lxxxix. 17, triumph or the vindication of the psalmist by his

deliverance. Ver. 10_b_ is very doubtful. The word usually rendered "I am anointed" is peculiar. Another view of the word takes it for an infinitive used as a noun, with the meaning "growing old," or, as Cheyne renders, "wasting strength." This translation ("my wasting strength with rich oil") is that of the LXX. and other ancient versions, and of Cheyne and Baethgen among moderns. If adopted, the verb must be understood as repeated from the preceding clause, and the slight incongruity thence arising can be lessened by giving a somewhat wider meaning to "exalted," such as "strengthen" or the like. The psalmist would then represent his deliverance as being like refreshing a failing old age, by anointing with fresh oil.

Thus triumphant and quickened, he expects to gaze on the downfall of his foes. He uses the same expression as is found in Psalm xci. 8, with a similar connotation of calm security, and possibly of satisfaction. There is no need for heightening his feelings into "desire," as in the Authorised and Revised Versions. The next clause (ver. 11_b_) "seems to have been expressly framed to correspond with the other; it occurs nowhere else in this sense" (Perowne). A less personal verse (ver. 12) forms the transition to the last strophe, which is concerned with the community of the righteous. Here the singular number is retained. By "the righteous" the psalmist does not exactly mean himself, but he blends his own individuality with that of the ideal character, so that he is both speaking of his own future and declaring a general truth. The wicked "spring like herbage" (ver. 7), but the righteous "spring like the palm." The point of comparison is apparently the gracefulness of the tree, which lifts its slender but upright stem, and is ever verdant and fruitful. The cedar in its massive strength, its undecaying vigour, and the broad shelves of its foliage, green among the snows of Lebanon, stands in strong contrast to the palm. Gracefulness is wedded to strength, and both are perennial in lives devoted to God and Right. Evil blooms quickly, and quickly dies. What is good lasts. One cedar outlives a hundred generations of the grass and flowers that encircle its steadfast feet.

The last part extends the thoughts of ver. 12 to all the righteous. It does not name them, for it is needless to do so. Imagery and reality are fused together in this strophe. It is questionable whether there were trees planted in the courts of the Temple; but the psalmist's thought is that the righteous will surely be found there, and that it is their native soil, in which rooted, they are permanent. The facts underlying the somewhat violent metaphor are that true righteousness is found only in the dwellers with God, that they who anchor themselves in Him, as a tree in the earth, are both stayed on, and fed from, Him. The law of physical decay does not enfeeble all the powers of devout men, even while they are subject to it. As aged palm trees bear the heaviest clusters, so lives which are planted in and nourished from God know no term of their fruitfulness, and are full of sap and verdant, when lives that have shut themselves off from Him are like an old stump, gaunt and dry, fit only for firewood. Such lives are prolonged and made fruitful, as standing proofs that Jehovah is upright, rewarding all cleaving to Him and doing of His will, with conservation of strength, and ever-growing power to do His will.

Ver. 15 is a reminiscence of Deut. xxxii. 4. The last clause is probably to be taken in connection with the preceding, as by Cheyne ("And that in my Rock there is no unrighteousness"). But it may also be regarded as a final avowal of the psalmist's faith, the last result of his contemplations of the mysteries of Providence. These but drive him to cling close to Jehovah, as his sole refuge and his sure shelter, and to ring out _this_ as the end which shall one day be manifest as the net result of Providence--that there is no least trace of unrighteousness in Him.

PSALM XCIII.

1 Jehovah is King, with majesty has He clothed Himself, Jehovah has clothed Himself, has girded Himself with strength, Yea, the world is set fast [that] it cannot be moved. 2 Fast is set Thy throne from of yore, From eternity art Thou.

3 The streams, Jehovah, have lifted up, The streams have lifted up their voice, The streams lift up their tumult. 4 Above the voices of many waters, Mighty [waters], ocean breakers, Mightier is Jehovah on high.

5 Thy testimonies are utterly to be trusted: Holiness fits Thy house, Jehovah, for length of days.

This is the first of a group of psalms celebrating Jehovah as King. It is followed by one which somewhat interrupts the unity of subject in the group, but may be brought into connection with them by being regarded as hymning Jehovah's kingly and judicial providence, as manifested in the subjugation of rebels against His throne. The remaining members of the group (Psalms xcv.-c.) rise to a height of lyric exultation in meditating on the reign of Jehovah. Psalms xciii. and xciv. are followed by two (xcv: vi.) beginning with ringing calls for new songs to hail the new manifestation of Himself, by which Jehovah has, as it were, inaugurated a new stage in His visible reign on earth. Psalm xcvii. again breaks out into the joyful proclamation "Jehovah is King," which is followed, as if by a chorus, with a repeated summons for a new song (Psalm xcviii.). Once more the proclamation "Jehovah is King" is sounded out in Psalm xcix., and then the group is closed by Psalm c., with its call to all lands to crowd round Jehovah's throne with "tumult of acclaim." Probably the historical fact underlying this new conviction of, and triumph in, the Kingdom of Jehovah is the return from exile. But the tone of prophetic anticipation in these exuberant hymns of confident joy can scarcely fail of recognition. The psalmists sang of an ideal state to which their most glorious experiences but remotely approximated. They saw "not yet all things put under Him," but they were sure that He is King, and they were as sure, though with the certitude of faith fixed on His word and not with that of sight, that His universal dominion would one day be universally recognised and rejoiced in.

This short psalm but strikes the keynote for the group. It is overture to the oratorio, prelude of the symphony. Jehovah's reign, the stability of His throne, the consequent fixity of the natural order, His supremacy over all noisy rage of opposition and lawlessness, either in Nature or among men, are set forth with magnificent energy and brevity. But the King of the world is not a mere Nature-compelling Jove. He has spoken to men, and the stability of the natural order but faintly shadows the firmness of His "testimonies," which are worthy of absolute reliance, and which make the souls that do rely on them stable as the firm earth, and steadfast with a steadfastness derived from Jehovah's throne. He not only reigns over, but dwells among, men, and His power keeps His dwelling-place inviolate, and lasting as His reign.

Ver. 1 describes an act rather than a state. "Jehovah has become King" by some specific manifestation of His sovereignty. Not as though He had not been King before, as ver. 2 immediately goes on to point out, but that He has shown the world, by a recent deed, the eternal truth that He reigns. His coronation has been by His own hands. No others have arrayed Him in His royal robes. The psalmist dwells with emphatic reiteration on the thought that Jehovah has clothed _Himself_ with majesty and girded _Himself_ with strength. All the stability of Nature is a consequence of His self-created and self-manifested power. That Strength holds a reeling world steady. The psalmist knew nothing about the fixity of natural law, but his thought goes down below that fixity, and finds its reason in the constant forth-putting of Divine power. Ver. 2 goes far back as well as deep down or high up, when it travels into the dim, unbounded past, and sees there, amidst its mists, one shining, solid substance, Jehovah's throne, which stood firm before every "then." The word rendered _from of yore_ is literally "from then," as if to express the priority of that throne to every period of defined time. And even that grand thought can be capped by a grander climax: "From eternity art Thou." Therefore the world stands firm.

But there are things in the firm world that are not firm. There are "streams" or perhaps "floods," which seem to own no control, in their hoarse dash and devastating rush. The sea is ever the symbol of rebellious opposition and of ungoverned force. Here both the natural and symbolic meanings are present. And the picture is superbly painted. The sound of the blows of the breakers against the rocks, or as they clash with each other, is vividly repeated in the word rendered "tumult," which means rather a blow or collision, and here seems to express the thud of the waves against an obstacle.

Ver. 4 is difficult to construe. The word rendered "mighty" is, according to the accentuation, attached to "breakers," but stands in an unusual position if it is to be so taken. It seems better to disregard the accents, and to take "mighty" as a second adjective belonging to "waters." These will then be described as both multitudinous and proud in their strength, while "ocean breakers" will stand in apposition to _waters_. Jehovah's might is compared with these. It would be but a poor measure of it to say that it was more than they; but the comparison means that He subdues the floods, and proves His power by taming and calming them. Evidently we are to see shining through the nature-picture Jehovah's triumphant subjugation of rebellious men, which is one manifestation of His kingly power. That dominion is not such as to make opposition impossible. Antagonism of the wildest sort neither casts doubt on its reality nor impinges a hair's-breadth on its sovereignty. All such futile rebellion will be subdued. The shriek of the storm, the dash of the breakers, will be hushed when He says "Peace," and the highest toss of their spray does not wet, much less shake, His stable throne. Such was the psalmist's faith as he looked out over a revolted world. Such may well be ours, who "hear a deeper voice across the storm."

That sweet closing verse comes by its very abruptness with singular impressiveness. We pass from wild commotion into calm. Jehovah speaks, and His words are witnesses both of what He is and of what men should and may be. Power is not an object for trust to fasten on, unless it is gracious, and gives men account of its motives and ends. Words are not objects for trust to fasten on, unless they have power for fulfilment behind them. But if the King, who sets fast earth and bridles seas, speaks to us, we may utterly confide in His word, and, if we do, we shall share in His stable being, in so far as man is capable of resemblance to the changeless God. Trust in firm promises is the secret of firmness. Jehovah has not only given Israel His word, but His house, and His kingly power preserves His dwelling-place from wrong.

"Holiness" in ver. 5 expresses an attribute of Jehovah's house, not a quality of the worshippers therein. It cannot but be preserved from assault, since He dwells there. A king who cannot keep his own palace safe from invaders can have little power. If this psalm is, as it evidently is, post-exilic, how could the singer, remembering the destruction of the Temple, speak thus? Because he had learned the lesson of that destruction, that the earthly house in which Jehovah dwelt among men had ceased to be His, by reason of the sins of its frequenters. Therefore, it was "burned with fire." The profaned house is no longer Jehovah's, but, as Jesus said with strong emphasis on the first word, "_Your_ house is left unto you desolate." The Kingship of Jehovah is proclaimed eloquently and tragically by the desolated shrine.

PSALM XCIV.

1 God of vengeances, Jehovah, God of vengeances, shine forth. 2 Lift up Thyself, Judge of the earth, Return recompense to the proud.

3 For how long, Jehovah, shall the wicked, For how long shall the wicked exult? 4 They well out, they speak--arrogance, They give themselves airs like princes--all these workers of iniquity. 5 Thy people, Jehovah, they crush in pieces, And Thine inheritance they afflict. 6 Widow and stranger they kill, And orphans they murder.

7 And they say, "Jah sees [it] not, And the God of Jacob considers it not." 8 Consider, ye brutish among the people, And ye fools, when will ye be wise? 9 The Planter of the ear, shall He not hear? Or the Former of the eye, shall He not see? 10 The Instructor of the nations, shall He not punish,-- The Teacher of knowledge to man? 11 Jehovah knows the thoughts of men, For they are [but] a breath.

12 Happy the man whom Thou instructest, Jehovah, And teachest from Thy law, 13 To give him rest from the days of evil, Till there be digged for the wicked a pit. 14 For Jehovah will not spurn away His people, And His inheritance He will not forsake. 15 For to righteousness shall judgment return, And after it shall all the upright in heart [follow]. 16 Who will rise up for me against the evil-doers? Who will set himself for me against the workers of iniquity? 17 Unless Jehovah had been a help for me, My soul had soon dwelt in silence. 18 When I say, "My foot slips," Thy loving-kindness, Jehovah, stays me. 19 In the multitude of my divided thoughts within me, Thy comforts delight my soul.

20 Can the throne of destruction be confederate with Thee, Which frameth mischief by statute? 21 They come in troops against the soul of the righteous, And innocent blood they condemn. 22 But Jehovah is to me a high tower, And my God the rock of my refuge. 23 And He brings back upon them their iniquities, And by their own evil will He root them out, Jehovah our God will root them out.

The theme of God the Judge is closely allied to that of God the King, as other psalms of this group show, in which His coming to judge the world is the subject of rapturous praise. This psalm hymns Jehovah's retributive sway, for which it passionately cries, and in which it confidently trusts. Israel is oppressed by insolent rulers, who have poisoned the fountains of justice, condemning the innocent, enacting unrighteous laws, and making a prey of all the helpless. These "judges of Sodom" are not foreign oppressors, for they are "among the people"; and even while they scoff at Jehovah's judgments they call Him by His covenant names of "Jah" and "God of Jacob." There is no need, therefore, to look beyond Israel for the originals of the dark picture, nor does it supply data for fixing the period of the psalm.

The structure and course of thought are transparent. First comes an invocation to God as the Judge of the earth (vv. 1, 2); then follow groups of four verses each, subdivided into pairs,--the first of these (vv. 3-6) pictures the doings of the oppressors; the second (vv. 7-11) quotes their delusion that their crimes are unseen by Jehovah, and refutes their dream of impunity, and it is closed by a verse in excess of the normal number, emphatically asserting the truth which the mockers denied. The third group declares the blessedness of the men whom God teaches, and the certainty of His retribution to vindicate the cause of the righteous (vv. 12-15). Then follow the singer's own cry for help in his own need, as one of the oppressed community, and a sweet reminiscence of former aid, which calms his present anxieties. The concluding group goes back to description of the lawless law-makers and their doings, and ends with trust that the retribution prayed for in the first verses will verily be dealt out to them, and that thereby both the singer, as a member of the nation, and the community will find Jehovah, who is both "my God" and "our God," a high tower.

The reiterations in the first two verses are not oratorical embellishments, but reveal intense feeling and pressing need. It is a cold prayer which contents itself with one utterance. A man in straits continues to cry for help till it comes, or till he sees it coming. To this singer, the one aspect of Jehovah's reign which was forced on him by Israel's dismal circumstances was the judicial. There are times when no thought of God is so full of strength as that He is "the God of recompenses," as Jeremiah calls Him (li. 56), and when the longing of good men is that He would flash forth, and slay evil by the brightness of His coming. They who have no profound loathing of sin, or who have never felt the crushing weight of legalised wickedness, may shrink from such aspirations as the psalmist's, and brand them as ferocious; but hearts longing for the triumph of righteousness will not take offence at them.

The first group (vv. 3-6) lifts the cry of suffering Faith, which has almost become impatience, but turns to, not from, God, and so checks complaints of His delay, and converts them into prayer. "How long, O Lord?" is the burden of many a tried heart; and the Seer heard it from the souls beneath the altar. This psalm passes quickly to dilate on the crimes of the rulers which forced out that prayer. The portrait has many points of likeness to that drawn in Psalm