their confusion is as a dark background, against which the radiance of his diadem sparkles the more brightly. These large promises are fulfilled in Jesus Christ, of the seed of David; and the psalm is Messianic, as presenting the ideal which it is sure shall be realised, and which is so in Him alone.

The Divine promises teach the great truth that God over-answers our desires, and puts to shame the poverty of our petitions by the wealth of His gifts. He is "able to do exceeding abundantly above all that we ask or think," for the measure of His doing is none other than "according to the Power that worketh in us," and the measure of that Power is none other than "the working of the strength of His might, which He wrought in Christ, when He raised Him from the dead, and set Him at His own right hand in the heavenly places."

PSALM CXXXIII.

1 Behold, how good and how pleasant [it is] That brethren dwell in unity! 2 Like the precious oil on the head, Flowing down on the beard, [Even] Aaron's beard, That flows down on the opening of his garments. 3 Like the dew of Hermon, that flows down on the mountains of Zion. For there Jehovah has commanded the blessing, Life for evermore.

It is natural to suppose that this psalm was occasioned by, or at least refers to, the gathering of the pilgrims or restored exiles in Jerusalem. The patriot-poet's heart glows at the sight of the assembled multitudes, and he points with exultation to the good and fair sight. Like the other short psalms in this group, this one is the expression of a single thought--the blessing of unity, and that not merely as shown in the family, but in the church-state of the restored Israel. The remembrance of years of scattering among the nations, and of the schism of the Northern tribes, makes the sight of an united Israel the more blessed, even though its numbers are small.

The psalm begins with a "Behold," as if the poet would summon others to look on the goodly spectacle which, in reality or in imagination, is spread before him. Israel is gathered together, and the sight is good, as securing substantial benefits, and "pleasant," as being lovely. The original in ver. 1_b_ runs, "That brethren dwell _also_ together." The "also" suggests that, in addition to local union, there should be heart harmony, as befits brothers. To speak in modern dialect, the psalmist cares little for external unity, if the spirit of oneness does not animate the corporate whole.

His two lovely metaphors or parables set forth the same thought--namely, the all-diffusive, all-blessing nature of such inward concord. The repetition in both figures of the same word, "flows down," is not merely due to the "step-like" structure common to this with other of the pilgrim psalms, but is the key to its meaning.

In the first emblem, the consecrating oil, poured on Aaron's head, represents the gracious spirit of concord between brethren. The emblem is felicitous by reason of the preciousness, the fragrance, and the manifold uses of oil; but these are only to be taken into account in a subordinate degree, if at all. The one point of comparison is the flow of the oil from the priestly head on to the beard and thence to the garments. It is doubtful whether ver. 2_d_ refers to the oil or to the beard of the high priest. The latter reference is preferred by many, but the former is more accordant with the parallelism, and with the use of the word "flows down," which can scarcely be twice used in regard to oil and dew, the main subjects in the figures, and be taken in an entirely different reference in the intervening clause. The "opening" (lit. _mouth_) of the robe is the upper edge or collar, the aperture through which the wearer's head was passed.

The second figure illustrates the same thought of the diffusive blessing of concord, but it presents some difficulty. How can the dew of Hermon in the far north fall on the mountains of Zion? Some commentators, as Delitzsch, try to make out that "an abundant dew in Jerusalem might rightly be accounted for by the influence of the cold current of air sweeping down from the north over Hermon." But that is a violent supposition; and there is no need to demand meteorological accuracy from a poet. It is the one dew which falls on both mountains; and since Hermon towers high above the lower height of Zion, and is visited with singular abundance of the nightly blessing, it is no inadmissible poetic licence to say that the loftier hill transmits it to the lesser. Such community of blessing is the result of fraternal concord, whereby the high serve the lowly, and no man grudgingly keeps anything to himself, but all share in the good of each. Dew, like oil, is fitted for this symbolic use, by reason of qualities which, though they do not come prominently into view, need not be wholly excluded. It refreshes the thirsty ground and quickens vegetation; so fraternal concord, falling gently on men's spirits, and linking distant ones together by a mysterious chain of transmitted good, will help to revive failing strength and refresh parched places.

That brotherly unity is blessed, not only because it diffuses itself, and so blesses all in whose hearts it dwells, but also because it is the condition on which still higher gifts are spread among brethren by their brethren's mediation. God Himself pours on men the sacred anointing of His Divine Spirit and the dew of His quickening influences. When His servants are knit together, as they should be, they impart to one another the spiritual gifts received from above. When Christians are truly one as brethren, God's grace will fructify through each to all.

Ver. 3_b_, _c_, seem to assign the reason why the dew of Hermon will descend on Zion--_i.e._, why the blessings of brotherly concord should there especially be realised. There God has appointed to be stored His blessing of life; therefore it becomes those who, dwelling there, receive that blessing, to be knit together in closest bonds, and to impart to their brethren what they receive from the Fountain of all good. That Zion should not be the home of concord, or that Jerusalem should not be the city of peace, contradicts both the name of the city and the priceless gift which Jehovah has placed there for all its citizens.

PSALM CXXXIV.

1 Behold, bless Jehovah, all ye servants of Jehovah, Who stand in the house of Jehovah in the night seasons. 2 Lift up your hands to the sanctuary, And bless Jehovah.

3 Jehovah bless thee out of Zion, The Maker of heaven and earth!

This fragment of song closes the pilgrim psalms after the manner of a blessing. It is evidently antiphonal, vv. 1, 2, being a greeting, the givers of which are answered in ver. 3 by a corresponding salutation from the receivers. Who are the parties to the little dialogue is doubtful. Some have thought of two companies of priestly watchers meeting as they went their rounds in the Temple; others, more probably, take vv. 1, 2, to be addressed by the congregation to the priests, who had charge of the nightly service in the Temple, while ver. 3 is the response of the latter, addressed to the speakers of vv. 1, 2. 1 Chron. ix. 33 informs us that there was such a nightly service, of the nature of which, however, nothing is known. The designation "servants of Jehovah" here denotes not the people, but the priests, for whose official ministrations "stand" is a common term. They are exhorted to fill the night with prayer as well as watchfulness, and to let their hearts go up in blessing to Jehovah. The voice of praise should echo through the silent night and float over the sleeping city. The congregation is about to leave the crowded courts at the close of a day of worship, and now gives this parting salutation and charge to those who remain.

The answer in ver. 3 is addressed to each individual of the congregation--"Jehovah bless _thee_!" and it invokes on each a share in the blessing which, according to the preceding psalm, "Jehovah has commanded" in Zion. The watchers who remain in the sanctuary do not monopolise its blessings. These stream out by night, as by day, to all true hearts; and they are guaranteed by the creative omnipotence of Jehovah, the thought of which recurs so often in these pilgrim psalms, and may be due to the revulsion from idolatry consequent on the Captivity and Restoration.

With this sweet interchange of greeting and exhortation to continual worship, this group of psalms joyously ends.

PSALM CXXXV.

1 Hallelujah! Praise the name of Jehovah, Praise, ye servants of Jehovah, 2 Who stand in the house of Jehovah, In the courts of the house of our God. 3 Praise Jah, for Jehovah is good; Harp to His name, for it is pleasant. 4 For Jah has chosen Jacob for Himself, Israel for His own possession.

5 For I--I know that Jehovah is great, And [that] our Lord is above all gods. 6 Whatsoever Jehovah wills He has done, In the heaven and in the earth, In the seas and all depths; 7 Who makes the vapours go up from the end of the earth, He makes lightnings for the rain, Who brings forth wind from His storehouses.

8 Who smote the first-born of Egypt, Both of man and of cattle; 9 He sent signs and wonders into thy midst, O Egypt, On Pharaoh and all his servants.

10 Who smote many nations, And slew mighty kings; 11 Sihon, king of the Amorites, And Og, king of Bashan; 12 And gave their land [as] an inheritance, An inheritance to Israel His people.

13 Jehovah, Thy name [endures] for ever, Jehovah, Thy memorial [endures] to generation after generation. 14 For Jehovah will right His people, And will relent concerning His servants. 15 The idols of the nations are silver and gold, The work of the hands of men. 16 A mouth is theirs--and they cannot speak; Eyes are theirs--and they cannot see; 17 Ears are theirs--and they cannot give ear; Yea, there is no breath at all in their mouths. 18 Like them shall those who make them be, [Even] every one that trusts in them.

19 House of Israel, bless ye Jehovah; House of Aaron, bless ye Jehovah; 20 House of Levi, bless ye Jehovah; Ye who fear Jehovah, bless ye Jehovah. 21 Blessed be Jehovah from Zion, Who dwells in Jerusalem! Hallelujah!

Like Psalms xcvii. and xcviii., this is a cento, or piece of mosaic work, apparently intended as a call to worship Jehovah in the Temple. His greatness, as manifested in Nature, and especially in His planting Israel in its inheritance, is set forth as the reason for praise; and the contemptuous contrast of the nothingness of idols is repeated from Psalm cxv., and followed, as there, by an exhortation to Israel to cleave to Him. We have not here to do with a song which gushed fresh from the singer's heart, but with echoes of many strains which a devout and meditative soul had made its own. The flowers are arranged in a new bouquet, because the poet had long delighted in their fragrance. The ease with which he blends into a harmonious whole fragments from such diverse sources tells how familiar he was with these, and how well he loved them.

Vv. 1-4 are an invocation to praise Jehovah, and largely consist of quotations or allusions. Thus Psalm cxxxiv. 1 underlies vv. 1, 2. But here the reference to nightly praises is omitted, and the summons is addressed not only to those who stand in the house of Jehovah, but to those who stand in its _courts_. That expansion may mean that the call to worship is here directed to the people as well as to the priests (so in ver. 19). Ver. 3 closely resembles Psalm cxlvii. 1, but the question of priority may be left undecided. Since the act of praise is said to be "pleasant" in Psalm cxlvii. 1, it is best to refer the same word here to the same thing, and not, as some would do, to the Name, or to take it as an epithet of Jehovah. To a loving soul praise is a delight. The songs which are not winged by the singer's joy in singing will not rise high. True worship pours out its notes as birds do theirs--in order to express gladness which, unuttered, loads the heart. Ver. 4 somewhat passes beyond the bounds of the invocation proper, and anticipates the subsequent part of the psalm. Israel's prerogative is so great to this singer that it forces utterance at once, though "out of season," as correct critics would say. But the throbs of a grateful heart are not always regular. It is impossible to keep the reasons for praise out of the summons to praise. Ver. 4 joyfully and humbly accepts the wonderful title given in Deut. vii. 6.

In vv. 5-7 God's majesty as set forth in Nature is hymned. The psalmist says emphatically in ver. 5 "I--I know," and implies the privilege which he shared, in common with his fellow-Israelites (who appear in the "our" of the next clause), of knowing what the heathen did not know--how highly Jehovah was exalted above all their gods. Ver. 6 is from Psalm cxv. 3, with the expansion of defining the all-inclusive sphere of God's sovereignty. Heaven, earth, seas, and depths cover all space. The enumeration of the provinces of His dominion prepares for that of the phases of His power in Nature, which is quoted with slight change from Jer. x. 13, li. 16. The mysterious might which gathers from some unknown region the filmy clouds which grow, no man knows how, in the clear blue; the power which weds in strange companionship the fire of the lightning flash and the torrents of rain; the controlling hand which urges forth the invisible wind,--these call for praise.

But while the psalmist looks on physical phenomena with a devout poet's eye, he turns from these to expatiate rather on what Jehovah has done for Israel. Psalmists are never weary of drawing confidence and courage for to-day from the deeds of the Exodus and the Conquest. Ver. 8 is copied from Exod. xiii. 15, and the whole section is saturated with phraseology drawn from Deuteronomy. Ver. 13 is from Exod. iii. 15, the narrative of the theophany at the Bush. That Name, proclaimed then as the basis of Moses' mission and Israel's hope, is now, after so many centuries and sorrows, the same, and it will endure for ever. Ver. 14 is from Deut. xxxii. 36. Jehovah will right His people--_i.e._, deliver them from oppressors--which is the same thing as "relent concerning His servants," since His wrath was the reason of their subjection to their foes. That judicial deliverance of Israel is at once the sign that His Name, His revealed character, continues the same, unexhausted and unchanged for ever, and the reason why the Name shall continue as the object of perpetual adoration and trust.

Vv. 15-20 are taken bodily from Psalm cxv., to which the reader is referred. Slight abbreviations and one notable difference occur. In ver. 17_b_, "Yea, there is no breath at all in their mouths," takes the place of "A nose is theirs--and they cannot smell." The variation has arisen from the fact that the particle of strong affirmation (yea) is spelt like the noun "nose," and that the word for "breath" resembles the verb "smell." The psalmist plays upon his original, and by his variation makes the expression of the idols' lifelessness stronger.

The final summons to praise, with which the end of the psalm returns to its beginning, is also moulded on Psalm cxv. 9-11, with the addition of "the house of Levi" to the three groups mentioned there, and the substitution of a call to "bless" for the original invitation to "trust." Ver. 21 looks back to the last verse of the preceding psalm, and significantly modifies it. There, as in Psalm cxviii., Jehovah's blessing comes out of Zion to His people. Here the people's blessing in return goes from Zion and rises to Jehovah. They gathered there for worship, and dwelt with Him in His city and Temple. Swift interchange of the God-given blessing, which consists in mercies and gifts of gracious deliverance, and of the human blessing, which consists in thanksgiving and praise, fills the hours of those who dwell with Jehovah, as guests in His house, and walk the streets of the city which He guards and Himself inhabits.

PSALM CXXXVI.

1 Give thanks to Jehovah, for He is good, For His loving-kindness endures for ever. 2 Give thanks to the God of gods, For His loving-kindness endures for ever, 3 Give thanks to the Lord of lords, For His loving-kindness endures for ever.

4 To Him who alone does great wonders, For His loving-kindness endures for ever. 5 To Him who made the heavens by understanding, For His loving-kindness endures for ever. 6 To Him who spread the earth above the waters, For His loving-kindness endures for ever. 7 To Him who made great lights, For His loving-kindness endures for ever; 8 The sun to rule by day, For His loving-kindness endures for ever; 9 The moon and stars to rule by night, For His loving-kindness endures for ever.

10 To Him who smote the Egyptians in their first-born, For His loving-kindness endures for ever; 11 And brought forth Israel from their midst, For His loving-kindness endures for ever; 12 With mighty strong hand and outstretched arm, For His loving-kindness endures for ever. 13 To Him that cut the Red Sea into parts, For His loving-kindness endures for ever; 14 And made Israel pass through the midst of it, For His loving-kindness endures for ever; 15 And shook out Pharaoh and his host into the Red Sea, For His loving-kindness endures for ever.

16 To Him who led His people in the wilderness, For His loving-kindness endures for ever. 17 To Him who smote great kings, For His loving-kindness endures for ever; 18 And slew mighty kings, For His loving-kindness endures for ever; 19 Sihon, king of the Amorites, For His loving-kindness endures for ever; 20 And Og, king of Bashan, For His loving-kindness endures for ever; 21 And gave their land for an inheritance, For His loving-kindness endures for ever; 22 An inheritance to Israel His servant, For His loving-kindness endures for ever.

23 Who in our low estate remembered us, For His loving-kindness endures for ever; 24 And tore us from the grasp of our adversaries, For His loving-kindness endures for ever. 25 Who gives bread to all flesh, For His loving-kindness endures for ever. 26 Give thanks to the God of heaven, For His loving-kindness endures for ever.

This psalm is evidently intended for liturgic use. It contains reminiscences of many parts of Scripture, and is especially based on the previous psalm, which it follows closely in vv. 10-18, and quotes directly in vv. 19-22. Delitzsch points out that if these quoted verses are omitted, the psalm falls into triplets. It would then also contain twenty-two verses, corresponding to the number of letters in the Hebrew alphabet. The general trend of thought is like that of Psalm cxxxv.; but the addition in each verse of the refrain gives a noble swing and force to this exulting song.

The first triplet is a general invocation to praise, coloured by the phraseology of Deuteronomy. Vv. 2_a_ and 3_a_ quote Deut. x. 17. The second and third triplets (vv. 4-9) celebrate Jehovah's creative power. "Doeth great wonders" (ver. 4) is from Psalm lxxii. 18. The thought of the Divine Wisdom as the creative agent occurs in Psalm civ. 24, and attains noble expression in Prov. iii. In ver. 6 the word rendered _spread_ is from the same root as that rendered "firmament" in Genesis. The office of the heavenly bodies to rule day and night is taken from Gen. i. But the psalm looks at the story of Creation from an original point of view, when it rolls out in chorus, after each stage of that work, that its motive lay in the eternal loving-kindness of Jehovah. Creation is an act of Divine love. That is the deepest truth concerning all things visible. They are the witnesses, as they are the result, of loving-kindness which endures for ever.

Vv. 10-22 pass from world-wide manifestations of that creative loving-kindness to those specially affecting Israel. If vv. 19-22 are left out of notice, there are three triplets in which the Exodus, desert life, and conquest of Canaan are the themes,--the first (vv. 10-12) recounting the departure; the second (vv. 13-15) the passage of the Red Sea; the third (vv. 16-18) the guidance during the forty years and the victories over enemies. The whole is largely taken from the preceding psalm, and has also numerous allusions to other parts of Scripture. Ver. 12_a_ is found in Deut. iv. 34, etc. The word for dividing the Red Sea is peculiar. It means to hew in pieces or in two, and is used for cutting in halves the child in Solomon's judgment (1 Kings iii. 25); while the word "parts" is a noun from the same root, and is found in Gen. xv. 17, to describe the two portions into which Abraham clave the carcasses. Thus, as with a sword, Jehovah hewed the sea in two, and His people passed between the parts, as between the halves of the covenant sacrifice. In ver. 15 the word describing Pharaoh's destruction is taken from Exod. xiv. 27, and vividly describes it as a "shaking out," as one would vermin or filth from a robe.

In the last triplet (vv. 23-25) the singer comes to the Israel of the present. It, too, had experienced Jehovah's remembrance in its time of need, and felt the merciful grasp of His hand plucking it, with loving violence, from the claws of the lion. The word for "low estate" and that for "tore us from the grasp" are only found besides in late writings--the former in Eccles. x. 6, and the latter in Lam. v. 8.

But the song will not close with reference only to Israel's blessings. "He gives bread to all flesh." The loving-kindness which flashes forth even in destructive acts, and is manifested especially in bringing Israel back from exile, stretches as wide in its beneficence as it did in its first creative acts, and sustains all flesh which it has made. Therefore the final call to praise, which rounds off the psalm by echoing its beginning, does not name Him by the Name which implied Israel's special relation, but by that by which other peoples could and did address Him, "the God of heaven," from whom all good comes down on all the earth.

PSALM CXXXVII.

1 By the streams of Babylon, there we sat, yea, wept, When we remembered Zion. 2 On the willows in the midst thereof We hung our harps. 3 For there our captors required of us words of song, And our plunderers [required of us] mirth; "Sing us one of the songs of Zion." 4 How can we sing Jehovah's songs In a strange land?

5 If I forget thee, Jerusalem, May my right hand forget! 6 May my tongue cleave to my palate, If I remember thee not, If I set not Jerusalem Above the summit of my joy!

7 Remember, Jehovah, to the children of Edom The day of Jerusalem, Who said, "Lay bare, lay bare, To the foundation therein." 8 Daughter of Babylon, thou that art laid waste, Happy he that requites thee Thy doing which thou hast done to us! 9 Happy he that seizes and dashes thy little ones Against the rock!

The Captivity is past, as the tenses in vv. 1-3 show, and as is manifest from the very fact that its miseries have become themes for a psalm. Grief must be somewhat removed before it can be sung. But the strains of triumph heard in other psalms are wanting in this, which breathes passionate love for Jerusalem, tinged with sadness still. The date of the psalm is apparently the early days of the Return, when true-hearted patriots still felt the smart of recent bondage and sadly gazed on the dear ruins of the city. The singer passes in brief compass from tender music breathing plaintive remembrance of the captives' lot, to passionate devotion, and at last to an outburst of vehement imprecation, magnificent in its fiery rush, amply explicable by Israel's wrongs and Babylon's crimes, and yet to be frankly acknowledged as moving on a lower plane of sentiment than is permissible to those who have learned to repay scorn with gentleness, hate with love, and injuries with desires for the injurer's highest good. The coals of fire which this psalmist scatters among Israel's foes are not those which Christ's servants are bidden to heap on their enemies' heads.

Nothing sweeter or sadder was ever written than that delicate, deeply felt picture of the exiles in the early verses of the psalm. We see them sitting, as too heavy-hearted for activity, and half noting, as adding to their grief, the unfamiliar landscape round them, with its innumerable canals, and the monotonous "willows" (rather, a species of poplar) stretching along their banks. How unlike this flat, tame fertility to the dear home-land, with its hills and glens and rushing streams! The psalmist was probably a Temple singer, but he did not find solace even in "the harp, his sole remaining joy." No doubt many of the exiles made themselves at home in captivity, but there were some more keenly sensitive or more devout, who found that it was better to remember Zion and weep than to enjoy Babylon. "Alas, alas! how much less it is to hold converse with others than to remember thee!" So they sat, like Michael Angelo's brooding figure of Jeremiah in the Sistine Chapel, silent, motionless, lost in bitter-sweet memories.

But there was another reason than their own sadness for hanging their idle harps upon the willows. Their coarse oppressors bade them sing to make mirth. They wished entertainment from the odd sounds of foreign music, or they were petulantly angry that such dumb hang-dog people should keep sullen faces, like unilluminated windows, when their masters were pleased to be merry. So, like tipsy revellers, they called out "Sing!" The request drove the iron deeper into sad hearts, for it came from those who had made the misery. They had led away the captives, and now they bid them make sport.

The word rendered _plunderers_ is difficult. The translation adopted here is that of the LXX. and others. It requires a slight alteration of reading, which is approved by Hupfeld (as an alternative), Perowne, Baethgen, Graetz, etc. Cheyne follows Halevy in preferring another conjectural alteration which gives "dancers" ("and of our dancers, festive glee"), but admits that the other view is "somewhat more natural." The roystering Babylonians did not care what kind of songs their slaves sang--Temple music would do as well as any other; but the devout psalmist and his fellows shrank from profaning the sacred songs that praised Jehovah by making them parts of a heathen banquet. Such sacrilege would have been like Belshazzar's using the Temple vessels for his orgy. "Give not that which is holy to dogs." And the singers were not influenced by superstition, but by reverence and by sadness, when they could not sing these songs in that strange land. No doubt it was a fact that the Temple music fell into desuetude during the Captivity. There are moods and there are scenes in which it is profanation to utter the deep music which may be sounding on perpetually in the heart. "Songs unheard" are sometimes not only "sweetest," but the truest worship.

The psalmist's remembrances of Babylon are suddenly broken off. His heart burns as he broods on that past, and then lifts his eyes to see how forlorn and forgotten-like Jerusalem stands, as if appealing to her sons for help. A rush of emotion sweeps over him, and he breaks into a passion of vowed loyalty to the mother city. He has Jerusalem written on his heart. It is noteworthy that her remembrance _was_ the exiles' crown of sorrow; it now becomes the apex of the singer's joy. No private occasion for gladness so moves the depths of a soul, smitten with the noble and ennobling love of the city of God, as does its prosperity. Alas that the so-called citizens of the true city of God should have so tepid interest in its welfare, and be so much more keenly touched by individual than by public prosperity or adversity! Alas that so often they should neither weep when they remember its bondage nor exult in its advancement!

Ver. 5_b_ is emphatic by its incompleteness. "May my right hand forget!" What? Some word like "power," "cunning," or "movement" may be supplied. It would be as impossibly unnatural for the poet to forget Jerusalem as for his hand to forget to move or cease to be conscious of its connection with his body.

Ver. 6_d_ reads literally "Above the head of my joy": an expression which may either mean the summit of my joy--_i.e._, my greatest joy; or the sum of my joy--_i.e._, my whole joy. In either case the well-being of Jerusalem is the psalmist's climax of gladness; and so utterly does he lose himself in the community founded by God, that all his springs of felicity are in her. He had chosen the better part. Unselfish gladness is the only lasting bliss; and only they drink of an unfailing river of pleasures whose chiefest delight lies in beholding and sharing in the rebuilding of God's city on earth.

The lightning flashes of the last part of the psalm need little commenting. The desire for the destruction of Zion's enemies, which they express, is not the highest mood of the loyal citizen of God's city, and is to be fully recognised as not in accordance with Christian morality. But it has been most unfairly judged, as if it were nothing nobler than ferocious thirsting for vengeance. It is a great deal more. It is desire for retribution, heavy as the count of crimes which demands it is heavy. It is a solemn appeal to God to sweep away the enemies of Zion, who, in hating her, rebelled against Him. First, the psalmist turns to the treacherous kinsmen of Israel, the Edomites, who had, as Obadiah says, "rejoiced over the children of Judah in the days of their destruction" (Obad. 12), and stimulated the work of rasing the city. Then the singer turns to Babylon, and salutes her as already laid waste; for he is a seer as well as a singer, and is so sure of the judgment to be accomplished that it is as good as done. The most repellent part of the imprecation, that which contemplates the dreadful destruction of tender infants, has its harshness somewhat softened by the fact that it is the echo of Isaiah's prophecy concerning Babylon (Isa. xiii. 16-18), and still further by the consideration that the purpose of the apparently barbarous cruelty was to make an end of a "seed of evil-doers," whose continuance meant misery for wide lands.

Undoubtedly, the words are stern, and the temper they embody is harsh discord, when compared with the Christian spirit. But they are not the utterances of mere ferocious revenge. Rather they proclaim God's judgments, not with the impassiveness, indeed, which best befits the executors of such terrible sentences, but still less with the malignant gratification of sanguinary vengeance which has been often attributed to them. Perhaps, if some of their modern critics had been under the yoke from which this psalmist has been delivered, they would have understood a little better how a good man of that age could rejoice that Babylon was fallen and all its race extirpated. Perhaps, it would do modern tender-heartedness no harm to have a little more iron infused into its gentleness, and to lay to heart that the King of Peace must first be King of Righteousness, and that Destruction of evil is the complement of Preservation of Good.

PSALM CXXXVIII.

1 I will thank Thee, Jehovah, with my whole heart, In presence of the gods will I harp to Thee. 2 I will worship toward Thy holy Temple, And will thank Thy name for Thy loving-kindness and for Thy truth, For Thou hast magnified Thy promise above all Thy name. 3 In the day [when] I called Thou answeredst me, Thou didst make me bold--in my soul [welled up] strength.

4 Jehovah, all the kings of the earth shall thank Thee, When they have heard the words of Thy mouth. 5 And they shall sing of the ways of Jehovah, For great is the glory of Jehovah. 6 For Jehovah is high, and the lowly He regards, And the lofty from afar off He knows.

7 If I walk in the midst of trouble Thou wilt revive me, Against the wrath of mine enemies Thou wilt stretch forth Thy hand, And Thy right hand shall save me. 8 Jehovah will complete [all] that concerns me; Jehovah, Thy loving-kindness [endures] for ever; The works of Thy hands abandon not.

This is the first of a group of eight psalms attributed to David in the superscriptions. It precedes the closing hallelujah psalms, and thus stands where a "find" of Davidic psalms at a late date would naturally be put. In some cases, there is no improbability in the assigned authorship; and this psalm is certainly singularly unlike those which precede it, and has many affinities with the earlier psalms ascribed to David.

In reading it, one feels the return to familiar thoughts and tones. The fragrance it exhales wakes memories of former songs. But the resemblance may be due to the imitative habit so marked in the last book of the Psalter. If it is a late psalm, the speaker is probably the personified Israel, and the deliverance which seems to the singer to have transcended all previous manifestations of the Divine name is the Restoration, which has inspired so many of the preceding psalms. The supporters of the Davidic authorship, on the other hand, point to the promise to David by Nathan of the perpetuity of the kinghood in his line, as the occasion of the psalmist's triumph.

The structure of the psalm is simple. It falls into three parts, of which the two former consist of three verses each, and the last of two. In the first, the singer vows praise and recounts God's wondrous dealings with him (vv. 1-3); in the second, he looks out over all the earth in the confidence that these blessings, when known, will bring the world to worship (vv. 4-6); and in the third, he pleads for the completion to himself of mercies begun (vv. 7, 8).

The first part is the outpouring of a thankful heart for recent great blessing, which has been the fulfilment of a Divine promise. So absorbed in his blessedness is the singer, that he neither names Jehovah as the object of his thanks, nor specifies what has set his heart vibrating. The great Giver and the great gift are magnified by being unspoken. To whom but Jehovah could the current of the psalmist's praise set? He feels that Jehovah's mercy to him requires him to become the herald of His name; and therefore he vows, in lofty consciousness of his mission, that he will ring out God's praises in presence of false gods, whose worshippers have no such experience to loose their tongues. Dead gods have dumb devotees; the servants of the living Jehovah receive His acts of power, that they may proclaim His name.

The special occasion for this singer's praise has been some act, in which Jehovah's faithfulness was very conspicuously shown. "Thou hast magnified Thy promise above all Thy name." If the history of David underlies the psalm, it is most natural to interpret the "promise" as that of the establishment of the monarchy. But the fulfilment, not the giving, of a promise is its magnifying, and hence one would incline to take the reference to be to the great manifestation of God's troth in restoring Israel to its land. In any case the expression is peculiar, and has induced many attempts at emendation. Baethgen would strike out "Thy name" as a dittograph from the previous clause, and thus gets the reading "done great things beyond Thy word"--_i.e._, transcended the promise in fulfilment--which yields a good sense. Others make a slight alteration in the word "Thy name," and read it "Thy heavens," supposing that the psalmist is making the usual comparison between the manifestation of Divine power in Nature and in Revelation, or in the specific promise in question. But the text as it stands, though peculiar, is intelligible, and yields a meaning very appropriate to the singer's astonished thankfulness. A heart amazed by the greatness of recent blessings is ever apt to think that they, glittering in fresh beauty, are greater, as they are nearer and newer, than the mercies which it has only heard of as of old. To-day brings growing revelations of Jehovah to the waiting heart. The psalmist is singing, not dissertating. It is quite true that if his words are measured by the metaphysical theologian's foot-rule, they are inaccurate, for "the name of God cannot be surpassed by any single act of His, since every single act is but a manifestation of that name"; but thankfulness does not speak by rule, and the psalmist means to say that, so great has been the mercy given to him and so signal its confirmation of the Divine promise, that to him, at all events, that whole name blazes with new lustre, and breathes a deeper music. So should each man's experience be the best teacher of what God is to all men.

In ver. 3_b_ the psalmist uses a remarkable expression, in saying that Jehovah had made him bold, or, as the word is literally, _proud_. The following words are a circumstantial or subsidiary clause, and indicate how the consciousness of inbreathed strength welling up in his soul gave him lofty confidence to confront foes.

The second part (vv. 4-6) resembles many earlier psalms in connecting the singer's deliverance with a world-wide manifestation of God's name. Such a consciousness of a vocation to be the world's evangelist is appropriate either to David or the collective Israel. Especially is it natural, and, as a fact, occurs in post-exilic psalms. Here "the words of Thy mouth" are equivalent to the promise already spoken of, the fulfilment of which has shown that Jehovah the High has regard to the lowly--_i.e._, to the psalmist; and "knows the lofty"--_i.e._, his oppressors--"afar off." He reads their characters thoroughly, without, as it were, needing to approach for minute study. The implication is that He will thwart their plans and judge the plotters. This great lesson of Jehovah's providence, care for the lowly, faithfulness to His word, has exemplification in the psalmist's history; and when it is known, the lofty ones of the earth shall learn the principles of Jehovah's ways, and become lowly recipients of His favours and adoring singers of His great glory.

The glowing vision is not yet fulfilled; but the singer was cherishing no illusions when he sang. It _is_ true that the story of God's great manifestation of Himself in Christ, in which He has magnified His Word above all His name, is one day to win the world. It _is_ true that the revelation of a God who regards the lowly is the conquering Gospel which shall bow all hearts.

In the third part (vv. 7, 8), the psalmist comes back to his own needs, and takes to his heart the calming assurance born of his experience, that he bears a charmed life. He but speaks the confidence which should strengthen every heart that rests on God. Such an one may be girdled about by troubles, but he will have an inner circle traced round him, within which no evil can venture. He may walk in the valley of the shadow of death unfearing, for God will hold his soul in life. Foes may pour out floods of enmity and wrath, but one strong hand will be stretched out against (or _over_) the wild deluge, and will draw the trustful soul out of its rush on to the safe shore. So was the psalmist assured; so may and should those be who have yet greater wonders for which to thank Jehovah.

That last prayer of the psalm blends very beautifully confidence and petition. Its central clause is the basis of both the confidence in its first, and the petition in its last, clause. Because Jehovah's loving-kindness endures for ever, every man on whom His shaping Spirit has begun to work, or His grace in any form to bestow its gifts, may be sure that no exhaustion or change of these is possible. God is not as the foolish tower-builder, who began and was not able to finish. He never stops till He has completed His work; and nothing short of the entire conformity of a soul to His likeness and the filling of it with Himself can be the termination of His loving purpose, or of His achieving grace. Therefore the psalmist "found it in his heart to pray" that God would not abandon the works of His own hands. That prayer appeals to His faithfulness and to His honour. It sets forth the obligations under which God comes by what He has done. It is a prayer which goes straight to His heart; and they who offer it receive the old answer, "I will not leave thee till I have done unto thee that which I have spoken to thee of."

PSALM CXXXIX.

1 Jehovah, Thou hast searched me and known [me]. 2 Thou, Thou knowest my down-sitting and my up-rising, Thou understandest my thought afar off. 3 My walking and my lying down Thou siftest, And with all my ways Thou art familiar. 4 For there is not a word on my tongue, --Behold, Thou, Jehovah, knowest it all. 5 Behind and before Thou hast shut me in, And hast laid upon me Thy hand. 6 [Such] knowledge is too wonderful for me, Too high, I am not able for it.

7 Whither shall I go from Thy spirit? And whither from Thy face shall I flee? 8 If I climb heaven, there art Thou, Or make Sheol my bed, lo, Thou [art there]. 9 [If] I lift up the wings of the dawn, [If] I dwell at the farthest end of the sea, 10 Even there Thy hand shall lead me, And Thy right hand shall hold me. 11 And [if] I say, "Only let darkness cover me, And the light about me be [as] night," 12 Even darkness darkens not to Thee, And night lightens like day; As is the darkness, so is the light.

13 For Thou, Thou hast formed my reins, Thou hast woven me together in my mother's womb. 14 I will thank Thee for that in dread fashion I am wondrously made Wondrous are Thy works, And my soul knows [it] well. 15 My bones were not hid from Thee, When I was made in secret, [And] wrought like embroidery [as] in the depths of the earth. 16 Thine eyes saw my shapeless mass, And in Thy book were they all written, The days [that] were fashioned, And yet there was not one among them. 17 And to me how precious are Thy thoughts, O God, How great is their sum! 18 Would I reckon them, they outnumber the sand; I awake--and am still with Thee.

19 Oh, if Thou wouldest smite the wicked, O God! --And [ye] men of blood, depart from me, 20 Who rebel against Thee with wicked deeds, They lift up [themselves] against Thee vainly (?) 21 Do not I hate them which hate Thee, Jehovah? And am not I grieved with those who rise against Thee? 22 With perfect hatred I hate them, They are counted for enemies to me. 23 Search me, O God, and know my heart, Try me and know my thoughts, 24 And see if there be any way of grief in me, And lead me in a way everlasting.

This is the noblest utterance in the Psalter of pure contemplative theism, animated and not crushed by the thought of God's omniscience and omnipresence. No less striking than the unequalled force and sublimity with which the psalm hymns the majestic attributes of an all-filling, all-knowing, all-creating God, is the firmness with which the singer's personal relation to that God is grasped. Only in the last verses is there reference to other men. In the earlier parts of the psalm, there are but two beings in the universe--God and the psalmist. With impressive reiteration, God's attributes are gazed on in their bearing on him. Not mere omniscience, but a knowledge which knows _him_ altogether, not mere omnipresence, but a presence which _he_ can nowhere escape, not mere creative power, but a power which shaped _him_, fill and thrill the psalmist's soul. This is no cold theism, but vivid religion. Conscience and the consciousness of individual relation to God penetrate and vitalise the whole. Hence the sudden turn to prayer against evil men and for the singer's direction in the right way, which closes the hymn, is natural, however abrupt.

The course of thought is plain. There are four strophes of six verses each,--of which the first (vv. 1-6) magnifies God's omniscience; the second (vv. 7-12), His omnipresence; the third (vv. 13-18), His creative act, as the ground of the preceding attributes; and the fourth (vv. 19-24) recoils from men who rebel against such a God, and joyfully submits to the searching of His omniscient eye, and the guidance of His ever-present hand.

The psalmist is so thoroughly possessed by the thought of his personal relation to God that his meditation spontaneously takes the form of address to Him. That form adds much to the impressiveness, but is no rhetorical or poetic artifice. Rather, it is the shape in which such intense consciousness of God cannot but utter itself. How cold and abstract the awestruck sentences become, if we substitute "He" for "Thou," and "men" for "I" and "me"! The first overwhelming thought of God's relation to the individual soul is that He completely knows the whole man. "Omniscience" is a pompous word, which leaves us unaffected by either awe or conscience. But the psalmist's God was a God who came into close touch with him, and the psalmist's religion translated the powerless generality of an attribute referring to the Divine relation to the universe into a continually exercised power having reference to himself. He utters his reverent consciousness of it in ver. 1 in a single clause, and expands that verse in the succeeding ones. "Thou hast searched me" describes a process of minute investigation; "and known [me]," its result in complete knowledge.

That knowledge is then followed out in various directions, and recognised as embracing the whole man in all his modes of action and repose, in all his inner and outward life. Vv. 2 and 3 are substantially parallel. "Down-sitting" and "up-rising" correspond to "walking" and "lying down," and both antitheses express the contrast between action and rest. "My thought" in ver. 2 corresponds to "my ways" in ver. 3,--the former referring to the inner life of thought, purpose, and will; the latter to the outward activities which carry these into effect. Ver. 3 is a climax to ver. 2, in so far as it ascribes a yet closer and more accurate knowledge to God. "Thou siftest" or _winnowest_ gives a picturesque metaphor for careful and judicial scrutiny which discerns wheat from chaff. "Thou art familiar" implies intimate and habitual knowledge. But thought and action are not the whole man. The power of speech, which the Psalter always treats as solemn and a special object of Divine approval or condemnation, must also be taken into account. Ver. 4 brings it, too, under God's cognisance. The meaning may either be that "There is no word on my tongue [which] Thou dost not know altogether"; or, "The word is not yet on my tongue, [but] lo! Thou knowest," etc. "Before it has shaped itself on the tongue, [much less been launched from it], thou knowest all its secret history" (Kay).

The thought that God knows him through and through blends in the singer's mind with the other, that God surrounds him on every side. Ver. 5 thus anticipates the thought of the next strophe, but presents it rather as the basis of God's knowledge, and as limiting man's freedom. But the psalmist does not feel that he is imprisoned, or that the hand laid on him is heavy. Rather, he rejoices in the defence of an encompassing God, who shuts off evil from him, as well as shuts him in from self-willed and self-determined action; and he is glad to be held by a hand so gentle as well as strong. "Thou God seest me" may either be a dread or a blessed thought. It may paralyse or stimulate. It should be the ally of conscience, and, while it stirs to all noble deeds, should also emancipate from all slavish fear. An exclamation of reverent wonder and confession of the limitation of human comprehension closes the strophe.

Why should the thought that God is ever with the psalmist be put in the shape of vivid pictures of the impossibility of escape from Him? It is the sense of sin which leads men to hide from God, like Adam among the trees of the garden. The psalmist does not desire thus to flee, but he supposes the case, which would be only too common if men realised God's knowledge of all their ways. He imagines himself reaching the extremities of the universe in vain flight, and stunned by finding God there. The utmost possible height is coupled with the utmost possible depth. Heaven and Sheol equally fail to give refuge from that moveless Face, which confronts the fugitive in both, and fills them as it fills all the intervening dim distances. The dawn flushes the east, and swiftly passes on roseate wings to the farthest bounds of the Mediterranean, which, to the psalmist, represented the extreme west, a land of mystery. In both places and in all the broad lands between, the fugitive would find himself in the grasp of the same hand (compare ver. 5).

Darkness is the friend of fugitives from men; but is transparent to God. In ver. 11 the language is somewhat obscure. The word rendered above "cover" is doubtful, as the Hebrew text reads "bruise," which is quite unsuitable here. Probably there has been textual error, and the slight correction which yields the above sense is to be adopted, as by many moderns. The second clause of the verse carries on the supposition of the first, and is not to be regarded, as in the A.V., as stating the result of the supposition, or, in grammatical language, the apodosis. That begins with ver. 12, and is marked there, as in ver. 10, by "even."

The third strophe (vv. 13-18) grounds the psalmist's relation to God on God's creative act. The mysteries of conception and birth naturally struck the imagination of non-scientific man, and are to the psalmist the direct result of Divine power. He touches them with poetic delicacy and devout awe, casting a veil of metaphor over the mystery, and losing sight of human parents in the clear vision of the Divine Creator. There is room for his thought of the origin of the individual life, behind modern knowledge of embryology. In ver. 13 the word rendered in the A.V. "possessed" is better understood in this context as meaning "formed," and that rendered there "covered" (as in Psalm cxl. 7) here means to _plait_ or _weave together_, and picturesquely describes the interlacing bones and sinews, as in Job x. 11. But description passes into adoration in ver. 14. Its language is somewhat obscure. The verb rendered "wondrously made" probably means here "selected" or "distinguished," and represents man as the _chef d'œuvre_ of the Divine Artificer. The psalmist cannot contemplate his own frame, God's workmanship, without breaking into thanks, nor without being touched with awe. Every man carries in his own body reasons enough for reverent gratitude.

The word for "bones" in ver. 15 is a collective noun, and might be rendered "bony framework." The mysterious receptacle in which the unborn body takes shape and grows is delicately described as "secret," and likened to the hidden region of the underworld, where are the dead. The point of comparison is the mystery enwrapping both. The same comparison occurs in Job's pathetic words, "Naked came I out of my mother's womb, and naked shall I return thither." It is doubtful whether the word rendered above "wrought like embroidery" refers to a pattern wrought by weaving or by needlework. In any case, it describes "the variegated colour of the individual members, especially of the viscera" (Delitzsch). The mysteries of antenatal being are still pursued in ver. 16, which is extremely obscure. It is, however, plain that _a_ sets forth the Divine knowledge of man in his first rudiments of corporeity. "My shapeless mass" is one word, meaning anything rolled up in a bundle or ball. But in _b_ it is doubtful what is referred to in "they all." Strictly, the word should point back to something previously mentioned; and hence the A.V. and R.V. suppose that the "shapeless mass" is thought of as resolved into its component parts, and insert "my members"; but it is better to recognise a slight irregularity here, and to refer the word to the "days" immediately spoken of, which existed in the Divine foreknowledge long before they had real objective existence in the actual world. The last clause of the verse is capable of two different meanings, according as the Hebrew text or margin is followed. This is one of a number of cases in which there is a doubt whether we should read "not" or "to him" (or "it"). The Hebrew words having these meanings are each of two letters, the initial one being the same in both, and both words having the same sound. Confusion might easily therefore arise, and as a matter of fact there are numerous cases in which the text has the one and the margin the other of these two words. Here, if we adhere to the text, we read the negative, and then the force of the clause is to declare emphatically that the "days" were written in God's book, and in a real sense "fashioned," when as yet they had not been recorded in earth's calendars. If, on the other hand, the marginal reading is preferred, a striking meaning is obtained: "And for it [_i.e._, for the birth of the shapeless mass] there was one among them [predestined in God's book]."

In vv. 17, 18, the poet gathers together and crowns all his previous contemplations by the consideration that this God, knowing him altogether, ever near him, and Former of his being, has great "thoughts" or purposes affecting him individually. That assurance makes omniscience and omnipresence joys, and not terrors. The root meaning of the word rendered "precious" is _weighty_. The singer would weigh God's thoughts towards him, and finds that they weigh down his scales. He would number them, and finds that they pass his enumeration. It is the same truth of the transcendent greatness and graciousness of God's purposes as is conveyed in Isaiah's "As the heavens are higher than the earth, so are . . . My thoughts than your thoughts." "I awake, and am still with Thee,"--this is an artless expression of the psalmist's blessedness in realising God's continual nearness. He awakes from sleep, and is conscious of glad wonder to find that, like a tender mother by her slumbering child, God has been watching over him, and that all the blessed communion of past days abides as before.

The fiery hatred of evil and evil men which burns in the last strophe offends many and startles more. But while the vehement prayer that "Thou wouldest slay the wicked" is not in a Christian tone, the recoil from those who could raise themselves against such a God is the necessary result of the psalmist's delight in Him. Attraction and repulsion are equal and contrary. The measure of our cleaving to that which is good, and to Him who is good, settles the measure of our abhorrence of that which is evil. The abrupt passing from petition in ver. 19_a_ to command in _b_ has been smoothed away by a slight alteration which reads, "And that men of blood would depart from me"; but the variation in tense is more forcible, and corresponds with the speaker's strong emotion. He cannot bear companionship with rebels against God. His indignation has no taint of personal feeling, but is pure zeal for God's honour.

Ver. 20 presents difficulties. The word rendered in the A.V. and R.V. (text) "speak against Thee" is peculiarly spelt if this is its meaning, and its construction is anomalous. Probably, therefore, the rendering should be as above. That meaning does not require a change of consonants, but only of vowel points. The difficulty of the last clause lies mainly in the word translated in the A.V. _adversaries_ and in the R.V. "_enemies_." That meaning is questionable; and if the word is the nominative to the verb in the clause, the construction is awkward, since the preceding "who" would naturally extend its influence to this clause. Textual emendation has been resorted to; the simplest form of which is to read "against Thee" for "Thine adversaries," a change of one letter. Another form of emendation, which is adopted by Cheyne and Graetz, substitutes "Thy name," and reads the whole, "And pronounce Thy name for falsehoods." Delitzsch adheres to the reading "adversaries," and by a harsh ellipsis makes the whole to run, "Who pronounce [Thy name] deceitfully--Thine adversaries."

The vindication of the psalmist's indignation lies in vv. 21, 22. That soul must glow with fervent love to God which feels wrong done to His majesty with as keen a pain as if it were itself struck. What God says to those who love Him, they in their degree say to God: "He that toucheth Thee toucheth the apple of mine eye." True, hate is not the Christian requital of hate, whether that is directed against God or God's servant. But recoil there must be, if there is any vigour of devotion; only, pity and love must mingle with it, and the evil of hatred be overcome by their good.

Very beautifully does the lowly prayer for searching and guidance follow the psalmist's burst of fire. It is easier to glow with indignation against evil-doers than to keep oneself from doing evil. Many secret sins may hide under a cloak of zeal for the Lord. So the psalmist prays that God would search him, not because he fancies that there is no lurking sin to be burned by the light of God's eye, like vermin that nestle and multiply under stones and shrivel when the sunbeams strike them, but because he dreads that there is, and would fain have it cast out. The psalm began with declaring that Jehovah had searched and known the singer, and it ends with asking for that searching knowledge.

It makes much difference, not indeed in the reality or completeness of God's knowledge of us, but in the good we derive therefrom, whether we welcome and submit to it, or try to close our trembling hearts, that do not wish to be cleansed of their perilous stuff, from that loving and purging gaze. God will cleanse the evil which He sees, if we are willing that He should see it. Thoughts of the inner life and "ways" of the outer are equally to be submitted to Him. There are two "ways" in which men can walk. The one is a "way of grief or pain," because that is its terminus. All sin is a blunder. And the inclination to such ways is "in me," as every man who has dealt honestly with himself knows. The other is "a way everlasting," a way which leads to permanent good, which continues uninterrupted through the vicissitudes of life, and even (though that was not in the psalmist's mind) through the darkness of death, and with ever closer approximation to its goal in God, through the cycles of eternity. And that way is not "in me," but I must be led into and in it by the God who knows me altogether and is ever with me, to keep my feet in the way of life, if I will hold the guiding hand which He lays upon me.

PSALM CXL.

1 Deliver me, Jehovah, from the evil man, From the man of violence guard me, 2 Who plot evils in heart, Every day they stir up wars. 3 They have sharpened their tongue like a serpent, Adders' poison is under their lips. Selah.

4 Keep me, Jehovah, from the hands of the wicked man, From the man of violences guard me, Who have plotted to overthrow my steps. 5 The proud have hidden a snare for me and cords, They have spread a net hard by the path, They have set gins for me. Selah.

6 I said to Jehovah, My God art Thou, Give ear, Jehovah, to the voice of my supplications. 7 Jehovah, Lord, my stronghold of salvation! Thou hast covered my head in the day of battle 8 Grant not, Jehovah, the desires of the wicked, Further not his plan. Selah.

9 They who compass me about lift up the head-- The mischief of their own lips cover them! 10 [Jehovah] rain hot coals on them! (?) Let Him cause them to fall into fire, Into floods, that they rise no more! 11 The man with a [slanderous] tongue shall not continue on earth; The man of violence--evil shall hunt him with blow upon blow.

12 I know that Jehovah will maintain the cause of the afflicted, The right of the needy. 13 Surely the righteous shall thank Thy name, The upright shall dwell with Thy face.

In tone and contents this psalm has many parallels in the earlier books, especially among the psalms ascribed to David. Its originality lies principally in its use of peculiar words, and in the extreme obscurity of a part of it. The familiar situation of a man ringed about by slanderous enemies, the familiar metaphors of snares and traps, the familiar venture of faith flinging itself into God's arms for refuge, the familiar prayers for retribution, are all here. One cannot argue about impressions, but the present writer receives the impression strongly from the psalm that it is cast in the Davidic manner by a later singer, and is rather an echo than an original voice, while, no doubt, the feelings expressed, both of distress and of confidence, are none the less felt by the singer, though he falls back on familiar forms for their expression.

The arrangement is in four strophes of approximately equal length, the first and third of which consist of three verses of two clauses each, while the fourth is abnormally elongated by having three clauses in ver. 10, and the second (vv. 4, 5) has two verses of three clauses each. Selah again appears as dividing the strophes, but is omitted at the end of the fourth, to which a closing strophe of two verses is appended.

The first two strophes (vv. 1-3 and 4, 5) cover the same ground. Both set forth the psalmist's need, and plead for deliverance. The first verse of the second strophe (ver. 4) is almost identical with ver. 1. Both paint the psalmist's enemies as evil and violent, plotting against him privily. The only difference in the two strophes is in the metaphors describing the foes and their devices, and in the prominence given in the first to their slanderous and sharp tongues. The forms of their malice are like those in earlier psalms. A characteristic of the Psalter is the prominence given to hostility which has but bitter speech for its weapon (Psalm x. 7, lviii. 4). The slanderer's tongue is sharp like a serpent's, with which the popular opinion supposed that the venom was injected. The particular kind of serpent meant in ver. 3_a_ is doubtful, as the word is only found here.

The figures for hostility in the second strophe are the other equally familiar ones of setting snares and traps. The contrivers are here called "proud," since their hostility to God's servant implies haughty antagonism to God. But they are not too proud to resort to tricks. Cunning and pride do not go well together, but they are united in these enemies, who spread a net "by the hand of the path."

In the third strophe, Faith rouses itself to lay hold on God. The psalmist turns from contemplating what his foes are doing, to realise what Jehovah is to him, and is wont to do for him. Since He is the singer's God and protects him in all conflict, he "finds it in his heart" to ask confidently that the plots of the foe may be wrecked. Consciousness of danger drove the poet in the former strophes to prayer; Jehovah's character and loving relations to him draw him, in this one.

"The day of battle" is literally "the day of armour"--when weapons clash and helmets are fitting wear. Then Jehovah will be as a head-piece to him, for He always gives the shape to His help which is required at the moment. The words in ver. 8 for "desires" and "plan" are found here only.

The text here is evidently in some disorder, and the word which is now awkwardly attached to the end of ver. 8 is by most commentators carried over to ver. 9. The change of position clears away difficulties in both verses, but a considerable crop remains in this fourth strophe. The language becomes gnarled and obscure under the stress of the poet's emotion, as he prays for the destruction of his persecutors. If the transference of the word from ver. 8 to ver. 9 is accepted, that verse describes in vivid fashion what in prose would have been cast into the form of, "_When_ my encompassers lift up the head [_i.e._, in proud assault], _then_," etc. The psalmist omits the particles which would give a hypothetical form, and prefers to set the two things side by side, and leave sympathetic readers to feel their connection. Ver. 10 is very obscure. According to the Hebrew text, the first clause would have to be rendered, "Let coals be thrown on them"; but such a rendering is "contrary to the usage of the language." The Hebrew margin, therefore, corrects into, "Let them [_i.e._, men indefinitely] cast down coals"; but this is harsh, and the office is strange as one attributed to men. The emendation which finds favour with most moderns substitutes for the inappropriate verb of the present text that which is used in precisely the same connection in Psalm xi. 6, and gives the reading, "Let Him [_i.e._, Jehovah] rain coals on them." The following clause then swiftly adds another element of horror. Fire rains down from above; fire yawns below. They are beaten down by the burning storm, and they fall into a mass of flame. The noun in ver. 10_c_ is found only here, and is by some rendered "pits," by others "floods," and by others is corrected into "nets." If "floods" is taken as the meaning, destruction by water is set by the side of that by fire, as if the antagonistic elements forgot their opposition and joined in strange amity to sweep the wicked from the earth. The terrible strophe ends with the assured declaration of the Divinely appointed transiency of the evil-doers, especially of the slanderers against whom the psalmist took refuge in Jehovah. They shall be soon cut off, and the hunters (ver. 5) shall become the hunted. "Evil"--_i.e._, the punishment of their evil deeds--shall dog their heels, and with stroke after stroke chase them as dogs would follow vermin.

In vv. 13, 14, the poet comes back to brighter thoughts, and his words become limpid again with his change of mood. He "knows," as the result of meditation and experience, that not only he, but all the afflicted and needy, who are righteous and upright, have God on their side. He will stand by their side in their hour of distress; He will admit them to dwell by His side, in deep, still communion, made more real and sweet by the harassments of earth, which drive them for shelter and peace to His breast. That confidence is a certitude for the psalmist. He announces it with an "I know," and seals it with a "surely." Such is the issue of trouble which was spread before Jehovah, and vented itself in prayer.

PSALM CXLI.

1 Jehovah, I have called on Thee; haste to me, Give ear to my voice when I call to Thee. 2 Let my prayer appear before Thee [as] incense, The lifting up of my hands [as] an evening sacrifice.

3 Set a watch, Jehovah, before my mouth, Keep guard over the door of my lips. 4 Incline not my heart to any evil thing, To practise wicked practices with men that work iniquity; And let me not eat of their dainties.

5 Let the righteous smite me in kindness and reprove me, [Such] oil for the head shall not my head refuse. For so is it that my prayer shall continue in their wickednesses. (?) 6 Their judges are thrown down by the sides of the cliff, (?) And they hear my sayings, that they are sweet. (?) 7 As a man ploughing and cleaving the earth, Our bones are strewn at the mouth of Sheol.

8 For toward Thee, Jehovah, Lord, are mine eyes [turned]; In Thee do I take refuge--pour not out my soul. 9 Keep me from the hands of the snare which they have laid for me, And from the gins of the doers of iniquity. 10 May the wicked fall into their own nets, Whilst at the same time I pass by!

Part of this psalm is hopelessly obscure, and the connection is difficult throughout. It is a prayer of a harassed soul, tempted to slacken its hold on God, and therefore betaking itself to Him. Nothing more definite as to author or occasion can be said with certainty.

The allusions in vv. 6, 7, are dark to us, and the psalm must, in many parts, remain an enigma. Probably Baethgen and Cheyne are wise in giving up the attempt to extract any intelligible meaning from ver. 5_c_ and ver. 6 as the words stand, and falling back on asterisks. Delitzsch regards the psalm as being composed as suitable to "a Davidic situation," either by David himself, or by some one who wished to give expression in strains like David's to David's probable mood. It would thus be a "Dramatic Idyll," referring, according to Delitzsch, to Absalom's revolt. Ver. 2 is taken by him to allude to the king's absence from the sanctuary, and the obscure ver. 6, to the fate of the leaders of the revolt and the return of the mass of the people to loyal submission. But this is a very precarious reference.

The psalm begins with the cry to God to hear, which so often forms the introduction to psalms of complaint and supplications for deliverance. But here a special colouring is given by the petition that the psalmist's prayers may be equivalent to incense and sacrifice. It does not follow that he was shut out from outward participation in worship, but only that he had learned what that worship meant. "Appear" might be rendered "established." The word means to be set firm, or, reflexively, to station oneself, and hence is taken by some as equivalent to "appear" or "come" before Thee; while others give prominence rather to the notion of stability in the word, and take it to mean _continue_--_i.e._, be accepted. There may be a reference to the morning sacrifice in the "incense," so that both morning and evening ritual would be included; but it is more natural to think of the evening incense, accompanying the evening "meal offering," and to suppose that the psalm is an evening prayer. The penetrating insight into the realities of spiritual worship which the singer has gained is more important to note than such questions about the scope of his figures.

The prayer in vv. 3, 4, is for deliverance not from dangers, but from temptation to sin in word or deed. The psalmist is not suffering from the hostility of the workers of iniquity, but dreads becoming infected with their sin. This phase of trial was not David's in Absalom's revolt, and the prominence given to it here makes Delitzsch's view of the psalm very doubtful. An earlier psalmist had vowed to "put a muzzle on his mouth," but a man's own guard over his words will fail, unless God keeps the keeper, and, as it were, sets a sentry to watch the lips. The prayer for strength to resist temptation to wrong acts, which follows that against wrong speech, is curiously loaded with synonymous terms. The psalmist asks that his heart, which is but too apt to feel the risings of inclination to fall in with the manners around him, may be stiffened into wholesome loathing of every evil--"To practise practices in wickedness with men [perhaps, _great men_] who work iniquity." The clause rather drags, and the proposed insertion of "Let me not sit" before "with men that work iniquity" lightens the weight, and supplies a good parallel with "Let me not eat of their dainties." It is, however, purely conjectural, and the existing reading is intelligible, though heavy. The psalmist wishes to keep clear of association with the corrupt society around him, and desires to be preserved from temptations to fall in with its luxurious sensuality, lest thereby he should slide into imitation of its sins. He chose plain living, because he longed for high thinking, and noble doing, and grave, reverend speech. All this points to a period when the world fought against goodness by proffering vulgar delights, rather than by persecution. Martyrs have little need to pray that they may not be tempted by persecutors' feasts. This man "scorned delights" and chose to dwell with good men.

The connection of ver. 5 with the preceding seems to be that in it the psalmist professes his preference for the companionship of the righteous, even if they reprove him. It is better, in his judgment, to have the wholesome correction of the righteous than to feast with the wicked. But while this is the bearing of the first part of the verse, the last clause is obscure, almost to unintelligibility, and even the earlier ones are doubtful. If the Hebrew accents are adhered to, the rendering above must be adopted. The division of clauses and rendering adopted by Hupfeld and many others, and in the A.V. and R.V., gives vividness, but requires "it shall be" to be twice supplied. The whole sentence seems to run more smoothly, if the above translation is accepted. "Oil for the head" is that with which the head is anointed as for a feast; and there is probably a tacit suggestion of a better festival, spread in the austere abodes of the righteous poor, than on the tables loaded with the dainties of the wicked rich.

But what is the meaning and bearing of the last clause of ver. 5? No wholly satisfactory answer has been given. It is needless here to travel through the various more or less violent and unsuccessful attempts to unravel the obscurities of this clause and of the next verse. One sympathises with Hupfeld's confession that it is an unwelcome (_sauer_) task to him to quote the whirl of varying conjectures. The rendering adopted above, as, on the whole, the least unlikely, is substantially Delitzsch's. It means that the psalmist "will oppose no weapon but prayer to his enemies' wickedness, and is therefore in the spiritual mood susceptible to well-meaning reproof." The logic of the clause is not very clear, even with this explanation. The psalmist's continuance in prayer against the wicked is not very obviously a reason for his accepting kindly rebuke. But no better explanation is proposed.

The darkness thickens in ver. 6. The words indeed are all easily translatable; but what the whole sentence means, or what an allusion to the destruction of some unnamed people's rulers has to do here, or who they are who hear the psalmist's words, are questions as yet unanswered. To cast men down "by the sides [lit., _hands_] of a rock" is apparently an expression for the cruel punishment mentioned as actually inflicted on ten thousand of the "children of Seir" (2 Chron. xxv. 12). Those who, with Delitzsch, take the revolt under Absalom to be the occasion of the psalm, find in the casting down of these judges an imaginative description of the destruction of the leaders of the revolt, who are supposed to be hurled down the rocks by the people whom they had misled; while the latter, having again come to their right mind, attend to David's word, and find it pleasant and beneficent. But this explanation requires much supplementing of the language, and does not touch the difficulty of bringing the verse into connection with the preceding.

Nor is the connection with what follows more clear. A various reading substitutes "Their" for "Our" in ver. 7, and so makes the whole verse a description of the bones of the ill-fated "judges" lying in a litter at the base of the precipice. But apparently the reading is merely an attempt to explain the difficulty. Clearly enough the verse gives an extraordinarily energetic and graphic picture of a widespread slaughter. But who are the slain, and what event or events in the history of Israel are here imaginatively reproduced, is quite unknown. All that is certain is the tremendous force of the representation, the Æschylean ruggedness of the metaphor, and the desperate condition to which it witnesses. The point of the figure lies in the resemblance of the bones strewn at the mouth of Sheol to broken clods turned up by a plough. _Sheol_ seems here to waver between the meanings of the unseen world of souls and the grave. The unburied bones of slaughtered saints "lie scattered," as unregarded as the lumps of soil behind the ploughman.

In vv. 8-10 the familiar psalm-tone recurs, and the language clears itself. The stream has been foaming among rocks in a gorge, but it has emerged into sunlight, and flows smoothly. Only the "For" at the beginning of ver. 8 is difficult, if taken to refer to the immediately preceding verses. Rather, it overleaps the obscure middle part of the psalm, and links on to the petitions of vv. 1-4. Patient, trustful expectance is the psalmist's temper, which gazes not interrogatively, but with longing which is sure of satisfaction, towards God, from amidst the temptations or sorrows of earth. The reason for that fixed look of faith lies in the Divine names, so rich in promise, which are here blended in an unusual combination. The devout heart pleads its own act of faith in conjunction with God's names, and is sure that, since He is Jehovah, Lord, it cannot be vain to hide oneself in Him. Therefore, the singer prays for preservation from destruction. "Pour not out my soul" recalls Isa. liii. 12, where the same vivid metaphor is used. The prayer of the earlier verses was for protection from temptation; here, circumstances have darkened, and the psalmist's life is in danger. Possibly the "snares" and "gins" of ver. 9 mean both temptations and perils.

The final petition in ver. 10 is like many in earlier psalms. It was a fundamental article of faith for all the psalmists that a great _Lex Talionis_ was at work, by which every sin was avenged in kind; and if one looks deeper than the outside of life, the faith is eternally warranted. For nothing is more certain than that, whomsoever else a man may harm by his sin, he harms himself most. Nets woven and spread for others may or may not ensnare them, but their meshes cling inextricably round the feet of their author, and their tightening folds will wrap him helpless, like a fly in a spider's web. The last clause presents some difficulties. The word rendered above "at the same time" is literally "together," but seems to be used here, as in Psalm iv. 8 (_at once_), with the meaning of _simultaneously_. The two things are co-temporaneous--the enemies' ensnaring and the psalmist's escape. The clause is abnormal in its order of words. It stands thus: "At the same time I, while [until] I pass by." Probably the irregularity arose from a desire to put the emphatic word "at the same time" in the prominent place. It is doubtful whether we should translate "while" or "until." Authorities are divided, and either meaning is allowable. But though the rendering _until_ gives picturesqueness to the representation of the snared foe restrained and powerless, until his hoped-for prey walks calmly through the toils, the same idea is conveyed by "while," and that rendering avoids the implication that the snaring lasted only as long as the time taken for the psalmist's escape. What is uppermost in the psalmist's mind is, in any case, not the destruction of his enemies, but their being made powerless to prevent his "passing by" their snares uncaptured.

PSALM CXLII.

1 With my voice to Jehovah will I cry, With my voice to Jehovah will I make supplication. 2 I will pour out before Him my complaint, My straits before Him will I declare. 3 When my spirit wraps itself in gloom upon me, Then Thou--Thou knowest my path; In the way wherein I have to go They have hidden a snare for me. 4 Look on the right hand and see, There is none that knows me, Shelter is perished from me, There is no one that makes inquiry after my soul.

5 I have cried unto Thee, Jehovah, I have said, Thou art my refuge, My portion in the land of the living. 6 Attend to my shrill cry, For I am become very weak; Deliver me from my pursuers, For they are too strong for me. 7 Bring out from prison my soul, That I may thank Thy name; In me shall the righteous glory, For Thou dealest bountifully with me.

The superscription not only calls this a psalm of David's, but specifies the circumstances of its composition. It breathes the same spirit of mingled fear and faith which characterises many earlier psalms; but one fails to catch the unmistakable note of freshness, and there are numerous echoes of preceding singers. This psalmist has as deep sorrows as his predecessors, and as firm a grasp of Jehovah, his helper. His song runs naturally in well-worn channels, and is none the less genuine and acceptable to God because it does. Trouble and lack of human sympathy or help have done their best work on him, since they have driven him to God's breast. He has cried in vain to man; and now he has gathered himself up in a firm resolve to cast himself upon God. Men may take offence that they are only appealed to as a last resort, but God does not. The psalmist is too much in earnest to be content with unspoken prayers. His voice must help his thoughts. Wonderful is the power of articulate utterance in defining, and often in diminishing, sorrows. Put into words, many a burden shrinks. Speaking his grief, many a man is calmed and braced to endure. The complaint poured out before God ceases to flood the spirit; the straits told to Him begin to grip less tightly.

Ver. 1 resembles Psalm lxxvii. 1, and ver. 3 has the same vivid expression for a spirit swathed in melancholy as Psalm lxxvii. 3. Hupfeld would transfer ver. 3_a_ to ver. 2, as being superfluous in ver. 3, and, in connection with the preceding, stating the situation or disposition from which the psalmist's prayer flows. If so taken, the copula (And) introducing _b_ will be equivalent to "But," and contrasts the omniscience of God with the psalmist's faintheartedness. If the usual division of verses is retained, the same contrast is presented still more forcibly, and the copula may be rendered "Then." The outpouring of complaint is not meant to tell Jehovah what He does not know. It is for the complainer's relief, not for God's information. However a soul is wrapped in gloom, the thought that God knows the road which is so dark brings a little creeping beam into the blackness. In the strength of that conviction the psalmist beseeches Jehovah to behold what He does behold. That is the paradox of faithful prayer, which asks for what it knows that it possesses, and dared not ask for unless it knew. The form of the word rendered above "Look" is irregular, a "hybrid" (Delitzsch); but when standing beside the following "see," it is best taken as an imperative of petition to Jehovah. The old versions render both words as first person singular, in which they are followed by Baethgen, Graetz, and Cheyne. It is perhaps more natural that the psalmist should represent himself as looking round in vain for help, than that he should ask God to look; and, as Baethgen remarks, the copula before "There is none" in ver. 4_b_ favours this reading, as it is superfluous with an imperative. In either case the drift of ver. 4 is to set forth the suppliant's forlorn condition. The "right hand" is the place for a champion or helper, but this lonely sufferer's is unguarded, and there is none who knows him, in the sense of recognising him as one to be helped (Ruth ii. 10, 19). Thus abandoned, friendless, and solitary, confronted by foes, he looks about for some place to hide in; but that too has failed him (Job xi. 20; Jer. xxv. 35; Amos ii. 14). There is no man interested enough in him to make inquiry after his life. Whether he is alive or dead matters not a straw to any.

Thus utterly naked of help, allies, and earthly hiding-place, what can a man do but fling himself into the arms of God? This one does so, as the rest of the psalm tells. He had looked all round the horizon in vain for a safe cranny to creep into and escape. He was out in the open, without a bush or rock to hide behind, on all the dreary level. So he looks up, and suddenly there rises by his side an inexpugnable fortress, as if a mountain sprang at once from the flat earth. "I have said, Thou art my refuge!" Whoso says thus has a shelter, Some One to care for him, and the gloom begins to thin off from his soul. The psalmist is not only safe in consequence of his prayer, but rich; for the soul which, by strong resolve, even in the midst of straits, claims God as its portion will at once realise its portion in God.

The prayer for complete deliverance in vv. 6, 7, passes into calmness, even while it continues fully conscious of peril and of the power of the pursuers. Such is the reward of invoking Jehovah's help. Agitation is soothed, and, even before any outward effect has been manifest, the peace of God begins to shed itself over heart and mind. The suppliant still spreads his needs before God, is still conscious of much weakness, of strong persecutors, and feels that he is, as it were, in prison (an evident metaphor, though Graetz, with singular prosaicness, will have it to be literal); but he has hold of God now, and so is sure of deliverance, and already begins to shape his lips for songs of praise, and to anticipate the triumph which his experience will afford to those who are righteous, and so are his fellows. He was not, then, so utterly solitary as he had wailed that he was. There were some who would joy in his joy, even if they could not help his misery. But the soul that has to wade through deep waters has always to do it alone; for no human sympathy reaches to full knowledge of, or share in, even the best loved one's grief. We have companions in joy; sorrow we have to face by ourselves. Unless we have Jesus with us in the darkness, we have no one.

The word rendered above "shall glory" is taken in different meanings. According to some, it is to be rendered here "surround"--_i.e._, with congratulations; others would take the meaning to be "shall crown themselves"--_i.e._, "triumph on my account" (Delitzsch, etc.). Graetz suggests a plausible emendation, which Cheyne adopts, reading "glory in," the resulting meaning being the same as that of Delitzsch. The notion of participation in the psalmist's triumph is evidently intended to be conveyed; and any of these renderings preserves that. Possibly _surround_ is most in accordance with the usage of the word. Thus the psalmist's plaints end, as plaints which are prayers ever do, in triumph anticipated by faith, and one day to be realised in experience.

PSALM CXLIII.

1 Jehovah, hear my prayer, give ear to my supplications, In Thy faithfulness answer me, in Thy righteousness; 2 And enter not into judgment with Thy servant, For before Thee shall no man living be righteous. 3 For the enemy has pursued my soul, Crushed my life to the ground, Made me to dwell in dark places, like the dead of long ago.

4 Therefore my spirit wraps itself in gloom in me, Within me is my heart benumbed. 5 I remember the days of old, I muse on all Thy doings, On the work of Thy hands I brood. 6 I spread my hands to Thee, My soul is towards Thee like a thirsty land. Selah.

7 Make haste, answer me, Jehovah; my spirit faints; Hide not Thy face from me, Lest I become like those that descend into the pit. 8 Make me hear Thy loving-kindness in the morning, For in Thee do I trust; Make me know the way in which I should go, For to Thee do I lift my soul. 9 Deliver me from mine enemies, Jehovah, For to Thee do I flee for refuge. (?)

10 Teach me to do Thy will, for Thou art my God; Let Thy good spirit lead me in a level land. 11 For Thy name's sake, Jehovah, quicken me; In Thy righteousness bring my soul out of all straits; 12 And in Thy loving-kindness cut off my foes, And destroy all who oppress my soul, For I am Thy servant.

This psalm's depth of sadness and contrition, blended with yearning trust, recalls the earlier psalms attributed to David. Probably this general resemblance in inwardness and mood is all that is meant by the superscription in calling it "a psalm of David." Its copious use of quotations and allusions indicate a late date. But there is no warrant for taking the speaker to be the personified Israel. It is clearly divided into two equal halves, as indicated by the Selah, which is not found in Books IV. and V., except here, and in Psalm cxl. The former half (vv. 1-6) is complaint; the latter (vv. 7-12), petition. Each part may again be regarded as falling into two equal portions, so that the complaint branches out into a plaintive description of the psalmist's peril (vv. 1-3), and a melancholy disclosure of his feelings (vv. 4-6); while the prayer is similarly parted into cries for deliverance (vv. 7-9), and for inward enlightenment and help (vv. 10-12). But we are not reading a logical treatise, but listening to the cry of a tried spirit, and so need not wonder if the discernible sequence of thought is here and there broken.

The psalmist knows that his affliction is deserved. His enemy could not have hunted and crushed him (ver. 3) unless God had been thereby punishing him. His peril has forced home the penitent conviction of his sin, and therefore he must first have matters set right between him and God by Divine forgiveness. His cry for help is not based upon any claims of his own, nor even on his extremity of need, but solely on God's character, and especially on the twin attributes of Faithfulness and Righteousness. By the latter is not meant the retributive righteousness which gives according to desert, but that by which He maintains the order of salvation established by His holy love. The prayer anticipates St. John's declaration that God is "faithful and just to forgive us our sins." That answer in righteousness is as eagerly desired as God's dealing on the footing of retributive justice is shrunk from. "Enter not into judgment with Thy servant" is not a prayer referring to a future appearance before the Judge of all, but the judgment deprecated is plainly the enmity of men, which, as the next verse complains, is crushing the psalmist's life out of him. His cry is for deliverance from it, but he feels that a more precious gift must precede outward deliverance, and God's forgiveness must first be sealed on his soul. The conviction that, when the light of God's face is turned on the purest life, it reveals dark stains which retributive justice cannot but condemn, is not, in the psalmist's mouth, a palliation of his guilt. Rather, it drives him to take his place among the multitude of offenders, and from that lowly position to cry for pardon to the very Judge whose judgment he cannot meet. The blessedness of contrite trust is that it nestles the closer to God, the more it feels its unworthiness. The child hides its face on the mother's bosom when it has done wrong. God is our refuge from God. A little beam of light steals into the penitent's darkness, while he calls himself God's servant, and ventures to plead that relation, though he has done what was unworthy of it, as a reason for pardon. The significant "For" beginning ver. 3 shows that the enemy's acts were, to the contrite psalmist, those of God's stern justice. Vv. 3_a_, _b_, are moulded on Psalm vii. 5, and _c_ is verbally identical with Lam. iii. 6. "The dead of long ago" is by some rendered _dead for ever_; but the translation adopted above adds force to the psalmist's sad description of himself, by likening him to those forgotten ones away back in the mists of bygone ages.

In vv. 4-6 the record of the emotions caused by his peril follows. They begin with the natural gloom. As in Psalm cxlii. 3 (with which this has many points of resemblance, possibly indicating identity of author), he describes his "spirit" as swathed in dark robes of melancholy. His heart, too, the centre of personality, was _stunned_ or _benumbed_, so that it almost ceased to beat. What should a "servant" of Jehovah's, brought to such a pass, do? If he is truly God's, he will do precisely what this man did. He will compel his thoughts to take another direction, and call Memory in to fight Despair and feed Hope. His own past and God's past are arguments enough to cheer the most gloom-wrapped sufferer. "A sorrow's crown of sorrow" may be "remembering happier things," but the remembrance will be better used to discrown a sorrow which threatens to lord it over a life. Psalm lxxvii. 5, 6, 11, 12, has shaped the expressions here. Both the contrast of present misery with past mercy, and the assurances of present help given by that past mercy, move the psalmist to appeal to God, stretching out his hands in entreaty. Psalm lxiii. 1 echoes in ver. 6_b_, the pathos and beauty of which need no elucidation. The very cracks in parched ground are like mouths opened for the delaying rains; so the singer's soul was gaping wide in trouble for God's coming, which would refresh and fertilise. Blessed is that weariness which is directed to Him; it ever brings the showers of grace for which it longs. The construction of ver. 6_b_ is doubtful, and the supplement "thirsteth" (A.V. and R.V.) is possibly better than the "is" given above.

The second half of the psalm is purely petition. Vv. 7-9 ask especially for outward deliverance. They abound with reminiscences of earlier psalms. "Make haste, answer me" recalls Psalm lxix. 17; "my spirit faints" is like Psalm lxxxiv. 2; "Hide not Thy face from me" is a standing petition, as in Psalms xxvii. 9, cii. 2, etc.; "Lest I become like those who descend into the pit" is exactly reproduced from Psalm xxviii. 1. The prayer for the manifestation of God's loving-kindness in the morning is paralleled in Psalm xc. 14, and that for illumination as to the way to walk in is like Exod. xxxiii. 13; Psalm xxv. 4. The plea "To Thee do I lift my soul" is found in Psalms xxv. 1, lxxxvi. 4.

The plea appended to the petition in ver. 9_b_ is difficult. Literally, the words run, "To Thee have I covered [myself]," which can best be explained as a pregnant construction, equivalent to "I have fled to Thee and hid myself in Thee." Much divergence exists in the renderings of the clause. But a slight emendation, adopted by Hupfeld and Cheyne from an ancient Jewish commentator, reads the familiar expression, "I have fled for refuge." Baethgen prefers to read "have waited," which also requires but a trivial alteration; while Graetz reaches substantially the same result by another way, and would render "I have hope."

A glance at these three verses of petition as a whole brings out the sequence of the prayers and of their pleas. The deepest longing of the devout soul is for the shining of God's face, the consciousness of His loving regard, and that not only because it scatters fears and foes, but because it is good to bathe in that sunshine. The next longing is for the dawning of a glad morning, which will bring to a waiting heart sweet whispers of God's loving-kindness, as shown by outward deliverances. The night of fear has been dark and tearful, but joy comes with the morning. The next need is for guidance in the way in which a man should go, which here must be taken in the lower sense of practical direction, rather than in any higher meaning. That higher meaning follows in vv. 10-12; but in ver. 8 the suppliant asks to be shown the path by which he can secure deliverance from his foes. That deliverance is the last of his petitions. His pleas are beautiful as examples of the logic of supplication. He begins with his great need. His spirit faints, and he is on the edge of the black pit into which so much brightness and strength have gone down. The margin is slippery and crumbling; his feet are feeble. One Helper alone can hold him up. But his own exceeding need is not all that he pleads. He urges his trust, his fixing of his desires, hopes, and whole self, by a dead lift of faith, on God. That is a reason for Divine help. Anything is possible rather than that such hope should be disappointed. It cannot be that any man, who has fled for sanctuary to the asylum of God's heart, should be dragged thence and slain before the God whose altar he has vainly clasped.

The last part (vv. 10-12) puts foremost the prayer for conformity of will with God's, and, though it closes with recurring prayer for outward deliverance, yet breathes desires for more inward blessings. As in the preceding verses, there are, in these closing ones, many echoes of other psalms. The sequence of petitions and pleas is instructive. To do, not merely to know, God's will is the condition of all blessedness, and will be the deepest desire of every man who is truly God's servant. But that obedience of heart and hand must be taught by God, and He regards our taking Him for our God as establishing a claim on Him to give all illumination of heart and all bending of will and all skill of hand which are necessary to make us doers of His will. His teaching is no mere outward communication of knowledge, but an inbreathing of power to discern, and of disposition and ability to perform, what is His will. Ver. 10_b_ is best taken as a continuous sentence, embodying a prayer for guidance. The plea on which it rests remains the same, though the statement of it as a separate clause is not adopted in our translation. For the fact that God's spirit is "good"--_i.e._, beneficently self-communicative--heartens us to ask, and binds Him to give, all such direction as is needed. This is not a mere repetition of the prayer in ver. 8, but transcends it. "A level land" (or, according to a possible suggested emendation, _path_) is one in which the psalmist can freely walk, unhindered in doing God's will. His next petition goes deepest of the three, inasmuch as it asks for that new Divine life to be imparted, without which no teaching to do God's will can be assimilated, and no circumstances, however favourable, will conduce to doing it. He may not have known all the depth which his prayer sounded; but no man who has real desires to conform heart and life to the supreme will of God but must have felt his need of a purer life to be poured into his spirit. As this prayer is deep, so its plea is high. "For Thy name's sake"--nothing can be pleaded of such force as that. God supremely desires the glory of His name; and, for the sake of men whose blessedness depends on their knowing and loving it, will do nothing that can dim its lustre. His name is the record of His past acts, the disclosure of that in Him which is knowable. That name contains the principles of all His future acts. He will be what He has been. He will magnify His name; and the humblest, most tormented soul that can say, "Thou art my God," may be sure that Divinely given life will throb in it, and that even its lowliness may contribute to the honour of the name.

The hunted psalmist cannot but come back, in the close of his psalm, to his actual circumstances, for earthly needs do clog the soul's wings. He unites righteousness and loving-kindness as co-operating powers, as in ver. 1 he had united faithfulness and righteousness. And as in the first verses he had blended pleas drawn from God's character with those drawn from his relation to God, so he ends his petitions with pleading that he is God's servant, and, as such, a fit object of God's protection.

PSALM CXLIV.

1 Blessed be Jehovah my rock, who trains my hands for battle, My fingers for war; 2 My loving-kindness and my fortress, my high tower and my deliverer, My shield and He in whom I take refuge, Who subdues my people under me.

3 Jehovah, what is man, that Thou takest knowledge of him? The son of frail man, that Thou takest account of him? 4 Man--he is like to a breath, His days are like a shadow passing away.

5 Jehovah, bow Thy heavens and come down, Touch the mountains that they smoke. 6 Lighten lightning and scatter them, Shoot Thy arrows and confound them. 7 Stretch Thy hands from on high, Pluck me [out] and deliver me from many waters, From the hands of the sons of the alien, 8 Whose mouth speaks falsehood, And whose right hand is a right hand of lies.

9 O God, a new song will I sing to Thee, On a ten-stringed harp will I harp to Thee, 10 Who giveth salvation to kings, Who snatches David His servant from the evil sword. 11 Pluck me [out] and deliver me from the hand of the sons of the alien, Whose mouth speaks falsehood, And whose right hand is a right hand of lies.

12 So that (? or Because) our sons [may be] as plants, Grown tall in their youth; Our daughters like corner-pillars, Carved after the fashion of a palace; 13 Our granaries full, giving forth kind after kind [of supply]; Our flocks producing thousands, Producing tens of thousands in our fields; 14 Our kine heavy with young; No breach and no sally, And no [battle-] cry in our open spaces. 15 Happy the people that is in such a case! Happy the people whose God is Jehovah!

The force of compilation could no further go than in this psalm, which is, in the first eleven verses, simply a _réchauffé_ of known psalms, and in vv. 12-15 is most probably an extract from an unknown one of later date. The junctions are not effected with much skill, and the last is tacked on very awkwardly (ver. 12). It is completely unlike the former part, inasmuch as there the speaker is a warlike king praying for victory, while in the latter the nation sings of the tranquil blessings of peaceful expansion. The language of the later portion is full of late forms and obscurities. But the compiler's course of thought is traceable. He begins by praising Jehovah, who has taught him warlike skill; then adoringly thinks of his own weakness, made strong by God's condescending regard; next prays for complete victory, and vows fresh praises for new mercies; and closes with a picture of the prosperity which follows conquest, and is secured to Israel because Jehovah is its God.

Vv. 1, 2, are echoes of Psalm xviii. 2, 34, 46, with slight variations. The remarkable epithet "My loving-kindness" offends some critics, who emend so as to read "My stronghold"; but it has a parallel in Jonah ii. 9, and is forcible as an emotional abbreviation of the fuller "God of my loving-kindness" (Psalm lix. 10). The original passage reads "people," which is the only appropriate word in this connection, and should probably be read in ver. 2_c_.

Psalm viii. supplies the original of vv. 3, 4, with a reminiscence of Psalm xxxix. 5, and of Psalm cii. 11, from which comes the pathetic image of the fleeting shadow. The link between this and the former extract seems to be the recognition of God's condescension in strengthening so weak and transient a creature for conflict and conquest.

The following prayer for further Divine help in further struggles is largely borrowed from the magnificent picture of a theophany in Psalm xviii. 9, 14-16. The energetic "Lighten lightning" is peculiar to this psalm, as is the use of the word for "Pluck out." The description of the enemies as "sons of the alien" is like Psalm xviii. 44, 45. As in many other psalms, the treachery of the foe is signalised. They break their oaths. The right hand which they had lifted in swearing is a lying hand. The vow of new praise recalls Psalms xxxiii. 2, 3, and xcvi. 1, xcviii. 1. Ver. 10 is a reproduction of Psalm xviii. 50. The mention of David's deliverance from the "evil sword" has apparently been the reason for the LXX. referring the psalm to the victory over Goliath--an impossible view. The new song is not here sung; but the psalm drops from the level of praise to renew the petition for deliverance, in the manner of a refrain caught up in ver. 11 from ver. 7. This might make a well-rounded close, and may have originally been the end of the psalm.

The appended fragment (vv. 12-15) is attached to the preceding in a most embarrassing fashion. The first word of ver. 12 is the sign of the relative. The LXX. accordingly translates "Whose sons are," etc., and understands the whole as a description of the prosperity of the enemies, which view necessarily involves the alteration of "our" into "their" in the following clauses. Others supply an antecedent to the relative by inserting _save us_ or the like expression at the beginning of the verse. Others, again--_e.g._, Ewald, followed by Perowne--connect the relative with ver. 15: "We whose sons are," etc.... "Happy is the people," etc. Delitzsch takes the relative to signify here "because," and compares Judg. ix. 17; Jer. xvi. 13. The prosperity subsequently described would then be alleged as the occasion of the enemies' envy. Others would slightly emend the text so as to read, "I pronounce happy," or "Happy are we." The latter, which makes all smooth, and corresponds with ver. 15, is Graetz's proposal. The rendering of the A.V., "that" or "in order that," has much in its favour. The word which is the sign of the relative is a component of the full expression usually so rendered, and stands alone as equivalent to it in Deut. iv. 40, Gen. xi. 7. It is true, as Delitzsch objects to this rendering, that the following verbs are usually finite, while here they are participles; but that is not a fatal objection. The whole that follows would then be dependent on the petition of ver. 11, and would describe the purpose of the desired deliverance. "This is, in fact, the poet's meaning. He prays for deliverance from enemies, in order that the happy condition pictured in ver. 12 _sqq._ may come to pass" (Baethgen). On the whole, that rendering presents least difficulty, but in any case the seam is clumsy.

The substance of the description includes three things--a vigorous, growing population, agricultural prosperity, and freedom from invasion. The language is obscure, especially in ver. 14, but the general drift is plain. The characteristic Jewish blessing of numerous offspring is first touched on in two figures, of which the former is forcible and obvious, and the latter obscure. The comparison of the virgin daughters of Israel to "corners" is best understood by taking the word to mean "corner-pillars," not necessarily caryatides, as is usually supposed--an architectural decoration unknown in the East. The points of comparison would then be slender uprightness and firm grace. Delitzsch prefers to take the word as meaning _cornices_, such as, to the present day, are found in the angles of Eastern rooms, and are elaborately carved in mazy patterns and brightly coloured. He would also render "variegated" instead of "carved." But such a comparison puts too much stress on gay dresses, and too little on qualities corresponding to those of the "well-grown" youths in the former clause.

The description of a flourishing rural community is full of difficult words. "Granaries" is found only here, and "kind" is a late word. "Fields" is the same word as is usually rendered "streets"; it literally means "places outside," and here obviously must refer to the open pastures without the city, in contrast to the "open spaces" within it, mentioned in the next verse. In that verse almost every word is doubtful. That rendered "kine" is masculine in form, but is generally taken as being applicable to both sexes, and here used for the milky mothers of the herd. The word translated above "heavy with young" means _laden_, and if the accompanying noun is masculine, must mean laden with the harvest sheaves; but the parallel of the increasing flocks suggests the other rendering. The remainder of ver. 14 would in form make a complete verse, and it is possible that something has fallen out between the first clause and the two latter. These paint tranquil city life when enemies are far away. "No breach"--_i.e._, in the defences, by which besiegers could enter; "No going forth"--_i.e._, sally of the besieged, as seems most probable, though _going forth as captured_ or _surrendering_ has been suggested; "No cry"--_i.e._, of assailants who have forced an entrance, and of defenders who make their last stand in the open places of the city.

The last verse sums up all the preceding picture of growth, prosperity, and tranquillity, and traces it to the guardian care and blessing of Jehovah. The psalmist may seem to have been setting too much store by outward prosperity. His last word not only points to the one Source of it, but sets high above the material consequences of God's favour, joyous as these are, that favour itself, as the climax of human blessedness.

PSALM CXLV.

1 א I will exalt Thee, my God, O King, And I will bless Thy name for ever and aye. 2 ב Every day will I bless Thee, And I will praise Thy name for ever and aye. 3 ג Great is Jehovah and much to be praised, And of His greatness there is no searching. 4 ד Generation to generation shall loudly praise Thy works And Thy mighty acts shall they declare. 5 ה The splendour of the glory of Thy majesty, And the records of Thy wonders will I meditate. 6 ו And the might of Thy dread acts shall they speak, And Thy greatness will I tell over.

7 ז The memory of Thy abundant goodness shall they well forth, And Thy righteousness shall they shout aloud. 8 ח Gracious and full of compassion is Jehovah, Slow to anger and great in loving-kindness. 9 ט Good is Jehovah to all, And His compassions are upon all His works. 10 י All Thy works thank Thee, Jehovah, And Thy favoured ones shall bless Thee.

11 כ The glory of Thy kingdom shall they speak, And talk of Thy might; 12 ל To make known to the sons of men His mighty deeds And the glory of the splendour of His kingdom. 13 מ Thy kingdom is a kingdom for all ages, And Thy dominion [endures] through every generation after generation.

14 ס Jehovah upholds all the falling, And raises all the bowed down. 15 ע The eyes of all look expectantly to Thee, And Thou givest them their food in its season. 16 פ Thou openest Thy hand, And satisfiest every living thing [with] its desire. 17 צ Jehovah is righteous in all His ways, And loving in all His works. 18 ק Jehovah is near to all who call on Him, To all who call on Him in truth. 19 ר The desire of them that fear Him He will fulfil, And their cry He will hear and will save them. 20 ש Jehovah keeps all who love Him, And all the wicked will He destroy.

21 ת The praise of Jehovah my mouth shall speak, And let all flesh bless His holy name for ever and aye.

This is an acrostic psalm. Like several others of that kind, it is slightly irregular, one letter (Nun) being omitted. The omission is supplied in the LXX. by an obviously spurious verse inserted in the right place between vv. 13 and 14. Though the psalm has no strophical divisions, it has distinct sequence of thought, and celebrates the glories of Jehovah's character and deeds from a fourfold point of view. It sings of His greatness (vv. 1-6), goodness (vv. 7-10), His kingdom (vv. 11-13), and the universality of His beneficence (vv. 14-21). It is largely coloured by other psalms, and is unmistakably of late origin.

The first group of verses has two salient characteristics--the accumulation of epithets expressive of the more majestic aspects of Jehovah's self-revelation, and the remarkable alternation of the psalmist's solo of song and the mighty chorus, which takes up the theme and sends a shout of praise echoing down the generations.

The psalmist begins with his own tribute of praise, which he vows shall be perpetual. Ver. 1 recalls Psalms xxx. 1 and xxxiv. 1. We "exalt" God, when we recognise that He is King, and worthily adore Him as such. A heart suffused with joy in the thought of God would fain have no other occupation than the loved one of ringing out His name. The singer sets "for ever and aye" at the end of both ver. 1 and ver. 2, and while it is possible to give the expression a worthy meaning as simply equivalent to _continually_, it is more in harmony with the exalted strain of the psalm and the emphatic position of the words to hear in them an expression of the assurance which such delight in God and in the contemplation of Him naturally brings with it, that over communion so deep and blessed, Death has no power. "Every day will I bless Thee"--that is the happy vow of the devout heart. "And I will praise Thy name for ever and ever"--that is the triumphant confidence that springs from the vow. The experiences of fellowship with God are prophets of their own immortality.

Ver. 3_a_ is from Psalm xlviii. 1, and _b_ is tinged by Isaiah xl., but substitutes "greatness," the key-note of the first part of this psalm, for "understanding." That note having been thus struck, is taken up in vv. 4-6, which set forth various aspects of that greatness, as manifested in works which are successively described as "mighty"--_i.e._, instinct with conquering power such as a valiant hero wields; as, taken together, constituting the "splendour of the glory of Thy majesty," the flashing brightness with which, when gathered, as it were, in a radiant mass, they shine out, like a great globe of fire; as "wonders," not merely in the narrower sense of miracles, but as being productive of lowly astonishment in the thoughtful spectator; and as being "dread acts"--_i.e._, such as fill the beholder with holy awe. In ver. 5_b_ the phrase rendered above "records of His wonders" is literally "words of His wonders," which some regard as being like the similar phrase in Psalm lxv. 3 (words or matters of iniquities), a pleonasm, and others would take as they do the like expression in Psalm cv. 27, as equivalent to "_deeds_ of the Divine wonders" (Delitzsch). But "words" may very well here retain its ordinary sense, and the poet represent himself as meditating on the records of God's acts in the past as well as gazing on those spread before his eyes in the present.

His passing and repassing from his own praise in vv. 1, 2, to that of successive generations in ver. 4, and once more to his own in ver. 5, and to that of others in ver. 6, is remarkable. Does he conceive of himself as the chorus leader, teaching the ages his song? Or does he simply rejoice in the less lofty consciousness that his voice is not solitary? It is difficult to say, but this is clear, that the Messianic hope of the world's being one day filled with the praises which were occasioned by God's manifestation in Israel burned in this singer's heart. He could not bear to sing alone, and his hymn would lack its highest note, if he did not believe that the world was to catch up the song.

But greatness, majesty, splendour, are not the Divinest parts of the Divine nature, as this singer had learned. These are but the fringes of the central glory. Therefore the song rises from greatness to celebrate better things, the moral attributes of Jehovah (vv. 7-10). The psalmist has no more to say of himself, till the end of his psalm. He gladly listens rather to the chorus of many voices which proclaims Jehovah's widespread goodness. In ver. 7 the two attributes which the whole Old Testament regards as inseparable are the themes of the praise of men. Goodness and righteousness are not antithetic, but complementary, as green and red rays blend in white light. The exuberance of praise evoked by these attributes is strikingly represented by the two strong words describing it; of which the former, "well forth," compares its gush to the clear waters of a spring bursting up into sunlight, dancing and flashing, musical and living, and the other describes it as like the shrill cries of joy raised by a crowd on some festival, or such as the women trilled out when a bride was brought home. Ver. 8 rests upon Exod. xxxiv. 6 (compare Psalm ciii. 8). It is difficult to de-synonymise "gracious" and "full of compassion." Possibly the former is the wider, and expresses love in exercise towards the lowly in its most general aspect, while the latter specialises graciousness as it reveals itself to those afflicted with any evil. As "slow to anger," Jehovah keeps back the wrath which is part of His perfection, and only gives it free course after long waiting and wooing. The contrast in ver. 8_b_ is not so much between anger and loving-kindness, which to the psalmist are not opposed, as between the slowness with which the one is launched against a few offenders and the plenitude of the other. That thought of abundant loving-kindness is still further widened, in ver. 9, to universality. God's goodness embraces all, and His compassions hover over all His works, as the broad wing and warm breast of the mother eagle protect her brood. Therefore the psalmist hears a yet more multitudinous voice of praise from all creatures; since their very existence, and still more their various blessednesses, give witness to the all-gladdening Mercy which encompasses them. But Creation's anthem is a song without words, and needs to be made articulate by the conscious thanksgivings of those who, being blessed by possession of Jehovah's loving-kindness, render blessing to Him with heart and lip.

The Kingship of God was lightly touched in ver. 1. It now becomes the psalmist's theme in vv. 11-13. It is for God's favoured ones to _speak_, while Creation can but _be_. It is for men who can recognise God's sovereign Will as their law, and know Him as Ruler, not only by power, but by goodness, to proclaim that kingdom which psalmists knew to be "righteousness, peace, and joy." The purpose for which God has lavished His favour on Israel is that they might be the heralds of His royalty to "the sons of men." The recipients of His grace should be the messengers of His grace. The aspects of that kingdom which fill the psalmist's thoughts in this part of his hymn, correspond with that side of the Divine nature celebrated in vv. 1-6--namely, the more majestic--while the graciousness magnified in vv. 7-10 is again the theme in the last portion (vv. 14-20). An intentional parallelism between the first and third parts is suggested by the recurrence in ver. 12 of part of the same heaped-together phrase which occurs in ver. 5. There we read of "the splendour of the glory of Thy majesty"; here of "the glory of the splendour of Thy kingdom,"--expressions substantially identical in meaning. The very glory of the kingdom of Jehovah is a pledge that it is eternal. What corruption or decay could touch so radiant and mighty a throne? Israel's monarchy was a thing of the past; but as, "in the year that King Uzziah died," Isaiah saw the true King of Israel throned in the Temple, so the vanishing of the earthly head of the theocracy seems to have revealed with new clearness to devout men in Israel the perpetuity of the reign of Jehovah. Hence the psalms of the King are mostly post-exilic. It is blessed when the shattering of earthly goods or the withdrawal of human helpers and lovers makes more plain the Unchanging Friend and His abiding power to succour and suffice.

The last portion of the psalm is marked by a frequent repetition of "all," which occurs eleven times in these verses. The singer seems to delight in the very sound of the word, which suggests to him boundless visions of the wide sweep of God's universal mercy, and of the numberless crowd of dependents who wait on and are satisfied by Him. He passes far beyond national bounds.

Ver. 14 begins the grand catalogue of universal blessings by an aspect of God's goodness which, at first sight, seems restricted, but is only too wide, since there is no man who is not often ready to fall and needing a strong hand to uphold him. The universality of man's weakness is pathetically testified by this verse. Those who are in the act of falling are upheld by Him; those who have fallen are helped to regain their footing. Universal sustaining and restoring grace are His. The psalmist says nothing of the conditions on which that grace in its highest forms is exercised; but these are inherent in the nature of the case, for, if the falling man will not lay hold of the outstretched hand, down he must go. There would be no place for restoring help, if sustaining aid worked as universally as it is proffered. The word for "raises" in ver. 14_b_ occurs only here and in Psalm cxlvi. 8. Probably the author of both Psalms is one. In vv. 15, 16, the universality of Providence is set forth in language partly taken from Psalm civ. 27, 28. The petitioners are all creatures. They mutely appeal to God, with expectant eyes fixed on Him, like a dog looking for a crust from its master. He has but to "open His hand" and they are satisfied. The process is represented as easy and effortless. Ver. 16_b_ has received different explanations. The word rendered "desire" is often used for "favour"--_i.e._, God's--and is by some taken in that meaning here. So Cheyne translates "fillest everything that lives with goodwill." But seeing that the same word recurs in ver. 19, in an obvious parallel with this verse, and has there necessarily the meaning of _desire_, it is more natural to give it the same signification here. The clause then means that the opening of God's hand satisfies every creature, by giving it that which it desires in full enjoyment.

These common blessings of Providence avail to interpret deeper mysteries. Since the world is full of happy creatures nourished by Him, it is a reasonable faith that His work is all of a piece, and that in all His dealings the twin attributes of righteousness and loving-kindness rule. There are enough plain tokens of God's character in plain things to make us sure that mysterious and apparently anomalous things have the same character regulating them. In ver. 17_b_ the word rendered _loving_ is that usually employed of the objects of loving-kindness, God's "favoured ones." It is used of God only here and in Jer. iii. 12, and must be taken in an active sense, as _One who exercises loving-kindness_. The underlying principle of all His acts is Love, says the psalmist, and there is no antagonism between that deepest motive and Righteousness. The singer has indeed climbed to a sun-lit height, from which he sees far and can look down into the deep of the Divine judgments and discern that they are a clear-obscure.

He does not restrict this universal beneficence when he goes on to lay down conditions on which the reception of its highest forms depend. These conditions are not arbitrary; and within their limits, the same universality is displayed. The lower creation makes its mute appeal to God, but men have the prerogative and obligation of calling upon Him with real desire and trust. Such suppliants will universally be blessed with a nearness of God to them, better than His proximity through power, knowledge, or the lower manifestations of His loving-kindness, to inferior creatures. Just as the fact of life brought with it certain wants, which God is bound to supply, since He gives it, so the fear and love of Him bring deeper needs, which He is still more (if that were possible) under pledge to satisfy. The creatures have their desires met. Those who fear Him will certainly have theirs; and that, not only in so far as they share physical life with worm and bee, whom their heavenly Father feeds, but in so far as their devotion sets in motion a new series of aspirations, longings, and needs, which will certainly not be left unfulfilled. "Food" is all the boon that the creatures crave, and they get it by an easy process. But man, especially man who fears and loves God, has deeper needs, sadder in one aspect, since they come from perils and ills from which he has to be saved, but more blessed in another, since every need is a door by which God can enter a soul. These sacreder necessities and more wistful longings are not to be satisfied by simply opening God's hand. More has to be done than that. For they can only be satisfied by the gift of Himself, and men need much disciplining before they will to receive Him into their hearts. They who love and fear Him will desire Him chiefly, and that desire can never be balked. There is a region, and only one, in which it is safe to set our hearts on unattained good. They who long for God will always have as much of God as they long for and are capable of receiving.

But notwithstanding the universality of the Divine loving-kindness, mankind still parts into two sections, one capable of receiving the highest gifts, one incapable, because not desiring them. And therefore the One Light, in its universal shining, works two effects, being lustre and life to such as welcome it, but darkness and death to those who turn from it. It is man's awful prerogative that he can distil poison out of the water of life, and can make it impossible for himself to receive from tender, universal Goodness anything but destruction.

The singer closes his song with the reiterated vow that his songs shall never close, and, as in the earlier part of the psalm, rejoices in the confidence that his single voice shall, like that of the herald angel at Bethlehem, be merged in the notes of "a multitude praising God and saying, Glory to God in the highest."

PSALM CXLVI.

1 Hallelujah! Praise Jehovah, my soul. 2 I will praise Jehovah while I live, I will harp to Jehovah as long as I exist.

3 Trust not in nobles, In a son of Adam, who has no deliverance [to give]. 4 His spirit goes forth, he returns to his earth, In that same day his schemes perish.

5 Blessed he who has the God of Jacob for his help, Whose hope is on Jehovah his God! 6 Who made heaven and earth, The sea--and all that is in them; Who keeps troth for ever; 7 Who executes judgment for the oppressed; Who gives bread to the hungry. Jehovah looses captives; 8 Jehovah opens the eyes of the blind; Jehovah raises the bowed down; Jehovah loves the righteous; 9 Jehovah preserves the strangers; Orphans and widows He sets up; But the way of the wicked He thwarts. 10 Jehovah shall be King for ever, Thy God, O Zion, to generation after generation. Hallelujah!

The long-drawn music of the Psalter closes with five Hallelujah psalms, in which, with constantly swelling diapason, all themes of praise are pealed forth, until the melodious thunder of the final psalm, which calls on everything that has breath to praise Jehovah. Possibly the number of these psalms may have reference to the five books into which the Psalter is divided.

This is the first of the five. It is largely coloured by earlier songs, but still throbs with fresh emotion. Its theme is the blessedness of trust in Jehovah, as shown by His character and works. It deals less with Israel's special prerogatives than its companions do, while yet it claims the universally beneficent Ruler as Israel's God.

The singer's full heart of thanksgiving must first pour itself out in vows of perpetual praise, before he begins to woo others to the trust which blesses him. Exhortations are impotent unless enforced by example. Ver. 2 is borrowed with slight variation from Psalm civ. 33.

The negative side of the psalmist's exhortation follows in vv. 3, 4, which warn against wasting trust on powerless men. The same antithesis between men and God as objects of confidence occurs in many places of Scripture, and here is probably borrowed from Psalm cxviii. 8. The reason assigned for the dehortation is mainly man's mortality. However high his state, he is but a "son of Adam" (the earth-born), and inherits the feebleness and fleetingness which deprive him of ability to help. "He has no salvation" is the literal rendering of the last words of ver. 3_b_. Psalm lx. 11 gives the same thought, and almost in the same words. Ver. 4 sets forth more fully man's mortality, as demonstrating the folly of trusting in him. His breath or spirit escapes; he goes back to "his earth," from which he was created; and what becomes of all his busy schemes? They "perish" as he does. The psalmist has a profound sense of the phantasmal character of the solid-seeming realities of human glory and power. But it wakes no bitterness in him, nor does it breathe any sadness into his song. It only teaches him to cling the more closely to the permanent and real. His negative teaching, if it stood alone, would be a gospel of despair, the reduction of life to a torturing cheat; but taken as the prelude to the revelation of One whom it is safe to trust, there is nothing sad in it. So the psalm springs up at once from these thoughts of the helplessness of mortal man, to hymn the blessedness of trust set upon the undying God, like a song-bird from its lair in a grave-yard, which pours its glad notes above the grassy mounds, as it rises in spirals towards the blue, and at each gives forth a more exultant burst of music.

The exclamation in ver. 5 is the last of the twenty-five "Blesseds" in the Psalter. Taken together, as any concordance will show, beginning with Psalm i., they present a beautiful and comprehensive ideal of the devout life. The felicity of such a life is here gathered up into two comprehensive considerations, which supplement each other. It is blessed to have the God of Jacob on our side; but it is not enough for the heart to know that He bore a relation to another in the far-off past or to a community in the present. There must be an individualising bond between the soul and God, whereby the "God of Jacob" becomes the God who belongs to the single devout man, and all the facts of whose protection in the past are renewed in the prosaic present. It is blessed to have Jehovah for one's "help," but that is only secured when, by the effort of one's own will, He is clasped as one's "hope." Such hope is blessed, for it will never be put to shame, nor need to shift its anchorage. It brings into any life the all-sufficient help which is the ultimate source of all felicity, and makes the hope that grasps it blessed, as the hand that holds some fragrant gum is perfumed by the touch.

But the psalmist passes swiftly from celebrating trust to magnify its object, and sets forth in an impressive series the manifold perfections and acts which witness that Jehovah is worthy to be the sole Confidence of men.

The nine Divine acts, which invite to trust in Him, are divided into two parts, by a change in construction. There is, first, a series of participles (vv. 6-7_b_), and then a string of brief sentences enumerating Divine deeds (vv. 7_c_-9). No very clear difference in thought can be established as corresponding to this difference in form. The psalmist begins with God's omnipotence as manifested in creation. The first requisite for trust is assurance of power in the person trusted. The psalmist calls heaven and earth and sea, with all their inhabitants, as witnesses that Jehovah is not like the son of man, in whom there is no power to help.

But power may be whimsical, changeable, or may shroud its designs in mystery; therefore, if it is to be trusted, its purposes and methods must be so far known that a man may be able to reckon on it. Therefore the psalm adds unchangeable faithfulness to His power. But Power, however faithful, is not yet worthy of trust, unless it works according to righteousness, and has an arm that wars against wrong; therefore to creative might and plighted troth the psalmist adds the exercise of judgment. Nor are these enough, for the conception which they embody may be that of a somewhat stern and repellent Being, who may be reverenced, but not approached with the warm heart of trust; therefore the psalmist adds beneficence, which ministers their appropriate food to all desires, not only of the flesh, but of the spirit. The hungry hearts of men, who are all full of needs and longings, may turn to this mighty, faithful, righteous Jehovah, and be sure that He never sends mouths but He sends meat to fill them. All our various kinds of hunger are doors for God to come into our spirits.

The second series of sentences deals mainly with the Divine beneficence in regard to man's miseries. The psalmist does not feel that the existence of these sad varieties of sorrow clouds his assurance in God's goodness. To him, they are occasions for the most heart-touching display of God's pitying, healing hand. If there is any difference between the two sets of clauses descriptive of God's acts, the latter bring into clearer light His personal agency in each case of suffering. This mighty, faithful, righteous, beneficent Jehovah, in all the majesty which that name suggests, comes down to the multitude of burdened ones and graciously deals with each, having in His heart the knowledge of, and in His hand the remedy for, all their ills. The greatness of His nature expressed by His name is vividly contrasted with the tenderness and lowliness of His working. Captives, blind persons, and those bowed down by sorrows or otherwise appeal to Him by their helplessness, and His strong hand breaks the fetters, and His gentle touch opens without pain the closed eyes and quickens the paralysed nerve to respond to the light, and His firm, loving hold lifts to their feet and establishes the prostrate. All these classes of afflicted persons are meant to be regarded literally, but all may have a wider meaning, and be intended to hint at spiritual bondage, blindness, and abjectness.

The next clause (ver. 8_c_) seems to interrupt the representation of forms of affliction, but it comes in with great significance in the centre of that sad catalogue; for its presence here teaches that not merely affliction, whether physical or other, secures Jehovah's gracious help, but that there must be the yielding of heart to Him, and the effort at conformity of life with His precepts and pattern, if His aid is to be reckoned on in men's sorrows. The prisoners will still languish in chains, the blind will grope in darkness, the bowed down will lie prone in the dust, unless they are righteous.

The series of afflictions which God alleviates is resumed in ver. 9 with a pathetic triad--strangers, widows, and fatherless. These are forlorn indeed, and the depth of their desolation is the measure of the Divine compassion. The enumeration of Jehovah's acts, which make trust in God blessed in itself, and the sure way of securing help which is not vain, needs but one more touch for completion, and that is added in the solemn thought that He, by His providences and in the long run, turns aside (_i.e._ from its aim) the way of the wicked. That aspect of God's government is lightly handled in one clause, as befits the purpose of the psalm. But it could not be left out. A true likeness must have shadows. God were not a God for men to rely on, unless the trend of His reign was to crush evil and thwart the designs of sinners.

The blessedness of trust in Jehovah is gathered up into one great thought in the last verse of the psalm. The sovereignty of God to all generations suggests the swift disappearance of earthly princes, referred to in ver. 4. To trust in fleeting power is madness; to trust in the Eternal King is wisdom and blessedness, and in some sense makes him who trusts a sharer in the eternity of the God in whom is his hope, and from whom is his help.

PSALM CXLVII.

1 Hallelujah! For it is good to harp unto our God, For it is pleasant: praise is comely. 2 Jehovah is the builder up of Jerusalem, The outcasts of Israel He gathers together; 3 The healer of the broken-hearted, And He binds their wounds; 4 Counting a number for the stars, He calls them all by names. 5 Great is our Lord and of vast might, To His understanding there is no number. 6 Jehovah helps up the afflicted, Laying low the wicked to the ground.

7 Sing to Jehovah with thanksgiving, Harp to our God on the lyre, 8 Covering heaven with clouds, Preparing rain for the earth; Making the mountains shoot forth grass, 9 Giving to the beast its food, To the brood of the raven which croak. 10 Not in the strength of the horse does He delight, Not in the legs of a man does He take pleasure. 11 Jehovah takes pleasure in them that fear Him, Them that wait for His loving-kindness.

12 Extol Jehovah, O Jerusalem, Praise thy God, O Zion. 13 For He has strengthened the bars of thy gates, He has blessed thy children in thy midst. 14 Setting thy borders in peace, With the fat of wheat He satisfies thee; 15 Sending forth His commandment on the earth, Swiftly runs His word; 16 Giving snow like wool, Hoar frost He scatters like ashes; 17 Flinging forth His ice like morsels, Before His cold who can stand? 18 He sends forth His word and melts them, He causes His wind to blow--the waters flow; 19 Declaring His word to Jacob, His statutes and judgments to Israel. 20 He has not dealt thus to any nation; And His judgments--they have not known them.

The threefold calls to praise Jehovah (vv. 1, 7, 12) divide this psalm into three parts, the two former of which are closely connected, inasmuch as the first part is mainly occupied with celebrating God's mercy to the restored Israel, and the second takes a wider outlook, embracing His beneficence to all living things. Both these points of view are repeated in the same order in the third part (vv. 12-20), which the LXX. makes a separate psalm. The allusions to Jerusalem as rebuilt, to the gathering of the scattered Israelites, and to the fortifications of the city naturally point to the epoch of the Restoration, whether or not, with Delitzsch and others, we suppose that the psalm was sung at the feast of the dedication of the new walls. In any case, it is a hymn of the restored people, which starts from the special mercy shown to them, and rejoices in the thought that "Our God" fills the earth with good and reigns to bless, in the realm of Nature as in that of special Revelation. The emphasis placed on God's working in nature, in this and others of these closing psalms, is probably in part a polemic against the idolatry which Israel had learned to abhor, by being brought face to face with it in Babylon, and in part a result of the widening of conceptions as to His relation to the world outside Israel which the Exile had also effected. The two truths of His special relation to His people and of His universal loving-kindness have often been divorced, both by His people and by their enemies. This psalm teaches a more excellent way.

The main theme of vv. 1-6 is God's manifestation of transcendent power and incalculable wisdom, as well as infinite kindness, in building up the ruined Jerusalem and collecting into a happy band of citizens the lonely wanderers of Israel. For such blessings praise is due, and the psalm summons all who share them to swell the song. Ver. 1 is somewhat differently construed by some, as Hupfeld, who would change one letter in the word rendered above "to harp," and, making it an imperative, would refer "good" and "pleasant" to God, thus making the whole to read, "Praise Jehovah, for He is good; harp to our God, for He is pleasant: praise is comely." This change simplifies some points of construction, but labours under the objection that it is contrary to usage to apply the adjective "pleasant" to God; and the usual rendering is quite intelligible and appropriate. The reason for the fittingness and delightsomeness of praise is the great mercy shown to Israel in the Restoration, which mercy is in the psalmist's thoughts throughout this part. He has the same fondness for using participles as the author of the previous psalm, and begins vv. 2, 3, 4, and 6 with them. Possibly their use is intended to imply that the acts described by them are regarded as continuous, not merely done once for all. Jehovah is ever building up Jerusalem, and, in like manner, uninterruptedly energising in providence and nature. The collocation of Divine acts in ver. 2 bears upon the great theme that fills the singer's heart and lips. It is the outcasts of Israel of whom he thinks, while he sings of binding up the broken-hearted. It is they who are the "afflicted," helped up by that strong, gentle clasp; while their oppressors are the wicked, flung prone by the very wind of God's hand. The beautiful and profound juxtaposition of gentle healing and omnipotence in vv. 3, 4, is meant to signalise the work of restoring Israel as no less wondrous than that of marshalling the stars, and to hearten faith by pledging that incalculable Power to perfect its restoring work. He who stands beside the sick-bed of the broken-hearted, like a gentle physician, with balm and bandage, and lays a tender hand on their wounds, is He who sets the stars in their places and tells them as a shepherd his flock or a commander his army. The psalmist borrows from Isa. xl. 26-29, where several of his expressions occur. "Counting a number for the stars" is scarcely equivalent to numbering them as they shine. It rather means determining how many of them there shall be. Calling them all by names (lit., He calls names to them all) is not giving them designations, but summoning them as a captain reading the muster-roll of his band. It may also imply full knowledge of each individual in their countless hosts. Ver. 5 is taken from the passage in Isaiah already referred to, with the change of "no number" for "no searching," a change which is suggested by the preceding reference to the number of the stars. These have a number, though it surpasses human arithmetic; but His wisdom is measureless. And all this magnificence of power, this minute particularising knowledge, this abyss of wisdom, are guarantees for the healing of the broken-hearted. The thought goes further than Israel's deliverance from bondage. It has a strong voice of cheer for all sad hearts, who will let Him probe their wounds that He may bind them up. The mighty God of Creation is the tender God of Providence and of Redemption. Therefore "praise is comely," and fear and faltering are unbefitting.

The second part of the psalm (ver. 7-11) passes out from the special field of mercy to Israel, and comes down from the glories of the heavens, to magnify God's universal goodness manifested in physical changes, by which lowly creatures are provided for. The point of time selected is that of the November rains. The verbs in vv. 8, 9, 11, are again participles, expressive of continuous action. The yearly miracle which brings from some invisible storehouse the clouds to fill the sky and drop down fatness, the answer of the brown earth which mysteriously shoots forth the tender green spikelets away up on the mountain flanks, where no man has sown and no man will reap, the loving care which thereby provides food for the wild creatures, owned by no one, and answers the hoarse croak of the callow fledgelings in the ravens' nests--these are manifestations of God's power and revelations of His character worthy to be woven into a hymn which celebrates His restoring grace, and to be set beside the apocalypse of His greatness in the nightly heavens. But what has ver. 10 to do here? The connection of it is difficult to trace. Apparently, the psalmist would draw from the previous verses, which exhibit God's universal goodness and the creatures' dependence on Him, the lesson that reliance on one's own resources or might is sure to be smitten with confusion, while humble trust in God, which man alone of earth's creatures can exercise, is for him the condition of his receiving needed gifts. The beast gets its food, and it is enough that the young ravens should croak, but man has to "fear Him" and to wait on His "loving-kindness." Ver. 10 is a reminiscence of Psalm xxxiii. 16, 17, and ver. 11 of the next verse of the same psalm.

The third part (vv. 12-20) travels over substantially the same ground as the two former, beginning with the mercy shown to the restored Israel, and passing on to wider manifestations of God's goodness. But there is a difference in this repeated setting forth of both these themes. The fortifications of Jerusalem are now complete, and their strength gives security to the people gathered into the city. Over all the land once devastated by war peace broods, and the fields that lay desolate now have yielded harvest. The ancient promise (Psalm