Chapter 8
SECT. LXV. As a Superior Being is the Cause of All the Modifications of Creatures, so it is Impossible for Man's Will to Will Good by Itself or of its own Accord.
Let us still add another reflection. That First Being is the cause of all the modifications of His creatures. The operation follows the Being, as the philosophers are used to speak. A being that is dependent in the essence of his being cannot but be dependent in all his operations, for the accessory follows the principal. Therefore, the Author of the essence of the being is also the Author of all the modifications or modes of being of creatures. Thus God is the real and immediate cause of all the configurations, combinations, and motions of all the bodies of the universe. It is by means or upon occasion of a body He has set in motion that He moves another. It is He who created everything and who does everything in His creatures or works. Now, volition is the modification of the will or willing faculty of the soul, just as motion is the modification of bodies. Shall we affirm that God is the real, immediate, and total cause of the motion of all bodies, and that He is not equally the real and immediate cause of the good-will of men's wills? Will this modification, the most excellent of all, be the only one not made by God in His own work, and which the work bestows on itself independently? Who can entertain such a thought? Therefore my good-will which I had not yesterday and which I have to-day is not a thing I bestow upon myself, but must come from Him who gave me both the will and the being.
As to will is a greater perfection than barely to be, so to will good is more perfect than to will. The step from power to a virtuous act is the greatest perfection in man. Power is only a balance or poise between virtue and vice, or a suspension between good and evil. The passage or step to the act is a decision or determination for the good, and consequent by the superior good. The power susceptible of good and evil comes from God, which we have fully evinced. Now, shall we affirm that the decisive stroke that determines to the greater good either is not at all, or is less owing to Him? All this evidently proves what the Apostle says, viz., that God "works both to will and to do of His good pleasure." Here is man's dependence; let us look for his liberty.
SECT. LXVI. Of Man's Liberty.
I am free, nor can I doubt of it. I am intimately and invincibly convinced that I can either will or not will, and that there is in me a choice not only between willing and not willing, but also between divers wills about the variety of objects that present themselves. I am sensible, as the Scripture says, that I "am in the hands of my Council," which alone suffices to show me that my soul is not corporeal. All that is body or corporeal does not in the least determine itself, and is, on the contrary, determined in all things by laws called physical, which are necessary, invincible, and contrary to what I call liberty. From thence I infer that my soul is of a nature entirely different from that of my body. Now who is it that was able to join by a reciprocal union two such different natures, and hold them in so just a concert for all their respective operations? That tie, as we observed before, cannot be formed but by a Superior Being, who comprehends and unites those two sorts of perfections in His own infinite perfection.
SECT. LXVII. Man's Liberty Consists in that his Will by determining, Modifies Itself.
It is not the same with the modification of my soul which is called will, and by some philosophers volition, as with the modifications of bodies. A body does not in the least modify itself, but is modified by the sole power of God. It does not move itself, it is moved; it does not act in anything, it is only acted and actuated. Thus God is the only real and immediate cause of all the different modifications of bodies. As for spirits the case is different, for my will determines itself. Now to determine one's self to a will is to modify one's self, and therefore my will modifies itself. God may prevent my soul, but He does not give it the will in the same manner as He gives motion to bodies. If it is God who modifies me, I modify myself with Him, and am with Him a real cause of my own will. My will is so much my own that I am only to blame if I do not will what I ought. When I will a thing it is in my power not to will it, and when I do not will it it is likewise in my power to will it. I neither am nor can be compelled in my will; for I cannot will what I actually will in spite of myself, since the will I mean evidently excludes all manner of constraint. Besides the exemption from all compulsion, I am likewise free from necessity. I am conscious and sensible that I have, as it were, a two-edged will, which at its own choice may be either for the affirmative or the negative, the yes or the no, and turn itself either towards an object or towards another. I know no other reason or determination of my will but my will itself. I will a thing because I am free to will it; and nothing is so much in my power as either to will or not to will it. Although my will should not be constrained, yet if it were necessitated it would be as strongly and invincibly determined to will as bodies are to move. An invincible necessity would have as much influence over the will with respect to spirits as it has over motion with respect to bodies; and, in such a case, the will would be no more accountable for willing than a body for moving. It is true the will would will what it would; but the motion by which a body is moved is the same as the volition by which the willing faculty wills. If therefore volition be necessitated as motion it deserves neither more nor less praise or blame. For though a necessitated will may seem to be a will unconstrained, yet it is such a will as one cannot forbear having, and for which he that has it is not accountable. Nor does previous knowledge establish true liberty, for a will may be preceded by the knowledge of divers objects, and yet have no real election or choice. Nor is deliberation or the being in suspense any more than a vain trifle, if I deliberate between two counsels when I am under an actual impotency to follow the one and under an actual necessity to pursue the other. In short, there is no serious and true choice between two objects, unless they be both actually ready within my reach so that I may either leave or take which of the two I please.
SECT. LXVIII. Will may Resist Grace, and Its Liberty is the Foundation of Merit and Demerit.
When therefore I say I am free, I mean that my will is fully in my power, and that even God Himself leaves me at liberty to turn it which way I please, that I am not determined as other beings, and that I determine myself. I conceive that if that First Being prevents me, to inspire me with a good-will, it is still in my power to reject His actual inspiration, how strong soever it may be, to frustrate its effect, and to refuse my assent to it. I conceive likewise that when I reject His inspiration for the good, I have the true and actual power not to reject it; just as I have the actual and immediate power to rise when I remain sitting, and to shut my eyes when I have them open. Objects may indeed solicit me by all their allurements and agreeableness to will or desire them. The reasons for willing may present themselves to me with all their most lively and affecting attendants, and the Supreme Being may also attract me by His most persuasive inspirations. But yet for all this actual attraction of objects, cogency of reasons, and even inspiration of a Superior Being, I still remain master of my will, and am free either to will or not to will.
It is this exemption not only from all manner of constraint or compulsion but also from all necessity and this command over my own actions that render me inexcusable when I will evil, and praiseworthy when I will good; in this lies merit and demerit, praise and blame; it is this that makes either punishment or reward just; it is upon this consideration that men exhort, rebuke, threaten, and promise. This is the foundation of all policy, instruction, and rules of morality. The upshot of the merit and demerit of human actions rests upon this basis, that nothing is so much in the power of our will as our will itself, and that we have this free-will--this, as it were, two-edged faculty--and this elative power between two counsels which are immediately, as it were, within our reach. It is what shepherds and husbandmen sing in the fields, what merchants and artificers suppose in their traffic, what actors represent in public shows, what magistrates believe in their councils, what doctors teach in their schools; it is that, in short, which no man of sense can seriously call in question. That truth imprinted in the bottom of our hearts, is supposed in the practice, even by those philosophers who would endeavour to shake it by their empty speculations. The intimate evidence of that truth is like that of the first principles, which want no proof, and which serve themselves as proofs to other truths that are not so clear and self-evident. But how could the First Being make a creature who is himself the umpire of his own actions?
SECT. LXIX. A Character of the Deity, both in the Dependence and Independence of Man.
Let us now put together these two truths equally certain. I am dependent upon a First Being even in my own will; and nevertheless I am free. What then is this dependent liberty? how is it possible for a man to conceive a free-will, that is given by a First Being? I am free in my will, as God is in His. It is principally in this I am His image and likeness. What a greatness that borders upon infinite is here! This is a ray of the Deity itself: it is a kind of Divine power I have over my will; but I am but a bare image of that supreme Being so absolutely free and powerful.
The image of the Divine independence is not the reality of what it represents; and, therefore, my liberty is but a shadow of that First Being, by whom I exist and act. On the one hand, the power I have of willing evil is, indeed, rather a weakness and frailty of my will than a true power: for it is only a power to fall, to degrade myself, and to diminish my degree of perfection and being. On the other hand, the power I have to will good is not an absolute power, since I have it not of myself. Now liberty being no more than that power, a precarious and borrowed power can constitute but a precarious, borrowed, and dependent liberty; and, therefore, so imperfect and so precarious a being cannot but be dependent. But how is he free? What profound mystery is here! His liberty, of which I cannot doubt, shows his perfection; and his dependence argues the nothingness from which he was drawn.
SECT. LXX. The Seal and Stamp of the Deity in His Works.
We have seen the prints of the Deity, or to speak more properly, the seal and stamp of God Himself, in all that is called the works of nature. When a man will not enter into philosophical subtleties, he observes with the first cast of the eye a hand, that was the first mover, in all the parts of the universe, and set all the wheels of the great machine a-going. The heavens, the earth, the stars, plants, animals, our bodies, our minds: everything shows and proclaims an order, an exact measure, an art, a wisdom, a mind superior to us, which is, as it were, the soul of the whole world, and which leads and directs everything to his ends, with a gentle and insensible, though omnipotent, force. We have seen, as it were, the architecture and frame of the universe; the just proportion of all its parts; and the bare cast of the eye has sufficed us to find and discover even in an ant, more than in the sun, a wisdom and power that delights to exert itself in the polishing and adorning its vilest works. This is obvious, without any speculative discussion, to the most ignorant of men; but what a world of other wonders should we discover, should we penetrate into the secrets of physics, and dissect the inward parts of animals, which are framed according to the most perfect mechanics.
SECT. LXXI. Objection of the Epicureans, who Ascribe Everything to Chance, considered.
I hear certain philosophers who answer me that all this discourse on the art that shines in the universe is but a continued sophism. "All nature," will they say, "is for man's use, it is true; but you have no reason to infer from thence, that it was made with art, and on purpose for the use of man. A man must be ingenious in deceiving himself who looks for and thinks to find what never existed." "It is true," will they add, "that man's industry makes use of an infinite number of things that nature affords, and are convenient for him; but nature did not make those things on purpose for his conveniency. As, for instance, some country fellows climb up daily, by certain craggy and pointed rocks, to the top of a mountain; but yet it does not follow that those points of rocks were cut with art, like a staircase, for the conveniency of men. In like manner, when a man happens to be in the fields, during a stormy rain, and fortunately meets with a cave, he uses it, as he would do a house, for shelter; but, however, it cannot be affirmed that this cave was made on purpose to serve men for a house. It is the same with the whole world: it was formed by chance, and without design; but men finding it as it is, had the art to turn and improve it to their own uses. Thus the art you admire both in the work and its artificer, is only in men, who know how to make use of everything that surrounds them." This is certainly the strongest objection those philosophers can raise; and I hope they will have no reason to complain that I have weakened it; but it will immediately appear how weak it is in itself when closely examined. The bare repetition of what I said before will be sufficient to demonstrate it.
SECT. LXXII. Answer to the Objection of the Epicureans, who Ascribe all to Chance.
What would one say of a man who should set up for a subtle philosopher, or, to use the modern expression, a free-thinker, and who entering a house should maintain it was made by chance, and that art had not in the least contributed to render it commodious to men, because there are caves somewhat like that house, which yet were never dug by the art of man? One should show to such a reasoner all the parts of the house, and tell him for instance:--Do you see this great court-gate? It is larger than any door, that coaches may enter it. This court has sufficient space for coaches to turn in it. This staircase is made up of low steps, that one may ascend it with ease; and turns according to the apartments and stories it is to serve. The windows, opened at certain distances, light the whole building. They are glazed, lest the wind should enter with the light; but they may be opened at pleasure, in order to breathe a sweet air when the weather is fair. The roof is contrived to defend the whole house from the injuries of the air. The timber-work is laid slanting and pointed at the top, that the rain and snow may easily slide down on both sides. The tiles bear one upon another, that they may cover the timber-work. The divers floors serve to make different stories, in order to multiply lodgings within a small space. The chimneys are contrived to light fire in winter without setting the house on fire, and to let out the smoke, lest it should offend those that warm themselves. The apartments are distributed in such a manner that they be disengaged from one another; that a numerous family may lodge in the house, and the one not be obliged to pass through another's room; and that the master's apartment be the principal. There are kitchens, offices, stables, and coach- houses. The rooms are furnished with beds to lie in, chairs to sit on, and tables to write and eat on. Sure, should one urge to that philosopher, this work must have been directed by some skilful architect; for everything in it is agreeable, pleasant, proportioned, and commodious; and besides, he must needs have had excellent artists under him. "Not at all," would such a philosopher answer; "you are ingenious in deceiving yourself. It is true this house is pleasant, agreeable, proportioned, and commodious; but yet it made itself with all its proportions. Chance put together all the stones in this excellent order; it raised the walls, jointed and laid the timber-work, cut open the casements, and placed the staircase: do not believe any human hand had anything to do with it. Men only made the best of this piece of work when they found it ready made. They fancy it was made for them, because they observe things in it which they know how to improve to their own conveniency; but all they ascribe to the design and contrivance of an imaginary architect, is but the effect of their preposterous imaginations. This so regular, and so well-contrived house, was made in just the same manner as a cave, and men finding it ready made to their hands made use of it, as they would in a storm, of a cave they should find under a rock in a desert."
What thoughts could a man entertain of such a fantastic philosopher, if he should persist seriously to assert that such a house displays no art? When we read the fabulous story of Amphion, who by a miraculous effect of harmony caused the stones to rise, and placed themselves, with order and symmetry, one on the top of another, in order to form the walls of Thebes, we laugh and sport with that poetical fiction: but yet this very fiction is not so incredible as that which the free-thinking philosopher we contend with would dare to maintain. We might, at least, imagine that harmony, which consists in a local motion of certain bodies, might (by some of those secret virtues, which we admire in nature, without being acquainted with them) shake and move the stones into a certain order and in a sort of cadence, which might occasion some regularity in the building. I own this explanation both shocks and clashes with reason; but yet it is less extravagant than what I have supposed a philosopher should say. What, indeed, can be more absurd, than to imagine stones that hew themselves, that go out of the quarry, that get one on the top of another, without leaving any empty space; that carry with them mortar to cement one another; that place themselves in different ranks for the contrivance of apartments; and who admit on the top of all the timber-roof, with the tiles, in order to cover the whole work? The very children, that cannot yet speak plain, would laugh, if they were seriously told such a ridiculous story.
SECT. LXXIII. Comparison of the World with a Regular House. A Continuation of the Answer to the Objection of the Epicureans.
But why should it appear less ridiculous to hear one say that the world made itself, as well as that fabulous house? The question is not to compare the world with a cave without form, which is supposed to be made by chance: but to compare it with a house in which the most perfect architecture should be conspicuous. For the structure and frame of the least living creature is infinitely more artful and admirable than the finest house that ever was built.
Suppose a traveller entering Saida, the country where the ancient Thebes, with a hundred gates, stood formerly, and which is now a desert, should find there columns, pyramids, obelisks, and inscriptions in unknown characters. Would he presently say: men never inhabited this place; no human hand had anything to do here; it is chance that formed these columns, that placed them on their pedestals, and crowned them with their capitals, with such just proportions; it is chance that so firmly jointed the pieces that make up these pyramids; it is chance that cut the obelisks in one single stone, and engraved in them these characters? Would he not, on the contrary, say, with all the certainty the mind of man is capable of: these magnificent ruins are the remains of a noble and majestical architecture that flourished in ancient Egypt? This is what plain reason suggests, at the first cast of the eye, or first sight, and without reasoning. It is the same with the bare prospect of the universe. A man may by vain, long-winded, preposterous reasonings confound his own reason and obscure the clearest notions: but the single cast of the eye is decisive. Such a work as the world is never makes itself of its own accord. There is more art and proportion in the bones, tendons, veins, arteries, nerves, and muscles, that compose man's body, than in all the architecture of the ancient Greeks and Egyptians. The single eye of the least of living creatures surpasses the mechanics of all the most skilful artificers. If a man should find a watch in the sands of Africa, he would never have the assurance seriously to affirm, that chance formed it in that wild place; and yet some men do not blush to say that the bodies of animals, to the artful framing of which no watch can ever be compared, are the effects of the caprices of chance.
SECT. LXXIV. Another Objection of the Epicureans drawn from the Eternal Motion of Atoms.
I am not ignorant of a reasoning which the Epicureans may frame into an objection. "The atoms will, they say, have an eternal motion; their fortuitous concourse must, in that eternity, have already produced infinite combinations. Who says infinite, says what comprehends all without exception. Amongst these infinite combinations of atoms which have already happened successively, all such as are possible must necessarily be found: for if there were but one possible combination, beyond those contained in that infinite, it would cease to be a true infinite, because something might be added to it; and whatever may be increased, being limited on the side it may receive an addition, is not truly infinite. Hence it follows that the combination of atoms, which makes up the present system of the world, is one of the combinations which the atoms have had successively: which being laid as a principle, is it matter of wonder that the world is as it is now? It must have taken this exact form, somewhat sooner, or somewhat later, for in some one of these infinite changes it must, at last, have received that combination that makes it now appear so regular; since it must have had, by turns, all combinations that can be conceived. All systems are comprehended in the total of eternity. There is none but the concourse of atoms, forms, and embraces, sooner or later. In that infinite variety of new spectacles of nature, the present was formed in its turn. We find ourselves actually in this system. The concourse of atoms that made will, in process of time, unmake it, in order to make others, ad infinitum, of all possible sorts. This system could not fail having its place, since all others without exception are to have theirs, each in its turn. It is in vain one looks for a chimerical art in a work which chance must have made as it is.